John F. Kennedy Center for the Performing Arts

The John F. Kennedy Center for the Performing Arts (on the building itself called the John F. Kennedy Memorial Center for the Performing Arts, and commonly referred to as the Kennedy Center) is a performing arts center located on the Potomac River, adjacent to the Watergate complex in Washington, D.C. The Center, which opened September 8, 1971, produces and presents theater, dance, ballet, orchestral, chamber, jazz, popular, and folk music, in addition to multi-media performances for all ages.

It is the busiest performing arts facility in the United States and annually hosts approximately 2,000 performances for audiences totaling nearly two million; Center-related touring productions, television, and radio broadcasts welcome 20 million more. Now in its 44th season, the Center presents the greatest examples of music, dance and theater; supports artists in the creation of new work; and serves the nation as a leader in arts education. With its artistic affiliate, the National Symphony Orchestra, the Center's achievements as a commissioner, producer, and nurturer of developing artists have resulted in over 200 theatrical productions, dozens of new ballets, operas, and musical works.

Kennedy Center Honors

The Kennedy Center Honors is an annual honor given to those in the performing arts for their lifetime of contributions to American culture (though recipients do not need to be U.S. citizens). The Honors have been presented annually since 1978, culminating each December in a star-studded gala celebrating the Honorees in the Kennedy Center Opera House.

History

George Stevens, Jr. created the Kennedy Center Honors with the late Nick Vanoff, and produced the first gala in 1978. He was the producer and co-writer through the 2014 awards, after which he sold the production rights to new producers.

The Kennedy Center Honors started in 1977, after that year's 10th-anniversary White House reception and Kennedy Center program for the American Film Institute (AFI). Roger L. Stevens, the founding chairman of the Kennedy Center, asked George Stevens, Jr., (no relation), the founding director of the AFI, to hold an event for the Center. George Stevens asked Isaac Stern to become involved, and then "pitched" the idea to the television network CBS, who "bought it." With the announcement of the first honors event and honorees, CBS vice president for specials Bernie Sofronski stated: "George [Stevens] came to us with this. What turned us on is that this is the only show of its kind. In Europe and most countries, they have ways of honoring their actors and their athletes. England has its command performances for the queen. We see this as a national honoring of people who have contributed to society, not someone who happens to have a pop record hit at the moment...Our intention is not to do just another award show. We're going to make an effort in terms of a real special

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(You Make Me Feel Like) A Natural Woman

"(You Make Me Feel Like) A Natural Woman" is a 1967 single released by American soul singer Aretha Franklin on the Atlantic label. The song was co-written by Carole King and Gerry Goffin, with input from Atlantic producer Jerry Wexler. The record was a big hit for Franklin, reaching number 8 on the Billboard Hot 100, and became a standard song for her. Franklin also included a live recording on the album Aretha in Paris in 1968. Versions have also been performed and recorded by Mary J. Blige, Celine Dion, and many others. At the 2015 Kennedy Center Honors, Aretha Franklin performed the song to honor award-recipient Carole King.

Original recording

Written by the celebrated partnership of Gerry Goffin and Carole King, the song was inspired by Atlantic Records co-owner and producer Jerry Wexler. As recounted in his autobiography, Wexler, a student of African-American musical culture, had been mulling over the concept of the "natural man", when he drove by King on the streets of New York. He shouted out to her that he wanted a "natural woman" song for Aretha Franklin's next album. In thanks, Goffin and King granted Wexler a co-writing credit.