Adobe Premiere Pro

Adobe Premiere Pro is a timeline-based video editing software application. It is part of the Adobe Creative Cloud, which includes video editing, graphic design, and web development programs.

Premiere Pro is used by broadcasters such as the BBC and CNN. It has been used to edit feature films, such as Gone Girl,Captain Abu Raed, and Monsters, and other venues such as Madonna's Confessions Tour.

History

Premiere Pro is the redesigned successor to Adobe Premiere, and was launched in 2003. Premiere Pro refers to versions released in 2003 and later, whereas Premiere refers to the earlier releases. Premiere was one of the first computer-based NLEs (non-linear editing system), with its first release on Mac in 1991. Up until version Premiere Pro 2.0 (CS2), the software packaging featured a galloping horse, in a nod to Eadweard Muybridge's work, "Sallie Gardner at a Gallop".

Features

Premiere Pro supports high resolution video editing at up to 10,240 × 8,192resolution, at up to 32-bits per channel color, in both RGB and YUV. Audio sample-level editing, VST audio plug-in support, and 5.1 surround sound mixing are available. Premiere Pro's plug-in architecture enables it to import and export formats beyond those supported by QuickTime or DirectShow, supporting a wide variety of video and audio file formats and codecs on both MacOS and Windows. When used with Cineform's Neo line of plug-ins, it supports 3D editing with the ability to view 3D material using 2D monitors, while making individual left and right eye adjustments.

Premiere

A premiere (or première, French for "first") is the debut (first public presentation) of a play, film, dance, or musical composition.

Raymond F. Betts attributes the introduction of the film premiere to Sid Grauman.

See also

References

External links

Media related to Premiere at Wikimedia Commons

Adobe

Adobe (ⁱ/əˈdoʊbi/, UK /əˈdoʊb/,Spanish pronunciation: [aˈðoβe], from Spanish: mud brick, from Arabic) is a building material made from earth and often organic material. Most adobe buildings are similar to cob and rammed earth buildings. Adobe is among the earliest building materials, and is used throughout the world.

Description

Adobe bricks are most often made into units weighing less than 100 pounds and small enough that they can quickly air dry individually without cracking and subsequently assembled, with the application of adobe mud, to bond the individual bricks into a structure. Modern methods of construction allow the pouring of whole adobe walls that are reinforced with steel.

Strength

In dry climates, adobe structures are extremely durable, and account for some of the oldest existing buildings in the world. Adobe buildings offer significant advantages due to their greater thermal mass, but they are known to be particularly susceptible to earthquake damage if they are not somehow reinforced. Cases where adobe structures were widely damaged during earthquakes include the 1976 Guatemala earthquake, the 2003 Bam earthquake and the 2010 Chile earthquake.

Fast forward

To fast-forward is to moveable

Usage in audio

To reach a certain portion of a song, a person may fast-forward through a cassette tape by pressing a button (often labeled "Fast Forward" itself) on the tape deck containing the tape. The tape deck's motor activates at a speed higher than usual—for example, double the standard 1-7/8 ips playing speed of the 1/8" cassette tape—and can be stopped by the end of the tape, the pressing of a "Stop" button on the deck (or another button mechanism disengaging the button), or simply lifting a finger from the "Fast Forward" button.

Fast-forwarding is the exact opposite of rewinding, in which tape, music, etc., are moved backward at a user's discretion. In either operation, because of sound distortion, volume is usually muted or severely reduced.

With the advent of inexpensive digital music media, fast-forwarding has most likely lost its past meaning related to the speed of a tape deck motor (or record turntable, or another device allowing fast-forwarding) and now may, especially as cassette tapes and other analogue media are used less and less by younger generations, only apply to the operation of moving ahead in a recording's time frame—accomplished today by simple clicking, dragging a slide image, or even via speech-recognition software. (Still, some CD and DVD players offer tape-style fast-forwarding, so that the user can detect when the destination is reached and stop.)

Adobe After Effects

Adobe After Effects is a digital visual effects, motion graphics, and compositing application developed by Adobe Systems and used in the post-production process of filmmaking and television production. Among other things, After Effects can be used for keying, tracking, rotoscoping, compositing and animation. It also functions as a very basic non-linear editor, audio editor and media transcoder.

Description

Adobe After Effects is software primarily used for creating motion graphics and visual effects. It allows users to animate, edit, and compose media in 2D or 3D space with many different built-in tools and third party plug-ins which can be downloaded from the Internet depending on what type of plug in the user is looking for. It also provides individual attention to variables like parallax and also user adjustable angles of observation.

Adobe After Effects is a layer-oriented program. Each individual media object like video clips, still images, audio clips, etc. runs on its own. In contrast, other Non-Linear Editing Systems use a system where individual media objects can occupy the same track as long as they do not overlap at the same time. This track-oriented system is more suitable for editing and can keep project files more simple. The layer oriented system that Adobe After Effects has is suitable for extensive video effects work and also key framing. Other compositing packages, especially the ones that employ tree or node workflows, such as Nuke and Fusion, are better suited to managing complex interconnected data flow within a composite. Adobe After Effects is capable of countering the problem somewhat by selectively hiding layers or by grouping them into pre-compositions.