- published: 30 Aug 2016
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Jean-Luc Godard (French: [ʒɑ̃lyk ɡɔdaʁ]; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He is often identified with the 1960s French film movement La Nouvelle Vague, or "New Wave".
Like his New Wave contemporaries, Godard criticized mainstream French cinema's "Tradition of Quality", which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." To challenge this tradition, he and like-minded critics started to make their own films. Many of Godard's films challenge the conventions of traditional Hollywood in addition to French cinema. He is often considered the most radical French filmmaker of the 1960s and 1970s; his approach in film conventions, politics and philosophies made him arguably the most influential director of the French New Wave. Along with showing knowledge of film history through homages and references, several of his films expressed his political views; he was an avid reader of existential and Marxist philosophy.
Quentin Tarantino on Jean-Luc Godard
Viver a Vida (Jean-Luc Godard, 1962)
Jean Luc Godard interview
Alphaville - Jean-Luc Godard
Jean-Luc Godard. Exclusive Interview with the Legend (Part 1) Cannes 2014 - Canon
Le Mépris de Jean-Luc Godard
Jean-Luc Godard as Architect
Nouvelle Vague 1990, Jean Luc Godard
"La Chinoise" (1967) - Película completa HD (Français) (subtitulada)
The Films of Jean-Luc Godard
Jean-Luc Godard - Lettre à Freddy Buache (1982)
La Chinoise / Jean-Luc Godard
Godardloop - Visual Motifs in Films of Jean-Luc Godard
Dans le noir du temps
Actors: Tsien-Tsien Zhang (director), Nicolas Hugentobler (actor), Anna Rossinelli (actress),
Genres: Short,Actors: Chris Cannon (actor), Anthony Crane (actor), Steve Hatcher (actor), Steven St. Croix (actor), Evan Stone (actor), Briana Banks (actress), Ryan Conner (actress), Julie Meadows (actress), Aurora Snow (actress), Francois Clousot (director), Frederic Perrin (miscellaneous crew),
Genres: Adult,Actors: Jim Gaffigan (actor), Lewis Black (actor), Andrew Filippone Jr. (editor), Judy Gold (actress), Jim Norton (actor), Adam Dubin (director), Adam Dubin (actor), Adam Dubin (writer), Adam Dubin (producer), Laura Jean Shannon (costume designer), David Hausen (producer), Robert Ortiz (producer), Eddie Brill (actor), Ric Menello (actor), Ric Menello (writer),
Genres: Comedy, Short,Actors: Yvon Back (actor), Miglen Mirtchev (actor), Jean-Claude Fleury (producer), Alexandre Desplat (composer), François Berland (actor), José Garcia (actor), André Thorent (actor), André Julien (actor), Jean-Pol Dubois (actor), Jacques Rosny (actor), Nicole Saunier (editor), Fabienne Chaudat (actress), Rose Thiéry (actress), Karl Zéro (writer), Karl Zéro (actor),
Genres: Comedy,Nana (Anna Karina) é uma jovem que abandona o seu marido e o seu filho para iniciar sua carreira como atriz. Para financiar sua nova vida começa a trabalhar numa loja de discos, mas não ganha muito dinheiro. Como não consegue pagar o aluguel, Nana é expulsa de casa e decide virar prostituta. No primeiro dia que começa a trabalhar na rua, reencontra Yvette (Guylaine Schlumberger), uma velha amiga que lhe confessa que também se prostitui por necessidade. Yvette lhe apresentará a Raoul (Saddy Rebot), que se converterá em seu cafetão. A partir desse momento, Nana irá introduzindo-se progressivamente no mundo da prostituição.
More videos at http://www.cinematheia.com/ Jean-Luc Godard was born in Paris on December 3, 1930, the second of four children in a bourgeois Franco-Swiss family. His father was a doctor who owned a private clinic, and his mother came from a preeminent family of Swiss bankers.
Lemmy Caution and Natacha Von Braun discuss the meaning of love in Jean-Luc Godard's "Alphaville".
The legendary director Jean-Luc Godard talks to CPN about his philosophies, his career and his new film 'Adieu au Langage', which has just premièred at the 2014 Cannes Film Festival. The tech article on how his 3D film was made: http://bit.ly/1vsLvo1
Paul javal, scénariste, est engagé pour travailler sur une adaptation de "L'Odyssée" que doit réaliser Fritz Lang. Entre Paul et sa femme Camille règne un certain malaise. Tous deux partent à Capri suivre le tournage des extérieurs. Elle lui avoue alors que non seulement elle ne l'aime plus mais le méprise. D'après le roman de Moravia, la rencontre de deux mythes du cinéma : Bardot/Godard. Avec, comme témoins, Homère, Fritz Lang et la Méditerranée. Un film de légendes.
Throughout Jean-Luc Godard’s filmmaking career the director has shown a keen interest in buildings, spaces, how they change and how their changes affect us. In this video essay, writer and lecturer Richard Martin (author of The Architecture of David Lynch) examines Godard’s use of architecture in films including À bout de souffle (1960), Le Mépris (1963) and Week End (1967). Watch classic Jean-Luc Godard films mentioned in the video on BFI Player.
Subtitulada al castellano (hay que activar los subtítulos) HD 720p bluray, flac x264. http://www.imdb.com/title/tt0061473/
BREATHLESS Jan 3 at 8:00 pm Jan 5 at 2:00 pm The first, and, for many, most definitive shot across the bow of the French 'tradition of quality cinema'. No tripods, no master shots, no rules at all. Jean-Paul Belmondo and Jean Seberg are endlessly cool and endlessly aware of their fate in Godard's homage to American film noir. PIERROT LE FOU Jan 17 at 8:00 pm Jan 19 at 2:00 pm During the sixties, the beauty of Godard's images increased in proportion to what many considered the incomprehensibility of his scenarios. Here Belmondo and Anna Karina hit the road to escape gangsters and the whole narrative construct of the film explodes into a kaleidoscope of images and ideas. WEEKEND Jan 31 at 9:30 pm Feb 2 at 2:00 pm Godard's perverse love of word games, ideological paradox, cinematic ...
Jean-Luc Godard - Lettre à Freddy Buache (1982)
La Chinoise (trailer) Réalisé par Jean-Luc Godard en 1969.
http://www.fandor.com/blog/?p=7946 Keyframe presents the online debut of Godardloop, a multi-part video essay on the films of Jean-Luc Godard. Produced by Michael Baute and edited by Bettina Blickwede, this video explores a treasure trove of imagery found in dozens of Godard’s features and shorts, grouping them among several distinct themes. 47 films spanning 50 years of filmmaking are transformed into a stream of images that attest to an inimitable talent: an artist who can transform the world simply by the way he looks at it through his camera. Learn more and watch more videos at http://www.fandor.com/blog/?p=7946
Jean-Luc Godard - Alphaville (Francia, 1965) [Escena Spa]. http://www.artefacto.com.uy/cine/index.html
Godard captures the essence of the automobile. (With commentary)
Images : Paulo Branco, Juan Branco Montage : Joseph Paris, Jeremie Nestel Licence Art-Libre http://kassandre.org/ http://libreacces.org
VARIABLES is a (sort of) video criticism essay on the films of Jean-Luc Godard, done (sort of) in the style of Godard himself. The video reedits clips from numerous Godard films in order to foreground the political dimension of his cinema. Is it solely because of political content that Godard's films are radical, or is it his form instead that is political? The video uses many of Godard's signature formal characteristics including quotations from written sources, voice over, intertitles and montage techniques such as superimpositions.
Nana (Anna Karina) é uma jovem que abandona o seu marido e o seu filho para iniciar sua carreira como atriz. Para financiar sua nova vida começa a trabalhar numa loja de discos, mas não ganha muito dinheiro. Como não consegue pagar o aluguel, Nana é expulsa de casa e decide virar prostituta. No primeiro dia que começa a trabalhar na rua, reencontra Yvette (Guylaine Schlumberger), uma velha amiga que lhe confessa que também se prostitui por necessidade. Yvette lhe apresentará a Raoul (Saddy Rebot), que se converterá em seu cafetão. A partir desse momento, Nana irá introduzindo-se progressivamente no mundo da prostituição.
The legendary director Jean-Luc Godard talks to CPN about his philosophies, his career and his new film 'Adieu au Langage', which has just premièred at the 2014 Cannes Film Festival. The tech article on how his 3D film was made: http://bit.ly/1vsLvo1
Composed entirely by literary quotations from many different sources and from several historical periods, Godard's film works as an allegory on film. The loose narrative tells about a drifter found by a rich woman who soon falls in love with him. A drowning accident takes place and the drifter dies but some time later, he reappears in the woman's life looking for a job. Or could it be the man's twin brother?
Subtitulada al castellano (hay que activar los subtítulos) HD 720p bluray, flac x264. http://www.imdb.com/title/tt0061473/
Silent shorts on the events of May '68 in Paris, by a group of uncredited filmmakers (including Chris Marker, Jean-Luc Godard and Alan Resnais)
Six fois deux - Sur et sous la communication The title and subtitle of this French miniseries are “Six Times Two; Over and under the media”. The “six” refers to the fact that there are six episodes; the “two” has a double meaning. English Subtitles
Un couple de Français moyens, Corinne et Roland, passe son week-end en voiture sur les routes d'Île-de-France et limitrophes, en circulant (quand c'est possible) entre embouteillages monstrueux et accidents sanglants. Leur « week-end » est ponctué de rencontres aussi bizarres que diverses : les membres du FLSO (Front de Libération de Seine-et-Oise), Joseph Balsamo, Emily Brontë, Saint-Just, Marie-Madeleine ou bien encore le « Gros Poucet » (!)
Dear Vimeo viewer, I am currently studying a BA in Film and Television at London College of Communication. This term I was given a brief: to make a 10 seconds film built around the theme “I want to speak, but nobody is listening”. With such a short time constraint, I first thought about the pace of the film and concluded that I did not want to make a film composed of consecutive images edited with dizzying speed. I find the over-used fast cut editing technique and also the jump cuts visual style BORING. I am done with a “music video/advertisement style” film. I think nowadays there is a kind of visual experience ‘inflation’; each time we need MORE and MORE images in LESS and LESS time. I find it irritating. When Jean-Luc Godard made his first movie, A Bout de Soufflé, he used jump cuts...
an interview in french with english subtitles
Interview from 1980 with Dick Cavett and Jean-Luc Godard http://www.lettertojane.com/2010/dick-cavett-interviews-jean-luc-godard
The legendary director Jean-Luc Godard talks to CPN about his philosophies, his career and his new film 'Adieu au Langage', which has just premièred at the 2014 Cannes Film Festival. The tech article on how his 3D film was made: http://bit.ly/1vsLvo1
Le légendaire réalisateur Jean Luc Godard partage avec Canon Professional Network sa propre philosophie du cinéma, revient sur sa carrière et nous parle de son nouveau film « Adieu au Langage » projeté au Festival de Cannes 2014 et qui a été récompensé par le Prix du Jury. Pour en savoir plus sur le workflow et le matériel utilisés par Mr Godard pour tourner "Adieu au Langage" : http://cpn.canon-europe.com/content/Jean-Luc_Godard.do
Pardonnez-moi : Darius Rochebin reçoit Jean-Luc Godard, en marge du Festival de Cannes, où son film est présenté en compétition officielle. Dans un rare entretien de 50 minutes, dont 25 minutes sont diffusées dans Pardonnez-Moi ce dimanche, le cinéaste franco-suisse s'exprime sur Cannes, sur son film "Adieu au langage", mais aussi sur son exceptionnelle carrière, ainsi que sur des aspects plus personnels, ou encore sur sa relation avec la Suisse. Retrouvez toutes les vidéos de Pardonnez-moi sur : http://www.rts.ch/video/emissions/pardonnez-moi
Jean-Luc Godard. Point de rencontre (Manu Bonmariage, 1982) Tourné à Genève: Jean-Luc Godard à une table de montage film (Passion) répond aux questions de Manu Bonmariage.
Message de salutations de Jean-Luc Godard Source : http://www.schweizerfilmpreis.ch/fr/ehrenpreis-2015/
Nana (Anna Karina) é uma jovem que abandona o seu marido e o seu filho para iniciar sua carreira como atriz. Para financiar sua nova vida começa a trabalhar numa loja de discos, mas não ganha muito dinheiro. Como não consegue pagar o aluguel, Nana é expulsa de casa e decide virar prostituta. No primeiro dia que começa a trabalhar na rua, reencontra Yvette (Guylaine Schlumberger), uma velha amiga que lhe confessa que também se prostitui por necessidade. Yvette lhe apresentará a Raoul (Saddy Rebot), que se converterá em seu cafetão. A partir desse momento, Nana irá introduzindo-se progressivamente no mundo da prostituição.
More videos at http://www.cinematheia.com/ Jean-Luc Godard was born in Paris on December 3, 1930, the second of four children in a bourgeois Franco-Swiss family. His father was a doctor who owned a private clinic, and his mother came from a preeminent family of Swiss bankers.
Lemmy Caution and Natacha Von Braun discuss the meaning of love in Jean-Luc Godard's "Alphaville".
The legendary director Jean-Luc Godard talks to CPN about his philosophies, his career and his new film 'Adieu au Langage', which has just premièred at the 2014 Cannes Film Festival. The tech article on how his 3D film was made: http://bit.ly/1vsLvo1
Paul javal, scénariste, est engagé pour travailler sur une adaptation de "L'Odyssée" que doit réaliser Fritz Lang. Entre Paul et sa femme Camille règne un certain malaise. Tous deux partent à Capri suivre le tournage des extérieurs. Elle lui avoue alors que non seulement elle ne l'aime plus mais le méprise. D'après le roman de Moravia, la rencontre de deux mythes du cinéma : Bardot/Godard. Avec, comme témoins, Homère, Fritz Lang et la Méditerranée. Un film de légendes.
Throughout Jean-Luc Godard’s filmmaking career the director has shown a keen interest in buildings, spaces, how they change and how their changes affect us. In this video essay, writer and lecturer Richard Martin (author of The Architecture of David Lynch) examines Godard’s use of architecture in films including À bout de souffle (1960), Le Mépris (1963) and Week End (1967). Watch classic Jean-Luc Godard films mentioned in the video on BFI Player.
Subtitulada al castellano (hay que activar los subtítulos) HD 720p bluray, flac x264. http://www.imdb.com/title/tt0061473/
BREATHLESS Jan 3 at 8:00 pm Jan 5 at 2:00 pm The first, and, for many, most definitive shot across the bow of the French 'tradition of quality cinema'. No tripods, no master shots, no rules at all. Jean-Paul Belmondo and Jean Seberg are endlessly cool and endlessly aware of their fate in Godard's homage to American film noir. PIERROT LE FOU Jan 17 at 8:00 pm Jan 19 at 2:00 pm During the sixties, the beauty of Godard's images increased in proportion to what many considered the incomprehensibility of his scenarios. Here Belmondo and Anna Karina hit the road to escape gangsters and the whole narrative construct of the film explodes into a kaleidoscope of images and ideas. WEEKEND Jan 31 at 9:30 pm Feb 2 at 2:00 pm Godard's perverse love of word games, ideological paradox, cinematic ...
Jean-Luc Godard - Lettre à Freddy Buache (1982)
La Chinoise (trailer) Réalisé par Jean-Luc Godard en 1969.
http://www.fandor.com/blog/?p=7946 Keyframe presents the online debut of Godardloop, a multi-part video essay on the films of Jean-Luc Godard. Produced by Michael Baute and edited by Bettina Blickwede, this video explores a treasure trove of imagery found in dozens of Godard’s features and shorts, grouping them among several distinct themes. 47 films spanning 50 years of filmmaking are transformed into a stream of images that attest to an inimitable talent: an artist who can transform the world simply by the way he looks at it through his camera. Learn more and watch more videos at http://www.fandor.com/blog/?p=7946
Jean-Luc Godard - Alphaville (Francia, 1965) [Escena Spa]. http://www.artefacto.com.uy/cine/index.html
Godard captures the essence of the automobile. (With commentary)
Images : Paulo Branco, Juan Branco Montage : Joseph Paris, Jeremie Nestel Licence Art-Libre http://kassandre.org/ http://libreacces.org
VARIABLES is a (sort of) video criticism essay on the films of Jean-Luc Godard, done (sort of) in the style of Godard himself. The video reedits clips from numerous Godard films in order to foreground the political dimension of his cinema. Is it solely because of political content that Godard's films are radical, or is it his form instead that is political? The video uses many of Godard's signature formal characteristics including quotations from written sources, voice over, intertitles and montage techniques such as superimpositions.
Ens vam retrobar una nit d'estiu en un cicle especial de cinema francès a la fresca.
El meu plan era tornar aviat però al final tot es va anar allargant i els dos vam decidir sortir de gresca.
Se'ns va fer tard.
Va dir: "No agafis pas el cotxe. Si vols et pots quedar, que al pis hi tinc quarto exprés per convidats".
"Et deixo aquí sobre un cobrellit perquè ara no però després fot rasca, ja veuràs.
Si tens gana o vols aigua tu mateix pots fer com si fossis a casa".
La manera com va dir bona nit i va picar l'ullet era fàcilment mal interpetable.
Vaig augurar una nit per a la posteritat, fer un cim, fer un vuit mil, fer quelcom difícilment igualable.
Però allà no passava res, només aquell silenci trencat pel meu somier.
Potser no era el seu tipus, millor que no fes res.
I en una paret al fons imprès en blanc i negre hi havia un pòster d'en Godard.
Potser ell em podria dir-me perquè em ballava el cap.
Ai Jean-Luc!, ai Jean-Luc!, vull entendre-ho però no puc.
Ell va dir que en casos com aquests no es tracta de ser més guapo o més lleig sinó d'estar convençut de fer-ho.
Jo vaig dir-li: "Ja, però si ara hi vaig i ella no vol després què? Després tot això acaba siguent un rotllo patatero".
Em va convidar a fumar i en un plano-seqüència una frase magistral "Una dona és una dona. No et preocupis, tant se val".
L'endemà vam esmorzar, ni tan sols vaig mirar-la i a l'hora de marxar ella em va fer un petó que encara no sé interpretar.