- published: 15 Jun 2015
- views: 29825
Audience measurement measures how many people are in an audience, usually in relation to radio listenership and television viewership, but also in relation to newspaper and magazine readership and, increasingly, web traffic on websites. Sometimes, the term is used as pertaining to practices which help broadcasters and advertisers determine who is listening rather than just how many people are listening. In some parts of the world, the resulting relative numbers are referred to as audience share, while in other places the broader term market share is used. This broader meaning is also called audience research.
Measurements are broken down by media market, which for the most part corresponds to metropolitan areas, both large and small.
The diary was one of the first methods of recording information. However, this is prone to mistakes and forgetfulness, as well as subjectivity. Data is also collected down to the level of listener opinion of individual songs, cross referenced against their age, race, and economic status in listening sessions sponsored by oldies and mix formatted stations. IBOPE was the first realtime service for audience measurement of the world, it started in São Paulo in 1942.
An audience is a group of people who participate in a show or encounter a work of art, literature (in which they are called "readers"), theatre, music (in which they are called "listeners"), video games (in which they are called "players"), or academics in any medium. Audience members participate in different ways in different kinds of art; some events invite overt audience participation and others allowing only modest clapping and criticism and reception.
Media audience studies have become a recognized part of the curriculum. Audience theory offers scholarly insight into audiences in general. These insights shape our knowledge of just how audiences affect and are affected by different forms of art. The biggest art form is the mass media. Films, video games, radio shows, software (and hardware), and other formats are affected by the audience and its reviews and recommendations.
In the age of easy Internet participation and citizen journalism, professional creators share space, and sometimes attention, with the public. American journalist Jeff Jarvis said, "Give the people control of media, they will use it. The corollary: Don't give the people control of media, and you will lose. Whenever citizens can exercise control, they will."Tom Curley, President of the Associated Press, similarly said, "The users are deciding what the point of their engagement will be — what application, what device, what time, what place."
"How Do" is a song written and recorded by American country music artist Mary Chapin Carpenter. It was released in April 1989 as the first single from the album State of the Heart. The song reached #19 on the Billboard Hot Country Singles & Tracks chart.
The success of a film or video is often judged on the size of the audience - but how do we measure that audience? - It's not always as simple as counting tickets. In this lesson we look at the techniques and methods studios and distributors use to calculate who has seen their products and try to make sense of all those Box Office Numbers and Ratings. This course is sponsored by RØDE Microphones http://rode.com/ Some helpful links: Mark Litwak on Distribution split: http://www.ifp.org/resources/domestic-distribution-part-2/#.VX8b0_lVhBc Larry Gerbrandt: Does Movie Marketing Even Matter: http://www.hollywoodreporter.com/news/does-movie-marketing-matter-24514 Numberphile on YouTube's 301: https://www.youtube.com/watch?v=oIkhgagvrjI
In this wide-ranging interview, Jack Myers talks to Nielsen’s Global president, Steve Hasker, about how the company’s Total Audience Measurement strategy keeps track of viewers, wherever and however they consume media, and how Nielsen plans to tackle the measurement and data challenges created by future technology trends, from the internet of things to driverless cars and wireless electricity.
At Casbaa 2015, Campaign Asia spoke to audience measurement company, Kantar Media about the challenges, innovations and costs of TV measurement in a multi-screen world.
Beholder - object tracking and face recognition system (с) Rhonda Software www.rhondasoftware.com
The future of your favorite TV shows hinges on their ratings – but what is a rating, and where does it come from? Whether the topic is popcorn or particle physics, you can count on the HowStuffWorks team to explore - and explain - the everyday science in the world around us on BrainStuff. Learn more at HowStuffWorks.com: http://electronics.howstuffworks.com/question433.htm Share on Facebook: http://goo.gl/BMQidC Share on Twitter: http://goo.gl/Rd0RDA Subscribe: http://goo.gl/ZYI7Gt Visit our site: http://www.brainstuffshow.com SOURCES: http://electronics.howstuffworks.com/question433.htm http://people.howstuffworks.com/culture-traditions/tv-and-culture/dvr-viewings-tv-ratings1.htm http://splitsider.com/2011/01/why-nielsen-ratings-are-inaccurate-and-why-theyll-stay-that-way/ http://...
A little saucy language in the beginning but nothing you can't handle. This thing tells how many men and women are in the picture.
Audience reaction measurement from FacioMetrics
Beyond Content, Beyond Audience Measurement (Research Panel) Chair and discussant: Homero Gil De Zuñiga, assistant professor, School of Journalism, University of Texas at Austin Heather Heater, Anita Ford, Jeremy Lyons, Brad Beckwith, Kris Miller, and Robert Bergland, Missouri Western State University: Website Features of the Top 100 Circulation U.S. Newspapers Amber Hinsley and Samantha Johnson, Saint Louis University: 'Sharing' The News On Facebook: Exploring The Differences Between News-Sharers And Non-Sharers On The Social Media Site Thomas J. Johnson, University of Texas at Austin, Barbara Kaye, University of Tennessee, and Aimee Meader University of Texas at Austin: Accept NO Substitutes! Well, Maybe Some...: Online Political Information, Credibility and Media Substituti...
Contact sales@umbel.com to schedule a full demo. + Umbel is the new way to visualize your audience, your users, your purchasers, your game players, your VIPs, and your fans. + Wherever they are; at work, at home, en route. + Whatever they are doing; buying, listening, attending, playing, liking. + So you can prove the value of your audience. + And acquire more subscribers, buyers, traffic, and revenue. + Visualize the power of your audience. + www.umbel.com
The first of three videos explaining how we do what we do.
The second of three videos explaining how we do what we do.
Intro Our world is changing rapidly. Monitoring our environment and bodies is key to understand our world and ourselves, create awareness and act on it. The kinetic sound and light installation Lead Angels 1.0 [LA1.0] draws attention to human intervention in the environment. The artist proposes a nuclear art installation that senses the environment by detecting radiation (e.g. uraninite, cosmic radiation, uranium glass), and transforming the Geiger -Müller measurements in a techno-poetic experience. Hence the work could be seen as a realization of the Anthropocene. [LA1.0] is a kinetic sound and light installation exploring the weak nuclear force. [LA1.0] is an artistic interpretation of the concept of radiation, energy and true random numbers. Uranium glass -also known as Great Depress...
With $70 billion spent annually in the U.S. alone on television advertising, the stakes for accurate audience measurement are higher than ever. Yet there’s never been greater fluidity than there is now around the ability to achieve transparency and accountability in measurement deliverables. Capture the latest intelligence about critical issues including how research providers are attempting to solve the mysteries of measurement; how (and why) television networks are changing their formulas for advertising loads; the impact of addressability on measurement; and how the migration to impressionistic reporting will change the future of ad-supported television. Speakers Judi Allen / SVP, Client Solutions / Nielsen Paul Haddad / SVP & GM, Advanced Data Analytics, Cablevision Media / Cablevisi...
This webinar takes an in-depth look at how retailers can supercharge app downloads. Simon Baptist, Director of Business Development EMEA at Tune, covers the most important topics anyone marketing a mobile app needs to pay attention to, including the connection between paid and organic downloads. He also highlights success stories from companies like Starbucks, Gilt Groupe and Flipkart. Tune is the leading mobile marketing software company providing measurement of paid, organic and owned marketing efforts in one platform. Michael Langguth, co-founder at Poq, shares insights into app download patterns, based on data collected across the Poq platform. Simon Baptist, Strategy Consultant at Urban Airship, gives more detailed insights into how retailers can use push notifications to keep custom...
The success of a film or video is often judged on the size of the audience - but how do we measure that audience? - It's not always as simple as counting tickets. In this lesson we look at the techniques and methods studios and distributors use to calculate who has seen their products and try to make sense of all those Box Office Numbers and Ratings. This course is sponsored by RØDE Microphones http://rode.com/ Some helpful links: Mark Litwak on Distribution split: http://www.ifp.org/resources/domestic-distribution-part-2/#.VX8b0_lVhBc Larry Gerbrandt: Does Movie Marketing Even Matter: http://www.hollywoodreporter.com/news/does-movie-marketing-matter-24514 Numberphile on YouTube's 301: https://www.youtube.com/watch?v=oIkhgagvrjI
In this wide-ranging interview, Jack Myers talks to Nielsen’s Global president, Steve Hasker, about how the company’s Total Audience Measurement strategy keeps track of viewers, wherever and however they consume media, and how Nielsen plans to tackle the measurement and data challenges created by future technology trends, from the internet of things to driverless cars and wireless electricity.
At Casbaa 2015, Campaign Asia spoke to audience measurement company, Kantar Media about the challenges, innovations and costs of TV measurement in a multi-screen world.
Beholder - object tracking and face recognition system (с) Rhonda Software www.rhondasoftware.com
The future of your favorite TV shows hinges on their ratings – but what is a rating, and where does it come from? Whether the topic is popcorn or particle physics, you can count on the HowStuffWorks team to explore - and explain - the everyday science in the world around us on BrainStuff. Learn more at HowStuffWorks.com: http://electronics.howstuffworks.com/question433.htm Share on Facebook: http://goo.gl/BMQidC Share on Twitter: http://goo.gl/Rd0RDA Subscribe: http://goo.gl/ZYI7Gt Visit our site: http://www.brainstuffshow.com SOURCES: http://electronics.howstuffworks.com/question433.htm http://people.howstuffworks.com/culture-traditions/tv-and-culture/dvr-viewings-tv-ratings1.htm http://splitsider.com/2011/01/why-nielsen-ratings-are-inaccurate-and-why-theyll-stay-that-way/ http://...
A little saucy language in the beginning but nothing you can't handle. This thing tells how many men and women are in the picture.
Audience reaction measurement from FacioMetrics
Beyond Content, Beyond Audience Measurement (Research Panel) Chair and discussant: Homero Gil De Zuñiga, assistant professor, School of Journalism, University of Texas at Austin Heather Heater, Anita Ford, Jeremy Lyons, Brad Beckwith, Kris Miller, and Robert Bergland, Missouri Western State University: Website Features of the Top 100 Circulation U.S. Newspapers Amber Hinsley and Samantha Johnson, Saint Louis University: 'Sharing' The News On Facebook: Exploring The Differences Between News-Sharers And Non-Sharers On The Social Media Site Thomas J. Johnson, University of Texas at Austin, Barbara Kaye, University of Tennessee, and Aimee Meader University of Texas at Austin: Accept NO Substitutes! Well, Maybe Some...: Online Political Information, Credibility and Media Substituti...
Contact sales@umbel.com to schedule a full demo. + Umbel is the new way to visualize your audience, your users, your purchasers, your game players, your VIPs, and your fans. + Wherever they are; at work, at home, en route. + Whatever they are doing; buying, listening, attending, playing, liking. + So you can prove the value of your audience. + And acquire more subscribers, buyers, traffic, and revenue. + Visualize the power of your audience. + www.umbel.com
The first of three videos explaining how we do what we do.
The second of three videos explaining how we do what we do.
Intro Our world is changing rapidly. Monitoring our environment and bodies is key to understand our world and ourselves, create awareness and act on it. The kinetic sound and light installation Lead Angels 1.0 [LA1.0] draws attention to human intervention in the environment. The artist proposes a nuclear art installation that senses the environment by detecting radiation (e.g. uraninite, cosmic radiation, uranium glass), and transforming the Geiger -Müller measurements in a techno-poetic experience. Hence the work could be seen as a realization of the Anthropocene. [LA1.0] is a kinetic sound and light installation exploring the weak nuclear force. [LA1.0] is an artistic interpretation of the concept of radiation, energy and true random numbers. Uranium glass -also known as Great Depress...
With $70 billion spent annually in the U.S. alone on television advertising, the stakes for accurate audience measurement are higher than ever. Yet there’s never been greater fluidity than there is now around the ability to achieve transparency and accountability in measurement deliverables. Capture the latest intelligence about critical issues including how research providers are attempting to solve the mysteries of measurement; how (and why) television networks are changing their formulas for advertising loads; the impact of addressability on measurement; and how the migration to impressionistic reporting will change the future of ad-supported television. Speakers Judi Allen / SVP, Client Solutions / Nielsen Paul Haddad / SVP & GM, Advanced Data Analytics, Cablevision Media / Cablevisi...
This webinar takes an in-depth look at how retailers can supercharge app downloads. Simon Baptist, Director of Business Development EMEA at Tune, covers the most important topics anyone marketing a mobile app needs to pay attention to, including the connection between paid and organic downloads. He also highlights success stories from companies like Starbucks, Gilt Groupe and Flipkart. Tune is the leading mobile marketing software company providing measurement of paid, organic and owned marketing efforts in one platform. Michael Langguth, co-founder at Poq, shares insights into app download patterns, based on data collected across the Poq platform. Simon Baptist, Strategy Consultant at Urban Airship, gives more detailed insights into how retailers can use push notifications to keep custom...
"The Automation of Buying and Selling of Advertising is Here. It's Happening Right Now!" Presented by Greg Raifman
Audience measurement is becoming more of a challenge for the Canadian media industry. Market interest is shifting to an emphasis on niche markets and the international market share, as well as new Canadian markets, and TV broadcasting is finding new platforms and channels. The old audience measurement panels need updating with tools that measure live broadcasting, streamed live, on-demand TV, and playback. To be able to optimize supply chains and content creation, and advertising, producers need reliable data from broadcast measurement, consumer behavior analysis, and demographics. Industry research and audience survey are changing to meet these demands with new digital measurement tools, like portable people meters and Live Plus 7.
"Closing the Loop on TV" PANEL -- Presented by Laurel Bernard, Joe Germscheid, Mark Green, and moderated by Dave Moran
Do you know how many people listen or watch your podcast? Do you have stats? Are they accurate? Would you know if they weren't? Podcast audience measurement can be a tricky thing. Most of us leave that task to our podcast media host or some other third party stat tracking service. But how do they measure stats and who is doing it most accurately? Many companies and member groups have been working on podcast audience measurement since podcasts began but not everyone agrees on how this should be done. In other words, not everybody counts downloads the same. Join Ray Ortega, +David Jackson +Daniel J. Lewis +Rob Greenlee and +Todd Cochrane to discuss the past, present and future of stat tracking, who will set the standard and what it all means to the average podcaster.
Fast Forward Into Action / The Measurement Mandate: The State of Play PANEL -- Bob Liodice, Nancy Hill, George Ivie, Gayle Fuguitt, Randall Rothenberg, and Joan Lewis
In this we take a blank WordPress site and install PowerPress, configure the feed, upload the first episode and get the podcast submitted to iTunes, Google Play. Also we go through some blubrry Post to Social, blubrry player and podcasting SEO Instructional and marketing content for Blubrry Podcasting Services at www.blubrry.com and the PowerPress podcasting plugin for Wordpress. Blubrry.com is a podcasting community and directory that gives creators the power to make money, get detailed audience measurements and host their audio and video. Whether you are a media creator, advertiser or media consumer, Blubrry is your digital media interface.
Capital for Better Business Series: "The Importance of Knowing Your Audience: Measuring What Matters" 5th May 2015 @The Hall, NAB, Melbourne Australia Speakers: Bessi Graham (TDi), Paul Steele (donkey wheel), Corinne Proske (NAB), Jarryd Williams (STREAT)
Lee Risk, the Commercial Director, Asia Pacific Media at GfK with over 20 years experience in Europe and the Asia Pacific region, delivers the results of GfK's first Radio Audience Measurement survey in partnership with Commercial Radio Malaysia.
The only way to truly know why audiences are tuning in or out of video content is through a combination of behavioral and operational intelligence gathered throughout the video delivery network, from Quality of Content (QoC) - how well the content is prepared - through Quality of Service (QoS) - how well it is being delivered - through Quality of Experience (QoE) - how it plays on the end-user’s device. This demonstration shows how IneoQuest's innovative Audience Measurement Platform correlates operational and behavioral data across the video delivery ecosystem to provide actionable business intelligence video content and service providers need to optimize the viewer experience. http://www.ineoquest.com/collection-and-processing-products/#AMP-ASM