Character animation

Character animation is a specialized area of the animation process, which involves bringing animated characters to life. The role of a Character Animator is analogous to that of a film or stage actor, and character animators are often said to be "actors with a pencil" (or a mouse). Character animators breathe life in their characters, creating the illusion of thought, emotion and personality. Character animation is often distinguished from creature animation, which involves bringing photo-realistic animals and creatures to life.

Origins

Winsor McCay's Gertie the Dinosaur (1914) is often considered the first example of true character animation. Later, Otto Messmer imbued Felix the Cat with an instantly recognizable personality during the 1920s.

In the 1930s, Walt Disney made character animation a particular focus of his animation studio, best showcased in productions such as Three Little Pigs, Snow White and the Seven Dwarfs, Pinocchio, and Dumbo. Snow White and the Seven Dwarfs was the "first full length animated and musical feature" in Technicolor. Disney animators such as Bill Tytla, Ub Iwerks, Grim Natwick, Fred Moore, Ward Kimball, Les Clark, John Sibley, Marc Davis, Wolfgang Reitherman, Hal King, Hamilton Luske, Norm Ferguson, Eric Larson, John Lounsbery, Milt Kahl, Joe Ranft, Frank Thomas and Ollie Johnston all became masters of the technique.

Adobe After Effects

Adobe After Effects is a digital visual effects, motion graphics, and compositing application developed by Adobe Systems and used in the post-production process of filmmaking and television production. Among other things, After Effects can be used for keying, tracking, rotoscoping, compositing and animation. It also functions as a very basic non-linear editor, audio editor and media transcoder.

Description

Adobe After Effects is software primarily used for creating motion graphics and visual effects. It allows users to animate, edit, and compose media in 2D or 3D space with many different built-in tools and third party plug-ins which can be downloaded from the Internet depending on what type of plug in the user is looking for. It also provides individual attention to variables like parallax and also user adjustable angles of observation.

Adobe After Effects is a layer-oriented program. Each individual media object like video clips, still images, audio clips, etc. runs on its own. In contrast, other Non-Linear Editing Systems use a system where individual media objects can occupy the same track as long as they do not overlap at the same time. This track-oriented system is more suitable for editing and can keep project files more simple. The layer oriented system that Adobe After Effects has is suitable for extensive video effects work and also key framing. Other compositing packages, especially the ones that employ tree or node workflows, such as Nuke and Fusion, are better suited to managing complex interconnected data flow within a composite. Adobe After Effects is capable of countering the problem somewhat by selectively hiding layers or by grouping them into pre-compositions.

Character

Character(s) may refer to:

Art and entertainment

Animation

Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation.

Animation can be recorded with either analogue media, a flip book, motion picture film, video tape, digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced.

Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second.

History

Early examples of attempts to capture the phenomenon of motion into a still drawing can be found in paleolithic cave paintings, where animals are often depicted with multiple legs in superimposed positions, clearly attempting to convey the perception of motion.