Film editing

Film editing is part of the creative post-production process of filmmaking. The term film editing is derived from the traditional process of working with film, but increasingly involves the use of digital technology.

The film editor works with the raw footage, selecting shots and combining them into sequences to create a finished motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is often referred to as the "invisible art" because when it is well-practiced, the viewer can become so engaged that he or she is not even aware of the editor's work. On its most fundamental level, film editing is the art, technique, and practice of assembling shots into a coherent sequence. The job of an editor isn’t simply to mechanically put pieces of a film together, cut off film slates, or edit dialogue scenes. A film editor must creatively work with the layers of images, story, dialogue, music, pacing, as well as the actors' performances to effectively "re-imagine" and even rewrite the film to craft a cohesive whole. Editors usually play a dynamic role in the making of a film. Sometimes, auteurist film directors edit their own films, for example Akira Kurosawa and the Coen Brothers.

Walter Murch

Walter Scott Murch (born July 12, 1943) is an American film editor and sound designer. With a career stretching back to 1969, including work on Apocalypse Now, The Godfather I and II, American Graffiti and The English Patient, including three Academy Award wins (from six nominations for editing and three for sound mixing), he has been referred to as, "the most respected film editor and sound designer in the modern cinema. "

Early life

Murch was born in New York City, New York, the son of Katharine (née Scott) and Canadian-born Walter Tandy Murch (1907–1967), a painter. As a boy, he began to experiment with sound recording, taping unusual sounds and layering them into new combinations. He went to The Collegiate School, a private preparatory school in Manhattan, from 1949 to 1961. He then attended Johns Hopkins University from 1961 to 1965, graduating Phi Beta Kappa in Liberal Arts.

While at Hopkins, he met future director/screenwriter Matthew Robbins and cinematographer Caleb Deschanel, with whom he staged a number of happenings. In 1965, Murch and Robbins enrolled in the graduate program of the University of Southern California's film school, successfully encouraging Deschanel to follow them. There all three encountered, and became friends with, fellow students such as George Lucas, Hal Barwood, Robert Dalva, Willard Huyck, Don Glut and John Milius; all of them would go on to be successful filmmakers. Not long after film school, in 1969, Murch, Lucas, and others joined Francis Ford Coppola at American Zoetrope in San Francisco. Murch and his family settled in Bolinas, California, in 1972.

Blink of an Eye

Blink of an Eye may refer to:

See also