Breathe Carolina

Breathe Carolina is an American electronic band from Denver, Colorado, composed of David Schmitt, Tommy Cooperman, and Eric Armenta. The band formed in 2006 and since have released four albums, and two EPs.

History

Beginnings (2007)

Kyle Even, born on September 21, 1985, and David Schmitt, born on March 26, 1988, spent their early years playing in various local Colorado musical groups. After being introduced to alternative rock by an older stepbrother, Even moved towards vocals as a teen. Even performed in the band Rivendale. They produced an extended play called Portrait of Shadows. Schmitt, on the other hand, started on bass at the age of 12 and then branched out to guitar, performing in Colorado with As the Flood Waters Rose (later named The Autobiography).

Both bands played together often. As the Flood Waters Rose opened up for Rivendale at Rivendale's album release at Grandpa's Music Box in Thornton. After leaving As the Flood Waters Rose, Schmitt started recording his own song on GarageBand, which he later asked Even to participate in creating. As both bands broke up for the members' departure for college, Even and Schmitt started Breathe Carolina.

Music video

A music video or song video is a short film integrating a song and imagery, produced for promotional or artistic purposes. Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings. There are also cases where songs are used in tie in marketing campaigns that allow them to become more than just a song. Tie ins and merchandising could be used in toys are marketing campaigns for food and other products. Although the origins of music videos date back to musical short films that first appeared in the 1920s, they came into prominence in the 1980s when MTV based their format around the medium. Prior to the 1980s, these works were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip" or "film clip". Since the creation and increased popularity of YouTube, mainstream artists now promote new music videos by releasing trailers of short promos on the site for their upcoming song and music video. Consequentially, YouTube has been converted into a social media platform for celebrities and artists to market themselves to their fans and audiences.

Tony Junior

Tony Peroni, better known by is stage name, Tony Junior, is a Dutch DJ who produces Dance music, he is ranked at 1439 in the global DJ rankings, and ranked 105 in the dutch DJ rankings. In 2014 he played at Tomorrowland in Belgium.

Early career

Junior came from a musical family, and started drumming when he was 10 years old. Junior started his music career as a drummer in a rock band, but when the band split up, Junior decided to make music as a solo act. His first track was named "Loesje", in collaboration with Nicholas Nox. Which became a huge hit in the Netherlands.

Discography

Singles

Sources:

Rhythm Is a Dancer

"Rhythm Is a Dancer" is a song recorded by German Eurodance group Snap!. It was released in March 1992 and achieved huge success in many countries around the world, topping the charts in France, Ireland, Italy, Netherlands, Germany and the United Kingdom. It also reached the top 5 on the US Billboard Hot 100 and number one on the US Hot Dance Music/Club Play Singles. The single spent six weeks at the top in the UK where it was the second biggest selling single of 1992, surpassed only by Whitney Houston's version of "I Will Always Love You".

The song was the second single from the album The Madman's Return. It was written by Benito Benitez, John "Virgo" Garrett III (aliases for German producers Michael Münzing and Luca Anzilotti), singer Thea Austin, and rapper Turbo B and produced by Snap!.

Lyrics and music

The track features lead vocals by Thea Austin and a rap by Turbo B.

According to Miz hit. tubes, a book which analyses the French pop charts, "This discotheque song alternates female singing in the chorus with fluid, set back male raps in the verses. These are tinted with a resonant sonority, which gives them an astonishingly melancholic softness, for a Dance hit. That gives the whole track a particular colour, almost nostalgia."