Coley may refer to:
Saithe (/seɪð/ or /seɪθ/),Pollachius virens, is a species of marine fish in the Pollachius genus. Together with Pollachius pollachius it is generally referred to in the U.S. as pollock. Other names include the Boston blues (separate from bluefish), coalfish/coley and saithe in the UK.
This species can be separated from P. pollachius by looking at the relative lengths of the upper and lower jaws. P. pollachius has a longer underslung lower jaw while P. virens has approximately equal upper and lower jaw lengths. This gives a very different profile to the head. In general P. pollachius is a brown or golden colour with a dark back while P. virens is bright silver with a very dark green back. P. virens generally appears to have relatively larger eyes. The lateral line of P. pollachius has a noticeable kink over the pectoral fins while that of P. virens is straighter.
The flesh of coalfish (P. virens) is darkly coloured (hence the common name) while that of P. pollachius is similar to other members of the cod family. This dark colour in the fresh uncooked flesh may have led to the undeserved reputation of this fish as poor for eating.
Coley is a surname. Notable people with the surname include:
Caia may refer to:
The Caia is a river in the Iberian Peninsula, a tributary to the Guadiana. It is one of the main water courses in the Portalegre District, Portugal. Portugal does not recognise the border between the Caia and Ribeira de Cuncos River deltas, since the beginning of the 1801 occupation of Olivenza by Spain. This territory, though under de facto Spanish occupation, remains a de jure part of Portugal, consequently no border is henceforth recognised in this area.
It has its sources in the Serra de São Mamede and for the lower 11 kilometres (7 mi) of its course it forms the international Portugal-Spain border. Finally it joins the Guadiana River southwest of the city of Badajoz.
Caia /ˈtʃaɪ.ə/, pronounced "ch-AYE-ah", is a collaborative effort of electronica/dance artists Maiku Takahashi and Andy Cato of Groove Armada and The Weekend Players. Their only known album, The Magic Dragon, was released in April 2003, whose sound can be described as ambient, trip-hop, and dance. Produced by Cato and mixed by Takahashi, the effort's only album has light and airy beats that have rich drum beats and beautiful synth strings.
The first track on the album, The Rose Room's drum beat has a bass-rich sound and synth, with ambient voices and a calming sound. Remembrance is a 7-minute long instrumental that has light electric piano sounds and a dreamy synth, with ambient voices calling out from the background. Following that is The Love Room, which has a sound similar to that of The Rose Room with its bass rich drum beat, but has a bit of a darker, minor sound compared to the light, major chords ever-present in The Rose Room and Remembrance. The fourth track, Summer Lightning, is aptly named, for its dreamy bongo-esque drum beat and light dreamy instrumental noise about it. La Telecabine has a light sound that escalates to a pounding drum beat with dreamy instrumentals, and calming down as the song ends and transfers to Mr. Gone. Heavy Weather and Subway Freedom share the same vibe of an African-sounding bongo drum and a light instrumental tone that swiftly transitions to a louder, richer, and bass-enhanced sound, then calms down similar to Remembrance and Summer Lightning. Finally, Afterwards @ The Bar has a very calm, instrumental noise that ends the short-lived group's only album like it's falling into a deep sleep.
Melontar kerikil ke sungai
Dan mencinta kitaran air
Yang tak henti mencerminkan dirimu
Supaya terpadam kenanganmu
Namun tidak terluput biar seberkas pun
Sebaliknya wajahmu jadi sejuta ragam
Melamar mesra, mengusik jiwa
Menguris merintih membujuk kasih
Menjaring rindu mengintai waktu
Kala cinta belum terpisah
Kucuba merubah situasi
Dan berlari jauh dari situ
Masih juga kau bermain mesra di mata