Shane may refer to:
Shane is a masculine given name. It is an Anglicised version of the Irish name Seán, which itself is cognate to the name John.Shane comes from the way the name Seán is pronounced in the Ulster dialect of the Irish language, as opposed to Shaun or Shawn.
Shane is also a popular surname with the prefix "Mc", "Mac", or "O'", to form Anglicized Irish surname patronyms. The surname was first recorded in Petty's census of Ireland (1659), which lists a Dermot McShane (i.e. Son of Shane).
The name Shane became popular through the novel Shane (1949) by Jack Schaefer and its movie adaptation (1953), directed by George Stevens from a screenplay by A.B. Guthrie, Jr.
Variant forms include Shayne.
Shane is sometimes used as a feminine given name, derived not from the Irish name but from the Yiddish name Shayna, meaning "beautiful".
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Shane is an American Western television series aired in 1966 and based on the 1949 book of the same name by Jack Schaefer (there had also been a 1953 film of the novel, Shane). The series starred David Carradine as the title character. The series, which aired on ABC, was filmed as a continuing story.
On March 10, 2015, Timeless Media Group released Shane: The Complete Series on DVD in Region 1 for the very first time.
The future is the time after the present.
Future or The Future may also refer to:
In finance, a futures contract (more colloquially, futures) is a standardized forward contract which can be easily traded between parties other than the two initial parties to the contract. The parties initially agree to buy and sell an asset for a price agreed upon today (the forward price) with delivery and payment occurring at a future point, the delivery date. Because it is a function of an underlying asset, a futures contract is a derivative product.
Contracts are negotiated at futures exchanges, which act as a marketplace between buyers and sellers. The buyer of a contract is said to be long position holder, and the selling party is said to be short position holder. As both parties risk their counterparty walking away if the price goes against them, the contract may involve both parties lodging a margin of the value of the contract with a mutually trusted third party. For example, in gold futures trading, the margin varies between 2% and 20% depending on the volatility of the spot market.
Future is the third studio album by Los Angeles rock band, the Seeds. The album is a notable shift in musical direction for the band as they moved away from garage rock, and began experimenting more with psychedelic rock. Upon its release in 1967, the album reached the Top 100 on the Billboard 200, but their single, "A Thousand Shadows", was less successful than The Seeds' previous hits.
The Seeds moved into 1967 as an established band with national hits, including "Pushin' Too Hard", and two albums solidifying their individual sound. With their new manager, Tim Hudoson, and a knack for outlandish live performances, the band's public profile was at an all time high. The band went into recording sessions hoping to capitalize on their past success, and create a more sophisticated sound.
Recording sessions began in Gold Star Studios as early as November 3, 1966, but the majority of studio work was completed in 1967. The first recorded track, "Travel With Your Mind", was the only one complete in 1966, and was a contrast to the future developments. The project was complete on June 6, 1967 with the final track being "March of the Flower Children". The Seeds, mostly under the direction of Sky Saxon utilized orchestrations, and classical instruments in a psychedelic format. Compared to past material, the band established a complexity in their instrumentals as there were more overdubbing involved in the process. Each individual song took an obviously increased amount of takes to find cohesion with the overdubbing. Saxon had embraced the psychedelic scene in the band's own take on the genre, and infused it with their own sound. New instruments more prominent in Future recordings including the piano, trumphet, and percussion.
Trance denotes any state of awareness or consciousness other than normal waking consciousness. Trance states may occur involuntarily and unbidden.
The term trance may be associated with hypnosis, meditation, magic, flow, and prayer. It may also be related to the earlier generic term, altered states of consciousness, which is no longer used in "consciousness studies" discourse.
Trance in its modern meaning comes from an earlier meaning of "a dazed, half-conscious or insensible condition or state of fear", via the Old French transe "fear of evil", from the Latin transīre "to cross", "pass over". This definition is now obsolete.
Wier, in his 1995 book, Trance: from magic to technology, defines a simple trance (p. 58) as a state of mind being caused by cognitive loops where a cognitive object (thoughts, images, sounds, intentional actions) repeats long enough to result in various sets of disabled cognitive functions. Wier represents all trances (which include sleep and watching television) as taking place on a dissociated trance plane where at least some cognitive functions such as volition are disabled; as is seen in what is typically termed a 'hypnotic trance'. With this definition, meditation, hypnosis, addictions and charisma are seen as being trance states. In Wier's 2007 book, The Way of Trance, he elaborates on these forms, adds ecstasy as an additional form and discusses the ethical implications of his model, including magic and government use which he terms "trance abuse".
(Dave Kirby - Warren Robb)
Once again I'll live up to my reputation
If I want to stay number one
This evening at sundown I'll go into trainin'
And I won't give up till I'm done.
I'll drink more whiskey than any man livin'
I'll stay with 'em round after round
There ain't no boozers or broken down losers
Can stay with the champ when he's down.
I'll take on all comers when I'm on a bummer
Nobody's takin' my crown
And there's no contender when I'm on a bender
That can stay with the champ when he's down.
You'd be amazed at the power I have
With a bottle in my right hand
In just a few rounds I can whip all the mem'ries
And drop 'em right where they stand.
You'll never see me takin' the counts down
At the Blue Teardrop Lounge
There ain't no boozers or broken down losers
Can stay with the champ when he's down.
I'll take on all comers when I'm on a bummer
Nobody's takin' my crown
And there's no contender when I'm on a bender
That can stay with the champ when he's down.
And there's no contender when I'm on a bender
That can stay with the champ when he's down...