RhoDeo 1725 Re-Ups 103

Hello,


7 correct requests this week, 2 too recent (again !), in short another batch of 25 re-ups, 3 for the first time in Flac.

These days i'm making an effort to re-up, it will satisfy a small number of people which means its likely the update will  expire relatively quickly again as its interest that keeps it live. Nevertheless here's your chance ... asks for re-up in the comments section at the page where the expired link resides, or it will be discarded by me. ....requests are satisfied on a first come first go basis. ...updates will be posted here remember to request from the page where the link died! To keep re-ups interesting to my regular visitors i will only re-up files that are at least 12 months old (the older the better as far as i am concerned), and please check the previous update request if it's less then a year old i won't re-up either.

Looka here , requests fulfilled up to June 22th.... N'Joy

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4x Into BPM NOW In Flac (Orbital - Diversions, Sven Väth - Touch Themes Of... , VA - Wasted (The Best Of Volume 1-1), VA - Wasted (The Best Of Volume 1-2))


4x Sundaze Back in Flac (VA - Space Night Vol. 05 alpha, VA - Space Night Vol. 05 beta, VA - Space Night Vol. 06 alpha, VA - Space Night Vol. 06 beta)


4x Aetix Back In Flac ( Negativland - Negativland, Negativland - Points, Negativland - A Big 10-8 Place, Negativland - Helter Stupid)


3x Aetix Back In Flac ( The Saints - (I'm) Stranded, The Saints - Eternally Yours , The Saints - Prehistoric Sounds)


3x Roots Back In Flac (Franco & TPOK - Francophonic Vol.2-1, Franco & TPOK - Francophonic Vol.2-2, Franco & TPOK Jazz - Le Grand Maitre )


3x Aetix Back In Flac ( Tubeway Army - Tubeway Army, Gary Numan -  Telekon, Gary Numan - Dance )


4x Aetix Back In Flac ( Front 242 - Geography, Front 242 - No comment, Front 242 - Official Version, Front 242 - Front By Front )


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RhoDeo 1725 Aetix

Hello, as the heatwave continues i decided to have some relaxed Aetix today, airy stuff to cool down to with from a group with a remarkably wrong name, it just didn't do them any justice, what is left is decent 80's output where i felt the last album in that series deserved space despite being the fifth.



Today's artists are an English pop/rock band formed in 1979 in Kirkby, near Liverpool, Merseyside with a core of vocalist/keyboardist Gary Daly and guitarist Eddie Lundon. They were part of a wave of new Liverpool acts in the late 1970s and early 1980s, led by OMD and also including Echo and the Bunnymen, The Teardrop Explodes, A Flock of Seagulls and Frankie Goes to Hollywood. The group had moderate success in the United Kingdom in the 1980s with five Top 40 singles and three Top 40 albums. The band also achieved a modest level of commercial success in Western Europe and Australia, and some minor chart successes in the Americas........N'Joy

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Sharing an affection for Stevie Wonder, Steely Dan, David Bowie, and Brian Eno, Gary Daly and Eddie Lundon played with various Knowsley post-punk groups. Daly then spent time tinkering with synthesizers and a drum machine, along with Lundon, they began writing songs. The pair eventually asked drummer and percussionist Dave Reilly to join them in 1981, and in 1982 they released their debut single "African and White" as China Crisis on the independent record label, Inevitable. In June 1982, they backed Tom Verlaine at The Venue in London..

The band were signed to Virgin Records and recorded their debut album, Difficult Shapes & Passive Rhythms, Some People Think It's Fun to Entertain, which was released in December 1982. A re-release of "African and White" became China Crisis' first hit in the United Kingdom, reaching No 45 in the UK Singles Chart. The follow-up single, "Christian", made UK No 12 in early 1983 and brought them to national prominence. By the time of this success; Reilly had left the band, but had remained with the band long enough to co-write and perform on "Christian", along with session musician Steve Levy playing oboe and saxophone. The album peaked at No 21 in the UK Albums Chart. During this period the band toured supporting Simple Minds.

Adding Gary "Gazza" Johnson (bass guitar) and Waterboys drummer Kevin Wilkinson to the line-up, a second album, Working with Fire and Steel – Possible Pop Songs Volume Two, was released in November 1983. Tracks included the singles "Tragedy and Mystery" (released six months earlier) and "Hanna Hanna" as well as the title track, "Working with Fire and Steel", which became a hit single in Australia. The album was a Top 20 success in the UK, and China Crisis spent 1984 and 1985 making their biggest chart run, beginning with their only UK Top 10 hit single, "Wishful Thinking", which peaked at No 9.

Their third album, Flaunt the Imperfection, was produced by Walter Becker of Steely Dan fame and reached No 9 in the UK Albums Chart in May 1985. China Crisis was so honoured to directly work with Becker that they officially listed him in the group as a quintet consisting of Daly, Lundon, Johnson, Wilkinson, and Becker on the album's credits. Becker was living on Maui, Hawaii, when he was approached by Virgin to work on this project, and he had to leave his expecting partner Eleanor to assist. He never formally appeared with the band (but made important playing contributions on the album) and the subsequent tour featured new keyboard player Brian McNeill. Johnson was now credited as co-writer with Daly and Lundon.

The album was promoted by the No 14 UK hit single "Black Man Ray", which also enjoyed critical acclaim and international success. The follow-up, "King in a Catholic Style (Wake Up)", was a Top 20 UK single at No 19, but it would prove to be the band's last substantial hit. A third release from the album, "You Did Cut Me", stalled at UK No 54. They simultaneously released a video compilation, Showbiz Absurd.

In 1986, the band collaborated with producers Clive Langer and Alan Winstanley (who worked with Madness) on What Price Paradise, which included "Arizona Sky", the album's first single release and another Australian hit. All the band were now credited as songwriters. A second single from the album, "Best Kept Secret", made UK No 36 in early 1987. It was to be the band's final Top 40 hit single.

The five-piece band worked with Becker once more on 1989's Diary of a Hollow Horse, which earned critical acclaim though little commercial success. It fared slightly better than its predecessor, making the UK Top 60, and spawned the singles "St Saviour Square" and "Red Letter Day", both achieving the lower reaches of the UK Singles Chart. Becker produced most of the album's tracks, but this time was not credited as an official band member.

The band's last studio album, Warped by Success, was released in 1994, following the band's parting of ways with the Virgin label. The album produced their final studio chart single, "Everyday the Same", which briefly edged into the UK Top 100. Although Johnson and Wilkinson both made small contributions, the band was now listed as comprising Daly, Lundon, producer Terry Adams and sound engineer Mark Phythian. In 1995 they released a live unplugged album and video entitled Acoustically Yours. This featured a live version of "Black Man Ray", and also saw a return for Johnson, Wilkinson and McNeill.

Since 1992, there have been four compilation albums of their work for the UK and US markets and three live DVDs. The first of these, entitled Collection: The Very Best of China Crisis, made the Top 40 in the UK Albums Chart in 1990.

On 17 July 1999, drummer Kevin Wilkinson committed suicide by hanging himself at the age of 41. Wilkinson had played with a wide variety of bands including The Waterboys, Fish, The Proclaimers, Squeeze and with Howard Jones. In 2000, Daly contributed a track to a tribute compilation to Wilkinson, Green Indians.

Since the late 1990s, China Crisis has concentrated on live performances with only original members Eddie Lundon and Gary Daly being constant throughout; the band alternates between performances either as a duo or with a fluctuating line-up of backing musicians, the most notable of which is Manx guitarist Colin Hinds who spent more than ten years with the band in the early 21st century.

On 16 December 2013, the song "Everyone You Know" was made available as a free download on the Pledge Music website, when pre-ordering the album Autumn in the Neighbourhood announced for release in 2014. As of 5 February 2015, the band had achieved 235% of its pledgemusic target and the album was in final mix and production. Autumn in the Neighbourhood was released on 3 June 2015 via the Pledge Music website. It was their first studio album for 21 years, and contained 11 songs: The band undertook an extensive promotional tour of the UK from the end of September until December 2015, both as a trio and as a full band.


Oddly China Crises despite being a band with high production values has never been remastered yet, could it be they dazed of at Virgin or whoever owns that these days. That would be Universal our planets largest Music Group and China crises rings very different bells in their headquarter.

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Like fellow Liverpudlians O.M.D., China Crisis began life as a synthetic duo who performed brilliantly executed pop songs with quirky edges. And like O.M.D., they seamlessly mixed their love of guitar-based pop with (then) modern musical technology (i.e., synthesizers). Unlike O.M.D., China Crisis' legacy languishes somewhere between there and then with no sign of them ever being considered "hip." Not to say that that is their fault! Gary Daly (the quirky vocalist/keyboardist) and Eddie Lundon (the smooth vocalist/guitarist) made their fascinating debut, Difficult Shapes & Passive Rhythms, Some People Think It's Fun to Entertain, on a low budget, and their magic was already in place, especially on the Steely Dan-ish "No More Blue Horizons," the upbeat groove of "Some People I Know to Lead Fantastic Lives" and "You Never See It," the gorgeous "Christian," and their early hit "African and White." Their quirkiness doesn't quite translate on a few tracks ("Temptation's Big Blue Eyes" and "Are We a Worker"), but the charm of this album will win you over if you like smart, yet slightly eccentric, pop songs. It is plainly obvious that, no matter how uncommercial a particular song may be, the boys in China Crisis put their heart and soul into it, creating something uniquely their own, and building upon it. They would finally work their quirks effortlessly into the music on their sophomore release, but there's plenty for synth fans and '80s fans to find here.

 China Crisis - Difficult Shapes & Passive Rhythms (flac  214mb)

Difficult Side
01 Seven Sports For All 3:18
02 No More Blue Horizons (Fool, Fool, Fool) 3:48
03 Feel To Be Driven Away 2:55
04 Some People I Know To Lead Fantastic Lives 3:33
05 Christian 5:37
Entertainment Side
06 African And White 3:46
07 Are We A Worker 3:30
08 Red Sails 4:43
09 You Never See It 2:57
10 Temptations Big Blue Eyes 3:25
11 Jean Walks In Freshfields 1:53

China Crisis - Difficult Shapes & Passive Rhythms   (ogg  89mb)

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China Crisis main men Gary Daly and Eddie Lundon were great songwriters searching for that one song that would make a difference. "Working with Fire and Steel" was that song. Although they had hits before, and they would have hits after, no other song defined China Crisis' essence more. With its percolating beat, Daly's hiccupping vocals, and a smashing chorus, it was the perfect modern pop song. With that said, there was also so much more to China Crisis than that one song. This, their sophomore album, features songs cut from the same cloth as "...Fire and Steel," including "Animals in Jungles" and "Hanna Hanna," but also reveals a band with deeper meaning and ambitious ideas. Lundon's sweet backing vocals (and lead vocals on the pretty "Wishful Thinking" and "When the Piper Calls") balance out the quirkiness of Daly's voice, creating a perfect combination. Although they were pigeonholed as a 'synth pop' band, China Crisis was much more. All that mattered to them was the song, and this album is chock full of intelligent, well-written pop songs. Producer Mike Howlett added much to the sonic blend, allowing the melodies to shine while toughening up the band's sound (the addition of a full-time drummer and bassist helped to thicken the sound as well). Even the softer moments, like "Here Comes a Raincloud," and "The Soul Awakening" are full of life and excitement. Apart from their own matured sound on this release, there are traces of rock, pop, and jazz floating between the lines. It was only a matter of time before they were compared to Steely Dan. But that came on the next album....

China Crisis - Working With Fire And Steel (flac 262mb)

01 Working With Fire And Steel 3:41
02 When The Piper Calls 4:04
03 Hanna Hanna 3:29
04 Animals In Jungles 3:39
05 Here Come A Raincloud 4:16
06 Wishful Thinking 4:42
07 Tragedy And Mystery 4:03
08 Papua 3:36
09 The Gates Of Door To Door 4:16
10 The Soul Awakening 4:36

China Crisis - Working With Fire And Steel   (ogg  96mb)

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China Crisis underwent a complete change in sound for their third album, completely ditching the heavy dub rhythms and challenging arrangements of 1982's Difficult Shapes & Passive Rhythms, Some People Think It's Fun to Entertain and 1983's Working with Fire and Steel (Possible Pop Songs, Vol. 2) with an altogether smoother and less aggressive sound. That doesn't equal a commercial capitulation, however; if anything, the choice of Walter Becker (of the then-unfashionable Steely Dan) as producer was a more commercially daring maneuver than anything the group had previously attempted. The overall sound is considerably prettier than before -- the placid Eno-like "Black Man Ray? is downright beautiful -- and the arrangements mix synthesizers with traditional instruments in what was for 1985 an unusually graceful way, with neither predominating. Another difference from the earlier albums is that the group's songwriting is much improved, the failed instrumental experiments and tiresome dance workouts that occasionally marred their earlier albums replaced with a newfound melodic sophistication and lyrical acuity. By the time of 1987's What Price Paradise, this sophistication will be unfortunately replaced by callow slickness, but Flaunt the Imperfection is the one album where China Crisis got the balance right.

 China Crisis - Flaunt The Imperfection (flac 238mb)

01 The Highest High 4:16
02 Strength Of Character 2:50
03 You Did Cut Me 4:18
04 Black Man Ray 3:39
05 Wall Of God 5:32
06 Gift Of Freedom 4:38
07 King In A Catholic Style 4:32
08 Bigger The Punch I'm Feeling 4:21
09 The World Spins, I'm Part Of It 4:12
10 Blue Sea 4:46

China Crisis - Flaunt The Imperfection   (ogg  94mb)

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After making a bid to become the '80s version of Steely Dan on the delightful Flaunt the Imperfection, China Crisis offered a fuller and more pop-oriented follow-up the next year. With the duo of Clive Langer and Alan Winstanley (replacing Walter Becker) sharing the producer's chair, the songs on What Price Paradise feature warm, intricate arrangements and prominent brass and strings. But while more than one Langer/Winstanley offering of this era overwhelmed its subject with such treatment -- Elvis Costello's ill-fated Goodbye Cruel World is a good example -- the sophisticated and melodic songs here prosper from the attention to detail. The Motown-ish bounce of "Worlds Apart" and "June Bride" is made even more infectious by punchy horn charts, while "Hampton Beach" offers sweeping melodrama, as Gary Daly's delicate vocals are surrounded with just the right touches. Even the songs that hint at the previous album's jazzy complexities, like disc opener "It's Everything," are more accessible and inviting here and, on "Arizona Sky," China Crisis seemed to have the big American hit that singles like "King in a Catholic Style" didn't quite deliver. Released at a time when many of the group's U.K. new wave contemporaries were being flushed off the charts -- most for good -- What Price Paradise was yet another strong outing from this too-often underrated band.

China Crisis - What Price Paradise (flac  290mb)
 
01 It's Everything 5:09
02 Arizona Sky 5:25
03 Safe As Houses 4:26
04 Worlds Apart 3:35
05 Hampton Beach 4:47
06 The Understudy 5:45
07 Best Kept Secret 4:08
08 We Do The Same 4:21
09 June Bride 3:50
10 A Day's Work For The Dayo's Done 4:17
11 Trading In Gold 4:27

China Crisis - What Price Paradise   (ogg   114mb)

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Reunited with producer Walter Becker, China Crisis made perhaps their most Steely Dan-like album with Diary of a Hollow Horse. Pristinely recorded and brimming with jazzy sophistication, it includes some of the U.K. quintet's best-ever material, including "Sweet Charity in Adoration," a satisfying, complex pop song of the first order that features a lovely flute cameo from sessionman Jim Horn. Yet beyond the FM perfection lurk a few surprises. The group also teamed with producer Mike Thorne (Soft Cell) for a trio of cuts that are among the most simple and direct pop songs in the their catalog. In particular, "St. Saviour Square" and "All My Prayers" have straightforward rhythms and melodies that connect instantly, drawing passionate performances from singer Gary Daly and offering a nice contrast to the more subtle surroundings. Harder to suss is the closer, the Becker-produced "Age Old Need," which sounds like it was lifted from the soundtrack to a medieval morality play. But the album did mark the close of a three-album period (begun with 1985's Flaunt the Imperfection and continued on What Price Paradise the following year) that saw China Crisis at their artistic peak, a summit reached by few of the group's late-'80s peers.

China Crisis - Diary Of A Hollow Horse (flac  256mb)
 
01 St. Saviour Square 4:08
02 Stranger By Nature 3:56
03 Sweet Charity In Adoration 4:51
04 Day After Day 5:07
05 Diary Of A Hollow Horse 3:15
06 Red Letter Day 4:37
07 In Northern Skies 5:02
08 Singing The Praises Of Finer Things 5:20
09 All My Prayers 4:03
10 Age Old Need 3:21
11 Back Home 3:55

China Crisis - Diary Of A Hollow Horse   (ogg   104mb)

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RhoDeo 1725 Roots

Hello, a tropical heat day here and living downtown means a few extra degrees and less cool down in the night, sigh. Oh well solstice is upon us, just 3 months until autumn..who knows what we'll have to worry about then Mrs Merkel will surely defeat that opportunist Schmidt but if Trump is still in power..let's hope so, that is as long as his idiocy remains harmless.




Today's artist is one of his home country's most enduring national heroes. Though he is most treasured in Argentina, where his outspoken social consciousness and storied past as a fearless protest singer endeared him deeply to those who share his heritage, his appeal extends beyond his homeland: he performs to international audiences regularly and is often described in shorthand as "the Bob Dylan of Argentina."

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Leon Gieco was born on November 20, 1951 in Santa Fe Province, Argentina. At 6 years old, Gieco traveled with his family from the field to the village center due to economic problems. At age 8, Gieco bought his first guitar on credit, and soon began playing music at local events with his father's band. Throughout his childhood, Gieco played with local bands such as a folkloric group called Los Nocheros (The Night Watchers) and Los Moscos (The Flies), a rock band that gained some popularity within Argentina. In 1965, Gieco traveled to Bolivia as an exchange student. He studied music and played guitar at local festivities.

When Gieco turned 18, he went to Buenos Aires to become a full-time musician. There, he took guitar lessons from Gustavo Santaolalla, who introduced him to important people in the Buenos Aires musical community, such as Raúl Porchetto, Charly García, Nito Mestre, and María Rosa Yorio, members of the Argentine supergroup, Porsuigieco. Gieco was given the opportunity to perform in the Buenos Aires Rock Festival in 1971, 1972, and 1973. In 1973, he recorded his first album, "Leon Gieco" ( it was recorded independently with Santaolalla). "En el País de la Libertad" ("In the Country of Freedom"), a hit from his album, demonstrated Gieco's concern for change in Argentina, his concern for social justice.

In 1976 Gieco released El Fantasma de Canterville ("The Ghost of Canterville"). The record suffered a great deal of censorship from the military government forcing him to change the lyrics of 6 songs and remove 3 others altogether. Nevertheless, the record was a success, and he had concerts not only around Argentina, but also in other countries of South America. Two years later he released IV LP, with one of his most famous songs: "Sólo le pido a Dios" ("I only ask of God"). Due to the political situation in Argentina, Gieco moved to Los Angeles, California in 1978 for one year.

On December 20, 1979, the Argentine Minister of Education announced the closing of the National University of Lujan in Buenos Aires. Gieco participated in a protest against the closing by singing "La Cultura es la Sonrisa". His lyrics say, "(Culture) only cries in a country where people can't choose it/it only cries its sadness if a minister closes a school..."

In 1981 Gieco started a 3-year, 110,000-kilometre-long series of independent concerts all over Argentina, playing for a total of 420,000 people. He gathered material from the different places he visited during the tour, and recorded the first volume of De Ushuaia a La Quiaca ("From Ushuaia to La Quiaca" in Buenos Aires with various autochthonous musicians in 1985. The following De Ushuaia a La Quiaca 2 and De Ushuaia a La Quiaca 3 were recorded in a mobile studio in different locations of the country.

In 1985, Gieco went to Moscow for the 12th "World Youth and Students' Festival" alongside Juan Carlos Baglietto and Litto Nebbia, representing Argentina. In 1986 and 1987, he held concerts in Germany with his friend Mercedes Sosa, including that of Berlin's Political Song Festival.

Gieco returned to Argentina and performed free concerts, one for 40,000 spectators at the National Flag Memorial in Rosario, and the other for 35,000 people in Buenos Aires. At Boca Juniors' Stadium he had a concert with Pablo Milanés and Chico Buarque, and guest musicians Mercedes Sosa, Fito Páez, Nito Mestre, Juan Carlos Baglietto and Sixto Palavecino. At the end of the year he went on a world tour that included countries such as Mexico, Peru, Brasil, Sweden, Germany and Denmark.

In 1988, Gieco performed in Germany and Austria. Back in Argentina he participated in the final concert of the Amnesty International Human Rights Now! Tour at River Plate Stadium, with Charly García, Peter Gabriel, Bruce Springsteen, Sting, and others.

After eight years of touring, Semillas del corazón ("Seeds of the heart") marked his return to the studio in 1989. That same year he performed at the Teatro Ópera in Buenos Aires with United States folk legend Pete Seeger. The following year, Seeger asked him to join a tour that took him to Washington, D.C., Boston and New York City. There he played with David Byrne, whom he had met in Buenos Aires shortly before.

In 1992, he played with Milton Nascimento, Mercedes Sosa, Os Paralamas do Sucesso, Gilberto Gil and Rubén Rada at the inauguration of the Latin American Parliament in São Paulo. In 1997 he participated in the memorial concert for the Mothers of the Plaza de Mayo, with bands such as Divididos, La Renga, Los Piojos, and Attaque 77.

Gieco began his most recent national tour for social justice, Mundo Alas, in 2007. Argentine musicians, dancers, singers, and painters, all with disabilities, performed alongside Gieco, expressing their unique talents and communicating with audiences. He gave these artists the opportunity to live out their dreams as he does. Gieco created a documentary from the road tour which was produced in March, 2009. The film features rock music, folk music, and tango, along with Gieco's original hits.

During his stop in Buenos Aires on his 2013 Wrecking Ball World Tour, Bruce Springsteen filmed a video for a solo acoustic performance of "Sólo le Pido a Dios".

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Gieco is a special musician who, starting from rock bases, uses elements of fusion with the oldest and autochthonous rhythms of Argentina, obtaining a music that can not be imitated or compared. This commitment is musical and poetic. Accompanied by guitar and harmonica, tones beautiful melodies, many of which have had worldwide diffusion, as I only ask God. An almost soloist songwriter, who "paints his village" becoming universal, as there are few in the world. This album shows in full maturity in all aspects with songs worked, careful lyrics and impeccable performances. His country's musician, above all, is precisely what makes it different and attractive, at a time when music seems to be the same all over the world. Here we have a voice and poetry that maintains its autonomy and difference. Recommended for Latinos and all those who like to dive in new rhythms, treated well and with respect. In addition, there is something in these songs that inspires something like hope, faith, energy, breath ...

Leon Gieco - Mensajes del Alma (Soul messages) (flac  298mb)

01 Los Salieris De Charly 6:20
02 Gira Y Gira 4:40
03 Todos Los Días Un Poco 3:30
04 Haleluja 5:25
05 Del Mismo Barro 4:05
06 Mensajes Del Alma 5:25
07 Río Y Mar 4:40
08 Maestras De Jujuy 4:25
09 Cuándo Los Ángeles Viajan 5:30
10 Cinco Siglos Igual 4:05

Leon Gieco - Mensajes del Alma (Soul messages) (ogg  120mb)

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La Historia Esta (the history is) was released in 1998 by Leon's own label, Cañada Records, and the production was jointly produced by Gieco and the Página 12 newspaper. The album consists of seven volumes that compile recordings made by the musician over the years and that form part of his private collection. Most are live and unreleased recordings, or collaborations on albums by other artists

León Gieco - La Historia Esta (Vol. 1)   (flac  349mb)

01 Hombres de hierro (León Gieco) 4:53
En vivo, Acusticazo. Teatro Atlantic Buenos Aires. Junio de 1972.

02 La colina de la vida (León Gieco) 4:37
*En estudio en Alemania. Abril 1988. Del LP "Guantanamera", 1988.

03 Brazo de guitarra (Raul Ellwanger - Paulinho Tapajós) 3:05
*Demo. Tema nunca grabado oficialmente por León Gieco

04 Introducción al recital (Porsuigieco) 1:16
*PorSuiGieco. Grabado en vivo en Tandil, provincia de Buenos Aires, 1975.

05 Viejo, solo y borracho (León Gieco) 3:52
*PorSuiGieco. Grabado en vivo en Tandil, provincia de Buenos Aires, 1975.

06 El fantasma de Canterville (Charly García) 3:18
*PorSuiGieco. Grabado en vivo en Tandil, provincia de Buenos Aires, 1975.

07 Santafecino de veras (Miguel Brascó - Ariel Ramírez) 2:33
Del LP "Santa Fe en tu corazón", 1987

08 Todos los días un poco (León Gieco - Luis Gurevich) 3:48
con Coro Procanto. Del cassette "Una canción debida", 1995

09 Cantando al sur bajo la lluvia (Ariel Prat - Claudio Fernández) 4:50
con Ariel Prat. Del cassette "Y en esa otra ciudad", 1990

10 Sólo le pido a dios (León Gieco) 4:09
con David Byrne. En vivo en Nueva York, Estados Unidos. Octubre de 1990.

11 Río y mar (León Gieco - Luis Gurevich) 3:06
con Lolita Torres. Grabado en el programa televisivo Dale Loly.

12 Camino de llamas (León Gieco - Uña Ramos) 4:35
con Markama. En vivo. Teatro Astral, Buenos Aires, 1991.

13 Otros todos (Isabel Parra) 7:08
con Isabel Parra junto a Celeste Carballo y Piero. Del LP "Enlaces", 1987

14 En la frontera (Isabel Parra) 3:13
con Isabel y Ángel Parra. En vivo. Quito, Ecuador. Del CD "Todas la voces todas", 1997

15 Hasta estallar (Iván Noble) 4:17
con Los Caballeros de la Quema. Del CD "Perros, perros y perros", 1997

16 El que pierde la inocencia (León Gieco) 2:30
con Las Hermanas Vera. Del LP "Simplemente Hermanas Vera", 1987

17 El que queda solo (León Gieco) 2:28
En vivo en el festival Marchemos hacia las fronteras

18 La mamá de Jimmy (León Gieco) 5:03
En vivo en el festival Marche

 León Gieco - La Historia Esta (Vol. 1) (ogg   138mb)

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León Gieco - La Historia Esta (Vol. 2)   (flac  326mb)

01 Plegaria a un labrador (Víctor Jara - Patricio Castillo) 4:10
En estudios. Noviembre de 1997. Tema nunca grabado oficialmente por León Gieco

02 Cuando llegue el alba (Waldo Belloso - Abel Figueroa) 3:36
En estudios. Del CD "Homenaje a Jorge Cafrune", 1993

03 La filosófica (Elpidio Herrera) 2:31
con Elpidio Herrera. Del LP "El sonido del monte", 1993

04 Maturana (Manuel José Castilla - Gustavo Leguizamón) 4:21
En vivo, Nueva York, Estados Unidos, Octubre de 1990.

05 Cien caballos (Daniel Cañueto) 2:29
Grabado en vivo en Berlín, Alemania, Febrero de 1987. Tema nunca grabado oficialmente por León Gieco

06 Cola de amor (León Gieco) 3:12
Grabado en vivo en Berlín, Alemania, Febrero de 1987

07 La chicharra cantora (Solís Pizarro - Francisco Córdoba) [02:00]
Grabado en vivo en Berlín, Alemania, Febrero de 1987

08 Puentecito de mi río 3:14
(Buenaventura Luna - Antonio Tormo - Diego Canales)  con Antonio Tormo. Del CD "20 y 20", 1997

09 El canto del tero (Sixto Palavecino - Cacho Lobo) 1:44
con Sixto Palavecino. En estudios Sicamericana de Buenos Aires, 1984.

10 Chacarera del encuentro (Elpidio Herrera - Sixto Palavecino) 2:13
con Sixto Palavecino. En estudios Sicamericana de Buenos Aires, 1984.

11 Cambalache (Enrique Santos Discépolo) 3:33
En TV. Para el programa Siglo XX Cambalache, Telefe.

12 Guantanamera (León Gieco - Joseíto Fernández) 5:43
con Sonamos. Del CD "El sol nos reconoce", 1997

13 Bajo el sol de Bogotá (León Gieco - Luis Gurevich) 3:43
En vivo, Estadio Obras. Abril de 1981. Versión inédita

14 Soy un pobre agujero (León Gieco) 3:13
En vivo, Estadio Obras. Abril de 1981. Versión inédita

15 Casamiento de negros (Popular chilena - Anónimo - Violeta Parra) 3:31
con Milton Nascimiento. Concierto "Corazón Americano"

16 Por el camino perdido (León Gieco) 3:09
Ensayo en estudios. Abril de 1981. Versión inédita

17 Te recuerdo Amanda (Víctor Jara) 5:53
con Ivan Lins. En vivo en el Luna Park, Setiembre de 1984.

18 Somos cinco mil [Canto que mal me sabes] (Víctor Jara) 5:26
con Pete Seeger. En vivo. Teatro Opera, Buenos Aires, Agosto de 1989.

León Gieco - La Historia Esta (Vol. 2) (ogg  141mb)

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León Gieco - La Historia Esta (Vol. 3) (flac  344mb)

01 El rey lloró (Litto Nebbia) 3:04
Ensayo. En estudios. Abril de 1981. León Gieco

02 Maestras de Jujuy (León Gieco - Luis Gurevich) 3:42
Demo. Versión inédita

03 Romaria (Renato Texeira) 4:16
con Renato Texeira, Almir Sater y Zeze. En vivo. Versión inédita

04 Semillas del corazón (León Gieco - Gabriela Molinari) 3:57
En TV. Programa Badia & Compañía, Setiembre de 1988.

05 Barrio Golondrina (León Gieco) 2:46
En TV. Programa Badia & Compañía, Setiembre de 1988.

06 Río Paraná (Ricardo Iorio) 3:49
con Ricardo Iorio y Flavio Cianciarullo "Peso Argento", 1997

07 Gente necesaria (Hamlet Lima Quintana - Enrique Llopis) 2:46
con Enrique Llopis y Lalo de los Santos. Del LP "Santa Fe en tu corazón", 1987

08 Nuevo tiempo (Ivan Lins) 4:35
con Ivan Lins, Luis Alberto Spinetta y Pedro Aznar. En vivo en el Luna Park, Setiembre de 1984.

09 La lluvia de la ciudad (León Gieco - Gabriel Senanes) 5:36
con Gabriel Senanes. Del LP "Cartón lleno", 1987

10 Che, pibe (Raúl Porchetto) 2:59
con Raúl Porchetto. Del LP "Che pibe", 1982

11 Chacarera de un atardecer (León Gieco) 3:29
En vivo. Estadio Obras. Abril de 1981

12 El rancho e`la cambicha (Mario Millán Medina) 3:33
con Antonio Tormo. Del CD 20 y 20. 1997

13 La del sauce (Eduardo Haspert) 3:46
con Eduardo Haspert. Del cassette "Bailando a la luz de la luna" 1990

14 Bichitos de luz (María Eva Basterra Seoane - León Gieco) 4:31
En Estudios. Del CD "Ponele letra a los famosos" 1997

15 La cuca del hombre (Raul Ellwanger) 3:07
con Raúl Ellwanger. Del LP "La cuca del hombre", 1984

16 María del campo (León Gieco) 3:37
En vivo en Olavarría, Febrero de 1978. Versión inédita

17 Los chacareros de dragones (León Gieco) 2:10
En vivo en Olavarría, Febrero de 1978. Versión inédita

18 Cuando me muera quiero (León Gieco) 4:24
En vivo en Olavarría, Febrero de 1978. Versión inédita

León Gieco - La Historia Esta (Vol. 3) (ogg  143mb)
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