Hatsune Miku

Hatsune Miku (Japanese: 初音ミク), sometimes referred to as Miku Hatsune, is a humanoid persona voiced by a singing synthesizer application developed by Crypton Future Media. Hatsune Miku is portrayed as a 16-year-old girl with long turquoise twintails. She uses Yamaha Corporation's Vocaloid 2 and Vocaloid 3 singing synthesizing technologies. She also uses Crypton Future Media's Piapro Studio, a singing synthesizer VSTi Plugin. She was the second Vocaloid sold using the Vocaloid 2 engine, and the first Japanese Vocaloid to use the Japanese version of the Vocaloid 2 engine. Her voice is sampled from Japanese voice actress Saki Fujita. Hatsune Miku has performed at her concerts onstage as an animated projection.

The name of the character comes from merging the Japanese words for first (初, hatsu), sound (音, ne) and future (ミク, miku), thus meaning "the first sound from the future," referring to her position as the first of Crypton's "Character Vocal Series."

Development

Hatsune Miku was the first Vocaloid developed by Crypton Future Media after they handled the release of the Yamaha vocal Meiko and Kaito. She was built using Yamaha's Vocaloid 2 technology, and later updated over time to newer engine versions. She was created by taking vocal samples from voice actress Saki Fujita at a controlled pitch and tone and those different samples all contain a single Japanese or English phonic which, when strung together, create full lyrics and phrases. The pitch of the samples was to be altered by the synthesizer engine itself, and was constructed into a keyboard style instrument within the Vocaloid software.

Live

Live may refer to:

Military

Film, television, and media

Films

TV

Information and communication technologies

Sapporo

Sapporo (札幌市, Sapporo-shi)  listen  is the fourth-largest city in Japan by population, and the largest city on the northern Japanese island of Hokkaido. Located in Ishikari Subprefecture, it is the capital of Hokkaido Prefecture, and an ordinance-designated city of Japan.

Sapporo is known outside Japan for having hosted the 1972 Winter Olympics, the first ever held in Asia, and for the city's annual Yuki Matsuri, internationally referred to as the Sapporo Snow Festival, which draws more than 2 million tourists from around the world. The city is also home to Sapporo Brewery and the white chocolate biscuits called shiroi koibito (白い恋人, "white sweetheart").

History

Early history

Before its establishment, the area occupied by Sapporo (known as the Ishikari Plain) was home to a number of indigenous Ainu settlements. In 1866, at the end of the Edo Period, construction began on a canal through the area, encouraging a number of early settlers to establish Sapporo village. The settlement's name was taken from the Ainu language sat poro pet (サッ・ポロ・ペッ), and can be translated as "dry, great river".

Miku

Miku is a Japanese given name.

People

Fictional characters

Places

See also

Night Fever

"Night Fever" is a disco song, written and performed by the Bee Gees. It first appeared on the soundtrack to Saturday Night Fever. Producer Robert Stigwood wanted to call the film Saturday Night, but singer Robin Gibb expressed hesitation at the title. Stigwood liked the title Night Fever but was wary of marketing a movie with that name.

The B-side was a live version of "Down the Road" in 1977, previously released on Here at Last... Bee Gees... Live.

Inspiration and writing

When Bee Gees manager Robert Stigwood was producing a movie about a New York disco scene, the working title for the film at that time was Saturday Night as Stigwood asked the group to write a song using that name as a title, but the Bee Gees thought it was a dumb title, but they had already written a song called "Night Fever". The group convinced Stigwood to use that and change the film to Saturday Night Fever.

The string intro of "Night Fever" was inspired by "Theme from A Summer Place" by Percy Faith, according to keyboardist Blue Weaver when he was performing it one morning at the sessions and Barry Gibb walked in and heard the new idea for this song. As Weaver explains the history behind this song: