- published: 24 Sep 2012
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Clavier can refer to:
There are over 1000 known compositions by Johann Sebastian Bach. Nearly all of them are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.
The earliest lists of Bach's compositions are given by his biographers, starting from his obituary which gives a list of instrumental works printed during the composer's lifetime (from Clavier-Übung I to The Art of Fugue), followed by a list which groups other types of compositions he wrote. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same setup: its ninth chapter first lists printed works (adding four-part chorales that were published in the second half of the 18th century), followed by a rough overview of the unpublished ones. In the first half of the 19th century more works were published, so the next biographies (Schauer and Hilgenfeldt in 1850) had more elaborate appendices listing printed works, referring to these works by publisher, and the number or page number given to the works in these publications. So, for example, the Prelude and Fugue in E-flat major can be indicated as "C. F. Peters Vol. III No. 1", or any of the variants ("Griepenkerl and Roitzsch Vol. 3 p. 2", "Peters Book 242 p. 2", "P. S. V., Cah. 3 (242), No. 1", etc.)
The Well-Tempered Clavier, BWV 846–893, is a collection of two series of Preludes and Fugues in all major and minor keys, composed for solo keyboard by Johann Sebastian Bach. In the German of Bach's time Clavier (keyboard) was a generic name indicating a variety of keyboard instruments, most typically a harpsichord or clavichord – but not excluding an organ either. Bach's Well-Tempered Clavier is now most often performed on piano or harpsichord.
The modern German spelling for the collection is Das Wohltemperierte Klavier (WTK). Bach gave the title Das Wohltemperirte Clavier to a book of preludes and fugues in all 24 major and minor keys, dated 1722, composed "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study". Some 20 years later Bach compiled a second book of the same kind, which became known as The Well-Tempered Clavier, Part Two (in German: Zweyter Theil, modern spelling: Zweiter Teil).
Minor may refer to:
In music, a fugue (/fjuːɡ/ FEWG) is a contrapuntal compositional technique in two or more voices, built on a subject (theme) that is introduced at the beginning in imitation (repetition at different pitches) and recurs frequently in the course of the composition.
The English term fugue originated in the 16th century and is derived from the French word fugue or the Italian fuga. This in turn comes from Latin, also fuga, which is itself related to both fugere ("to flee") and fugare ("to chase"). The adjectival form is fugal. Variants include fughetta (literally, "a small fugue") and fugato (a passage in fugal style within another work that is not a fugue).
A fugue usually has three sections: an exposition, a development, and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term fugue has described what is commonly regarded as the most fully developed procedure of imitative counterpoint.
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Plot: Alain Moreau sings for one of the few remaining dance-bands in Clermont-Ferrand. Though something of an idol amongst his female audience he has a melancholic awareness of the slow disappearance of that audience and of his advancing years. He is completely knocked off balance when he meets strikingly attractive and much younger businesswoman Marion. She seems distant and apparently otherwise involved but soon shows quiet signs of reciprocating his interest. A brief dalliance turns into something much more complicated and he starts to employ - indeed monopolise - her services as an estate agent by announcing he suddenly must move house.
Keywords: 2000s, ballad, band-manager, cameo-appearance, cd, clermont-ferrand, crooner, dance-hall, dance-hall-singer, extinct-volcanoActors: Stéphane Lhoest (producer), Virginie Lacombe (producer), Catherine Deville (producer), Jean-Jacques Nyssen (writer), Jean-Jacques Nyssen (actor), Jean-Jacques Nyssen (composer), Benoit Finck (director), Benoit Finck (writer), Philippe Desbois (actor), Ombeline Blanchard (editor), Hugo Renard (actor), Xavier Mesa (actor),
Plot: A tribute to Chris Conty, the iconic Franco-Belgian singer. Real shooting star of the french pop music, he had a strong impact on the musical landscape at the end of the 20th century, and his influence is still vivid today. Your memory gets blurry? You can't put a name to the artist's face? Yet, this can't be a hoax. A mystification. Unless...
Genres: Comedy,Actors: Jean-Claude Grumberg (writer), Jean-Claude Grumberg (writer), Nelly Kafsky (producer), Marianne Basler (actress), Jean-Paul Comart (actor), Paulette Frantz (actress), Micky Sébastian (actress), Jean-Claude Dauphin (actor), Gérard Sergue (actor), Francis Huster (actor), François Morel (actor), Yves Pignot (actor), Jean-Luc Porraz (actor), Bernard Haller (actor), Edgar Givry (actor),
Genres: ,Actors: Henri Vilbert (actor), Denise Grey (actress), Michel Bardinet (actor), André Chanu (actor), Michel Etcheverry (actor), Paul Frankeur (actor), René Havard (actor), Jean-Pierre Zola (actor), Jacques Morel (actor), Jean Parédès (actor), Louis Arbessier (actor), Louis Seigner (actor), Maurice Sarfati (actor), Pierre Michaël (actor), Anne Doat (actress),
Plot: A French filmstudent writes an autobiographical scenario. Despite the lack of understanding and the obstruction he gets from the filmbusiness, he managed to complete his movie. The movie won a prize at the Cannes film festival, but his disgust for the filmbusiness didn't go away.
Genres: Drama, Romance,Performer & Album Info - 1:52:15 BWV 846a - 1:08 - C Major - Prelude BWV 846b - 3:19 - C Major - Fugue BWV 847a - 5:19 - C Minor - Prelude BWV 847b - 7:05 - C Minor - Fugue BWV 848a - 8:51 - C# Major - Prelude BWV 848b - 10:17 - C# Major - Fugue BWV 849a - 12:58 - C# Minor - Prelude BWV 849b - 15:24 - C# Minor - Fugue BWV 850a - 19:17 - D Major - Prelude BWV 850b - 20:47 - D Major - Fugue BWV 851a - 22:30 - D Minor - Prelude BWV 851b - 24:12 - D Minor - Fugue BWV 852a - 26:12 - Eb Major - Prelude BWV 852b - 30:19 - Eb Major - Fugue BWV 853a - 32:18 - Eb Minor - Prelude BWV 853b - 34:50 - D# Minor - Fugue BWV 854a - 40:21 - E Major - Prelude BWV 854b - 41:47 - E Major - Fugue BWV 855a - 43:16 - E Minor - Prelude BWV 855b - 46:07 - E Minor - Fugue BWV 856a - 47:25 - F Major - Prelude BWV 856...
Bach Well Tempered Clavier Book 1 Maurizio Pollini
Comment taper du texte plus vite au clavier Comment taper plus rapidement sur un clavier
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Apprendre les bases d'un clavier d'ordinateur
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Your morning smile of torture
Holds me in its grip
You trace the taste of yesterday
The bruise upon my lip
You touch my eyes and hypnotize
And slip inside my heart
I wait for this forever
But we always fall apart
You want to hold me closer
And secretly entice
You take the size of shadowed men
And punish me with kisses every night
This espionage is sweeter now
Now that we're alone
But I meet your eyes and then despise
All we call our own
I write my name in lipstick
On the mirror as I leave
To stay would be too dangerous
To break the make-believe
You want to hold me closer
And secretly entice
You take the size of shadowed men