- published: 10 Sep 2017
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The Bavarian State Opera (German: Bayerische Staatsoper) is an opera company based in Munich, Germany. Its orchestra is the Bavarian State Orchestra.
The opera company which was founded under Princess Henriette Adelaide of Savoy has been in existence since 1653, when Giovanni Battista Maccioni's L'arpa festante was performed in the court theatre. In 1753 the Residence Theatre (Cuvilliés Theatre) was opened as a major stage. While opera performances were also held in the Prinzregententheater (completed in 1901), the company's home base is the National Theatre Munich on Max-Joseph-Platz.
In 1875 the Munich Opera Festival took place for the first time which nowadays can be viewed as one of the most important opera festivals worldwide.
Sir Peter Jonas became the Staatsoper Staatsintendant (General Director) in 1993, the first British Intendant of any major German speaking opera house. In 2008, Nikolaus Bachler became General Director of the opera company. The current Generalmusikdirektor (GMD) of the company is Kirill Petrenko, since 2013. In October 2015, the company announced the extensions of the current respective contracts of Bachler and of Petrenko through August 2021. Petrenko is scheduled to work as a guest conductor with the company in the final year of his current contract, the 2020-2021 season.
Kirill Petrenko (born February 11, 1972, Omsk) is a Russian-Austrian conductor, Generalmusikdirektor (GMD) of Bavarian State Opera in Munich.
Petrenko is the son of a violinist father and musicologist mother. Petrenko is of Jewish descent. His father was born in Lviv (now in Ukraine). Petrenko studied piano as a youth, and made his public debut as a pianist at age 11. At age 18, he and his family emigrated to Austria, where his father played in the Vorarlberg Symphony. Petrenko formally studied music at the 'Vorarlberger Landeskonservatorium in Feldkirch, Vorarlberg, graduating with honours in piano studies. He continued his musical studies in Vienna at the University of Music and Performing Arts, Vienna, where his teachers included Uroš Lajovic. His other conducting teachers and mentors have included Myung-Whun Chung, Edward Downes, Péter Eötvös and Semyon Bychkov.
Petrenko made his conducting debut in opera in 1995 in Vorarlberg with a production of Benjamin Britten's Let's Make an Opera. He was a Kapellmeister at the Vienna Volksoper from 1997 to 1999. From 1999 to 2002, he was Generalmusikdirektor of the Südthüringisches Staatstheater, Das Meininger Theater (Meiningen, Germany), where his work included conducting the four operas of Richard Wagner's Der Ring des Nibelungen in 2001 on four consecutive days, his first professional conducting engagement with the operas of Wagner. More recently, he has conducted Wagner's complete Ring Cycle annually at the Bayreuth Festival in 2013, 2014, and 2015.
State Opera may refer to :
Jonas Kaufmann (born 10 July 1969) is a German operatic tenor. He is best known for his performances in spinto roles such as Don José in Carmen, Cavaradossi in Tosca, Maurizio in Adriana Lecouvreur, and the title role in Don Carlos. He has also sung leading tenor roles in the operas of Richard Wagner with success in Germany and abroad, most notably the Metropolitan Opera in New York. He is also an accomplished Lieder singer. In 2014 The New York Times described Kaufmann as "a box-office draw, and... the most important, versatile tenor of his generation."
Kaufmann was born in Munich. His father worked for an insurance company, and his mother was a kindergarten teacher. He had one older sister. He started studying piano when he was eight, and he sang in his elementary school choir. Although he studied for mathematics entrance exams, in the summer of 1989 he began his vocal training at the University of Music and Performing Arts Munich. While studying, he sang some small roles at the Bavarian State Opera. He graduated from school in 1994 achieving distinctions both in opera and concert performances.
Anja Harteros (born 23 July 1972) is a German operatic soprano. In 1999, she became the first German to win the Cardiff Singer of the World competition.
Harteros was born in Bergneustadt, North Rhine-Westphalia, to a Greek father and a German mother and has two siblings, Alexia and Georgios. As a child, she was encouraged by her parents to pursue classical music and singing. Eventually, her music teacher at the Wüllenweber-Gymnasium in Bergneustadt, August Wilhelm Welp, noticed her considerable talent and recommended that she be professionally educated in singing. At the age of 14 (in 1986), she started voice training under Astrid Huber-Aulmann in Gummersbach, concurrently with her schooling.
Her first performances were in music institute concerts and in a school production of The Marriage of Figaro in 1990, as the Countess. In 1992 she gave her first concert at the Kantonsschule Schwyz in Switzerland.
From 1990, her musical education was entrusted to the technically experienced conductor and repetiteur Wolfgang Kastorp at the Cologne Opera, who accompanied her in a series of concerts.
PREMIER ACTE
20 minutes sous-titulaire en français
Wir waren live bei der letzten Vorstellung der Saison, "Andrea Chénier", und haben die Künstler, u. a. Jonas Kaufmann und Anja Harteros kurz vor der Sommerpause interviewt. www.staatsoper.de/live
This season's title will be „Show me your wound“. The General Music Director will be conducting new productions of „Il trittico“ and „Parsifal“, as well as three cycles of Wagner's „The Ring of the Nibelung“. Plus, we are proud to present premieres of „Le nozze di Figaro“, „Les Vêpres siciliennes“, „From the House of the Dead“, „Orlando Paladino“ and „The Dictator/The Broken Jug“. ____________________ Die Saison ist mit Zeig mir deine Wunde überschrieben. Der Generalmusikdirektor übernimmt die musikalische Leitung der Neuinszenierung von „Il trittico“ und „Parsifal“, sowie drei Zyklen von Wagners „Ring des Nibelungen“. Zudem feiern „Le nozze di Figaro“, „Les Vêpres siciliennes“, „Aus einem Totenhaus“, „Orlando Paladino“ und „Der Diktator/Der zerbrochene Krug“ Premiere.
Liebeserklärung an die Bayerische Staatsoper - Die Bayerische Staatsoper ist ein Haus der Superlative, preisgekrönt, fast immer ausverkauft. Der Film "GANZ GROSSE OPER" von dem Regisseur Toni Schmid feierte am 7. Mai seine Weltpremiere auf dem DOK.Fest in München als Matinée in der Bayerischen Staatsoper. Der Film wirft einen Blick hinter die Kulissen eines der ältesten Opernhäuser der Welt.
Noch nie war eine Ballettproduktion so aufwändig: 80 Spezialisten unterstützten die Tänzer hinter den Kulissen. BR24 war dabei.
Bayerische Staatsoper - Баварская государственная опера Мюнхен
During September 2017 Bayerische Staatsoper and Bayerisches Staatsorchester will go on tour with General Music Director Kirill Petrenko and pianist Igor Levit, as well as numerous well known singers like Klaus Florian Vogt, Annette Dasch, Micheal Nagy. More information: https://www.staatsoper.de/en/17-18/gastspiele.html
Richard Wagner's DER RING DES NIBELUNGEN | From 13th January to 11th February 2018 and from 20th July to 27th July 18th Productions: Andreas Kriegenburg Conductor: Kirill Petrenko
Premiere 21 May 2017 at Bayerischen Staatsoper Romantic opera in three acts by Richard Wagner Production: Romeo Castellucci Conductor: Kirill Petrenko with Klaus Florian Vogt, Anja Harteros and Christian Gerhaher
Tomoko Ishida, a member of our orchestra, advices the Bayerische Staatsoper crew on what to do and what to avoid during our visit to Tokyo.
Jonas Kaufmann and Krassimira Stoyanova singing "La fatal pietra sovra me si chiuse ..." of Giuseppe Verdi's AIDA. A production by the Bayerische Staatsoper Aida: Krassimira Stoyanova Radames: Jonas Kaufmann Bayerisches Staatsorchester Musical direction: Dan Ettinger Stage direction: Christof Nel Recorded in September 2015 at the Nationaltheater, Munich
Premiere of Engelbert Humperdinck's HÄNSEL UND GRETEL on March 24, 2013 at Bayerische Staatsoper, Munich. Musical direction: Tomáš Hanus Stage direction: Richard Jones With Hanna-Elisabeth Müller (Gretel), Tara Erraught (Hänsel), Rainer Trost (Knusperhexe), Janina Baechle (Gertrud), Alejandro Marco-Buhrmester (Peter), Yulia Sokolik (Sandmännchen), Golda Schultz (Taumännchen) A Trailer by Verena Maria Kalenda (direction) und Pedro Ortner (cutting/video operating)
Dieser Werbefilm entstand in der Ära Sir Peter Jonas an der Bayerischen Staatsoper 2005 unter Betreuung von Dr. Ulrike Hessler. Von 2004-2011 fertigten wir die Trailer zu allen Neuinszenierungen an der Staatsoper in München an. Damit war die Staatsoper das erste Opernhaus in Europa, das seine Neuinszenierungen mit kurzen Videoclips vorstellte. Ein Film von: Martin Pfeil Kai Bernhöft Barbara Burgdorf
Zum ersten Mal dirigiert Kirill Petrenko Wagners romantische Oper in der Bayerischen Staatsoper. Romeo Castellucci übernimmt die Inszenierung. Solisten sind unter Anderem Christian Gerhaher und Anja Harteros. Am 21. Mai ist Premiere. Ein Ereignis! Autorin: Angelika Kellhammer Mehr von Capriccio: Homepage: http://www.br.de/capriccio Facebook: https://www.facebook.com/br.capriccio/ Twitter: https://twitter.com/BR_Capriccio
Premiere of Richard Strauss's DIE FRAU OHNE SCHATTEN (The Woman without a Shadow) on November 21, 2013 at Bayerische Staatsoper, Munich. Musical direction: Kirill Petrenko Stage direction: Krzysztof Warlikowski With Adrianne Pieczonka (The Empress), Johan Botha (The Emperor), Elena Pankratova (The Dyer's Wife), Wolfgang Koch (Barak, the Dyer), Deborah Polaski (The Nurse) a.o. A trailer by Tilo Krause
Modest MUSSORGSKY: Khovanshchina Live-Aufnahme aus der Bayerischen Staatsoper 2007 Besetzung Ivan Khovansky - Paata Burchuladze Dosifey - Anatoly Kotscherga Emma - Camilla Nylund Marfa - Doris Soffel Andrey Khovansky - Klaus Florian Vogt Vasily Golitsin - John Daszak Bayerisches Staatsorchester Kent Nagano, Dirigent Dmitri Tcherniakov, Inszenierung, Bühnenbild & Kostüme Was auf den ersten Blick klingt wie der Name der weiblichen Titelfigur, ist in Wirklichkeit der russische Begriff für die Chownasky-Affäre, die der Fürst Iwan Chowansky Ende des 17. Jahrhunderts gegen Zar Peter den Großen anzettelte. Mussorgsky hatte über die historischen Ereignisse sorgfältig recherchiert, ging jedoch bei der konzeptionellen Umsetzung zu seiner Oper "Chowanschtschina" sehr anachronistisch, ja sogar für...
Verschiedene Blickwinkel auf die historische und mythische Figur der babylonischen Königin und ihrer Darstellung in Rossinis gleichnamiger Oper. Mit Joyce DiDonato, Soziologin Paula-Irene Villa, Philosoph und Theologe Michael Bordt SJ sowie Psychoanalytiker und Paartherapeut Wolfgang Schmidbauer.
Bayerische Staatsoper @staatstoper