Australian politics, society & culture

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Robert Dessaix’s ‘The Pleasures of Leisure’ is a 21st-century defence of idleness
By Helen Elliott on the
Is the factional infighting just growing pains or symptomatic of an identity crisis?
By Mungo MacCallum on the
Image of Lorde
The return of Lorde, Frank Ocean and Radiohead live in Denmark, ‘OK Computer’ at 20, and more
By Anwen Crawford on the
By Nick Feik on the
The Indigenous community spoke as one at the recent Uluru constitutional convention. “It was decisive and left no doubt about what people wanted,” writes Megan Davis in this month’s issue. It also brought “clarity and coherence to a discursive process that has rambled on for ten years”. There were some scurrilous...
Álvaro Enrigue’s ‘Sudden Death’ and the nonfiction future of fiction
By Matthew Clayfield on the
With each season, ‘Better Call Saul’ feels more like a corrective to ‘Breaking Bad’
By Adam Rivett on the
Director Bong Joon-ho on ‘Okja’, Netflix and the new cinema model
By Luke Goodsell on the
Malthouse Theatre’s ‘Revolt. She Said. Revolt Again.’ is an exciting but nihilistic condemnation of how contemporary feminism has been derailed
By Alison Croggon on the
What does the government think it will achieve with its proposed reforms?
By Mungo MacCallum on the
Hobart’s Dark Mofo is an illuminating reflection on myth, ritual, sex and death
By Jenny Valentish on the
Ian Potter Museum for Art’s ‘Vertigo Sea’ and ‘I was born in Indonesia’ are very different answers to the same question
By Quentin Sprague on the
The Trump impression is just another eggshell for the PM to walk on
By Mungo MacCallum on the
‘PACmen’ is a good old-fashioned look at the absurdities of US politics
By Liam Pieper on the
Climate change, ideology and the role of government
By Anna Krien on the
Rachel Seiffert’s ‘A Boy in Winter’ chronicles the physical and psychological brutality of war from multiple perspectives
By Kevin Rabalais on the
‘Macbeth’ at Melbourne Theatre Company attempts to draw on the tension between high and low art
By Alison Croggon on the
The streaming giant is paying big money for big names as it expands into film, but will that be enough?
By Harry Windsor on the
Theresa May and Malcolm Turnbull are both regretting their early elections
By Mungo MacCallum on the

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