Kevin MacLeod

Kevin MacLeod or Kevin McLeod may refer to:

See also

Creepypasta

Creepypastas are horror-related legends or images that have been copy-and-pasted around the Internet. These Internet entries are often brief, user generated ghost or alien stories intended to scare readers. They include gruesome tales of murder, suicide, and otherworldly occurrences. According to Time magazine, the genre had its peak audience in 2010 when it was covered by The New York Times.

In the mainstream media, creepypastas relating to the fictitious Slender Man character came to public attention after the 2014 "Slender Man stabbing", in which a twelve-year-old girl from Waukesha, WI was stabbed by two of her friends; the perpetrators claimed they "wanted to prove the [Slender Man] skeptics" wrong. After the murder attempt, some creepypasta website administrators made statements reminding readers of the "line between fiction and reality".

Other notable creepypasta characters and stories include Jeff the Killer, Ted the Caver, and Psychosis. In October 2014, a book called Creepypasta: Spökhistorier från Internet (Creepypasta: Ghost Stories from the Internet) was published in Sweden. In May 2015, Machinima announced plans for a live action web series curated by Clive Barker, titled Clive Barker's Creepy Pasta.

Audio file format

An audio file format is a file format for storing digital audio data on a computer system. The bit layout of the audio data (excluding metadata) is called the audio coding format and can be uncompressed, or compressed to reduce the file size, often using lossy compression. The data can be a raw bitstream in an audio coding format, but it is usually embedded in a container format or an audio data format with defined storage layer.

Format types

It is important to distinguish between the audio coding format, the container containing the raw audio data, and an audio codec. A codec performs the encoding and decoding of the raw audio data while this encoded data is (usually) stored in a container file. Although most audio file formats support only one type of audio coding data (created with an audio coder), a multimedia container format (as Matroska or AVI) may support multiple types of audio and video data.

There are three major groups of audio file formats:

Creative Commons

Creative Commons (CC) is a non-profit organization devoted to expanding the range of creative works available for others to build upon legally and to share. The organization has released several copyright-licenses known as Creative Commons licenses free of charge to the public. These licenses allow creators to communicate which rights they reserve, and which rights they waive for the benefit of recipients or other creators. An easy-to-understand one-page explanation of rights, with associated visual symbols, explains the specifics of each Creative Commons license. Creative Commons licenses do not replace copyright, but are based upon it. They replace individual negotiations for specific rights between copyright owner (licensor) and licensee, which are necessary under an "all rights reserved" copyright management, with a "some rights reserved" management employing standardized licenses for re-use cases where no commercial compensation is sought by the copyright owner. The result is an agile, low-overhead and low-cost copyright-management regime, profiting both copyright owners and licensees. Wikipedia uses one of these licenses.

Sound effect

Sound effects (or audio effects) are artificially created or enhanced sounds, or sound processes used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media. In motion picture and television production, a sound effect is a sound recorded and presented to make a specific storytelling or creative point without the use of dialogue or music. The term often refers to a process applied to a recording, without necessarily referring to the recording itself. In professional motion picture and television production, dialogue, music, and sound effects recordings are treated as separate elements. Dialogue and music recordings are never referred to as sound effects, even though the processes applied to such as reverberation or flanging effects, often are called "sound effects".

History

The term sound effect ranges back to the early days of radio. In its Year Book 1931 the BBC published a major article about "The Use of Sound Effects". It considers sounds effect deeply linked with broadcasting and states: "It would be a great mistake to think of them as anologous to punctuation marks and accents in print. They should never be inserted into a programme already existing. The author of a broadcast play or broadcast construction ought to have used Sound Effects as bricks with which to build, treating them as of equal value with speech and music." It lists six "totally different primary genres of Sound Effect":