Beauty and the Beast

Beauty and the Beast (French: La Belle et la Bête) is a traditional fairy tale written by French novelist Gabrielle-Suzanne Barbot de Villeneuve and published in 1740 in La Jeune Américaine et les contes marins. Her lengthy version was abridged, rewritten, and published by Jeanne-Marie Leprince de Beaumont in 1756 in Magasin des enfants to produce the version most commonly retold.

Variants of the tale are known across Europe. In France, for example, Zémire et Azor is an operatic version of the story, written by Marmontel and composed by Grétry in 1771, which had enormous success well into the 19th century; it is based on the second version of the tale. Amour pour amour, by Nivelle de la Chaussée, is a 1742 play based on Gabrielle-Suzanne Barbot de Villeneuve's version. According to researchers at universities in Durham and Lisbon, the story originated around 4,000 years ago.

Plot

Beauty

Beauty is a characteristic of a person, animal, place, object, or idea that provides a perceptual experience of pleasure or satisfaction. Beauty is studied as part of aesthetics, sociology, social psychology, and culture. An "ideal beauty" is an entity which is admired, or possesses features widely attributed to beauty in a particular culture, for perfection.

The experience of "beauty" often involves an interpretation of some entity as being in balance and harmony with nature, which may lead to feelings of attraction and emotional well-being. Because this can be a subjective experience, it is often said that "beauty is in the eye of the beholder."

There is evidence that perceptions of beauty are evolutionarily determined, that things, aspects of people and landscapes considered beautiful are typically found in situations likely to give enhanced survival of the perceiving human's genes.

Etymology

The classical Greek noun that best translates to the English "beauty" or "beautiful" was κάλλος, kallos, and the adjective was καλός, kalos. However, kalos may and is also translated as ″good″ or ″of fine quality″ and thus has a broader meaning than only beautiful. Similarly, kallos was used differently from the English word beauty in that it first and foremost applied to humans and bears an erotic connotation.

Snow White

"Snow White" is a German fairy tale known across much of Europe and is today one of the most famous fairy tales worldwide. The Brothers Grimm published it in 1812 in the first edition of their collection Grimms' Fairy Tales. It was titled in German: Sneewittchen (in modern orthography Schneewittchen) and numbered as Tale 53. The Grimms completed their final revision of the story in 1854.

The fairy tale features such elements as the magic mirror, the poisoned apple, the glass coffin, matricide, filicide, and the characters of the Evil Queen, Snow White's evil stepmother, the huntsman, a beautiful princess named Snow White into a sleeping enchantment, a handsome prince and the seven dwarfs. The seven dwarfs were first given individual names in the 1912 Broadway play Snow White and the Seven Dwarfs and then given different names in Walt Disney's 1937 film Snow White and the Seven Dwarfs. The Grimm story, which is commonly referred to as "Snow White", should not be confused with the story of "Snow White and Rose Red" (in German "Schneeweißchen und Rosenrot"), another fairy tale collected by the Brothers Grimm.

Emma Watson

Emma Charlotte Duerre Watson (born 15 April 1990) is a British actress, model, and activist. Watson rose to prominence as Hermione Granger in the Harry Potter film series, appearing in all eight Harry Potter films from 2001 to 2011, previously having acted only in school plays. The franchise earned Watson worldwide fame, critical accolades, and more than £10 million. She continued to work outside of the Harry Potter films, first lending her voice to The Tale of Despereaux and appearing in the television adaptation of the novel Ballet Shoes. Since then, she has taken on starring roles in The Perks of Being a Wallflower and The Bling Ring, made a brief appearance as an "exaggerated" version of herself in This Is the End, and portrayed the title character's adopted daughter in Noah.

From 2011 to 2014, Watson split her time between working on film projects and continuing her education, studying at Brown University and Oxford University and graduating from Brown with a bachelor's degree in English literature in May 2014. Her modelling work has included campaigns for Burberry and Lancôme. As a fashion consultant, she helped create a line of clothing for People Tree. She was honoured by the British Academy of Film and Television Arts in 2014, winning for British Artist of the Year. That same year, she was appointed as a UN Women Goodwill Ambassador and helped launch the UN Women campaign HeForShe, which calls for men to advocate gender equality.

Snow White (Disney)

Princess Snow White is a fictional character and a main character from Walt Disney Productions' first animated feature film Snow White and the Seven Dwarfs. The character of Snow White was derived from a fairy tale known from many countries in Europe, the best-known version being the Bavarian one collected by the Brothers Grimm. Snow White is the first Disney Princess and the first fictional female character with a star on the Hollywood Walk of Fame. She was originally voiced by Adriana Caselotti.

Development

Animators' initial sketches for Snow White's character, some of which bore a resemblance to Betty Boop, did not meet Walt Disney's expectations, as they were too cartoonish.

Hamilton Luske, whom Walt Disney had selected as the supervising animator for Snow White's character, was tasked with the challenge of making Snow White more believably human and realistic than any of the Disney studio's previous animated characters. This was a challenge Luske and co-animator Les Clark had previously been asked to explore while developing the character of Persephone for the Silly Symphonies animated short The Goddess of Spring. Of that project, Les Clark later remarked, "I'm sure Walt was thinking ahead to Snow White." Though the Persephone character ended up appearing somewhat lifeless and devoid of personality, that experiment in imitating realistic human movement and anatomy was continued and its lessons were applied in the development of Snow White's animation techniques.