- published: 07 Mar 2012
- views: 24198717
The Mariinsky Ballet is the resident classical ballet company of the Mariinsky Theatre in Saint Petersburg, Russia. Founded in the 18th century and originally known as the Imperial Russian Ballet, the Mariinsky Ballet is one of the world's leading ballet companies. Internationally, the Mariinsky Ballet continues to be known by its former Soviet name the Kirov Ballet. The Mariinsky Ballet is the parent company of the Vaganova Ballet Academy, a leading international ballet school.
The Mariinsky Ballet was founded in the 1740s, following the formation of the first Russian dance school in 1738.
The Imperial Theatre School as it was originally known, was established on 4 May 1738, at the Winter Palace in Saint Petersburg. It would become the predecessor of today's Vaganova Ballet Academy. The school's founder director was the French ballet master and teacher Jean-Baptiste Landé and the purpose of creating the school was to train young dancers to form the first Russian ballet company. The first group of students included twelve boys and twelve girls, who later went on to form what would become the predecessor of today's Mariinsky Ballet.
Ballet /ˈbæleɪ/ (French: [balɛ]) is a type of performance dance that originated in the Italian Renaissance courts of the 15th century and later developed into a concert dance form in France and Russia. It has since become a widespread, highly technical form of dance with its own vocabulary based on French terminology. It has been globally influential and has defined the foundational techniques used in many other dance genres. Becoming a ballet dancer requires years of training. Ballet has been taught in various schools around the world, which have historically incorporated their own cultures to evolve the art.
Ballet may also refer to a ballet dance work, which consists of the choreography and music for a ballet production. A well-known example of this is The Nutcracker, a two-act ballet that was originally choreographed by Marius Petipa and Lev Ivanov with a music score by Pyotr Ilyich Tchaikovsky. Ballets are choreographed and performed by trained artists. Many classical ballets are performed with classical music accompaniment and use elaborate costumes and staging, though there are exceptions to this. Most notably, American choreographer George Balanchine is known for his plotless neoclassical ballets which are often performed in simple leotards and tights without scenery.
In ballet, a pas de deux [pɑ d(ə) dø] (French, literally "step of two") is a dance duet in which two dancers, typically a male and a female, perform ballet steps together. The pas de deux is characteristic of classical ballet and can be found in many well-known ballets, including Sleeping Beauty, Swan Lake, and Giselle. It is most often performed by a male and a female (a danseur and a ballerina) though there are exceptions, such as in the film White Nights, in which a pas de deux is performed by Mikhail Baryshnikov and Gregory Hines.
A grand pas de deux is a structured pas de deux that typically has five parts, consisting of an entrée (introduction), an adagio, two variations (a solo for each dancer), and a coda (conclusion). It is effectively a suite of dances that share a common theme, often symbolic of a love story or the partnership inherent in love, with the dancers portraying expressions of affectionate feelings and thoughts between romantic partners. It is often considered to be the pièce de résistance and bravura highlight of a ballet and is usually performed by a leading pair of principal dancers.
Kirov may refer to:
The Kirov Academy of Ballet (formerly the Universal Ballet Academy) is a ballet school in Washington, D.C. Its mission is to prepare students to become the next generation of classically trained ballet dancers through the principles and aesthetics of the Vaganova method of Classical Ballet taught at the Vaganova Choreographic Institute in St. Petersburg, Russia. Concurrently, students pursue a multi-faceted academic program including the core subjects and the arts, each furthering the objectives to build a solid educational foundation, and to create, cultivate, and prepare the student for life as a professional artist. The proactive resident life program supports the Academy’s mission as it strives to refine and broaden the student’s experiences through constructive cultural, artistic, and creative endeavors that support the development of professional dancers.
Its internationally recognized faculty teaches aspiring young dancers from all over the world in the Vaganova method. Such training has produced many of the 20th and 21st century’s most exceptional dancers and choreographers, including Pavlova, Vaslav Nijinsky, Rudolf Nureyev, Alla Sizova, Mikhail Baryshnikov, Natalia Makarova, Diana Vishneva, George Balanchine, Natalia Osipova, Daniil Simkin, Alina Somova, and Svetlana Zakharova.
Buy from Amazon: http://smarturl.it/KirovSwanLakeAmazon In this production of the best loved classical ballet 'Swan Lake' the naturally gifted Yulia Makhalina dances the challenging role of Odette/Odile while the part of Prince Siegfried is danced by Igor Zelensky. This classic Kirov production includes the familiar happy ending in the final act where Siegfried fights and ultimately defeats the evil magician von Rothbart and at dawn is reunited with Odette. http://www.warnerclassics.com/
Open to the public, annual ballet exams showcase the aesthetics of Russian classical ballet in the tradition of the famed Vaganova Ballet Academy in St. Petersburg.
From the Mariinsky Theatre in St Petersburg, December 2012 Valery Gergiev - conductor Vasily Vainonen - choreography Benjamin Tyrrell - stage and costumes 0:00 Act I 29:39 Act II 52:08 (Prelude to) Act III Dances in Act III: 55:58 Spanish Dance 1:02:29 Eastern Dance 1:07:12 Chinese Dance 1:08:36 Trepak (Russian Dance) 1:09:59 Pas de trois (Dance of the reed pipes) 1:13:38 Waltz of the Flowers 1:21:05 Pas de deux - Intrada 1:27:57 Pas de deux - Tarantella 1:29:05 Pas de deux - Dance of the sugar plum fairy 1:31:31 Pas de deux - Coda 1:33:32 Final Waltz and Apotheosis - Cast - Masha the Princess: Alina Somova The Nutcracker Prince: Vladimir Shklyarov Masha: Alexandra Korshunova Stahlbaum: Vladimir Ponomaryov His wife: Alexandra Gronskaya Luisa: Alena Mashintseva Franz: Pavel Miheyev Dr...
Variation of coppelia, ato III, by Irina Shapchit Kirov Ballet (1993)
A clip from the movie "Backstage at the Kirov" - the school sequence which includes ages 10 through 18. The movie (which won the Gold Award at the Houston International film festival), is available at: http://www.amazon.com/Backstage-at-Kirov-Derek-Hart/dp/B006FMK4KS/ref=sr_1_2?ie=UTF8&qid;=1366494207&sr;=8-2&keywords;=backstage+at+the+kirov Written and Directed by Derek Hart Cinematography Ivan Strasburg
A 1995 performance at the Kirov. Giselle: Yulia Makhalina Albrecht: Farukh Ruzimatov
Chopiniana Les Sylphides Kirov ballet
Tchaikowsky - Nutcracker Ballet: Dance of the Mirlitons - Kirov Ballet
Great and original production by choreographer Oleg Vinogradov or romantic ballet Coppelia / "Coppélia, ou la Fille aux yeux d'émail" for former Kirov Ballet nowadays Mariinsky Ballet, company in Mariinsky Theatre in Sankt Peterburg.Recorded in 1993.
This film follows the destinies of five female dancers of the Kirov Ballet in Saint-Petersburg. Their lives weave together to tell the story of the Russian Ballerina of our time, from her beginnings as a child in dance school to the peak of her glory on the world stages.
Ballet students from the Kirov Academy of Ballet of Washington, D.C. bring Degas's artworks to life in the Phillips's galleries in honor of special exhibition Degas's Dancers at the Barre: Point and Counterpoint on view October 1, 2011 through January 8, 2012 at The Phillips Collection. Learn more: http://www.phillipscollection.org/exhibitions/degas/index.aspx https://www.kirovacademydc.org/
Applausi a scena aperta per “gli eredi del Tartaro volante”. Martedì 30 luglio, sul Belvedere di Villa Rufolo nove tra i migliori étoile mondiali si sono esibiti per ricordare il mito di Rudolf Nureyev. Il Gala, a cura di Daniele Cipriani, e organizzato dal Ravello Festival a vent’anni dalla scomparsa del grande artista ha riscosso un grande successo e ha offerto al numerosissimo pubblico presente oltre due ore di intense emozioni. Con alle spalle uno schermo cinematografico, sul quale si sono alternate immagini e brevi filmati del Rudy uomo, ballerino, coreografo e direttore d’orchestra - il suo debutto italiano avvenne proprio sul palco sospeso di Ravello nel 1991 - Ashley Bouder, Joaquin De Luz del New York City Ballet, Maria Shirinkina e Vladimir Shklyarov del Kirov – Teatro Mariinsky ...
From Future Faces CEO Winnie Wong: This is for our month long segment called "Inspiring Faces," of people that we believe that have great passion for what they do and inspire those who are aspiring to become a part of the artistic community. To start off our segment we have Candice Adea Candice Adea is the principal dancer of Ballet Philippines She has not only inspired many aspiring dancers, but has represented the Philippine dance scene with grace and beauty She recently won First Place at the Senior Women's Division in the Helsinki International Ballet Competition, one of the most prestigious ballet competitions in the world. If you are inspired by her, like we are, you can check out more updates from Candice at: https://www.facebook.com/pages/Candice-Adea-Dance-Page/1951098438713...
LA LA LA HUMAN STEPS « L’une des plus incroyables machines à danser qui soit. » Télérama, Paris La Place des Arts présentera en première nord-américaine, les 5, 6 et 7 mai 2011 à la Salle Wilfrid-Pelletier, la nouvelle œuvre d’Édouard Lock, fondateur, directeur artistique et chorégraphe de La La La Human Steps. À la fois précise et enfiévrée, la technique du ballet se met au service d’une narration qui déconstruit deux opéras mythiques, Didon et Énée, de Purcell, et Orphée et Eurydice, de Gluck. Une danse infiniment complexe, réglée à la micro-seconde, qui transmue deux opéras en une ode parfaitement soudée. Deux histoires d’amour tragiques, sur une musique originale de Gavin Bryars. Les airs connus des opéras convoquent les souvenirs du spectateur, qui se crée de nouvelles histoires, im...
I recently unearthed this video which was one of my first edits a few years ago. Although there are a few stylistic/ editing adjustments I would make now, I love ballet, and I really like this video. I remember I spent hours creating the opening panning shot of my old ballet shoes, and ensuring the lighting was just right. The actual footage was filmed by my Dad and I over ten years ago, when we were lucky enough to get access to film the Kirov Ballet rehearsing in the studios. Fabulous memories.
Short video promoting the academic side of the Kirov Academy of Ballet in Washington DC
Even at a very young age it was clear he had more than just a talent for dance. Many a skip would turn into Jete as he ran through the narrow streets of his youth. At the age of 10 he was sent to the Imperial Ballet School to finish his training where he danced under the name Rudolf Nureyev and went on to perform at the famous Kirov. The fame, Sexual ambiguity and general confusion were too much for Joe, who was drawn deeper and deeper into the seedy world of fetish documentary making, where he finally met Ben and other founder members of Minuco. Today he keeps photos of his younger years next to the many takeaway menus that form the basis of his web design work.
Después de muchos pedidos para subir el video más esperado del año, premiado por la Associació de Críticos de Catalunya, acá está. La micro-biografia de Matriaca Pavelhovna fue producida en enero de 2014, en Barcelona por Natalia San Juan’s Productions y orientada por la investigadora de la vida y obra de Matriarca Pavelhovna, Natasha Padilha. Muchas gracias al nostros parceros: FAC – Fundo de Apoio a Cultura del Govierno del Distrito Federal, en Brasília y a JIWAR – Creació i Societat, además a todos de nostra extensa lista de los amables apoyadores de esta mega produción: Galletas Royal Dinamark Ópera de Paris Kirov Ballet Bolshoi Ballet Royal Ballet New York City Ballet Cia de Ballet de Alicia Alonso Palau de la Música Catalana Gran Teatre del Liceu de Barcelona Fundación Antoni Gaudí...
Watch the whole film here: http://www.realeyz.tv/en/the-last-phantoms.html An Estonian documentary about five ardent ballet fans and their view of the unique and world famous Mariinsky (Kirov) Opera and Ballet Theatre of St. Petersburg. They have visited ballet performances for over half a century and relish the balletic triumphs of the past. But now they are forced to gaze at the ballerina's poor techniques and the general downfall of a once-privileged Russian art form. This is a story about passion, immortality and elevation of spirits.
Buy from Amazon: http://smarturl.it/KirovSwanLakeAmazon In this production of the best loved classical ballet 'Swan Lake' the naturally gifted Yulia Makhalina dances the challenging role of Odette/Odile while the part of Prince Siegfried is danced by Igor Zelensky. This classic Kirov production includes the familiar happy ending in the final act where Siegfried fights and ultimately defeats the evil magician von Rothbart and at dawn is reunited with Odette. http://www.warnerclassics.com/
Open to the public, annual ballet exams showcase the aesthetics of Russian classical ballet in the tradition of the famed Vaganova Ballet Academy in St. Petersburg.
From the Mariinsky Theatre in St Petersburg, December 2012 Valery Gergiev - conductor Vasily Vainonen - choreography Benjamin Tyrrell - stage and costumes 0:00 Act I 29:39 Act II 52:08 (Prelude to) Act III Dances in Act III: 55:58 Spanish Dance 1:02:29 Eastern Dance 1:07:12 Chinese Dance 1:08:36 Trepak (Russian Dance) 1:09:59 Pas de trois (Dance of the reed pipes) 1:13:38 Waltz of the Flowers 1:21:05 Pas de deux - Intrada 1:27:57 Pas de deux - Tarantella 1:29:05 Pas de deux - Dance of the sugar plum fairy 1:31:31 Pas de deux - Coda 1:33:32 Final Waltz and Apotheosis - Cast - Masha the Princess: Alina Somova The Nutcracker Prince: Vladimir Shklyarov Masha: Alexandra Korshunova Stahlbaum: Vladimir Ponomaryov His wife: Alexandra Gronskaya Luisa: Alena Mashintseva Franz: Pavel Miheyev Dr...
Variation of coppelia, ato III, by Irina Shapchit Kirov Ballet (1993)
A clip from the movie "Backstage at the Kirov" - the school sequence which includes ages 10 through 18. The movie (which won the Gold Award at the Houston International film festival), is available at: http://www.amazon.com/Backstage-at-Kirov-Derek-Hart/dp/B006FMK4KS/ref=sr_1_2?ie=UTF8&qid;=1366494207&sr;=8-2&keywords;=backstage+at+the+kirov Written and Directed by Derek Hart Cinematography Ivan Strasburg
A 1995 performance at the Kirov. Giselle: Yulia Makhalina Albrecht: Farukh Ruzimatov
Chopiniana Les Sylphides Kirov ballet
Tchaikowsky - Nutcracker Ballet: Dance of the Mirlitons - Kirov Ballet
Great and original production by choreographer Oleg Vinogradov or romantic ballet Coppelia / "Coppélia, ou la Fille aux yeux d'émail" for former Kirov Ballet nowadays Mariinsky Ballet, company in Mariinsky Theatre in Sankt Peterburg.Recorded in 1993.
This film follows the destinies of five female dancers of the Kirov Ballet in Saint-Petersburg. Their lives weave together to tell the story of the Russian Ballerina of our time, from her beginnings as a child in dance school to the peak of her glory on the world stages.
Ballet students from the Kirov Academy of Ballet of Washington, D.C. bring Degas's artworks to life in the Phillips's galleries in honor of special exhibition Degas's Dancers at the Barre: Point and Counterpoint on view October 1, 2011 through January 8, 2012 at The Phillips Collection. Learn more: http://www.phillipscollection.org/exhibitions/degas/index.aspx https://www.kirovacademydc.org/
Applausi a scena aperta per “gli eredi del Tartaro volante”. Martedì 30 luglio, sul Belvedere di Villa Rufolo nove tra i migliori étoile mondiali si sono esibiti per ricordare il mito di Rudolf Nureyev. Il Gala, a cura di Daniele Cipriani, e organizzato dal Ravello Festival a vent’anni dalla scomparsa del grande artista ha riscosso un grande successo e ha offerto al numerosissimo pubblico presente oltre due ore di intense emozioni. Con alle spalle uno schermo cinematografico, sul quale si sono alternate immagini e brevi filmati del Rudy uomo, ballerino, coreografo e direttore d’orchestra - il suo debutto italiano avvenne proprio sul palco sospeso di Ravello nel 1991 - Ashley Bouder, Joaquin De Luz del New York City Ballet, Maria Shirinkina e Vladimir Shklyarov del Kirov – Teatro Mariinsky ...
From Future Faces CEO Winnie Wong: This is for our month long segment called "Inspiring Faces," of people that we believe that have great passion for what they do and inspire those who are aspiring to become a part of the artistic community. To start off our segment we have Candice Adea Candice Adea is the principal dancer of Ballet Philippines She has not only inspired many aspiring dancers, but has represented the Philippine dance scene with grace and beauty She recently won First Place at the Senior Women's Division in the Helsinki International Ballet Competition, one of the most prestigious ballet competitions in the world. If you are inspired by her, like we are, you can check out more updates from Candice at: https://www.facebook.com/pages/Candice-Adea-Dance-Page/1951098438713...
LA LA LA HUMAN STEPS « L’une des plus incroyables machines à danser qui soit. » Télérama, Paris La Place des Arts présentera en première nord-américaine, les 5, 6 et 7 mai 2011 à la Salle Wilfrid-Pelletier, la nouvelle œuvre d’Édouard Lock, fondateur, directeur artistique et chorégraphe de La La La Human Steps. À la fois précise et enfiévrée, la technique du ballet se met au service d’une narration qui déconstruit deux opéras mythiques, Didon et Énée, de Purcell, et Orphée et Eurydice, de Gluck. Une danse infiniment complexe, réglée à la micro-seconde, qui transmue deux opéras en une ode parfaitement soudée. Deux histoires d’amour tragiques, sur une musique originale de Gavin Bryars. Les airs connus des opéras convoquent les souvenirs du spectateur, qui se crée de nouvelles histoires, im...
I recently unearthed this video which was one of my first edits a few years ago. Although there are a few stylistic/ editing adjustments I would make now, I love ballet, and I really like this video. I remember I spent hours creating the opening panning shot of my old ballet shoes, and ensuring the lighting was just right. The actual footage was filmed by my Dad and I over ten years ago, when we were lucky enough to get access to film the Kirov Ballet rehearsing in the studios. Fabulous memories.
Short video promoting the academic side of the Kirov Academy of Ballet in Washington DC
Even at a very young age it was clear he had more than just a talent for dance. Many a skip would turn into Jete as he ran through the narrow streets of his youth. At the age of 10 he was sent to the Imperial Ballet School to finish his training where he danced under the name Rudolf Nureyev and went on to perform at the famous Kirov. The fame, Sexual ambiguity and general confusion were too much for Joe, who was drawn deeper and deeper into the seedy world of fetish documentary making, where he finally met Ben and other founder members of Minuco. Today he keeps photos of his younger years next to the many takeaway menus that form the basis of his web design work.
Después de muchos pedidos para subir el video más esperado del año, premiado por la Associació de Críticos de Catalunya, acá está. La micro-biografia de Matriaca Pavelhovna fue producida en enero de 2014, en Barcelona por Natalia San Juan’s Productions y orientada por la investigadora de la vida y obra de Matriarca Pavelhovna, Natasha Padilha. Muchas gracias al nostros parceros: FAC – Fundo de Apoio a Cultura del Govierno del Distrito Federal, en Brasília y a JIWAR – Creació i Societat, además a todos de nostra extensa lista de los amables apoyadores de esta mega produción: Galletas Royal Dinamark Ópera de Paris Kirov Ballet Bolshoi Ballet Royal Ballet New York City Ballet Cia de Ballet de Alicia Alonso Palau de la Música Catalana Gran Teatre del Liceu de Barcelona Fundación Antoni Gaudí...
Watch the whole film here: http://www.realeyz.tv/en/the-last-phantoms.html An Estonian documentary about five ardent ballet fans and their view of the unique and world famous Mariinsky (Kirov) Opera and Ballet Theatre of St. Petersburg. They have visited ballet performances for over half a century and relish the balletic triumphs of the past. But now they are forced to gaze at the ballerina's poor techniques and the general downfall of a once-privileged Russian art form. This is a story about passion, immortality and elevation of spirits.
Swan Lake Kirov Ballet of Leningrad USSR 1980s
Chopiniana Les Sylphides Kirov ballet
Chopiniana Les Sylphides (Kirov ballet)
A 1995 performance at the Kirov. Giselle: Yulia Makhalina Albrecht: Farukh Ruzimatov
Stone Flower Kirov S Prokofiev Aleksandr Guliaev and Anna Polikarpova