- published: 20 Dec 2010
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Dave Nuttycombe explains why he should be the new fashion critic for the Washington Post, replacing Pulitzer Prize winner Robin Givhan. He makes a very compelling argument.
I apply for the position of art critic at the Washington Post, recently vacated by Mr. Blake Gopnik. My extensive collection of priceless art speaks for itself, don't you think?
All footage is real. All suspects are innocent until proven guilty in a court of law.
I've known Dave for many years and I'm sorry you didn't get to enjoy him when things were better. Thanks, Dave. Let's talk offline. Here's what Dave was trying to tell you: http://wildchicagopremiere.eventbrite.com/ for more info and tix
Out for pancakes in Richmond's stylish Carytown on Sunday and ran into this amazing fellow. The band's lead-guitarist, rhythm guitarist, singer, drummer, and roadie told me that the group is called Gul -- "Like seagull," he explained. Gul was set up in front of Plan 9 Records (one of the great music stores), and rocking out harder than many bands featuring two to six times as many musicians. I would have loved to stick around and catch the entire set but, you know, pancakes...
More media mayhem as NPR Senior VP Ellen Weiss resigns her position over the Juan Williams fiasco. Who will replace her? Why, me, of course! Here is my excellent application for the job.
He can be harsh, but he's always right. More at nuttycombe.com/blog @nutco
Dave Nuttycombe explains why he should be the new fashion critic for the Washington Post, replacing Pulitzer Prize winner Robin Givhan. He makes a very compelling argument.
I apply for the position of art critic at the Washington Post, recently vacated by Mr. Blake Gopnik. My extensive collection of priceless art speaks for itself, don't you think?
All footage is real. All suspects are innocent until proven guilty in a court of law.
I've known Dave for many years and I'm sorry you didn't get to enjoy him when things were better. Thanks, Dave. Let's talk offline. Here's what Dave was trying to tell you: http://wildchicagopremiere.eventbrite.com/ for more info and tix
Out for pancakes in Richmond's stylish Carytown on Sunday and ran into this amazing fellow. The band's lead-guitarist, rhythm guitarist, singer, drummer, and roadie told me that the group is called Gul -- "Like seagull," he explained. Gul was set up in front of Plan 9 Records (one of the great music stores), and rocking out harder than many bands featuring two to six times as many musicians. I would have loved to stick around and catch the entire set but, you know, pancakes...
More media mayhem as NPR Senior VP Ellen Weiss resigns her position over the Juan Williams fiasco. Who will replace her? Why, me, of course! Here is my excellent application for the job.
He can be harsh, but he's always right. More at nuttycombe.com/blog @nutco
Tracklist 01 Urizen 0:00 02 Holy Thursday 4:00 03 The Smile 9:32 04 A Dream 13:00 05 Song Of Innocence 15:31 06 Merlin's Prophecy 20:06 07 The Mental Traveler 22:53 Notes A suite in seven parts inspired by the writings of William Blake. Originally released in 1968. Credits Composed By, Arranged By, Producer -- David Axelrod Conductor -- Don Randi Engineer [Recording] -- Joe Polito Performer -- Al Casey, Allen Di Rienzo, Alvin Dinkin, Anne Goodman, Arnold Belnick, Arthur Maebe, Benjamin Barrett, Bobby Bruce, Carol Kaye, Douglas Davis, Earl Palmer, Freddie Hill, Gareth Nuttycombe, Gary Coleman, Gene Estes, Harold Schneier, Harry Bluestone, Harry Hyams, Henry Roth, Henry Sigismonti, Howard Roberts, Jack Shulman, Leonard Malarsky, Lew McCreary, Marshall Sosson, Myron Sandler, Nathan Ross, O...
A Ockershausen: This is Andy Ockershausen and this is Our Town, and this is a special, special broadcast for me, a podcast, to introduce this man that I’ve known for many, many, many years. The actual creator ofthe iconic American phrase, “meetin’ and greetin’,” my guest is a local legend according to the Washington Post, and according to WMALFM. He was a Yale man also, and has the unique distinction of having appeared on the front page of the Post Style section, Metro section, Sunday magazine, and a story on page one. In addition, the City Paper profiled him in a lengthy cover piece. Further, he is a subject of an acclaimed filmmaker, Dave Nuttycombe’s short documentary, Match Me if You Can. My guest today is Tommy “The Matchmaker” Curtis, and he’s back from Hollywood. Tommy, welcome to O...
FP is often glibly described as "programming with functions", but we can equivalently say that FP is about programming with values. Functions are values, failures are values, effects are values, and indeed programs themselves can be treated as values. This talk explores some consequences of this idea of programs-as-values by looking at doobie, a pure-functional database library for Scala. We will examine the low-level implementation via free monads over algebras of the JDBC types, and show how this naturally enables an expressive and safe high-level API with familiar, lightweight, and composable abstractions including streaming result sets, and trivial compatibility with other pure libraries like Remotely and HTTP4s. Even if you are not in the market for a database layer, this talk will pr...
"Brazilian Romance" is a 1987 studio album by Sarah Vaughan. This was Vaughan's last album, though she later contributed to Quincy Jones' 1989 Back on the Block. Brazilian Romance was Vaughan's third album of Brazilian music, following Copacabana (1979) and I Love Brazil! (1977). Vaughan was nominated for the Grammy Award for Best Jazz Vocal Performance, Female at the 30th Annual Grammy Awards for her performance on this album. _______________________________________________________________________________________________ I am constantly on the look-out for music that sets a certain mood. Music can often define a moment in our lives as well as take us back to a time that will always remain a fond memory. That being said...Sarah Vaughn's "Brazilian Romance" is one of those records for ...
My Favorite Female Folk/Rock Collections from KINESPHERE/All Around You(UK : A HARDWICK PRODUCTION KIN 5001,'76) not on CD
Margo Malone and Shaylyn Tuite earn Honorable Mention All-America honors in the 10,000-meters
Most of us have an experience of functional programming that is isolated to small libraries or specific immutable data structures. But can we design our entire application architecture in a purely functional way? Can we do "aspect-oriented" programming with cross-cutting concerns that are compositional and checked by the type system? Yes we can, and in this talk we will look at a conceptually simple recipe for making that happen. We will see that the best things in Scala are Free. Author: Rúnar Bjarnason Rúnar Bjarnason is a senior software developer at Verizon OnCue. Rúnar is co-author of the book "Functional Programming in Scala", and an occasional speaker and blogger on Scala and functional programming.
Free monads, generic programming, fix-points and coproducts of data types are usually considered advanced topics for a Haskell programmer. In this talk we will look at these concepts from an unifying lens: combining and enriching pattern functors. A pattern functor is the stripped-down description of a data type: only the shape of the constructors remain, but all the recursive structure is gone. Using Haskell, we can manipulate pattern functors to create new data types at will. Help us caption & translate this video! http://amara.org/v/HdBZ/
Traditionally, in Computer Science, sets are assumed to be the basis of a type theory, together with Boolean logic. In this version of type theory, we do not need sets or Boolean logic; intuitionism is enough ("no principle of excluded middle required"). The underlying math is Topos Theory, but you are not required to be even aware of its existence. The theory is described using diagrams, not the traditional (and tricky) deduction rules. The resulting theory turns out to have dependent types. A simple "real-life" example or two will illustrate all this. Help us caption & translate this video! http://amara.org/v/HcNK/
In this intermediate Haskell talk, the speaker will begin with some brief motivation for polymorphism and parametricity, followed by an explanation of universal quantification. This will lead into an explanation of how to read Haskell type signatures and how type variables are quantified by default. Next, we'll look at an example of something you might naturally want to do that is inexpressible by default. This motivates the use of higher-ranked polymorphism, which is explained in detail with the Rank2/RankNTypes language extensions.