Mr. Sandman

"Mr. Sandman" (sometimes rendered as "Mister Sandman") is a popular song written by Pat Ballard which was published in 1954 and first recorded in May of that year by Vaughn Monroe & His Orchestra and later that same year by The Chordettes. The song's lyrics convey a request to "Mr. Sandman" to "bring me a dream" – the traditional association with the folkloric figure, the sandman. The pronoun used to refer to the desired dream is often changed depending on the sex of the singer or group performing the song, as the original sheet music publication, which includes male and female versions of the lyrics, intended. Some time later, Ballard also rewrote the lyrics for Christmas use as "Mr. Santa". The chord progression in each chorus follows the circle of fifths for six chords in a row. Singer Dorothy Collins charted with "Mr. Santa" (#51, US trade Music Vendor. 1955). The song was later recorded by Tony Sandler and Ralph Young (1968) and Suzy Bogguss.

Recorded versions

The Chordettes' recording of the song was released on the Cadence Records label, whose founder, Archie Bleyer, is credited on the disc's label as "knees played by" and orchestra conductor. Bleyer's voice is heard in the third verse, when he says the word, "Yes?" The piano is played by Moe Wechsler. Liberace's name is mentioned for his "wavy hair" and Pagliacci, for having a lonely heart (a reference to the opera Pagliacci by Ruggero Leoncavallo).

Mr.

Mister, usually written in its abbreviated form Mr. (US) or Mr (US & UK), is a commonly-used English honorific for men under the rank of knighthood. The title derived from earlier forms of master, as the equivalent female titles Mrs, Miss, and Ms all derived from earlier forms of mistress. Master is sometimes still used as an honorific for boys and young men, but its use is increasingly uncommon.

The modern plural form is Misters, although its usual formal abbreviation Messrs(.) derives from use of the French title messieurs in the 18th century.Messieurs is the plural of monsieur (originally mon sieur, "my lord"), formed by declining both of its constituent parts separately.

Historic etiquette

Historically, mister—like Sir or my lord—was applied only to those above one's own status in the peerage. This understanding is now obsolete, as it was gradually expanded as a mark of respect to those of equal status and then to all gentlemen. It is now used indiscriminately.

In past centuries, Mr was used with a first name to distinguish among family members who might otherwise be confused in conversation: Mr Doe would be the eldest present; younger brothers or cousins were then referred to as Mr Richard Doe and Mr William Doe and so on. Such usage survived longer in family-owned business or when domestic servants were referring to adult male family members with the same surname: "Mr Robert and Mr Richard will be out this evening, but Mr Edward is dining in," but such usage today is rare in American culture but still quite common in others as a sign of respect when first names are being used, the last name is not known, or where English is not the mother tongue.

The Chordettes

The Chordettes were an American female popular singing quartet, usually singing a cappella, and specializing in traditional popular music.

Career

The group organized in Sheboygan, Wisconsin, in 1946. The original members of the group were Janet Ertel, Carol Buschmann (her sister-in-law), Dorothy Schwartz, and Jinny Osborn/Lockard (April 25, 1927 – May 19, 2003). In 1952 Lynn Evans replaced Schwartz and in 1953, Margie Needham replaced Osborn (who was having a baby), though Osborn later returned to the group. Nancy Overton also was a member of the group at a later time. Originally they sang folk music in the style of The Weavers, but eventually changed to a harmonizing style of the type known as barbershop harmony or close harmony. Part of this change seems to be influenced by Osborn's father.

Jinny Osborn was born in Seattle, Washington. She was born Virginia Cole, the daughter of O. H. "King" Cole, who was president of the Barbershop Harmony Society (then known as SPEBSQSA), and Katherine Flack.

Sandman

The Sandman is a mythical character in central and northern European folklore who puts people to sleep and brings good dreams by sprinkling magical sand onto the eyes of people while they sleep at night.

Representation in traditional folklore

Traditionally, he is a character in many children's stories. He is said to sprinkle sand or dust on or into the eyes of the child at night to bring on dreams and sleep. The grit or "sleep" in one's eyes upon waking is supposed to be the result of the Sandman's work the previous evening.

Hans Christian Andersen's 1841 folk tale Ole Lukøje introduced the Sandman, named Ole Lukøje, by relating dreams he gave to a young boy in a week through his magical technique of sprinkling dust in the eyes of the children. "Ole" is a Danish name and "Lukøje" means "close eye". Andersen wrote:

E. T. A. Hoffmann (1776–1822) wrote an inverse depiction of the lovable character in a story called Der Sandmann, which showed how sinister such a character could be made. According to the protagonist's nurse, he threw sand in the eyes of children who wouldn't sleep, with the result of those eyes falling out and being collected by the Sandman, who then takes the eyes to his iron nest on the Moon, and uses them to feed his children. The protagonist of the story grows to associate this nightmarish creature with the genuinely sinister figure of his father's associate Coppelius. In Romanian folklore there is a similar character, Mos Ene (Ene the Elder).

Flash mob

A flash mob (or flashmob) is a group of people who assemble suddenly in a public place, perform an unusual and seemingly pointless act for a brief time, then quickly disperse, often for the purposes of entertainment, satire, and artistic expression. Flash mobs are organized via telecommunications, social media, or viral emails.

The term, coined in 2003, is generally not applied to events and performances organized for the purposes of politics (such as protests), commercial advertisement, publicity stunts that involve public relation firms, or paid professionals. In these cases of a planned purpose for the social activity in question, the term smart mobs is often applied instead.

The term "flash rob" or "flash mob robberies", a reference to the way flash mobs assemble, has been used to describe a number of robberies and assaults perpetrated suddenly by groups of teenage youth.Bill Wasik, originator of the first flash mobs, and a number of other commentators have questioned or objected to the usage of "flash mob" to describe criminal acts.