"La Zone: Chronique en terre contaiminee" by Guillaume Herbaut

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• published: 20 May 2010
• views: 655

Twenty-four years after the disaster, the Chernobyl Nuclear Power Plant and the burial grounds of military equipments in Ukraine are now being pillaged. Each week, more than two hundred tons of radioactive metal are leaving the exclusion zone. During the turmoil that followed the explosion of the fourth reactor of the Chernobyl Nuclear Power Plant in 1986, the authorities made up for the quickest and the most urgent way : burying some highly contaminated villages. Building here and there burial grounds where tons of radioactive metal should have stayed for centuries. Circling the town of Pripyat with a metal fence to avoid any looting. Developing guarded lands to store the vehicles that had been exposed to radionuclides. Even if the confinement process had been planned in an emergency, it was meant to be exemplary. But a quarter of century later, most of the burial grounds have been emptied. The military equipments are now being pillaged, such as whole parts of the power plant. Pripyat, the city where the plant workers used to live, evacuated the day just after the explosion, is now being dismembered inch by inch. In late 2009, scrap metal merchants have taken all the radiators in the apartments. When the weather is warming up, they will be interested in the window-glasses, heavily exposed to the radiations. Officially, the International Atomic Energy Agency based in Vienna, Austria, pretends * not to be aware * of these facts. But since the fall of the Soviet Union and the Ukrainian independence in 1991, this vast land is now a free zone, with its own rules and its influence quarrels, its recycling companies and various trafficks. It is now a State within the State, with its own black gold : metal. Giving proof of this underground economy, crime is developing itself. In 2007, a stock of copper and nickel tubes coming from the Buriakovka burial ground has been intercepted outside the exclusion zone. Their contamination rate was 23 times higher than the legal standards. In May 2009, ten tons of metal disappeared. The radioactivity rate was above 30 000 microRems, a thousand times higher than the authorised level. During the night of September 10th 2009, a shipping of 25 tons of untreated metal has been stopped by Ukrainian Intelligence Service. It mainly consisted of tubes found in the whereabouts of Reactor 4 and their radioactivity rate was thirteen times higher than the legal level. According to many observers, 8 million tons of metal were laying all over the exclusion zone after the explosion. Today, only two million tons remain and we value this stock at 1 billion hryvnias (100 million euros). Twenty-four years after the Chernobyl Disaster, INSTITUTE artist Guillaume Herbaut and Bruno Masi have been investigating during two months in Ukraine about the traffic of metal coming from the exclusion zone. Their report is appalling : each week, 200 tons of radioactive metal are leaving illegaly the Chernobyl zone and being shipped to factories in Eastern Ukraine and then to Turkey and China where the contaminated metal is put back on track. They have collected testimonies of the power plant workers, police officers, government spokespersons, authorities of the Chernobyl zone and also of the traffickers that they managed to meet. Their work brings the spotlight for the first time on one of the biggest scandals of the last 20 years. GUILLAUME HERBAUT - BIO Guillaume Herbaut, born in 1970, was a founding member of l’Oeil Public. Prize-winner of the Fondation de France in 1999, he has dedicated himself for some years now to historical places, filled with symbols and memory. His work called Tchernobylsty, won the Kodak Critics Prize in 2001 and was published at Le Petit Camarguais in October 2003. Herbaut also won the Fuji Book Prize the following year. Herbaut has been a recipient of a grant from the French Ministry of Culture and 3P. Visa pour l’Image exposed his work in September 2004. The same year Herbaut was winner of the Lucien Hervé Prize. In 2009 he won the second price « contemporary issue » at the World Press Photo. Today he carries on with the aim of revealing unseen tragedies. Herbaut's work has been exhibited in solo or part of group shows at the Jeu de Paume Museum in Paris, at “la maison Rouge”, at Foto España and at the silverstein gallery in NY. Guillaume Herbaut has produced documentaries for French Radio and been a teacher and mentor in workshops in Spain, Switzerland and France. Herbaut is represented for fine art print sales in France by La Galerie Paul Freches

"La Zone: Chronique en terre contaiminee" by Guillaume Herbaut

• Report rights infringement
• published: 20 May 2010
• views: 655

Twenty-four years after the disaster, the Chernobyl Nuclear Power Plant and the burial grounds of military equipments in Ukraine are now being pillaged. Each week, more than two hundred tons of radioactive metal are leaving the exclusion zone. During the turmoil that followed the explosion of the fourth reactor of the Chernobyl Nuclear Power Plant in 1986, the authorities made up for the quickest and the most urgent way : burying some highly contaminated villages. Building here and there burial grounds where tons of radioactive metal should have stayed for centuries. Circling the town of Pripyat with a metal fence to avoid any looting. Developing guarded lands to store the vehicles that had been exposed to radionuclides. Even if the confinement process had been planned in an emergency, it was meant to be exemplary. But a quarter of century later, most of the burial grounds have been emptied. The military equipments are now being pillaged, such as whole parts of the power plant. Pripyat, the city where the plant workers used to live, evacuated the day just after the explosion, is now being dismembered inch by inch. In late 2009, scrap metal merchants have taken all the radiators in the apartments. When the weather is warming up, they will be interested in the window-glasses, heavily exposed to the radiations. Officially, the International Atomic Energy Agency based in Vienna, Austria, pretends * not to be aware * of these facts. But since the fall of the Soviet Union and the Ukrainian independence in 1991, this vast land is now a free zone, with its own rules and its influence quarrels, its recycling companies and various trafficks. It is now a State within the State, with its own black gold : metal. Giving proof of this underground economy, crime is developing itself. In 2007, a stock of copper and nickel tubes coming from the Buriakovka burial ground has been intercepted outside the exclusion zone. Their contamination rate was 23 times higher than the legal standards. In May 2009, ten tons of metal disappeared. The radioactivity rate was above 30 000 microRems, a thousand times higher than the authorised level. During the night of September 10th 2009, a shipping of 25 tons of untreated metal has been stopped by Ukrainian Intelligence Service. It mainly consisted of tubes found in the whereabouts of Reactor 4 and their radioactivity rate was thirteen times higher than the legal level. According to many observers, 8 million tons of metal were laying all over the exclusion zone after the explosion. Today, only two million tons remain and we value this stock at 1 billion hryvnias (100 million euros). Twenty-four years after the Chernobyl Disaster, INSTITUTE artist Guillaume Herbaut and Bruno Masi have been investigating during two months in Ukraine about the traffic of metal coming from the exclusion zone. Their report is appalling : each week, 200 tons of radioactive metal are leaving illegaly the Chernobyl zone and being shipped to factories in Eastern Ukraine and then to Turkey and China where the contaminated metal is put back on track. They have collected testimonies of the power plant workers, police officers, government spokespersons, authorities of the Chernobyl zone and also of the traffickers that they managed to meet. Their work brings the spotlight for the first time on one of the biggest scandals of the last 20 years. GUILLAUME HERBAUT - BIO Guillaume Herbaut, born in 1970, was a founding member of l’Oeil Public. Prize-winner of the Fondation de France in 1999, he has dedicated himself for some years now to historical places, filled with symbols and memory. His work called Tchernobylsty, won the Kodak Critics Prize in 2001 and was published at Le Petit Camarguais in October 2003. Herbaut also won the Fuji Book Prize the following year. Herbaut has been a recipient of a grant from the French Ministry of Culture and 3P. Visa pour l’Image exposed his work in September 2004. The same year Herbaut was winner of the Lucien Hervé Prize. In 2009 he won the second price « contemporary issue » at the World Press Photo. Today he carries on with the aim of revealing unseen tragedies. Herbaut's work has been exhibited in solo or part of group shows at the Jeu de Paume Museum in Paris, at “la maison Rouge”, at Foto España and at the silverstein gallery in NY. Guillaume Herbaut has produced documentaries for French Radio and been a teacher and mentor in workshops in Spain, Switzerland and France. Herbaut is represented for fine art print sales in France by La Galerie Paul Freches