- published: 26 Jun 2013
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Otaku (おたく/オタク) is a Japanese term for people with obsessive interests, commonly the anime and manga fandom. Its contemporary usage originated with Akio Nakamori's 1983 essay in Manga Burikko.Otaku may be used as a pejorative; its negativity stems from the stereotypical view of otaku and the media's reporting on Tsutomu Miyazaki, "The Otaku Murderer", in 1989. According to studies published in 2013, the term has become less negative, and an increasing number of people now self-identify as otaku.
Otaku subculture is a central theme of various anime and manga works, documentaries and academic research. The subculture began in the 1980s as changing social mentalities and the nurturing of otaku traits by Japanese schools combined with the resignation of such individuals to become social outcasts. The subculture's birth coincided with the anime boom, after the release of works like Mobile Suit Gundam before it branched into Comic Market. The definition of otaku subsequently became more complex, and numerous classifications of otaku emerged. In 2005, the Nomura Research Institute divided otaku into twelve groups and estimated the size and market impact of each of these groups. Other institutions have split it further or focus on a single otaku interest. These publications classify distinct groups including anime, manga, camera, automobile, idol and electronics otaku. The economic impact of otaku has been estimated to be as high as ¥2 trillion ($18 billion).
Tetsu Inoue (井上徹, (Inōe Tetsu)) is a producer of electronic music. His style could be described as ambient with a heavy minimalist influence. He has lived in Japan, San Francisco, and New York, and has collaborated with musicians such as Pete Namlook, Bill Laswell, Andrew Deutsch, Jonah Sharp, Taylor Deupree, and Uwe Schmidt.
His debut solo album, Ambiant Otaku, is regarded by some as a classic of minimalist ambient techno. The album was initially released in a limited edition of 1,000 copies on Pete Namlook's Fax label.
Ambiant Otaku is the first solo album released by Japanese ambient artist Tetsu Inoue.
All songs written and composed by Tetsu Inoue.
Pete Namlook (born 25 November 1960 as Peter Kuhlmann [ˈkuːlmaːn] in Frankfurt, Germany, died on 8 November 2012) was an ambient and electronic-music producer and composer. In 1992, he founded the German record label FAX +49-69/450464, which he oversaw. Inspired by the music of Eberhard Weber, Miles Davis, Antonio Carlos Jobim, Chopin, Wendy Carlos, Tangerine Dream and Pink Floyd, he also composed his own albums.
As of August 2005, Namlook and company had released 135 albums (excluding re-releases, vinyl singles, compilations of existing material, and FAX releases beginning with PS, in which he personally is not involved in the music making).
Pete Namlook released many solo albums, as well as collaboration albums with notable artists such as Klaus Schulze, Bill Laswell, Geir Jenssen (alias Biosphere), Atom Heart, Richie Hawtin, Tetsu Inoue, Atom™, and Tying Tiffany.
"Namlook" is "Koolman", a phonetic rendering of his real name, spelled backward.
Kuhlmann died on 8 November 2012 after suffering a heart attack.
Artist: Tetsu Inoue Album: Ambiant Otaku Track: 03 - Ambiant Otaku
The Ambient Cookbook [CD1] (4×CD Compilation, 1995) 1. Sad World (Dr. Atmo/Ramin) - Terasury (00:00) 2. Ambiant Otaku (Tetsu Inoue) - Holy Dance (10:10) 3. Music for Films (Dr. Atmo/Oliver Lieb) - Movement 5 (25:16) 4. From Within (Pete Namlook/Richie Hawtin) - Sad Alliance (38:15) 5. Silence (Pete Namlook/Dr. Atmo) - Heaven (aw-Cut) (50:31) 6. I.F. (Dr. Atmo/Deep Space Network) - Kisy Loa (57:12) 7. 4Voice (Pete Namlook) - 4VI Outro (01:11:08)
Shades of Orion 2 - Pete Namlook & Tetsu Inoue (1995)
Taken from "Ambiant Otaku" (Fax +49-69/450464 - PS 08/43). http://2350.org/ps43/ https://itunes.apple.com/de/album/ambiant-otaku/id83255367 http://www.discogs.com/artist/Tetsu+Inoue
Harry Hosono, AtoM Heart, and Tetsu Inoue. A true supergroup, pitting ambient otaku Tetsu and the multitalented Snr Coconut against the Godfather of Japanese electronica. On Daisyworld Records 1998.