Twenty years on, Radiohead revisit their 1997 masterpiece with a deluxe reissue. The bonus material includes familiar B-sides and a few previously unheard recordings that hint at an intriguing road not taken.
Steve Earle’s excellent new album marks his much-welcomed return to country music. He sounds more energized and powerful than he has in years.
On the latest from his sci-fi-leaning project Fhloston Paradigm, the renowned Philadelphia producer King Britt shows a more vulnerable side, collaborating with Moor Mother, Nosaj Thing, and others.
The serrated new EP from rawboned Philadelphia art rock band Palm is their best work to date, full of tensions that boil over and careen.
The London-based producer talks about creating her strongest tracks during the most harrowing time of her life, and how being a parent helps her focus and be original.
The defiant soundtrack of Brazil in the late ’60s and early ’70s, including classics by Caetano Veloso, Gal Costa, Gilberto Gil, Os Mutantes, Tom Zé, and more
New York City was in transition in 2002, with dozens of bands reanimating a faded glory that had come to define the Giuliani era. Arriving after several well-regarded EPs that honed Interpol’s sonic and sartorial sense, it’s possible no album captured this moment as vividly as their debut album Turn on the Bright Lights.
Kevin Morby’s captivating fourth album feels spacious and intimate at once. It possesses an elegant, dusky atmosphere and Morby’s hopelessly optimistic songwriting is the best it has ever been.
The Drums continue to perfect their 1980s-inspired indie pop formula on their latest album, while adding some dark humor to the mix.
Sorrowful lyrics against spirited playing create a magical crux on the experimental singer-songwriter’s latest, a powerfully maternal and spiritually yearning collection of dark folk music.
The California producer’s second release is a chill, whimsical listen whose Balearic compositions are filled with jazzy guitar, vintage synths, and reveal themselves to be surprisingly complex.