- published: 05 Feb 2015
- views: 165674
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George Frideric Handel
Dixit Dominus, HWV 232
Monteverdi Choir
English Baroque Soloists
Sir John Eliot Gardiner
June 2014
Sir J.E. Gardiner - J.S. Bach BWV 248 WO Kantaten 1-3 vom 23. Dez.1999 aus der Herderkirche in Weimar.
Ausführende:
English Baroque Soloists
Monteverdi Choir
Claron McFadden - Sopran
Christoph Genz - Tenor
Barnarda Fink - Alt
Dietrich Henschel - Bass
Leitung: Sir John Eliot Gardiner
- published: 17 Jan 2014
- views: 65926
Please check out my other channels too:
https://www.youtube.com/user/Mentor1954
https://www.youtube.com/channel/UC7vvLuOv_-XoFeALOcBTFTw
- published: 03 Oct 2014
- views: 29176
© BBC 2016
Ludiwg van Beethoven Symphony No 5 in C minor
John Eliot Gardiner conducts Orchestre Revolutionnaire et Romantique
0:00 Allegro con brio
6:45 Andante con moto
15:25 Allegro
22:49 Allegro, presto
- published: 19 Sep 2016
- views: 3828
Listen to our acoustic cover of Symphony on Spotify: http://spoti.fi/2qIyc5j
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- published: 19 May 2017
- views: 118084
Hector Berlioz
Symphonie Fantastique
John Eliot Gardiner conducts Orchestre Révolutionnaire et Romantique
- published: 13 Feb 2017
- views: 1667
Monteverdi
John Eliot Gardiner
Monteverdi Choir & English Baroque Soloists
The Royal Chapel Palace of Versailles (2014)
"Vespro della Beata Vergine" (1610)
Introduction:
Monteverdi’s Marian Vespers of 1610 was his first sacred work after his first publication twenty-eight years prior, and stands out for its assimilation of both old and new styles, although it cannot be specifically classified as prima pratica or seconda pratica, per se. The Vespers were published in July 1610, in combination with a six-voice mass which parodied a motet of Nicolas Gombert; In illo tempore loquante Jesu. Today, over four hundred years later, the precise intentions of this large work are not clearly known or understood. This has been a great topic of debate among musicologists for decades, and it has even been suggested by Graham Dixon that Monteverdi’s setting of the Vespers is more suited towards use for the feast of Saint Barbara, claiming, for example, that the texts taken from Song of Songs are applicable to any female saint. He goes on to write that formatting the Vespers to fit a Marian feast made the work more "marketable". There are several facts that support this view: there are just two Marian songs in the whole work (Audi Coelum and Ave Maris Stella); the sonata could very easily be rearranged to any saint's name; and the text of the Duo Seraphim is connected with Saint Barbara (because she is generally connected with Trinity).
The Vespers was first printed in Venice in 1610 when the composer was working at the ducal court in Mantua. Historical record does not indicate whether Monteverdi actually performed the Vespers in either city; the work may have been written as an audition piece for posts at Venice (Monteverdi became maestro di cappella at St Mark's Basilica in Venice in 1613) and Rome (where the composer was not offered a post).
The Vespers is monumental in scale, and requires a choir large enough and skillful enough to cover up to 10 vocal parts in some movements and split into separate choirs in others while accompanying seven different soloists during the course of the piece. Interestingly, solo parts are included for violin and cornett, but the ripieno instrumentation is not specified by Monteverdi. Additionally, he did not specify a set of plainchant antiphons to insert before each psalm and the concluding Magnificat. This allows the performers to tailor the music according to the available instrumental forces and the occasion of the performance (the particular feast day's liturgy would have included suggested antiphons that could be chanted before Monteverdi's psalm settings). Another example of tailoring to the forces available is the fact that the collection includes two versions of the Magnificat, one of which is scored for a smaller group of musicians than the other. Some scholars have argued that this suggests that the Vespers was not intended as a single work, but it is generally performed as such.
Monteverdi's unique approach to each movement of the Vespers earned the work a place in history. The work not only presents intimate, prayerful moments within its monumental scale, but it also incorporates secular music in this decidedly religious performance and its individual movements present an array of musical forms - sonata, motet, hymn, and psalm - without losing focus. The Vespers achieves overall unity by building each movement on the traditional Gregorian plainchant for each text, which becomes a cantus firmus in Monteverdi's setting.
Structure:
1.Invitatorium: Versiculum « Deus, in adjutorium meum intende » et Responsorium: « Domine ad adjuvandum »
2.Psalmus I : Dixit Dominus (psalm 110 (109))
3.Concerto : Nigra sum
4.Psalmus II : Laudate pueri (psalm 113)
5.Concerto : Pulchra es
6.Psalmus III : Laetatus sum (psaume 122 (121))
7.Concerto: Duo seraphim
8.Psalmus IV : Nisi Dominus (psaume 126 (127))
9.Concerto : Audi cœlum
10.Psalmus V : Lauda Jerusalem (psaume 147 (146-147))
11.Sonata sopra Santa Maria (« Sancta Maria ora pro nobis »)
12.Hymnus : Ave Maris Stella
13.Two Magnificat
- published: 09 Nov 2015
- views: 68916
Requiem of Mozart - John Eliot Gardiner
Barbara Bonney, Soprano.
Anne Sofie von Otter, Mezzo-soprano.
Anthony Rolfe Johnson, Tenor.
Alastair Miles, Bass.
Monteverdi Choir
English Baroque Soloists
Filmed at the Palau de la Música Catalana, Barcelona, in December 1991.
Mass in C minor: https://youtu.be/5QfJC7bXeZw
Bonus: Requiem by Solti (1991) http://www.youtube.com/watch?v=LkyWXg...
- published: 15 Dec 2011
- views: 4783957
Gardiner
Gardiner may be:
Settlements
Buildings and landmarks
Geographical features
People with Gardiner as a surname
People with Gardiner as a first name
Ships
See also
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Gardiner
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
John Eliot Gardiner
Sir John Eliot Gardiner, CBE (born 20 April 1943) is an English conductor.
Life and career
Born in Fontmell Magna, Dorset, Gardiner's early musical experience came largely through singing with his family and in a local church choir. A self-taught musician who also played the violin, he began to study conducting at the age of 15. He was educated at Bryanston School, then studied history, Arabic, and medieval Spanish at King's College, Cambridge.
While an undergraduate at Cambridge he launched his career as a conductor with a performance of Vespro della Beata Vergine by Monteverdi, in King's College Chapel on 5 March 1964. This either featured or led to the foundation of the Monteverdi Choir, with which he made his London conducting debut at the Wigmore Hall in 1966.
Whilst at Cambridge, he conducted the Oxford and Cambridge Singers on a concert tour of the Middle East.
After graduating with a master's degree in history, Gardiner continued his musical studies at King's College London under Thurston Dart and in Paris with Nadia Boulanger, whose music had been a very early influence. In 1968 he founded the Monteverdi Orchestra. Upon changing from modern instruments to period instruments in 1977, the orchestra changed its name to the English Baroque Soloists in 1978. In 1969 Gardiner made his opera debut with a performance of Mozart's The Magic Flute at the English National Opera. Four years later, in 1973, he made his first appearance at the Covent Garden conducting Gluck's Iphigénie en Tauride. The English Baroque Soloists made their opera debut with him in the 1977 Innsbruck Festival of Early Music, performing Handel's Acis and Galatea on period instruments. His American debut came in 1979 when he conducted the Dallas Symphony Orchestra. He then became the lead conductor of Canada's CBC Vancouver Orchestra from 1980 to 1983.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/John_Eliot_Gardiner
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
John Eliot
John Eliot may refer to:
See also
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/John_Eliot
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
The Vespers
The Vespers are an Americana/folk/roots band from Nashville, Tennessee. The band is made up of two brothers, Taylor and Bruno Jones, and two sisters, Callie and Phoebe Cryar. Bruno plays upright bass, guitar, a little banjo, ukulele, and mandolin. Taylor Jones plays drums, percussion, vocals, and mandolin. Callie plays guitar, ukulele, banjo, electric bass, lead vocals, and low harmony. Phoebe plays guitar, banjo, accordion, mandolin, ukulele, lead vocals and low harmony.
History
A vesper is an evening prayer. Phoebe encountered the distinctive word while reading and Callie believed it to be easy to remember.
All four members were born and raised in Nashville. Callie and Phoebe, daughters of Christian artist Morgan Cryar, sang background vocals on Music Row from a young age. Taylor and Bruno had grown up influenced heavily by their father's music collection, which included everything from gritty southern rock to soul. The two sets of siblings met each other at a mutual friend's campfire. In May 2009, the four came together and played for the first time, originally just playing songs that the Cryar sisters had written. "Things progressed in a way that none of us really could have predicted," says Callie. "We knew that it was an intriguing sound, and we liked what was happening," adds Bruno. By the following winter, they made their first record, Tell Your Mama, and released it in March 2010. The record was received with critical acclaim. It is "a blend of bluegrass, folk, & alternative music all held together tightly by Callie & Phoebe’s angelic harmonies & Taylor & Bruno’s hypnotic rhythms."
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/The_Vespers
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Monteverdi Choir
The Monteverdi Choir was founded in 1964 by Sir John Eliot Gardiner for a performance of the Monteverdi Vespers (1610) in King's College Chapel, Cambridge. A specialist Baroque ensemble, the Choir has become famous for its stylistic conviction and extensive repertoire, encompassing music from the Renaissance period to Classical music of the 20th century. They often appear with John Eliot Gardiner's orchestras, the English Baroque Soloists and Orchestre Révolutionnaire et Romantique.
A budget-range double CD entitled "A Classic Christmas" was released by Universal in 2005, which included two of the choir's recordings from 1998 ("Past Three O'Clock" and "The Lamb"), and which (presumably incorrectly) billed them as The Monteverdi Singers.
On 5 March 2014 the Choir celebrated its 50th anniversary with a repeat performance of the Monteverdi Vespers from King's College Chapel, in a concert broadcast live by BBC Radio 3.
Bach Cantata Pilgrimage
In 2000 the Choir, with the English Baroque Soloists, undertook an ambitious tour, the Bach Cantata Pilgrimage, in which it performed almost all of J.S. Bach's sacred cantatas in more than 60 churches in Europe, the UK and the US to celebrate the 250th anniversary of the composer's death. Some cantatas were excluded a priori from the pilgrimage, as their composition was not associated with religious calendar commitments.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Monteverdi_Choir
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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40:22Handel - Dixit Dominus - Gardiner
Handel - Dixit Dominus - GardinerHandel - Dixit Dominus - Gardiner
George Frideric Handel Dixit Dominus, HWV 232 Monteverdi Choir English Baroque Soloists Sir John Eliot Gardiner June 2014 -
1:15:40Gardiner J.S. Bach BWV 248 WO Kantaten 1-3 vom 23. Dez.1999 Weimar, Herderkirche
Gardiner J.S. Bach BWV 248 WO Kantaten 1-3 vom 23. Dez.1999 Weimar, HerderkircheGardiner J.S. Bach BWV 248 WO Kantaten 1-3 vom 23. Dez.1999 Weimar, Herderkirche
Sir J.E. Gardiner - J.S. Bach BWV 248 WO Kantaten 1-3 vom 23. Dez.1999 aus der Herderkirche in Weimar. Ausführende: English Baroque Soloists Monteverdi Choir Claron McFadden - Sopran Christoph Genz - Tenor Barnarda Fink - Alt Dietrich Henschel - Bass Leitung: Sir John Eliot Gardiner -
3:45Välj och häng gardiner som ett proffs
Välj och häng gardiner som ett proffs -
1:46:51Sir John Eliot Gardiner conducts Bach - Rameau - Handel
Sir John Eliot Gardiner conducts Bach - Rameau - HandelSir John Eliot Gardiner conducts Bach - Rameau - Handel
Please check out my other channels too: https://www.youtube.com/user/Mentor1954 https://www.youtube.com/channel/UC7vvLuOv_-XoFeALOcBTFTw -
33:05Beethoven Symphony No 5 C minor John Eliot Gardiner © BBC 2016 Orchestre Revolutionnaire et Romantiq
Beethoven Symphony No 5 C minor John Eliot Gardiner © BBC 2016 Orchestre Revolutionnaire et RomantiqBeethoven Symphony No 5 C minor John Eliot Gardiner © BBC 2016 Orchestre Revolutionnaire et Romantiq
© BBC 2016 Ludiwg van Beethoven Symphony No 5 in C minor John Eliot Gardiner conducts Orchestre Revolutionnaire et Romantique 0:00 Allegro con brio 6:45 Andante con moto 15:25 Allegro 22:49 Allegro, presto -
3:20Symphony- Clean Bandit ft. Zara Larsson (Acoustic Cover) | Gardiner Sisters - On Spotify
Symphony- Clean Bandit ft. Zara Larsson (Acoustic Cover) | Gardiner Sisters - On SpotifySymphony- Clean Bandit ft. Zara Larsson (Acoustic Cover) | Gardiner Sisters - On Spotify
Listen to our acoustic cover of Symphony on Spotify: http://spoti.fi/2qIyc5j iTunes: http://apple.co/2riJiOK Amazon: http://amzn.to/2t3CwxB Google Play: http://bit.ly/2sbPPw7 Spotify | http://bit.ly/GSSpotify website | http://gardinersisters.com/ facebook | http://on.fb.me/19Ly1Ge instagram | http://instagram.com/gardinersistersofficial twitter | https://twitter.com/gardinersisters @mandigardiner @alliegardiner @haileygardiner @lindsaygardiner second channel | http://www.youtube.com/user/GardinerSistersLife business & booking | info@gardinersisters.com subscribe | http://www.youtube.com/user/gardinersisters -
54:46Berlioz Symphonie Fantastique Gardiner Orchestre Révolutionnaire Romantique
Berlioz Symphonie Fantastique Gardiner Orchestre Révolutionnaire RomantiqueBerlioz Symphonie Fantastique Gardiner Orchestre Révolutionnaire Romantique
Hector Berlioz Symphonie Fantastique John Eliot Gardiner conducts Orchestre Révolutionnaire et Romantique -
1:44:58Claudio Monteverdi - Vespro della Beata Vergine (John Eliot Gardiner 2014)
Claudio Monteverdi - Vespro della Beata Vergine (John Eliot Gardiner 2014)Claudio Monteverdi - Vespro della Beata Vergine (John Eliot Gardiner 2014)
Monteverdi John Eliot Gardiner Monteverdi Choir & English Baroque Soloists The Royal Chapel Palace of Versailles (2014) "Vespro della Beata Vergine" (1610) Introduction: Monteverdi’s Marian Vespers of 1610 was his first sacred work after his first publication twenty-eight years prior, and stands out for its assimilation of both old and new styles, although it cannot be specifically classified as prima pratica or seconda pratica, per se. The Vespers were published in July 1610, in combination with a six-voice mass which parodied a motet of Nicolas Gombert; In illo tempore loquante Jesu. Today, over four hundred years later, the precise intentions of this large work are not clearly known or understood. This has been a great topic of debate among musicologists for decades, and it has even been suggested by Graham Dixon that Monteverdi’s setting of the Vespers is more suited towards use for the feast of Saint Barbara, claiming, for example, that the texts taken from Song of Songs are applicable to any female saint. He goes on to write that formatting the Vespers to fit a Marian feast made the work more "marketable". There are several facts that support this view: there are just two Marian songs in the whole work (Audi Coelum and Ave Maris Stella); the sonata could very easily be rearranged to any saint's name; and the text of the Duo Seraphim is connected with Saint Barbara (because she is generally connected with Trinity). The Vespers was first printed in Venice in 1610 when the composer was working at the ducal court in Mantua. Historical record does not indicate whether Monteverdi actually performed the Vespers in either city; the work may have been written as an audition piece for posts at Venice (Monteverdi became maestro di cappella at St Mark's Basilica in Venice in 1613) and Rome (where the composer was not offered a post). The Vespers is monumental in scale, and requires a choir large enough and skillful enough to cover up to 10 vocal parts in some movements and split into separate choirs in others while accompanying seven different soloists during the course of the piece. Interestingly, solo parts are included for violin and cornett, but the ripieno instrumentation is not specified by Monteverdi. Additionally, he did not specify a set of plainchant antiphons to insert before each psalm and the concluding Magnificat. This allows the performers to tailor the music according to the available instrumental forces and the occasion of the performance (the particular feast day's liturgy would have included suggested antiphons that could be chanted before Monteverdi's psalm settings). Another example of tailoring to the forces available is the fact that the collection includes two versions of the Magnificat, one of which is scored for a smaller group of musicians than the other. Some scholars have argued that this suggests that the Vespers was not intended as a single work, but it is generally performed as such. Monteverdi's unique approach to each movement of the Vespers earned the work a place in history. The work not only presents intimate, prayerful moments within its monumental scale, but it also incorporates secular music in this decidedly religious performance and its individual movements present an array of musical forms - sonata, motet, hymn, and psalm - without losing focus. The Vespers achieves overall unity by building each movement on the traditional Gregorian plainchant for each text, which becomes a cantus firmus in Monteverdi's setting. Structure: 1.Invitatorium: Versiculum « Deus, in adjutorium meum intende » et Responsorium: « Domine ad adjuvandum » 2.Psalmus I : Dixit Dominus (psalm 110 (109)) 3.Concerto : Nigra sum 4.Psalmus II : Laudate pueri (psalm 113) 5.Concerto : Pulchra es 6.Psalmus III : Laetatus sum (psaume 122 (121)) 7.Concerto: Duo seraphim 8.Psalmus IV : Nisi Dominus (psaume 126 (127)) 9.Concerto : Audi cœlum 10.Psalmus V : Lauda Jerusalem (psaume 147 (146-147)) 11.Sonata sopra Santa Maria (« Sancta Maria ora pro nobis ») 12.Hymnus : Ave Maris Stella 13.Two Magnificat -
2:17:15Handel's Messiah - Gardiner
Handel's Messiah - GardinerHandel's Messiah - Gardiner
Handel's Messiah -
49:20Mozart: Requiem in D minor, K626 | Gardiner
Mozart: Requiem in D minor, K626 | GardinerMozart: Requiem in D minor, K626 | Gardiner
Requiem of Mozart - John Eliot Gardiner Barbara Bonney, Soprano. Anne Sofie von Otter, Mezzo-soprano. Anthony Rolfe Johnson, Tenor. Alastair Miles, Bass. Monteverdi Choir English Baroque Soloists Filmed at the Palau de la Música Catalana, Barcelona, in December 1991. Mass in C minor: https://youtu.be/5QfJC7bXeZw Bonus: Requiem by Solti (1991) http://www.youtube.com/watch?v=LkyWXg...
'Gardiner' is featured as a movie character in the following productions:
Les mémés cannibales (1988)
Actors: Philippe Ravoet (editor), Johan Vandewoestijne (actor), Johan Vandewoestijne (producer), Johan Vandewoestijne (producer), Catherine Aymerie (actress), Paule Herreman (actress), Elie Lison (actor), Raymond Lescot (actor), Guy Van Riet (actor), Bobette Jouret (actress), Sébastien Radovitch (actor), Jacques Mayar (actor), Jean-Bruno Castelain (composer), Jean-Bruno Castelain (producer), Patricia Davia (actress),
Plot: When given a demonic present by their black sheep nephew two kindly old grannies are transformed into demons who proceed to gorily knock-off their greedy relatives.
Keywords: alcohol, aunt-nephew-relationship, aunt-niece-relationship, belgian, belgium, birthday, birthday-cake, birthday-party, birthday-present, bloodGenres: Comedy, Horror,
Taglines: Grandma, What a Big Mouth You Have! Going to grannies was never like this. They just love their grandchildren... well done! Grandmother, What Big Teeth You Have!
Mozart in viaggio verso Praga (1974)
Actors: Umberto D'Orsi (actor), Germana Paolieri (actress), Carmen Scarpitta (actress), Marco Bonetti (actor), Raoul Grassilli (actor), Luciano Virgilio (actor), Giovanni Conforti (actor), Nietta Mordeglia (actress), Gianfranco Angelucci (writer), Wilma D'Eusebio (actress), Gino Sabbatini (actor), Eduard Mörike (writer), Germana Carnacina (actress), Franco Vaccaro (actor), Stefano Roncoroni (writer),
Genres: Biography, Drama, Music,Henry VIII and His Six Wives (1972)
Actors: Peter Madden (actor), John Bloom (editor), Kay Mander (miscellaneous crew), Michael Byrne (actor), Donald Pleasence (actor), Waris Hussein (director), Charlotte Rampling (actress), Mark Shivas (producer), Michael Goodliffe (actor), Michael Gough (actor), Brian Blessed (actor), John Bennett (actor), Jane Asher (actress), Clive Merrison (actor), John Bloomfield (costume designer),
Plot: On his deathbed Tudor-king Henry VIII remembers his long reign and especially the crucial part his six marriages played in it, without producing the male heir he desired most to prevent civil wars for the succession as England suffered before his father's ascent. His first queen, Spanish princess Kathryn of Aragon, had one fatal flaw: her children died, except daughter Mary, so he pressed Rome for an annulment, and when that failed out went cardinal Wolsey as chief minister and Henry made himself head of the Church of England instead of the papacy and married Anne Boleyn. When she too failed to produce a male heir, just princess Elisabeth, he had her head roll for 'infidelity'. The third queen, gentle Jane Seymour, died giving birth to sickly prince Edward. For diplomatic reasons Henry married minor princes Anne of Cleves, whose utter lack of female charms causes another annulment and the fall of Thomas Cromwell, who recommended her. Fifth is the lovely Catherine Howard, cousin of Anne Boleyn, but again childless and found to have been carnal with servants before and after her royal marriage, so also decapitated. Finally Catherine Parr, a young widow, stands at his deathbed.
Keywords: adultery, anne-boleyn, anne-of-cleaves, archbishop-of-canterbury, british-royal-family, burned-at-the-stake, caesarean-birth, caesaropapism, catherine-howard, catherine-of-aragonGenres: Drama,
Quotes:
Henry VIII: Wait, Anne. Only wait.::Anne Boleyn: Ah, then farewell to my young looks!Thomas Cromwell: Your Grace.::Henry VIII: Whom can a man trust in this world when there is nothing real in it?::[showing Cromwell a miniature portrait of Anne of Cleves]::Henry VIII: Is this a true likeness?::Thomas Cromwell: Yes, sire, I think.::Henry VIII: Where are the great pits in her face?::Thomas Cromwell: She has a queenly manner, I think, sire.::Henry VIII: I like her not!::[shoving and shaking Cromwell]::Henry VIII: She is nothing fair and I like her not!
Thomas Cromwell: It lies within my power to make Your Majesty still more prosperous yet.::Henry VIII: But how would I ever reward you, Crom? You have it all: the Privy Seal, the Garter, Vicar General, the earldom of Essex and Lord Chamberlain. What more could I do for you?::Thomas Cromwell: Your Grace might box my head at times.::Henry VIII: [gives a huge laugh and playfully slaps Cromwell on the face] That would not be seemly. But I'm keeping his Lordship from his business.
Thomas Cromwell: Cromwell walks into the council chamber"You where in a great hurry gentlemen to begin without me"::Norfolk: As Cromwell is about to take his seat at the council table"Cromwell do not sit there.There is no place for you,traitors do not sit with gentlemen."::Thomas Cromwell: Cromwell mumbles "I'm no traitor"::Thomas Cromwell: Cromwell flings down his cap in rage and screams in a loud voice,"Upon your conscience am I a traitor?"::Thomas Cromwell: Cromwell tries to run out of the chamber but the guards seize him"Let me speak to the King"::Norfolk: The guards fling Cromwell up to the table facing The Duke of Norfolk,"No, Cromwell, but by your own law that no man accused of treason may attend his grace.Send to his house to take inventory,take him!"::Suffolk: As Cromwell is about to be led away,Suffolk walks slowly up to Cromwell, "Wait"Suffolk and the rest of the council except Cranmer who is disgusted,tear Cromwell's decorations from his person and give him a beating and a bloody nose.::Suffolk: Now take him away.
Un singe en hiver (1962)
Actors: Charles Bouillaud (actor), André Dalibert (actor), Édouard Francomme (actor), Paul Frankeur (actor), Jean Gabin (actor), Gabriel Gobin (actor), René Hell (actor), Billy Kearns (actor), Paul Mercey (actor), Lucien Raimbourg (actor), Noël Roquevert (actor), Hans Verner (actor), Henri Verneuil (actor), Marcelle Arnold (actress), Jean-Paul Belmondo (actor),
Plot: Albert is an inn owner who vowed never to drink again if he and his wife survived the war. They did, and the reformed alcoholic keeps his vow. But times have changed and soon after the war, Albert comes in contact with Gabriel, a young man prone to heavy bouts with the bottle. Gabriel is conflicted over visiting his young daughter in a nearby school and in a moment of nostalgia, Albert takes off with him on one major binge -- and havoc results.
Keywords: 1950s, abstinence, aerial-bombing, alcohol-abuse, alcoholic, alcoholic-drink, alcoholic-relapse, alcoholism, animal-in-title, based-on-novelGenres: Comedy, Drama,
Taglines: (We Can't Tell What Happened The Morning After...) But Oh! What Happened The Night Before! The Story of Two Very Uncommon Men...With One Purpose in Common!
The Long Wait (1954)
Actors: Jack Chefe (actor), John Cliff (actor), Charles Coburn (actor), John Damler (actor), Edgar Dearing (actor), Sayre Dearing (actor), Lawrence Dobkin (actor), Paul Dubov (actor), Gene Evans (actor), Roy Glenn (actor), Sam Harris (actor), Stuart Holmes (actor), Barry Kelley (actor), Kenner G. Kemp (actor), Jay Adler (actor),
Plot: Hitchhiker Johnny McBride is badly hurt and loses his memory when the car he is riding in crashes. Two years later, a clue leads him to his old home town, where he finds he is a murder suspect. Johnny tries to discover the truth about the murder, while pursued by gangsters and several seductive women.
Keywords: amnesia, based-on-novel, femme-fataleGenres: Crime, Drama, Film-Noir,
Quotes:
Johnny: Nobody knows where I come from, not even me.Laurie: So when we leaving, honey?::Johnny: I'm leaving now. [kisses her] I'm traveling light. [throws her at Chuck] Here, Chuck, it's all yours!
Johnny: Do you know me?::Carol: What gave you that idea?::Johnny: You were looking at me as if you did.::Carol: Couple of gals were staring at you. All I did was follow their eyes and hit you. I couldn't very well miss... such a big target.
Logan: Blonde wasn't the word for it. Honey-blonde, and real. And it didn't come out of any bottle.
Troy: [(with door on latch)] I'll bet your name is Johnny McBride.::Johnny: You win.::Troy: [opening door] So do you.
Mind Over Motor (1923)
Actors: Ralph Graves (actor), Edward Hearn (actor), Pietro Sosso (actor), Larry Steers (actor), Clara Horton (actress), Caroline Rankin (actress), Bennett Cohen (writer), Trixie Friganza (actress), Ward Lascelle (director), Ward Lascelle (producer), Grace Gordon (actress), H. Landers Jackson (writer), H. Landers Jackson (writer), George Guyton (actor), Lucy Handforth (actress),
Genres: Comedy,Captain Swift (1920)
Actors: Tom Terriss (director), Edward Martindel (actor), Earle Williams (actor), Alice Calhoun (actress), Lucien Hubbard (writer), James O'Neill (actor), H.H. Pattee (actor), Chester Bennett (director), Downing Clarke (actor), Florence Dixon (actress), C. Haddon Chambers (writer), Adelaide Prince (actress), Barry Baxter (actor),
Genres: Drama,Matching books:
-
Handel - Dixit Dominus - Gardiner
George Frideric Handel Dixit Dominus, HWV 232 Monteverdi Choir English Baroque Soloists Sir John Eliot Gardiner June 2014
published: 05 Feb 2015 -
Gardiner J.S. Bach BWV 248 WO Kantaten 1-3 vom 23. Dez.1999 Weimar, Herderkirche
Sir J.E. Gardiner - J.S. Bach BWV 248 WO Kantaten 1-3 vom 23. Dez.1999 aus der Herderkirche in Weimar. Ausführende: English Baroque Soloists Monteverdi Choir Claron McFadden - Sopran Christoph Genz - Tenor Barnarda Fink - Alt Dietrich Henschel - Bass Leitung: Sir John Eliot Gardiner
published: 17 Jan 2014 -
-
Sir John Eliot Gardiner conducts Bach - Rameau - Handel
Please check out my other channels too: https://www.youtube.com/user/Mentor1954 https://www.youtube.com/channel/UC7vvLuOv_-XoFeALOcBTFTw
published: 03 Oct 2014 -
Beethoven Symphony No 5 C minor John Eliot Gardiner © BBC 2016 Orchestre Revolutionnaire et Romantiq
© BBC 2016 Ludiwg van Beethoven Symphony No 5 in C minor John Eliot Gardiner conducts Orchestre Revolutionnaire et Romantique 0:00 Allegro con brio 6:45 Andante con moto 15:25 Allegro 22:49 Allegro, presto
published: 19 Sep 2016 -
Symphony- Clean Bandit ft. Zara Larsson (Acoustic Cover) | Gardiner Sisters - On Spotify
Listen to our acoustic cover of Symphony on Spotify: http://spoti.fi/2qIyc5j iTunes: http://apple.co/2riJiOK Amazon: http://amzn.to/2t3CwxB Google Play: http://bit.ly/2sbPPw7 Spotify | http://bit.ly/GSSpotify website | http://gardinersisters.com/ facebook | http://on.fb.me/19Ly1Ge instagram | http://instagram.com/gardinersistersofficial twitter | https://twitter.com/gardinersisters @mandigardiner @alliegardiner @haileygardiner @lindsaygardiner second channel | http://www.youtube.com/user/GardinerSistersLife business & booking | info@gardinersisters.com subscribe | http://www.youtube.com/user/gardinersisters
published: 19 May 2017 -
Berlioz Symphonie Fantastique Gardiner Orchestre Révolutionnaire Romantique
Hector Berlioz Symphonie Fantastique John Eliot Gardiner conducts Orchestre Révolutionnaire et Romantique
published: 13 Feb 2017 -
Claudio Monteverdi - Vespro della Beata Vergine (John Eliot Gardiner 2014)
Monteverdi John Eliot Gardiner Monteverdi Choir & English Baroque Soloists The Royal Chapel Palace of Versailles (2014) "Vespro della Beata Vergine" (1610) Introduction: Monteverdi’s Marian Vespers of 1610 was his first sacred work after his first publication twenty-eight years prior, and stands out for its assimilation of both old and new styles, although it cannot be specifically classified as prima pratica or seconda pratica, per se. The Vespers were published in July 1610, in combination with a six-voice mass which parodied a motet of Nicolas Gombert; In illo tempore loquante Jesu. Today, over four hundred years later, the precise intentions of this large work are not clearly known or understood. This has been a great topic of debate among musicologists for decades, and it has even ...
published: 09 Nov 2015 -
-
Mozart: Requiem in D minor, K626 | Gardiner
Requiem of Mozart - John Eliot Gardiner Barbara Bonney, Soprano. Anne Sofie von Otter, Mezzo-soprano. Anthony Rolfe Johnson, Tenor. Alastair Miles, Bass. Monteverdi Choir English Baroque Soloists Filmed at the Palau de la Música Catalana, Barcelona, in December 1991. Mass in C minor: https://youtu.be/5QfJC7bXeZw Bonus: Requiem by Solti (1991) http://www.youtube.com/watch?v=LkyWXg...
published: 15 Dec 2011
Handel - Dixit Dominus - Gardiner
- Order: Reorder
- Duration: 40:22
- Updated: 05 Feb 2015
- views: 165674
George Frideric Handel
Dixit Dominus, HWV 232
Monteverdi Choir
English Baroque Soloists
Sir John Eliot Gardiner
June 2014
George Frideric Handel
Dixit Dominus, HWV 232
Monteverdi Choir
English Baroque Soloists
Sir John Eliot Gardiner
June 2014
https://wn.com/Handel_Dixit_Dominus_Gardiner
George Frideric Handel
Dixit Dominus, HWV 232
Monteverdi Choir
English Baroque Soloists
Sir John Eliot Gardiner
June 2014
- published: 05 Feb 2015
- views: 165674
Gardiner J.S. Bach BWV 248 WO Kantaten 1-3 vom 23. Dez.1999 Weimar, Herderkirche
- Order: Reorder
- Duration: 1:15:40
- Updated: 17 Jan 2014
- views: 65926
Sir J.E. Gardiner - J.S. Bach BWV 248 WO Kantaten 1-3 vom 23. Dez.1999 aus der Herderkirche in Weimar.
Ausführende:
English Baroque Soloists
Monteverdi Choir
C...
Sir J.E. Gardiner - J.S. Bach BWV 248 WO Kantaten 1-3 vom 23. Dez.1999 aus der Herderkirche in Weimar.
Ausführende:
English Baroque Soloists
Monteverdi Choir
Claron McFadden - Sopran
Christoph Genz - Tenor
Barnarda Fink - Alt
Dietrich Henschel - Bass
Leitung: Sir John Eliot Gardiner
https://wn.com/Gardiner_J.S._Bach_Bwv_248_Wo_Kantaten_1_3_Vom_23._Dez.1999_Weimar,_Herderkirche
Sir J.E. Gardiner - J.S. Bach BWV 248 WO Kantaten 1-3 vom 23. Dez.1999 aus der Herderkirche in Weimar.
Ausführende:
English Baroque Soloists
Monteverdi Choir
Claron McFadden - Sopran
Christoph Genz - Tenor
Barnarda Fink - Alt
Dietrich Henschel - Bass
Leitung: Sir John Eliot Gardiner
- published: 17 Jan 2014
- views: 65926
Välj och häng gardiner som ett proffs
- Order: Reorder
- Duration: 3:45
- Updated: 28 Mar 2014
- views: 13435
Nu har du chansen att lära dig allt om gardiner av ett riktigt proffs. Vi följer med Lisa på Fönstret i Lund när hon hänger gardiner i ett hus i lantlig stil på...
Nu har du chansen att lära dig allt om gardiner av ett riktigt proffs. Vi följer med Lisa på Fönstret i Lund när hon hänger gardiner i ett hus i lantlig stil på Österlen.
https://wn.com/Välj_Och_Häng_Gardiner_Som_Ett_Proffs
Sir John Eliot Gardiner conducts Bach - Rameau - Handel
- Order: Reorder
- Duration: 1:46:51
- Updated: 03 Oct 2014
- views: 29176
Please check out my other channels too:
https://www.youtube.com/user/Mentor1954
https://www.youtube.com/channel/UC7vvLuOv_-XoFeALOcBTFTw
Please check out my other channels too:
https://www.youtube.com/user/Mentor1954
https://www.youtube.com/channel/UC7vvLuOv_-XoFeALOcBTFTw
https://wn.com/Sir_John_Eliot_Gardiner_Conducts_Bach_Rameau_Handel
Please check out my other channels too:
https://www.youtube.com/user/Mentor1954
https://www.youtube.com/channel/UC7vvLuOv_-XoFeALOcBTFTw
- published: 03 Oct 2014
- views: 29176
Beethoven Symphony No 5 C minor John Eliot Gardiner © BBC 2016 Orchestre Revolutionnaire et Romantiq
- Order: Reorder
- Duration: 33:05
- Updated: 19 Sep 2016
- views: 3828
© BBC 2016
Ludiwg van Beethoven Symphony No 5 in C minor
John Eliot Gardiner conducts Orchestre Revolutionnaire et Romantique
0:00 Allegro con brio
6:45 Andan...
© BBC 2016
Ludiwg van Beethoven Symphony No 5 in C minor
John Eliot Gardiner conducts Orchestre Revolutionnaire et Romantique
0:00 Allegro con brio
6:45 Andante con moto
15:25 Allegro
22:49 Allegro, presto
https://wn.com/Beethoven_Symphony_No_5_C_Minor_John_Eliot_Gardiner_©_BBC_2016_Orchestre_Revolutionnaire_Et_Romantiq
© BBC 2016
Ludiwg van Beethoven Symphony No 5 in C minor
John Eliot Gardiner conducts Orchestre Revolutionnaire et Romantique
0:00 Allegro con brio
6:45 Andante con moto
15:25 Allegro
22:49 Allegro, presto
- published: 19 Sep 2016
- views: 3828
Symphony- Clean Bandit ft. Zara Larsson (Acoustic Cover) | Gardiner Sisters - On Spotify
- Order: Reorder
- Duration: 3:20
- Updated: 19 May 2017
- views: 118084
Listen to our acoustic cover of Symphony on Spotify: http://spoti.fi/2qIyc5j
iTunes: http://apple.co/2riJiOK
Amazon: http://amzn.to/2t3CwxB
Google Play: http://...
Listen to our acoustic cover of Symphony on Spotify: http://spoti.fi/2qIyc5j
iTunes: http://apple.co/2riJiOK
Amazon: http://amzn.to/2t3CwxB
Google Play: http://bit.ly/2sbPPw7
Spotify | http://bit.ly/GSSpotify
website | http://gardinersisters.com/
facebook | http://on.fb.me/19Ly1Ge
instagram | http://instagram.com/gardinersistersofficial
twitter | https://twitter.com/gardinersisters
@mandigardiner
@alliegardiner
@haileygardiner
@lindsaygardiner
second channel | http://www.youtube.com/user/GardinerSistersLife
business & booking | info@gardinersisters.com
subscribe | http://www.youtube.com/user/gardinersisters
https://wn.com/Symphony_Clean_Bandit_Ft._Zara_Larsson_(Acoustic_Cover)_|_Gardiner_Sisters_On_Spotify
Listen to our acoustic cover of Symphony on Spotify: http://spoti.fi/2qIyc5j
iTunes: http://apple.co/2riJiOK
Amazon: http://amzn.to/2t3CwxB
Google Play: http://bit.ly/2sbPPw7
Spotify | http://bit.ly/GSSpotify
website | http://gardinersisters.com/
facebook | http://on.fb.me/19Ly1Ge
instagram | http://instagram.com/gardinersistersofficial
twitter | https://twitter.com/gardinersisters
@mandigardiner
@alliegardiner
@haileygardiner
@lindsaygardiner
second channel | http://www.youtube.com/user/GardinerSistersLife
business & booking | info@gardinersisters.com
subscribe | http://www.youtube.com/user/gardinersisters
- published: 19 May 2017
- views: 118084
Berlioz Symphonie Fantastique Gardiner Orchestre Révolutionnaire Romantique
- Order: Reorder
- Duration: 54:46
- Updated: 13 Feb 2017
- views: 1667
Hector Berlioz
Symphonie Fantastique
John Eliot Gardiner conducts Orchestre Révolutionnaire et Romantique
Hector Berlioz
Symphonie Fantastique
John Eliot Gardiner conducts Orchestre Révolutionnaire et Romantique
https://wn.com/Berlioz_Symphonie_Fantastique_Gardiner_Orchestre_Révolutionnaire_Romantique
Hector Berlioz
Symphonie Fantastique
John Eliot Gardiner conducts Orchestre Révolutionnaire et Romantique
- published: 13 Feb 2017
- views: 1667
Claudio Monteverdi - Vespro della Beata Vergine (John Eliot Gardiner 2014)
- Order: Reorder
- Duration: 1:44:58
- Updated: 09 Nov 2015
- views: 68916
Monteverdi
John Eliot Gardiner
Monteverdi Choir & English Baroque Soloists
The Royal Chapel Palace of Versailles (2014)
"Vespro della Beata Vergine" (1610)
I...
Monteverdi
John Eliot Gardiner
Monteverdi Choir & English Baroque Soloists
The Royal Chapel Palace of Versailles (2014)
"Vespro della Beata Vergine" (1610)
Introduction:
Monteverdi’s Marian Vespers of 1610 was his first sacred work after his first publication twenty-eight years prior, and stands out for its assimilation of both old and new styles, although it cannot be specifically classified as prima pratica or seconda pratica, per se. The Vespers were published in July 1610, in combination with a six-voice mass which parodied a motet of Nicolas Gombert; In illo tempore loquante Jesu. Today, over four hundred years later, the precise intentions of this large work are not clearly known or understood. This has been a great topic of debate among musicologists for decades, and it has even been suggested by Graham Dixon that Monteverdi’s setting of the Vespers is more suited towards use for the feast of Saint Barbara, claiming, for example, that the texts taken from Song of Songs are applicable to any female saint. He goes on to write that formatting the Vespers to fit a Marian feast made the work more "marketable". There are several facts that support this view: there are just two Marian songs in the whole work (Audi Coelum and Ave Maris Stella); the sonata could very easily be rearranged to any saint's name; and the text of the Duo Seraphim is connected with Saint Barbara (because she is generally connected with Trinity).
The Vespers was first printed in Venice in 1610 when the composer was working at the ducal court in Mantua. Historical record does not indicate whether Monteverdi actually performed the Vespers in either city; the work may have been written as an audition piece for posts at Venice (Monteverdi became maestro di cappella at St Mark's Basilica in Venice in 1613) and Rome (where the composer was not offered a post).
The Vespers is monumental in scale, and requires a choir large enough and skillful enough to cover up to 10 vocal parts in some movements and split into separate choirs in others while accompanying seven different soloists during the course of the piece. Interestingly, solo parts are included for violin and cornett, but the ripieno instrumentation is not specified by Monteverdi. Additionally, he did not specify a set of plainchant antiphons to insert before each psalm and the concluding Magnificat. This allows the performers to tailor the music according to the available instrumental forces and the occasion of the performance (the particular feast day's liturgy would have included suggested antiphons that could be chanted before Monteverdi's psalm settings). Another example of tailoring to the forces available is the fact that the collection includes two versions of the Magnificat, one of which is scored for a smaller group of musicians than the other. Some scholars have argued that this suggests that the Vespers was not intended as a single work, but it is generally performed as such.
Monteverdi's unique approach to each movement of the Vespers earned the work a place in history. The work not only presents intimate, prayerful moments within its monumental scale, but it also incorporates secular music in this decidedly religious performance and its individual movements present an array of musical forms - sonata, motet, hymn, and psalm - without losing focus. The Vespers achieves overall unity by building each movement on the traditional Gregorian plainchant for each text, which becomes a cantus firmus in Monteverdi's setting.
Structure:
1.Invitatorium: Versiculum « Deus, in adjutorium meum intende » et Responsorium: « Domine ad adjuvandum »
2.Psalmus I : Dixit Dominus (psalm 110 (109))
3.Concerto : Nigra sum
4.Psalmus II : Laudate pueri (psalm 113)
5.Concerto : Pulchra es
6.Psalmus III : Laetatus sum (psaume 122 (121))
7.Concerto: Duo seraphim
8.Psalmus IV : Nisi Dominus (psaume 126 (127))
9.Concerto : Audi cœlum
10.Psalmus V : Lauda Jerusalem (psaume 147 (146-147))
11.Sonata sopra Santa Maria (« Sancta Maria ora pro nobis »)
12.Hymnus : Ave Maris Stella
13.Two Magnificat
https://wn.com/Claudio_Monteverdi_Vespro_Della_Beata_Vergine_(John_Eliot_Gardiner_2014)
Monteverdi
John Eliot Gardiner
Monteverdi Choir & English Baroque Soloists
The Royal Chapel Palace of Versailles (2014)
"Vespro della Beata Vergine" (1610)
Introduction:
Monteverdi’s Marian Vespers of 1610 was his first sacred work after his first publication twenty-eight years prior, and stands out for its assimilation of both old and new styles, although it cannot be specifically classified as prima pratica or seconda pratica, per se. The Vespers were published in July 1610, in combination with a six-voice mass which parodied a motet of Nicolas Gombert; In illo tempore loquante Jesu. Today, over four hundred years later, the precise intentions of this large work are not clearly known or understood. This has been a great topic of debate among musicologists for decades, and it has even been suggested by Graham Dixon that Monteverdi’s setting of the Vespers is more suited towards use for the feast of Saint Barbara, claiming, for example, that the texts taken from Song of Songs are applicable to any female saint. He goes on to write that formatting the Vespers to fit a Marian feast made the work more "marketable". There are several facts that support this view: there are just two Marian songs in the whole work (Audi Coelum and Ave Maris Stella); the sonata could very easily be rearranged to any saint's name; and the text of the Duo Seraphim is connected with Saint Barbara (because she is generally connected with Trinity).
The Vespers was first printed in Venice in 1610 when the composer was working at the ducal court in Mantua. Historical record does not indicate whether Monteverdi actually performed the Vespers in either city; the work may have been written as an audition piece for posts at Venice (Monteverdi became maestro di cappella at St Mark's Basilica in Venice in 1613) and Rome (where the composer was not offered a post).
The Vespers is monumental in scale, and requires a choir large enough and skillful enough to cover up to 10 vocal parts in some movements and split into separate choirs in others while accompanying seven different soloists during the course of the piece. Interestingly, solo parts are included for violin and cornett, but the ripieno instrumentation is not specified by Monteverdi. Additionally, he did not specify a set of plainchant antiphons to insert before each psalm and the concluding Magnificat. This allows the performers to tailor the music according to the available instrumental forces and the occasion of the performance (the particular feast day's liturgy would have included suggested antiphons that could be chanted before Monteverdi's psalm settings). Another example of tailoring to the forces available is the fact that the collection includes two versions of the Magnificat, one of which is scored for a smaller group of musicians than the other. Some scholars have argued that this suggests that the Vespers was not intended as a single work, but it is generally performed as such.
Monteverdi's unique approach to each movement of the Vespers earned the work a place in history. The work not only presents intimate, prayerful moments within its monumental scale, but it also incorporates secular music in this decidedly religious performance and its individual movements present an array of musical forms - sonata, motet, hymn, and psalm - without losing focus. The Vespers achieves overall unity by building each movement on the traditional Gregorian plainchant for each text, which becomes a cantus firmus in Monteverdi's setting.
Structure:
1.Invitatorium: Versiculum « Deus, in adjutorium meum intende » et Responsorium: « Domine ad adjuvandum »
2.Psalmus I : Dixit Dominus (psalm 110 (109))
3.Concerto : Nigra sum
4.Psalmus II : Laudate pueri (psalm 113)
5.Concerto : Pulchra es
6.Psalmus III : Laetatus sum (psaume 122 (121))
7.Concerto: Duo seraphim
8.Psalmus IV : Nisi Dominus (psaume 126 (127))
9.Concerto : Audi cœlum
10.Psalmus V : Lauda Jerusalem (psaume 147 (146-147))
11.Sonata sopra Santa Maria (« Sancta Maria ora pro nobis »)
12.Hymnus : Ave Maris Stella
13.Two Magnificat
- published: 09 Nov 2015
- views: 68916
Handel's Messiah - Gardiner
- Order: Reorder
- Duration: 2:17:15
- Updated: 14 Jun 2015
- views: 80829
Mozart: Requiem in D minor, K626 | Gardiner
- Order: Reorder
- Duration: 49:20
- Updated: 15 Dec 2011
- views: 4783957
Requiem of Mozart - John Eliot Gardiner
Barbara Bonney, Soprano.
Anne Sofie von Otter, Mezzo-soprano.
Anthony Rolfe Johnson, Tenor.
Alastair Miles, Bass.
Mont...
Requiem of Mozart - John Eliot Gardiner
Barbara Bonney, Soprano.
Anne Sofie von Otter, Mezzo-soprano.
Anthony Rolfe Johnson, Tenor.
Alastair Miles, Bass.
Monteverdi Choir
English Baroque Soloists
Filmed at the Palau de la Música Catalana, Barcelona, in December 1991.
Mass in C minor: https://youtu.be/5QfJC7bXeZw
Bonus: Requiem by Solti (1991) http://www.youtube.com/watch?v=LkyWXg...
https://wn.com/Mozart_Requiem_In_D_Minor,_K626_|_Gardiner
Requiem of Mozart - John Eliot Gardiner
Barbara Bonney, Soprano.
Anne Sofie von Otter, Mezzo-soprano.
Anthony Rolfe Johnson, Tenor.
Alastair Miles, Bass.
Monteverdi Choir
English Baroque Soloists
Filmed at the Palau de la Música Catalana, Barcelona, in December 1991.
Mass in C minor: https://youtu.be/5QfJC7bXeZw
Bonus: Requiem by Solti (1991) http://www.youtube.com/watch?v=LkyWXg...
- published: 15 Dec 2011
- views: 4783957
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40:22
Handel - Dixit Dominus - Gardiner
George Frideric Handel
Dixit Dominus, HWV 232
Monteverdi Choir
English Baroque Soloists
S...
published: 05 Feb 2015
Handel - Dixit Dominus - Gardiner
Handel - Dixit Dominus - Gardiner
- Report rights infringement
- published: 05 Feb 2015
- views: 165674
1:15:40
Gardiner J.S. Bach BWV 248 WO Kantaten 1-3 vom 23. Dez.1999 Weimar, Herderkirche
Sir J.E. Gardiner - J.S. Bach BWV 248 WO Kantaten 1-3 vom 23. Dez.1999 aus der Herderkirch...
published: 17 Jan 2014
Gardiner J.S. Bach BWV 248 WO Kantaten 1-3 vom 23. Dez.1999 Weimar, Herderkirche
Gardiner J.S. Bach BWV 248 WO Kantaten 1-3 vom 23. Dez.1999 Weimar, Herderkirche
- Report rights infringement
- published: 17 Jan 2014
- views: 65926
3:45
Välj och häng gardiner som ett proffs
Nu har du chansen att lära dig allt om gardiner av ett riktigt proffs. Vi följer med Lisa ...
published: 28 Mar 2014
Välj och häng gardiner som ett proffs
Välj och häng gardiner som ett proffs
- Report rights infringement
- published: 28 Mar 2014
- views: 13435
1:46:51
Sir John Eliot Gardiner conducts Bach - Rameau - Handel
Please check out my other channels too:
https://www.youtube.com/user/Mentor1954
https://ww...
published: 03 Oct 2014
Sir John Eliot Gardiner conducts Bach - Rameau - Handel
Sir John Eliot Gardiner conducts Bach - Rameau - Handel
- Report rights infringement
- published: 03 Oct 2014
- views: 29176
33:05
Beethoven Symphony No 5 C minor John Eliot Gardiner © BBC 2016 Orchestre Revolutionnaire et Romantiq
© BBC 2016
Ludiwg van Beethoven Symphony No 5 in C minor
John Eliot Gardiner conducts Or...
published: 19 Sep 2016
Beethoven Symphony No 5 C minor John Eliot Gardiner © BBC 2016 Orchestre Revolutionnaire et Romantiq
Beethoven Symphony No 5 C minor John Eliot Gardiner © BBC 2016 Orchestre Revolutionnaire et Romantiq
- Report rights infringement
- published: 19 Sep 2016
- views: 3828
3:20
Symphony- Clean Bandit ft. Zara Larsson (Acoustic Cover) | Gardiner Sisters - On Spotify
Listen to our acoustic cover of Symphony on Spotify: http://spoti.fi/2qIyc5j
iTunes: http:...
published: 19 May 2017
Symphony- Clean Bandit ft. Zara Larsson (Acoustic Cover) | Gardiner Sisters - On Spotify
Symphony- Clean Bandit ft. Zara Larsson (Acoustic Cover) | Gardiner Sisters - On Spotify
- Report rights infringement
- published: 19 May 2017
- views: 118084
54:46
Berlioz Symphonie Fantastique Gardiner Orchestre Révolutionnaire Romantique
Hector Berlioz
Symphonie Fantastique
John Eliot Gardiner conducts Orchestre Révolutionna...
published: 13 Feb 2017
Berlioz Symphonie Fantastique Gardiner Orchestre Révolutionnaire Romantique
Berlioz Symphonie Fantastique Gardiner Orchestre Révolutionnaire Romantique
- Report rights infringement
- published: 13 Feb 2017
- views: 1667
1:44:58
Claudio Monteverdi - Vespro della Beata Vergine (John Eliot Gardiner 2014)
Monteverdi
John Eliot Gardiner
Monteverdi Choir & English Baroque Soloists
The Royal Chap...
published: 09 Nov 2015
Claudio Monteverdi - Vespro della Beata Vergine (John Eliot Gardiner 2014)
Claudio Monteverdi - Vespro della Beata Vergine (John Eliot Gardiner 2014)
- Report rights infringement
- published: 09 Nov 2015
- views: 68916
2:17:15
Handel's Messiah - Gardiner
Handel's Messiah
published: 14 Jun 2015
Handel's Messiah - Gardiner
Handel's Messiah - Gardiner
- Report rights infringement
- published: 14 Jun 2015
- views: 80829
49:20
Mozart: Requiem in D minor, K626 | Gardiner
Requiem of Mozart - John Eliot Gardiner
Barbara Bonney, Soprano.
Anne Sofie von Otter, Me...
published: 15 Dec 2011
Mozart: Requiem in D minor, K626 | Gardiner
Mozart: Requiem in D minor, K626 | Gardiner
- Report rights infringement
- published: 15 Dec 2011
- views: 4783957
Handel - Dixit Dominus - Gardiner...
Gardiner J.S. Bach BWV 248 WO Kantaten 1-3 vom 23....
Välj och häng gardiner som ett proffs...
Sir John Eliot Gardiner conducts Bach - Rameau - H...
Beethoven Symphony No 5 C minor John Eliot Gardine...
Symphony- Clean Bandit ft. Zara Larsson (Acoustic ...
Berlioz Symphonie Fantastique Gardiner Orchestre R...
Claudio Monteverdi - Vespro della Beata Vergine (J...
Handel's Messiah - Gardiner...
Mozart: Requiem in D minor, K626 | Gardiner...
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Lyrics list:lyrics
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51 Gardner, Big D & The Kids Table
51 Gardner
don't even be like that - try not to take it in - cause all that you'll hold will break down, whatcha doing, doing to me well i've heard it all before, every day just a little bit better, every day just a little bit more, well i don't mind the things that i've heard today and i don't mind the things i've seen, gonna sit right here on my brand new porch cause this house is good enough for me, (51 - 51 gardner) it's a nice house i don't need much it's got a welfare little porch, i can sit there all day and still have fun you don't see what's great about it you don't see what holds it up but in the winter time it snows a lot in boston and when it does well i'm in luck, well i'm walking softly knocking softly didn't mean to bother if you need me i'm right down the hall, well you said it was alright, but it's nothing to write home about well if it's no fun why do it at all across your house in a big red house they're causing trouble making too much noise but the timing wasn't right no the timing wasn't right hit the stop, hit the
crawling all around those little fuckers try to hide from us so i bomb'em, smash 'em, stomp their eggs, and i gather them all right up well i put 'em in a can set it to flames (yeah that's the stuff) but the landlord's to blame yeah joe's to blame and i'm sure he's had enough, walking softly knocking softly didn't mean to bother if you need me i'm right down the hall well you said it was all right but it's nothing to write home about well if it's no fun why do it at all across your house in a big red house they're causing trouble making too much noise but the timing wasn't right no the timing wasn't right, hit the stop, hit the, don't even be like that - try not to take it in - cause all that you'll hold will break down
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FBI Monitored 'Fake News' Believed To Be From Russia on Election Day
Edit WorldNews.com 04 Aug 2017
CNN reported that the FBI was monitoring social media on Election Day in 2016 as part of an investigation into tracking a suspected Russian disinformation campaign that was using "fake news.". Both Facebook and Twitter were full of viral "news" story before the election that heralded conspiracy theories and hoaxes as truth, most aimed at spreading misinformation about Hillary Clinton ... "We were monitoring news." ... ... -WN.com, Maureen Foody....
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Juno Captures Close-Up Images Of Jupiter's 'Little Red Spot'
Edit WorldNews.com 04 Aug 2017
NASA’s Juno spacecraft has captured spectacular images of Jupiter’s ‘Little Red Spot’ during its latest orbit around the gas giant planet, IFL Science reports.Snapped on July 10 by the JunoCam instrument, the image has since been processed by citizen scientists Gerald Eichstädt and Seán Doran ... These storms have winds that flow in the opposite direction to that in a region of low pressure....
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Airline Passenger Tips Off Police To Child Sex Abuse After Spotting Disturbing Texts
Edit WorldNews.com 04 Aug 2017
A preschool teacher that was on a flight from Seattle to San Jose noticed some suspicious text messages on the cellphone screen of a fellow passenger that caused her to become alarmed, according to The Washington Post ... Thanks to her actions the man and another woman were arrested on Monday, with two children - ages 5 and 7 - being identified by authorities as the likely potential victims ... This was life-altering for them.”....
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A 9-year-old 'Guardian of the Galaxy' applies for NASA job
Edit CNN 05 Aug 2017
(CNN)A fourth-grader's cover letter grabbed NASA's attention in the search for the next real-life guardian of the planet. Earlier this week, the space agency began looking for its new planetary protection officer, someone capable of guarding the planet from "microbial contamination from other planets" and make sure humans don't that to other planets ... He went on to list his interstellar work experience. Read More ... ....
Ghana Movie Industry Can Only Thrive If We Are United - James Gardiner
Edit Peace FM Online 05 Aug 2017Wynonna Earp EP discusses Rosita's past, Nicole's fate, and that creepy doll's origin
Edit Entertainment Weekly 05 Aug 2017
Wynonna Earp may be pregnant, but that doesn’t mean Wynonna Earp is easing up on on anything. In fact, the show’s latest episode, “Forever Mine Nevermind,” ratcheted up the suspense, the surprise, and the creep ... EMILY ANDRAS ... We saw that one of the Gardiner sisters is “alive”—what in the world did the Widows do to them?? ... But Mercedes Gardiner — the real Mercedes Gardiner — won’t go down without a fight ... ....
Brian Gregan produces the second best run of his career to qualify for 400m semi-finals
Edit Irish Independent 05 Aug 2017Ohio State is looking for a go-to receiver
Edit Detroit news 05 Aug 2017
Columbus, Ohio — There are no marquee names among the Ohio State wide receivers. At least not yet. The Buckeyes are hoping one of the half dozen or so experienced receivers can become a household name — or at least emerge as the reliable deep-ball threat the team has been missing ... Sophomores K.J ... Coach Urban Meyer has said freshmen Trevon Grimes, Jaylen Harris and Elijah Gardiner also could see playing time ... I talk about it every day ... ....
Van Niekerk coasts as 400m shows strength in depth
Edit The Daily Tribune 05 Aug 2017
South African Wayde van Niekerk sailed through heats of the 400m to get his ambitious bid for a 200/400m double off to a good start at the IAAF World Championships on Saturday ... US college runner Fred Kerley, 22, and Steven Gardiner of the Bahamas, 21, won their respective heats in 44.92 and 44.75sec. "I'm in shape and you've got to give it your all each and every day," said Kerley ... "Everything is okay," said Makwala ... ....
World Athletics Championships 2017: Van Niekerk begins double-bid at a canter
Edit The Times of India 05 Aug 2017
LONDON. Wayde van Niekerk safely negotiated the first stage of his attempted 400 metres/200 metres World Championships double on Saturday when he cruised through his opening heat in his favoured one-lap event ... The South African's chief rivals also had few problems advancing to Sunday's semi-finals ahead of the final on Tuesday night ... Long-striding Steven Gardiner of the Bahamas also looked supremely untroubled in clocking 44.75 ... RELATED....
Van Niekerk coasts in 400m heats at London world championships
Edit This is Money 05 Aug 2017
South Africa's Wayde van Niekerk waits for the start of the heats of the men's 400m at the IAAF World Championships in London on August 5, 2017 ... Nery Brenes shot out in the heat and led coming into the home straight, but Van Niekerk coasted through with a glance to the lanes outside him to win in 45.27 seconds ... US college runner Fred Kerley, 22, and Steven Gardiner of the Bahamas, 21, won their respective heats in 44.92 and 44.75sec ... ....
Athletics-World championships men's 400m heats overview
Edit This is Money 05 Aug 2017
Aug 5 (Gracenote) - Overview from the World championships Men's 400m Heats on Saturday 1. Isaac Makwala (Botswana) 44.55 Q 2. Steven Gardiner (Bahamas) 44.75 Q 3. Baboloki Thebe (Botswana) 44.82 Q 4. Nathon Allen (Jamaica) 44.91 Q 5. Fred Kerley (U.S.) 44.92 Q 6. Gil Roberts (U.S.) 44.92 Q 7. Demish Gaye (Jamaica) 44.98 Q 8. LaShawn Merritt (U.S.) 45.00 Q 9 ... Kevin Borlee (Belgium) 45.09 Q 12 ... ....
Brian Gregan nails semi-final spot with impressive run
Edit The Irish Times 05 Aug 2017
For a self-confessed night owl everything about the way Brian Gregan ran his 400m heat inside the Olympic Stadium this morning was perfectly timed – his determined effort and calm execution securing him automatic qualification for the semi-finals. This, remember, in one of the most deeply competitive events on the track this week ... Steven Gardiner from the Bahamas won the heat in 44.75, with the American Will London second in 45.10 ... ....
Police nab N2 shootout suspects
Edit Independent online (SA) 05 Aug 2017
DURBAN - Thousands of motorists were trapped in traffic until late on Friday evening after a wild-west shootout between police and suspects shut the N2 freeway and gridlocked the city and surrounds. The freeway was re-opened at about 6pm on Friday night, more than six hours after the gridlock began ... “Forensic investigations are continuing ... A witness at the scene, Brad Gardiner, told The Independent on Saturday on Friday night....
Felicity Lawrence: 'People want original investigative journalism more than ever'
Edit The Guardian 05 Aug 2017
In a new occasional series, Guardian journalists discuss their careers and achievements. Here Felicity Lawrence considers her role as special correspondent. Membership. Inside the Guardian. Felicity Lawrence ... Read more ... John Vidal was always breaking new ground in the environment patch and has been a generous collaborator; former comment editor Becky Gardiner has a gift for zooming in on your weak spots and making you sort them out ... ....
Prisoner wins $10,000 payout for a month too long in jail
Edit Stuff 04 Aug 2017
Shane Arron Gardiner is the first of potentially thousands of former prisoners who can claim compensation after a Supreme Court decision in September 2016, which changed the way release dates were calculated in certain circumstances ... Gardiner had wanted between $14,000 and $15,000 ... Corrections has appealed against an earlier decision that it was liable for having falsely imprisoned Gardiner and another man....
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