- published: 03 Apr 2015
- views: 655
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Here's a quick peek at 3D design data derived from mobile lidar at survey grade accuracies. We deliver hardscape (built infrastructure) and softscape (natural features) from the point cloud as design-ready 3D features.
- published: 28 Apr 2014
- views: 385
This video demonstrates Aurora's automatic 3D reconstruction algorithm and its use in high resolution shading analysis.
- published: 29 Nov 2015
- views: 2129
Demonstration of a 3D scanner using an Arduino and a Garmin LIDAR-Lite 3. More info: http://www.qcontinuum.org/lidar
- published: 12 Dec 2016
- views: 1936
A short movie about my latest project for the Project of The Year Dassault Systems Academy contest. Vote on it if You like it :-)
- published: 04 Aug 2016
- views: 1711
3D city models are no longer just nice-to-have side projects for rich and exotic cities. In this webinar, we will show how the use of 3D has moved beyond its earlier time-consuming and costly manual modeling routine into a practical, semi-automated modeling process.
• Learn the entire smart 3D city creation process, and see Esri's new enterprise 3D city information model.
• See how to rapidly model smart 3D city models from data attributes.
• See the data requirements for creating a smart 3D city model.
• Learn how to extract features from existing lidar and imagery if data does not exist.
Start now and create your own virtual city with the free 30-day CityEngine trial: http://bit.ly/CityEngineTrial
- published: 28 Mar 2014
- views: 57276
Ken James, a 3D Scan Technician for TNG Visual Effects takes us through the process of scanning a vehicle.
TNG Visual Effects is a 3D scanning services bureau. Our services are highly mobile and we can come to any set. Give us a call!
877-879-2040
info@tngvfx.com
www.tngvfx.com
This video was filmed by indie city entertainment.
- published: 25 Aug 2015
- views: 2132
This is the first test of the VirtuRange DIY LIDAR 3D Scanner. A Laser Rangefinder is mounted on two stepper motors. The motors are controlled by an Arduino. A Python script reads the distance from the rangefinder and calculates the pointcloud from the position of the stepper motors.
www.diy3Dscan.com, www.virtumake.com
- published: 24 May 2013
- views: 20776
Zebedee is a handheld 3D mobile mapping system developed at CSIRO. The primary sensor is a 2D Hokuyo lidar scanner which measures the distances to surfaces in the environment (43200 samples per second). A simple spring mechanism is used to convert the natural motion of the operator into scanning sweeps that result in a 3D field of view. CSIRO's specialized software interprets the raw data to estimate the motion of the scanner and generate a 3D point cloud model of the environment. As seen in the video, the system is capable of large-scale mapping of a wide variety of environments ranging from built to natural scenes. Typically, the time it takes to map an environment is the time it takes to walk through it.
For visualization purposes, the point clouds shown in this video contain only 9 percent of the points from the full point cloud.
Publications describing the technology:
[1] https://db.tt/lUIKVWXD or http://dx.doi.org/10.1109/TRO.2012.2200990
M. Bosse, R. Zlot, and P. Flick, "Zebedee: Design of a Spring-Mounted 3-D Range Sensor with Application to Mobile Mapping", IEEE Transactions on Robotics, 28(5), October 2012.
[2] https://db.tt/V31Qepgj or http://dx.doi.org/10.1109/ICRA.2013.6630945
M. Bosse and R. Zlot, Place Recognition Using Keypoint Voting in Large 3D Lidar Datasets, IEEE International Conference on Robotics and Automation (ICRA), May 2013.
The datasets from the video are available at http://dx.doi.org/10.4225/08/5137014E577DC
LiDAR News magazine article: http://www.lidarnews.com/PDF/LiDARMagazine_VariousAuthors-CSIRO_Vol2No4.pdf
A New Scientist article (with video) describing a cave mapping trip:
http://www.newscientist.com/article/mg21628954.700-in-search-of-the-worlds-oldest-cave-etching.html
A previous video demonstrating Zebeede can be found at:
http://youtu.be/Uj9BKcnXOyo
Further information: http://wiki.csiro.au/display/ASL/Zebedee
Music: Blue Lights by Beat Under Control (http://creativecommons.org/licenses/by-nc-sa/1.0)
- published: 08 Nov 2012
- views: 76117
The shelter 55/02 by Sixteen*Makers is set in the forest on the north shore of Keilder Water, Northumberland. A product of a collaboration, between architects Sixteen*(Makers) and steel fabricators Stahlbogen. It was completed in 2009, and in 2010 we documented the finished structure with a series of full colour 3D scans. These scans created a 3D model which we used to create this animation. The scan data was also used to test the actual built product against the idealised digital models which were used to create the building.
As a result of the intimate relationship between the designers and makers, 55/02 was designed through making, and developed as a series of tactile tests and digital representations rather than a predetermined set of design drawings. In this instance therefore, the scans represent the final set of 'as built' drawings. In May 2011, 55/02 won an RIBA award for design excellence.
We'd love to use scanning to document more works of contemporary architecture - especially when their remote location means few people get to see them. Get in touch if you've a project you think could be appropriate. studio@scanlabprojects.co.uk
- published: 13 May 2011
- views: 2657
Client: HBO
Director: Patrick Clair
Lead Animator / Compositor: Raoul Marks
Design & Visual Research: Paul Kim, Jeff Han, Felix Soletic, Maxx Burman, Henry DeLeon, Dan Alexandru.
Storyboard Artist: Lance Slaton
Lighter: Shamus Johnson
Animator / Compositor: Yongsub Song
Head of CG: Kirk Shintari
LiDAR and 3D Scanning: SCANable
3D Artists: Jose Limon Jessica Hurst, Dustin Mellum, Rie Ito, Joe Paniagua
3D Rigging: Josh Dyer
Reference Photography: David Do
Producer: Ben Foster
Supervising Producer: Carol Salek
Head of Production: Kim Christensen
Managing Partner: Jennifer Sofio Hall
Special Thanks to Jonathan Nolan, Lisa Joy, Bruce Dunn, Stephen Semel, Athena Wickham, Roberto Patino and HBO.
- published: 03 Oct 2016
- views: 1686
Design
Design is the creation of a plan or convention for the construction of an object or a system (as in architectural blueprints, engineering drawings, business processes, circuit diagrams and sewing patterns). Design has different connotations in different fields (see design disciplines below). In some cases the direct construction of an object (as in pottery, engineering, management, cowboy coding and graphic design) is also considered to be design.
Designing often necessitates considering the aesthetic, functional, economic and sociopolitical dimensions of both the design object and design process. It may involve considerable research, thought, modeling, interactive adjustment, and re-design. Meanwhile, diverse kinds of objects may be designed, including clothing, graphical user interfaces, skyscrapers, corporate identities, business processes and even methods of designing.
Thus "design" may be a substantive referring to a categorical abstraction of a created thing or things (the design of something), or a verb for the process of creation, as is made clear by grammatical context.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Design
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Lidar
Lidar (also written LIDAR, LiDAR or LADAR) is a surveying technology that measures distance by illuminating a target with a laser light. Although thought by some to be an acronym of Light Detection And Ranging, the term lidar was actually created as a portmanteau of "light" and "radar". Lidar is popularly used as a technology to make high-resolution maps, with applications in geodesy, geomatics, archaeology, geography, geology, geomorphology, seismology, forestry, atmospheric physics, airborne laser swath mapping (ALSM) and laser altimetry. What is known as Lidar is sometimes simply referred to as laser scanning or 3D scanning, with terrestrial, airborne and mobile applications.
History and etymology
Lidar originated in the early 1960s, shortly after the invention of the laser, and combined laser-focused imaging with radar's ability to calculate distances by measuring the time for a signal to return. Its first applications came in meteorology, where the National Center for Atmospheric Research used it to measure clouds. The general public became aware of the accuracy and usefulness of lidar systems in 1971 during the Apollo 15 mission, when astronauts used a laser altimeter to map the surface of the moon.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Lidar
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Creative director
A creative director is a position often found within the graphic design, film, music, fashion, advertising, media or entertainment industries, but may be useful in other creative organizations such as web development and software development firms as well.
A creative director is a vital role in all of the arts and entertainment industries. In another sense, they can be seen as another element in any product development process. The creative director may also assume the roles of an art director, copywriter, or lead designer. The responsibilities of a creative director include leading the communication design, interactive design, and concept forward in any work assigned. For example, this responsibility is often seen in industries related to advertisement. The creative director is known to guide a team of employees with skills and experience related to graphic design, fine arts, motion graphics, and other creative industry fields. Some example works can include visual layout, brainstorming, and copy writing. Before one assumes the role of a creative director, one must have a preset of experience beforehand. Like anyone else, these types of artists start up from the very beginning in fields that can relate to motion graphics, advertisement in television, and/or book (or magazine) publishing.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Creative_director
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Executive producer
An executive producer (EP) enables the making of a commercial entertainment product. The EP may be concerned with management accounting and/or with associated legal issues (like copyrights or royalties). An EP generally contributes to the film's budget and may or may not work on set.
Motion pictures
In motion pictures, an executive producer oversees the filmmaking with regard to film finance. Executive producers liaise with the line producer and report to production companies and distributors.
Television
In television, an executive producer often supervises the creative content as well as the financial aspects of a production. Some writers (for example Stephen J. Cannell and Tina Fey) have been the creator and also the producer of the same TV show. Other dual roles may include the executive director(s) starring in the show they produce, such as Full Throttle Saloon reality TV star, Jesse James Dupree. Still other shows may have more than one executive producer working on a TV show where there can be one among them who outranks the others. This position is known as the "showrunner," or operational executive producer.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Executive_producer
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Producer
Producer or producers may refer to:
Occupations
- Executive producer, sometimes a "deal-making", or money-raising producer not involved in day-to-day production
- Line producer, manages the budget and/or day-to-day running of a film production
- Hip hop producer, a record producer that specializes in hip hop music like Vertexed and Accurate
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Producer
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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0:553D Revit Model of Interior Office from LiDAR Point Cloud
3D Revit Model of Interior Office from LiDAR Point Cloud3D Revit Model of Interior Office from LiDAR Point Cloud
-
1:003D Survey Grade Design Data from Mobile Lidar
3D Survey Grade Design Data from Mobile Lidar3D Survey Grade Design Data from Mobile Lidar
Here's a quick peek at 3D design data derived from mobile lidar at survey grade accuracies. We deliver hardscape (built infrastructure) and softscape (natural features) from the point cloud as design-ready 3D features. -
5:46Automatic 3D Modeling & Shading using LIDAR
Automatic 3D Modeling & Shading using LIDARAutomatic 3D Modeling & Shading using LIDAR
This video demonstrates Aurora's automatic 3D reconstruction algorithm and its use in high resolution shading analysis. -
5:533D LIDAR Scanning Construction Monitoring
3D LIDAR Scanning Construction Monitoring -
1:36Arduino-based LIDAR Scanner
Arduino-based LIDAR ScannerArduino-based LIDAR Scanner
Demonstration of a 3D scanner using an Arduino and a Garmin LIDAR-Lite 3. More info: http://www.qcontinuum.org/lidar -
1:50Home made 3D laser scanner
Home made 3D laser scannerHome made 3D laser scanner
A short movie about my latest project for the Project of The Year Dassault Systems Academy contest. Vote on it if You like it :-) -
1:02:10Creating a Smart 3D City Model from Start to Finish
Creating a Smart 3D City Model from Start to FinishCreating a Smart 3D City Model from Start to Finish
3D city models are no longer just nice-to-have side projects for rich and exotic cities. In this webinar, we will show how the use of 3D has moved beyond its earlier time-consuming and costly manual modeling routine into a practical, semi-automated modeling process. • Learn the entire smart 3D city creation process, and see Esri's new enterprise 3D city information model. • See how to rapidly model smart 3D city models from data attributes. • See the data requirements for creating a smart 3D city model. • Learn how to extract features from existing lidar and imagery if data does not exist. Start now and create your own virtual city with the free 30-day CityEngine trial: http://bit.ly/CityEngineTrial -
1:54Lidar Scanning A Vehicle
Lidar Scanning A VehicleLidar Scanning A Vehicle
Ken James, a 3D Scan Technician for TNG Visual Effects takes us through the process of scanning a vehicle. TNG Visual Effects is a 3D scanning services bureau. Our services are highly mobile and we can come to any set. Give us a call! 877-879-2040 info@tngvfx.com www.tngvfx.com This video was filmed by indie city entertainment. -
2:52VirtuRange DIY LIDAR 3D Scanner creates first pointcloud
VirtuRange DIY LIDAR 3D Scanner creates first pointcloudVirtuRange DIY LIDAR 3D Scanner creates first pointcloud
This is the first test of the VirtuRange DIY LIDAR 3D Scanner. A Laser Rangefinder is mounted on two stepper motors. The motors are controlled by an Arduino. A Python script reads the distance from the rangefinder and calculates the pointcloud from the position of the stepper motors. www.diy3Dscan.com, www.virtumake.com -
2:51Mobile Mapping Indoors and Outdoors with Zebedee
Mobile Mapping Indoors and Outdoors with ZebedeeMobile Mapping Indoors and Outdoors with Zebedee
Zebedee is a handheld 3D mobile mapping system developed at CSIRO. The primary sensor is a 2D Hokuyo lidar scanner which measures the distances to surfaces in the environment (43200 samples per second). A simple spring mechanism is used to convert the natural motion of the operator into scanning sweeps that result in a 3D field of view. CSIRO's specialized software interprets the raw data to estimate the motion of the scanner and generate a 3D point cloud model of the environment. As seen in the video, the system is capable of large-scale mapping of a wide variety of environments ranging from built to natural scenes. Typically, the time it takes to map an environment is the time it takes to walk through it. For visualization purposes, the point clouds shown in this video contain only 9 percent of the points from the full point cloud. Publications describing the technology: [1] https://db.tt/lUIKVWXD or http://dx.doi.org/10.1109/TRO.2012.2200990 M. Bosse, R. Zlot, and P. Flick, "Zebedee: Design of a Spring-Mounted 3-D Range Sensor with Application to Mobile Mapping", IEEE Transactions on Robotics, 28(5), October 2012. [2] https://db.tt/V31Qepgj or http://dx.doi.org/10.1109/ICRA.2013.6630945 M. Bosse and R. Zlot, Place Recognition Using Keypoint Voting in Large 3D Lidar Datasets, IEEE International Conference on Robotics and Automation (ICRA), May 2013. The datasets from the video are available at http://dx.doi.org/10.4225/08/5137014E577DC LiDAR News magazine article: http://www.lidarnews.com/PDF/LiDARMagazine_VariousAuthors-CSIRO_Vol2No4.pdf A New Scientist article (with video) describing a cave mapping trip: http://www.newscientist.com/article/mg21628954.700-in-search-of-the-worlds-oldest-cave-etching.html A previous video demonstrating Zebeede can be found at: http://youtu.be/Uj9BKcnXOyo Further information: http://wiki.csiro.au/display/ASL/Zebedee Music: Blue Lights by Beat Under Control (http://creativecommons.org/licenses/by-nc-sa/1.0) -
1:3655/02 Keilder Shelter by Sixteen*Makers
55/02 Keilder Shelter by Sixteen*Makers55/02 Keilder Shelter by Sixteen*Makers
The shelter 55/02 by Sixteen*Makers is set in the forest on the north shore of Keilder Water, Northumberland. A product of a collaboration, between architects Sixteen*(Makers) and steel fabricators Stahlbogen. It was completed in 2009, and in 2010 we documented the finished structure with a series of full colour 3D scans. These scans created a 3D model which we used to create this animation. The scan data was also used to test the actual built product against the idealised digital models which were used to create the building. As a result of the intimate relationship between the designers and makers, 55/02 was designed through making, and developed as a series of tactile tests and digital representations rather than a predetermined set of design drawings. In this instance therefore, the scans represent the final set of 'as built' drawings. In May 2011, 55/02 won an RIBA award for design excellence. We'd love to use scanning to document more works of contemporary architecture - especially when their remote location means few people get to see them. Get in touch if you've a project you think could be appropriate. studio@scanlabprojects.co.uk -
1:43HBO Westworld - Main Titles
HBO Westworld - Main TitlesHBO Westworld - Main Titles
Client: HBO Director: Patrick Clair Lead Animator / Compositor: Raoul Marks Design & Visual Research: Paul Kim, Jeff Han, Felix Soletic, Maxx Burman, Henry DeLeon, Dan Alexandru. Storyboard Artist: Lance Slaton Lighter: Shamus Johnson Animator / Compositor: Yongsub Song Head of CG: Kirk Shintari LiDAR and 3D Scanning: SCANable 3D Artists: Jose Limon Jessica Hurst, Dustin Mellum, Rie Ito, Joe Paniagua 3D Rigging: Josh Dyer Reference Photography: David Do Producer: Ben Foster Supervising Producer: Carol Salek Head of Production: Kim Christensen Managing Partner: Jennifer Sofio Hall Special Thanks to Jonathan Nolan, Lisa Joy, Bruce Dunn, Stephen Semel, Athena Wickham, Roberto Patino and HBO. -
1:19Nike 'The Future is Fast' Commercial
Nike 'The Future is Fast' CommercialNike 'The Future is Fast' Commercial
SCANable performed 3D scans and modeling of Sports Authority Field (Denver Broncos) and Ford Field (Detroit Lions) used for camera tracking and to create and place the computer-generated crowds. Creative Agency : Wieden + Kennedy, Portland Production Company : Stink Director : Yann Demange Creative Director : Ryan O'Rourke, Alberto Ponte Art Director : Brandon Viney Copywriter : Edward Harrison Executive Producer : Jeff Baron Agency Executive Producer : Matt Hunnicutt Sound Design : 750mph Visual Effects : A52 3D Scanning : SCANable Client Team Director : Alex Lopez Agency Producer : Chris Capretto Editor : Kirk Baxter Associate Producer : Julie Gursha Music : Pivot Account Team : Corey Woodson -
0:40Jaguar Land Rover Geneva Car Show
Jaguar Land Rover Geneva Car ShowJaguar Land Rover Geneva Car Show
Agency: Imagination Creative Director: Cath Elliot Producer: Emma Williams Production Production Company: Mill+ Director: Aidan Gibbons Producer: Nick Canham Production Manager: Matt Bulaitis Production Coordinator: Ben Burdock Editorial Editor: Will Barnett VFX & Design Producer: Luis Martin Shoot Supervisor: Anthony Fieldsend Creative Director: Aidan Gibbons 2D Lead Artist: Anthony Fieldsend 3D Lead Artist: Anthony Northman 2D Artists: Diogo Pinheiro, Gianluca Di Marco 3D Artists: Davide Frusteri, Rebecca Ferguson Matte Painting: Can Y. Sanalan Motion Graphics: Ivo Sousa Colour Colourist: Matt Osborne
-
3D Revit Model of Interior Office from LiDAR Point Cloud
published: 03 Apr 2015 -
3D Survey Grade Design Data from Mobile Lidar
Here's a quick peek at 3D design data derived from mobile lidar at survey grade accuracies. We deliver hardscape (built infrastructure) and softscape (natural features) from the point cloud as design-ready 3D features.
published: 28 Apr 2014 -
Automatic 3D Modeling & Shading using LIDAR
This video demonstrates Aurora's automatic 3D reconstruction algorithm and its use in high resolution shading analysis.
published: 29 Nov 2015 -
-
Arduino-based LIDAR Scanner
Demonstration of a 3D scanner using an Arduino and a Garmin LIDAR-Lite 3. More info: http://www.qcontinuum.org/lidar
published: 12 Dec 2016 -
Home made 3D laser scanner
A short movie about my latest project for the Project of The Year Dassault Systems Academy contest. Vote on it if You like it :-)
published: 04 Aug 2016 -
Creating a Smart 3D City Model from Start to Finish
3D city models are no longer just nice-to-have side projects for rich and exotic cities. In this webinar, we will show how the use of 3D has moved beyond its earlier time-consuming and costly manual modeling routine into a practical, semi-automated modeling process. • Learn the entire smart 3D city creation process, and see Esri's new enterprise 3D city information model. • See how to rapidly model smart 3D city models from data attributes. • See the data requirements for creating a smart 3D city model. • Learn how to extract features from existing lidar and imagery if data does not exist. Start now and create your own virtual city with the free 30-day CityEngine trial: http://bit.ly/CityEngineTrial
published: 28 Mar 2014 -
Lidar Scanning A Vehicle
Ken James, a 3D Scan Technician for TNG Visual Effects takes us through the process of scanning a vehicle. TNG Visual Effects is a 3D scanning services bureau. Our services are highly mobile and we can come to any set. Give us a call! 877-879-2040 info@tngvfx.com www.tngvfx.com This video was filmed by indie city entertainment.
published: 25 Aug 2015 -
VirtuRange DIY LIDAR 3D Scanner creates first pointcloud
This is the first test of the VirtuRange DIY LIDAR 3D Scanner. A Laser Rangefinder is mounted on two stepper motors. The motors are controlled by an Arduino. A Python script reads the distance from the rangefinder and calculates the pointcloud from the position of the stepper motors. www.diy3Dscan.com, www.virtumake.com
published: 24 May 2013 -
Mobile Mapping Indoors and Outdoors with Zebedee
Zebedee is a handheld 3D mobile mapping system developed at CSIRO. The primary sensor is a 2D Hokuyo lidar scanner which measures the distances to surfaces in the environment (43200 samples per second). A simple spring mechanism is used to convert the natural motion of the operator into scanning sweeps that result in a 3D field of view. CSIRO's specialized software interprets the raw data to estimate the motion of the scanner and generate a 3D point cloud model of the environment. As seen in the video, the system is capable of large-scale mapping of a wide variety of environments ranging from built to natural scenes. Typically, the time it takes to map an environment is the time it takes to walk through it. For visualization purposes, the point clouds shown in this video contain only 9 p...
published: 08 Nov 2012 -
55/02 Keilder Shelter by Sixteen*Makers
The shelter 55/02 by Sixteen*Makers is set in the forest on the north shore of Keilder Water, Northumberland. A product of a collaboration, between architects Sixteen*(Makers) and steel fabricators Stahlbogen. It was completed in 2009, and in 2010 we documented the finished structure with a series of full colour 3D scans. These scans created a 3D model which we used to create this animation. The scan data was also used to test the actual built product against the idealised digital models which were used to create the building. As a result of the intimate relationship between the designers and makers, 55/02 was designed through making, and developed as a series of tactile tests and digital representations rather than a predetermined set of design drawings. In this instance therefore, the ...
published: 13 May 2011 -
HBO Westworld - Main Titles
Client: HBO Director: Patrick Clair Lead Animator / Compositor: Raoul Marks Design & Visual Research: Paul Kim, Jeff Han, Felix Soletic, Maxx Burman, Henry DeLeon, Dan Alexandru. Storyboard Artist: Lance Slaton Lighter: Shamus Johnson Animator / Compositor: Yongsub Song Head of CG: Kirk Shintari LiDAR and 3D Scanning: SCANable 3D Artists: Jose Limon Jessica Hurst, Dustin Mellum, Rie Ito, Joe Paniagua 3D Rigging: Josh Dyer Reference Photography: David Do Producer: Ben Foster Supervising Producer: Carol Salek Head of Production: Kim Christensen Managing Partner: Jennifer Sofio Hall Special Thanks to Jonathan Nolan, Lisa Joy, Bruce Dunn, Stephen Semel, Athena Wickham, Roberto Patino and HBO.
published: 03 Oct 2016 -
Nike 'The Future is Fast' Commercial
SCANable performed 3D scans and modeling of Sports Authority Field (Denver Broncos) and Ford Field (Detroit Lions) used for camera tracking and to create and place the computer-generated crowds. Creative Agency : Wieden + Kennedy, Portland Production Company : Stink Director : Yann Demange Creative Director : Ryan O'Rourke, Alberto Ponte Art Director : Brandon Viney Copywriter : Edward Harrison Executive Producer : Jeff Baron Agency Executive Producer : Matt Hunnicutt Sound Design : 750mph Visual Effects : A52 3D Scanning : SCANable Client Team Director : Alex Lopez Agency Producer : Chris Capretto Editor : Kirk Baxter Associate Producer : Julie Gursha Music : Pivot Account Team : Corey Woodson
published: 08 Dec 2015 -
Jaguar Land Rover Geneva Car Show
Agency: Imagination Creative Director: Cath Elliot Producer: Emma Williams Production Production Company: Mill+ Director: Aidan Gibbons Producer: Nick Canham Production Manager: Matt Bulaitis Production Coordinator: Ben Burdock Editorial Editor: Will Barnett VFX & Design Producer: Luis Martin Shoot Supervisor: Anthony Fieldsend Creative Director: Aidan Gibbons 2D Lead Artist: Anthony Fieldsend 3D Lead Artist: Anthony Northman 2D Artists: Diogo Pinheiro, Gianluca Di Marco 3D Artists: Davide Frusteri, Rebecca Ferguson Matte Painting: Can Y. Sanalan Motion Graphics: Ivo Sousa Colour Colourist: Matt Osborne
published: 25 Jul 2016 -
Harmony. Mastered From Chaos.
Droga5 x Hennessy V.S.O.P Privilège Creative Partner: Duncan Marshal Group Creative Director: Nick Klinkert Copywriter: Phil Hadad Art Director: Marybeth Ledesma Executive Broadcast Producer: Jesse Brihn Director: Ben Tricklebank DP: Justin Gurnari Post Production: Blacksmith Interactive Site: MasteredFromChaos.com UX Director: Daniel Perlin Executive Interactive Producer: Justin Durazzo Interactive Producer: Ian Graetzer Interactive Production Company: Active Theory 3D Scanning Company: SCANable Music and Sound Design: Plan8
published: 30 Jun 2016 -
Sony PlayStation: Greatness Awaits
See More: http://artaks.wordpress.com/ Follow me: https://twitter.com/djtolst Facebook: http://goo.gl/8I6V0 Advertising Agency: BBH, New York, USA Chief Creative Officer: John Patroulis Executive Creative Director: Ari Weiss Creative Director: Nate Able Copywriter: Rick Herrera Head of Integrated Production: Justin Booth-Clibborn Senior Producer: Jennifer Moore Bell Production Assistant: AJ Gutierrez Head of Account Management: Armando Turco Account Director: Melissa Hill Account Manager: Georgie Gooley Account Coordinator: Marshal Kerns Production Company: MJZ Director: Rupert Sanders Director of Photography: Greig Fraser President: David Zander Executive Producer: Kate Leahy Producer: Laurie Boccaccio Production Supervisor: Adriana Cebada Mora Production Designer: Dominic Watkins Costum...
published: 12 Jun 2013 -
Nissan Take On "Pop Ups"
Client | Nissan North America, Inc. Agency | TBWA\CHIAT\DAY Chief Creative Officer | Stephen Butler Creative Director(s) | Jason Locey, Liz Levy Art Director (Angry Cloud) | Valeria Vanzulli Copywriter (Angry Cloud) | Francesca Bonomi Art Director (Pop Ups) | Brett Pfeiffer Copywriter (Pop Ups) | John Searcy Art Director (Camo) | Travis Swingler Copywriter (Camo) | Steven Townsend Associate Producer | Jack Cutler Producer | Carrie Schaer Live Action Production Company | Imperial Woodpecker Director | Mark Zibert Producer | Matt Wersinger Executive Producer | Charlie Cocuzza Post Production VFX Studio | a52 3D Scanning/LiDAR | SCANable VFX Supervisor | Urs Furrer CG Supervisor | Adam Newman 2D VFX Artist(s) | Hugh Seville, Richard Hirst, Chris Moore, Michael Vaglienty Finishing | Dan Ellis,...
published: 25 Jun 2016 -
14.03.2011 - DANIEL ALIAGA
Chair for Information Architecture, ETH, and Associate Professor of Computer Science at Purdue University. Computational Cities: Geometrical Modeling for Urban Design and Simulation. This lecture addresses the growing desire to create geometrical models that design better, smarter, and more efficient cities. Cities are inherently very complex to model because they are simultaneously dense and large, spanning from a few to hundreds of square kilometers, and because their underlying structure is influenced by a very large number of hard-to quantify variables including land policies, economic behavior, transportation infrastructure, governmental plans, and population changes. In this talk, I will provide a brief overview of a new approach that blurs the boundary between behavioral modeling ...
published: 28 Mar 2011 -
cmiVFX Autodesk Flame And Smoke Shading Techniques Promo
cmiVFX Releases Autodesk Flame And Smoke Realtime Procedural Shading Techniques High Definition Training Videos for the Visual Effects Industry Princeton, NJ (July 15th, 2012) – cmiVFX has officially released the potential cure for all those people using CPU based rendering applications in their CG pipeline. This new training video is a hardcore in-depth look into lighting, shading and texturing in a VFX app that has recently added tons of incredible new tools in what was once the most illusive application in the world. Autodesk Flame has a long history of being the king of the hill as far as visual effects and post production is concerned for years now, but recently active programming from its development team has put this powerful application in the hands of many at an extremely afford...
published: 13 Jul 2012 -
'Chaser' Opening Video
Created for the Pittsburgh Penguins 2014-15 season, the piece centers around the concept of transformation, revealing players in a “digital mist” out of the darkness. The graphical visual style references aerospace Heads Up Displays, futuristic interface design, and LiDAR scans, all of this to push the Penguins Brand Identity consisting of energy, drive, and cutting edge. We sought to get away from simply stringing together game highlights by making extensive use of rotoscoping, motion tracking, particles, 3D animation, and complex layer masks. For the rotational player shots we used a 360° dolly track, and a variety of steadycam flybys. Additional stylized game action was simulated using player stand-ins and a custom built lazy-susan. In addition to rotoscoping nearly all of the highli...
published: 07 Nov 2014
3D Revit Model of Interior Office from LiDAR Point Cloud
- Order: Reorder
- Duration: 0:55
- Updated: 03 Apr 2015
- views: 655
- published: 03 Apr 2015
- views: 655
3D Survey Grade Design Data from Mobile Lidar
- Order: Reorder
- Duration: 1:00
- Updated: 28 Apr 2014
- views: 385
Here's a quick peek at 3D design data derived from mobile lidar at survey grade accuracies. We deliver hardscape (built infrastructure) and softscape (natural ...
Here's a quick peek at 3D design data derived from mobile lidar at survey grade accuracies. We deliver hardscape (built infrastructure) and softscape (natural features) from the point cloud as design-ready 3D features.
https://wn.com/3D_Survey_Grade_Design_Data_From_Mobile_Lidar
Here's a quick peek at 3D design data derived from mobile lidar at survey grade accuracies. We deliver hardscape (built infrastructure) and softscape (natural features) from the point cloud as design-ready 3D features.
- published: 28 Apr 2014
- views: 385
Automatic 3D Modeling & Shading using LIDAR
- Order: Reorder
- Duration: 5:46
- Updated: 29 Nov 2015
- views: 2129
This video demonstrates Aurora's automatic 3D reconstruction algorithm and its use in high resolution shading analysis.
This video demonstrates Aurora's automatic 3D reconstruction algorithm and its use in high resolution shading analysis.
https://wn.com/Automatic_3D_Modeling_Shading_Using_Lidar
This video demonstrates Aurora's automatic 3D reconstruction algorithm and its use in high resolution shading analysis.
- published: 29 Nov 2015
- views: 2129
3D LIDAR Scanning Construction Monitoring
- Order: Reorder
- Duration: 5:53
- Updated: 17 Apr 2014
- views: 1350
This short video shows how results from our LIDAR scanning services can be used to verify construction works completed on-site and compare as-built and works in...
This short video shows how results from our LIDAR scanning services can be used to verify construction works completed on-site and compare as-built and works in progress with BIM Models.
https://wn.com/3D_Lidar_Scanning_Construction_Monitoring
Arduino-based LIDAR Scanner
- Order: Reorder
- Duration: 1:36
- Updated: 12 Dec 2016
- views: 1936
Demonstration of a 3D scanner using an Arduino and a Garmin LIDAR-Lite 3. More info: http://www.qcontinuum.org/lidar
Demonstration of a 3D scanner using an Arduino and a Garmin LIDAR-Lite 3. More info: http://www.qcontinuum.org/lidar
https://wn.com/Arduino_Based_Lidar_Scanner
Demonstration of a 3D scanner using an Arduino and a Garmin LIDAR-Lite 3. More info: http://www.qcontinuum.org/lidar
- published: 12 Dec 2016
- views: 1936
Home made 3D laser scanner
- Order: Reorder
- Duration: 1:50
- Updated: 04 Aug 2016
- views: 1711
A short movie about my latest project for the Project of The Year Dassault Systems Academy contest. Vote on it if You like it :-)
A short movie about my latest project for the Project of The Year Dassault Systems Academy contest. Vote on it if You like it :-)
https://wn.com/Home_Made_3D_Laser_Scanner
A short movie about my latest project for the Project of The Year Dassault Systems Academy contest. Vote on it if You like it :-)
- published: 04 Aug 2016
- views: 1711
Creating a Smart 3D City Model from Start to Finish
- Order: Reorder
- Duration: 1:02:10
- Updated: 28 Mar 2014
- views: 57276
3D city models are no longer just nice-to-have side projects for rich and exotic cities. In this webinar, we will show how the use of 3D has moved beyond its ea...
3D city models are no longer just nice-to-have side projects for rich and exotic cities. In this webinar, we will show how the use of 3D has moved beyond its earlier time-consuming and costly manual modeling routine into a practical, semi-automated modeling process.
• Learn the entire smart 3D city creation process, and see Esri's new enterprise 3D city information model.
• See how to rapidly model smart 3D city models from data attributes.
• See the data requirements for creating a smart 3D city model.
• Learn how to extract features from existing lidar and imagery if data does not exist.
Start now and create your own virtual city with the free 30-day CityEngine trial: http://bit.ly/CityEngineTrial
https://wn.com/Creating_A_Smart_3D_City_Model_From_Start_To_Finish
3D city models are no longer just nice-to-have side projects for rich and exotic cities. In this webinar, we will show how the use of 3D has moved beyond its earlier time-consuming and costly manual modeling routine into a practical, semi-automated modeling process.
• Learn the entire smart 3D city creation process, and see Esri's new enterprise 3D city information model.
• See how to rapidly model smart 3D city models from data attributes.
• See the data requirements for creating a smart 3D city model.
• Learn how to extract features from existing lidar and imagery if data does not exist.
Start now and create your own virtual city with the free 30-day CityEngine trial: http://bit.ly/CityEngineTrial
- published: 28 Mar 2014
- views: 57276
Lidar Scanning A Vehicle
- Order: Reorder
- Duration: 1:54
- Updated: 25 Aug 2015
- views: 2132
Ken James, a 3D Scan Technician for TNG Visual Effects takes us through the process of scanning a vehicle.
TNG Visual Effects is a 3D scanning services bureau....
Ken James, a 3D Scan Technician for TNG Visual Effects takes us through the process of scanning a vehicle.
TNG Visual Effects is a 3D scanning services bureau. Our services are highly mobile and we can come to any set. Give us a call!
877-879-2040
info@tngvfx.com
www.tngvfx.com
This video was filmed by indie city entertainment.
https://wn.com/Lidar_Scanning_A_Vehicle
Ken James, a 3D Scan Technician for TNG Visual Effects takes us through the process of scanning a vehicle.
TNG Visual Effects is a 3D scanning services bureau. Our services are highly mobile and we can come to any set. Give us a call!
877-879-2040
info@tngvfx.com
www.tngvfx.com
This video was filmed by indie city entertainment.
- published: 25 Aug 2015
- views: 2132
VirtuRange DIY LIDAR 3D Scanner creates first pointcloud
- Order: Reorder
- Duration: 2:52
- Updated: 24 May 2013
- views: 20776
This is the first test of the VirtuRange DIY LIDAR 3D Scanner. A Laser Rangefinder is mounted on two stepper motors. The motors are controlled by an Arduino. A ...
This is the first test of the VirtuRange DIY LIDAR 3D Scanner. A Laser Rangefinder is mounted on two stepper motors. The motors are controlled by an Arduino. A Python script reads the distance from the rangefinder and calculates the pointcloud from the position of the stepper motors.
www.diy3Dscan.com, www.virtumake.com
https://wn.com/Virturange_Diy_Lidar_3D_Scanner_Creates_First_Pointcloud
This is the first test of the VirtuRange DIY LIDAR 3D Scanner. A Laser Rangefinder is mounted on two stepper motors. The motors are controlled by an Arduino. A Python script reads the distance from the rangefinder and calculates the pointcloud from the position of the stepper motors.
www.diy3Dscan.com, www.virtumake.com
- published: 24 May 2013
- views: 20776
Mobile Mapping Indoors and Outdoors with Zebedee
- Order: Reorder
- Duration: 2:51
- Updated: 08 Nov 2012
- views: 76117
Zebedee is a handheld 3D mobile mapping system developed at CSIRO. The primary sensor is a 2D Hokuyo lidar scanner which measures the distances to surfaces in t...
Zebedee is a handheld 3D mobile mapping system developed at CSIRO. The primary sensor is a 2D Hokuyo lidar scanner which measures the distances to surfaces in the environment (43200 samples per second). A simple spring mechanism is used to convert the natural motion of the operator into scanning sweeps that result in a 3D field of view. CSIRO's specialized software interprets the raw data to estimate the motion of the scanner and generate a 3D point cloud model of the environment. As seen in the video, the system is capable of large-scale mapping of a wide variety of environments ranging from built to natural scenes. Typically, the time it takes to map an environment is the time it takes to walk through it.
For visualization purposes, the point clouds shown in this video contain only 9 percent of the points from the full point cloud.
Publications describing the technology:
[1] https://db.tt/lUIKVWXD or http://dx.doi.org/10.1109/TRO.2012.2200990
M. Bosse, R. Zlot, and P. Flick, "Zebedee: Design of a Spring-Mounted 3-D Range Sensor with Application to Mobile Mapping", IEEE Transactions on Robotics, 28(5), October 2012.
[2] https://db.tt/V31Qepgj or http://dx.doi.org/10.1109/ICRA.2013.6630945
M. Bosse and R. Zlot, Place Recognition Using Keypoint Voting in Large 3D Lidar Datasets, IEEE International Conference on Robotics and Automation (ICRA), May 2013.
The datasets from the video are available at http://dx.doi.org/10.4225/08/5137014E577DC
LiDAR News magazine article: http://www.lidarnews.com/PDF/LiDARMagazine_VariousAuthors-CSIRO_Vol2No4.pdf
A New Scientist article (with video) describing a cave mapping trip:
http://www.newscientist.com/article/mg21628954.700-in-search-of-the-worlds-oldest-cave-etching.html
A previous video demonstrating Zebeede can be found at:
http://youtu.be/Uj9BKcnXOyo
Further information: http://wiki.csiro.au/display/ASL/Zebedee
Music: Blue Lights by Beat Under Control (http://creativecommons.org/licenses/by-nc-sa/1.0)
https://wn.com/Mobile_Mapping_Indoors_And_Outdoors_With_Zebedee
Zebedee is a handheld 3D mobile mapping system developed at CSIRO. The primary sensor is a 2D Hokuyo lidar scanner which measures the distances to surfaces in the environment (43200 samples per second). A simple spring mechanism is used to convert the natural motion of the operator into scanning sweeps that result in a 3D field of view. CSIRO's specialized software interprets the raw data to estimate the motion of the scanner and generate a 3D point cloud model of the environment. As seen in the video, the system is capable of large-scale mapping of a wide variety of environments ranging from built to natural scenes. Typically, the time it takes to map an environment is the time it takes to walk through it.
For visualization purposes, the point clouds shown in this video contain only 9 percent of the points from the full point cloud.
Publications describing the technology:
[1] https://db.tt/lUIKVWXD or http://dx.doi.org/10.1109/TRO.2012.2200990
M. Bosse, R. Zlot, and P. Flick, "Zebedee: Design of a Spring-Mounted 3-D Range Sensor with Application to Mobile Mapping", IEEE Transactions on Robotics, 28(5), October 2012.
[2] https://db.tt/V31Qepgj or http://dx.doi.org/10.1109/ICRA.2013.6630945
M. Bosse and R. Zlot, Place Recognition Using Keypoint Voting in Large 3D Lidar Datasets, IEEE International Conference on Robotics and Automation (ICRA), May 2013.
The datasets from the video are available at http://dx.doi.org/10.4225/08/5137014E577DC
LiDAR News magazine article: http://www.lidarnews.com/PDF/LiDARMagazine_VariousAuthors-CSIRO_Vol2No4.pdf
A New Scientist article (with video) describing a cave mapping trip:
http://www.newscientist.com/article/mg21628954.700-in-search-of-the-worlds-oldest-cave-etching.html
A previous video demonstrating Zebeede can be found at:
http://youtu.be/Uj9BKcnXOyo
Further information: http://wiki.csiro.au/display/ASL/Zebedee
Music: Blue Lights by Beat Under Control (http://creativecommons.org/licenses/by-nc-sa/1.0)
- published: 08 Nov 2012
- views: 76117
55/02 Keilder Shelter by Sixteen*Makers
- Order: Reorder
- Duration: 1:36
- Updated: 03 Apr 2017
- views: 2657
The shelter 55/02 by Sixteen*Makers is set in the forest on the north shore of Keilder Water, Northumberland. A product of a collaboration, between architects S...
The shelter 55/02 by Sixteen*Makers is set in the forest on the north shore of Keilder Water, Northumberland. A product of a collaboration, between architects Sixteen*(Makers) and steel fabricators Stahlbogen. It was completed in 2009, and in 2010 we documented the finished structure with a series of full colour 3D scans. These scans created a 3D model which we used to create this animation. The scan data was also used to test the actual built product against the idealised digital models which were used to create the building.
As a result of the intimate relationship between the designers and makers, 55/02 was designed through making, and developed as a series of tactile tests and digital representations rather than a predetermined set of design drawings. In this instance therefore, the scans represent the final set of 'as built' drawings. In May 2011, 55/02 won an RIBA award for design excellence.
We'd love to use scanning to document more works of contemporary architecture - especially when their remote location means few people get to see them. Get in touch if you've a project you think could be appropriate. studio@scanlabprojects.co.uk
https://wn.com/55_02_Keilder_Shelter_By_Sixteen_Makers
The shelter 55/02 by Sixteen*Makers is set in the forest on the north shore of Keilder Water, Northumberland. A product of a collaboration, between architects Sixteen*(Makers) and steel fabricators Stahlbogen. It was completed in 2009, and in 2010 we documented the finished structure with a series of full colour 3D scans. These scans created a 3D model which we used to create this animation. The scan data was also used to test the actual built product against the idealised digital models which were used to create the building.
As a result of the intimate relationship between the designers and makers, 55/02 was designed through making, and developed as a series of tactile tests and digital representations rather than a predetermined set of design drawings. In this instance therefore, the scans represent the final set of 'as built' drawings. In May 2011, 55/02 won an RIBA award for design excellence.
We'd love to use scanning to document more works of contemporary architecture - especially when their remote location means few people get to see them. Get in touch if you've a project you think could be appropriate. studio@scanlabprojects.co.uk
- published: 13 May 2011
- views: 2657
HBO Westworld - Main Titles
- Order: Reorder
- Duration: 1:43
- Updated: 04 Apr 2017
- views: 1686
Client: HBO
Director: Patrick Clair
Lead Animator / Compositor: Raoul Marks
Design & Visual Research: Paul Kim, Jeff Han, Felix Soletic, Maxx Burman, Henry DeL...
Client: HBO
Director: Patrick Clair
Lead Animator / Compositor: Raoul Marks
Design & Visual Research: Paul Kim, Jeff Han, Felix Soletic, Maxx Burman, Henry DeLeon, Dan Alexandru.
Storyboard Artist: Lance Slaton
Lighter: Shamus Johnson
Animator / Compositor: Yongsub Song
Head of CG: Kirk Shintari
LiDAR and 3D Scanning: SCANable
3D Artists: Jose Limon Jessica Hurst, Dustin Mellum, Rie Ito, Joe Paniagua
3D Rigging: Josh Dyer
Reference Photography: David Do
Producer: Ben Foster
Supervising Producer: Carol Salek
Head of Production: Kim Christensen
Managing Partner: Jennifer Sofio Hall
Special Thanks to Jonathan Nolan, Lisa Joy, Bruce Dunn, Stephen Semel, Athena Wickham, Roberto Patino and HBO.
https://wn.com/Hbo_Westworld_Main_Titles
Client: HBO
Director: Patrick Clair
Lead Animator / Compositor: Raoul Marks
Design & Visual Research: Paul Kim, Jeff Han, Felix Soletic, Maxx Burman, Henry DeLeon, Dan Alexandru.
Storyboard Artist: Lance Slaton
Lighter: Shamus Johnson
Animator / Compositor: Yongsub Song
Head of CG: Kirk Shintari
LiDAR and 3D Scanning: SCANable
3D Artists: Jose Limon Jessica Hurst, Dustin Mellum, Rie Ito, Joe Paniagua
3D Rigging: Josh Dyer
Reference Photography: David Do
Producer: Ben Foster
Supervising Producer: Carol Salek
Head of Production: Kim Christensen
Managing Partner: Jennifer Sofio Hall
Special Thanks to Jonathan Nolan, Lisa Joy, Bruce Dunn, Stephen Semel, Athena Wickham, Roberto Patino and HBO.
- published: 03 Oct 2016
- views: 1686
Nike 'The Future is Fast' Commercial
- Order: Reorder
- Duration: 1:19
- Updated: 05 Apr 2017
- views: 2335
SCANable performed 3D scans and modeling of Sports Authority Field (Denver Broncos) and Ford Field (Detroit Lions) used for camera tracking and to create and pl...
SCANable performed 3D scans and modeling of Sports Authority Field (Denver Broncos) and Ford Field (Detroit Lions) used for camera tracking and to create and place the computer-generated crowds.
Creative Agency : Wieden + Kennedy, Portland
Production Company : Stink
Director : Yann Demange
Creative Director : Ryan O'Rourke, Alberto Ponte
Art Director : Brandon Viney
Copywriter : Edward Harrison
Executive Producer : Jeff Baron
Agency Executive Producer : Matt Hunnicutt
Sound Design : 750mph
Visual Effects : A52
3D Scanning : SCANable
Client Team Director : Alex Lopez
Agency Producer : Chris Capretto
Editor : Kirk Baxter
Associate Producer : Julie Gursha
Music : Pivot
Account Team : Corey Woodson
https://wn.com/Nike_'The_Future_Is_Fast'_Commercial
SCANable performed 3D scans and modeling of Sports Authority Field (Denver Broncos) and Ford Field (Detroit Lions) used for camera tracking and to create and place the computer-generated crowds.
Creative Agency : Wieden + Kennedy, Portland
Production Company : Stink
Director : Yann Demange
Creative Director : Ryan O'Rourke, Alberto Ponte
Art Director : Brandon Viney
Copywriter : Edward Harrison
Executive Producer : Jeff Baron
Agency Executive Producer : Matt Hunnicutt
Sound Design : 750mph
Visual Effects : A52
3D Scanning : SCANable
Client Team Director : Alex Lopez
Agency Producer : Chris Capretto
Editor : Kirk Baxter
Associate Producer : Julie Gursha
Music : Pivot
Account Team : Corey Woodson
- published: 08 Dec 2015
- views: 2335
Jaguar Land Rover Geneva Car Show
- Order: Reorder
- Duration: 0:40
- Updated: 03 Apr 2017
- views: 226
Agency: Imagination
Creative Director: Cath Elliot
Producer: Emma Williams
Production
Production Company: Mill+
Director: Aidan Gibbons
Producer: Nick Canham
...
Agency: Imagination
Creative Director: Cath Elliot
Producer: Emma Williams
Production
Production Company: Mill+
Director: Aidan Gibbons
Producer: Nick Canham
Production Manager: Matt Bulaitis
Production Coordinator: Ben Burdock
Editorial
Editor: Will Barnett
VFX & Design
Producer: Luis Martin
Shoot Supervisor: Anthony Fieldsend
Creative Director: Aidan Gibbons
2D Lead Artist: Anthony Fieldsend
3D Lead Artist: Anthony Northman
2D Artists: Diogo Pinheiro, Gianluca Di Marco
3D Artists: Davide Frusteri, Rebecca Ferguson
Matte Painting: Can Y. Sanalan
Motion Graphics: Ivo Sousa
Colour
Colourist: Matt Osborne
https://wn.com/Jaguar_Land_Rover_Geneva_Car_Show
Agency: Imagination
Creative Director: Cath Elliot
Producer: Emma Williams
Production
Production Company: Mill+
Director: Aidan Gibbons
Producer: Nick Canham
Production Manager: Matt Bulaitis
Production Coordinator: Ben Burdock
Editorial
Editor: Will Barnett
VFX & Design
Producer: Luis Martin
Shoot Supervisor: Anthony Fieldsend
Creative Director: Aidan Gibbons
2D Lead Artist: Anthony Fieldsend
3D Lead Artist: Anthony Northman
2D Artists: Diogo Pinheiro, Gianluca Di Marco
3D Artists: Davide Frusteri, Rebecca Ferguson
Matte Painting: Can Y. Sanalan
Motion Graphics: Ivo Sousa
Colour
Colourist: Matt Osborne
- published: 25 Jul 2016
- views: 226
Harmony. Mastered From Chaos.
- Order: Reorder
- Duration: 1:00
- Updated: 05 Apr 2017
- views: 503
Droga5 x Hennessy V.S.O.P Privilège
Creative Partner: Duncan Marshal
Group Creative Director: Nick Klinkert
Copywriter: Phil Hadad
Art Director: Marybeth Ledesm...
Droga5 x Hennessy V.S.O.P Privilège
Creative Partner: Duncan Marshal
Group Creative Director: Nick Klinkert
Copywriter: Phil Hadad
Art Director: Marybeth Ledesma
Executive Broadcast Producer: Jesse Brihn
Director: Ben Tricklebank
DP: Justin Gurnari
Post Production: Blacksmith
Interactive Site: MasteredFromChaos.com
UX Director: Daniel Perlin
Executive Interactive Producer: Justin Durazzo
Interactive Producer: Ian Graetzer
Interactive Production Company: Active Theory
3D Scanning Company: SCANable
Music and Sound Design: Plan8
https://wn.com/Harmony._Mastered_From_Chaos.
Droga5 x Hennessy V.S.O.P Privilège
Creative Partner: Duncan Marshal
Group Creative Director: Nick Klinkert
Copywriter: Phil Hadad
Art Director: Marybeth Ledesma
Executive Broadcast Producer: Jesse Brihn
Director: Ben Tricklebank
DP: Justin Gurnari
Post Production: Blacksmith
Interactive Site: MasteredFromChaos.com
UX Director: Daniel Perlin
Executive Interactive Producer: Justin Durazzo
Interactive Producer: Ian Graetzer
Interactive Production Company: Active Theory
3D Scanning Company: SCANable
Music and Sound Design: Plan8
- published: 30 Jun 2016
- views: 503
Sony PlayStation: Greatness Awaits
- Order: Reorder
- Duration: 1:30
- Updated: 28 Mar 2017
- views: 1366
See More: http://artaks.wordpress.com/
Follow me: https://twitter.com/djtolst
Facebook: http://goo.gl/8I6V0
Advertising Agency: BBH, New York, USA
Chief Creati...
See More: http://artaks.wordpress.com/
Follow me: https://twitter.com/djtolst
Facebook: http://goo.gl/8I6V0
Advertising Agency: BBH, New York, USA
Chief Creative Officer: John Patroulis
Executive Creative Director: Ari Weiss
Creative Director: Nate Able
Copywriter: Rick Herrera
Head of Integrated Production: Justin Booth-Clibborn
Senior Producer: Jennifer Moore Bell
Production Assistant: AJ Gutierrez
Head of Account Management: Armando Turco
Account Director: Melissa Hill
Account Manager: Georgie Gooley
Account Coordinator: Marshal Kerns
Production Company: MJZ
Director: Rupert Sanders
Director of Photography: Greig Fraser
President: David Zander
Executive Producer: Kate Leahy
Producer: Laurie Boccaccio
Production Supervisor: Adriana Cebada Mora
Production Designer: Dominic Watkins
Costume Designer: Mayes Rubeo
Local Production Company: Kinema Films de Mexico
Local Production Co. Producer: Jose Ludlow
Editorial: Work Post NY
Executive Producer: Erica Thompson
Editor: Neil Smith
Assistant Editor: Healy Snow
VFX & Finishing: The Mill NY
Exec Producer: Jo Arghiris
Senior VFX Producer: Charlotte Arnold
VFX Supervisor: Iwan Zwarts
VFX Supervisor: Rob Petrie
Assistant Producer: Juan Handal
Colour Producer: Heath Raymond
Colourist: Fergus McCall
2D Lead Compositor: Iwan Zwarts
2D Compositing Artists: Kyle Cody, Dan DiFelice,
Additional: Danny Morris, John Mangia, Ilia Mokhtareizadeh, Greg Spencer, Dan Giraldo
2D Conforms and Cut-downs: Jade Kim
3D Lead Artists: Rob Petrie and Joji Tsuruga
3D Lead Lighter: Olivier Mitonneau
3D Animators: Jeff Lopez, Alex Allain, Tyler Hurd
3D Artists: Olivier Varteressian, Per Bergsten, Ivan Luque Cueller, Billy Dangyoon Jang, Boris Ustaev, Hassan Taimur, Ruben Vandebroek, Tim Kim
3D MASSIVE: Wyattt Savarese, Ed Hicks, Hassan Tuimir
3D FX: Nick Couret, Ian Baxter, Phil Mayer, Cedrick Grousse
Matte Painting: Can Y. Sanalan
Title Design: Mario Stipinovich, Tetsuro Mise, Eugene Kolb
LIDAR services provided by Scanable: Travis Reinke
Rotoscoping provided by: Trace VFX
Sound Designer: Brian Emrich at Trinitite
Music: Woodwork Music
Music Producer: Andrew Oswarek
Composer: Phil Kay
Mix: Sound Lounge
Mixer: Tom Jucarone
https://wn.com/Sony_Playstation_Greatness_Awaits
See More: http://artaks.wordpress.com/
Follow me: https://twitter.com/djtolst
Facebook: http://goo.gl/8I6V0
Advertising Agency: BBH, New York, USA
Chief Creative Officer: John Patroulis
Executive Creative Director: Ari Weiss
Creative Director: Nate Able
Copywriter: Rick Herrera
Head of Integrated Production: Justin Booth-Clibborn
Senior Producer: Jennifer Moore Bell
Production Assistant: AJ Gutierrez
Head of Account Management: Armando Turco
Account Director: Melissa Hill
Account Manager: Georgie Gooley
Account Coordinator: Marshal Kerns
Production Company: MJZ
Director: Rupert Sanders
Director of Photography: Greig Fraser
President: David Zander
Executive Producer: Kate Leahy
Producer: Laurie Boccaccio
Production Supervisor: Adriana Cebada Mora
Production Designer: Dominic Watkins
Costume Designer: Mayes Rubeo
Local Production Company: Kinema Films de Mexico
Local Production Co. Producer: Jose Ludlow
Editorial: Work Post NY
Executive Producer: Erica Thompson
Editor: Neil Smith
Assistant Editor: Healy Snow
VFX & Finishing: The Mill NY
Exec Producer: Jo Arghiris
Senior VFX Producer: Charlotte Arnold
VFX Supervisor: Iwan Zwarts
VFX Supervisor: Rob Petrie
Assistant Producer: Juan Handal
Colour Producer: Heath Raymond
Colourist: Fergus McCall
2D Lead Compositor: Iwan Zwarts
2D Compositing Artists: Kyle Cody, Dan DiFelice,
Additional: Danny Morris, John Mangia, Ilia Mokhtareizadeh, Greg Spencer, Dan Giraldo
2D Conforms and Cut-downs: Jade Kim
3D Lead Artists: Rob Petrie and Joji Tsuruga
3D Lead Lighter: Olivier Mitonneau
3D Animators: Jeff Lopez, Alex Allain, Tyler Hurd
3D Artists: Olivier Varteressian, Per Bergsten, Ivan Luque Cueller, Billy Dangyoon Jang, Boris Ustaev, Hassan Taimur, Ruben Vandebroek, Tim Kim
3D MASSIVE: Wyattt Savarese, Ed Hicks, Hassan Tuimir
3D FX: Nick Couret, Ian Baxter, Phil Mayer, Cedrick Grousse
Matte Painting: Can Y. Sanalan
Title Design: Mario Stipinovich, Tetsuro Mise, Eugene Kolb
LIDAR services provided by Scanable: Travis Reinke
Rotoscoping provided by: Trace VFX
Sound Designer: Brian Emrich at Trinitite
Music: Woodwork Music
Music Producer: Andrew Oswarek
Composer: Phil Kay
Mix: Sound Lounge
Mixer: Tom Jucarone
- published: 12 Jun 2013
- views: 1366
Nissan Take On "Pop Ups"
- Order: Reorder
- Duration: 0:30
- Updated: 03 Apr 2017
- views: 41
Client | Nissan North America, Inc.
Agency | TBWA\CHIAT\DAY
Chief Creative Officer | Stephen Butler
Creative Director(s) | Jason Locey, Liz Levy
Art Director (A...
Client | Nissan North America, Inc.
Agency | TBWA\CHIAT\DAY
Chief Creative Officer | Stephen Butler
Creative Director(s) | Jason Locey, Liz Levy
Art Director (Angry Cloud) | Valeria Vanzulli
Copywriter (Angry Cloud) | Francesca Bonomi
Art Director (Pop Ups) | Brett Pfeiffer
Copywriter (Pop Ups) | John Searcy
Art Director (Camo) | Travis Swingler
Copywriter (Camo) | Steven Townsend
Associate Producer | Jack Cutler
Producer | Carrie Schaer
Live Action
Production Company | Imperial Woodpecker
Director | Mark Zibert
Producer | Matt Wersinger
Executive Producer | Charlie Cocuzza
Post Production
VFX Studio | a52
3D Scanning/LiDAR | SCANable
VFX Supervisor | Urs Furrer
CG Supervisor | Adam Newman
2D VFX Artist(s) | Hugh Seville, Richard Hirst, Chris Moore, Michael Vaglienty
Finishing | Dan Ellis, Kevin Stokes, Gabe Sanchez
3D Artists | Joe Paniagua, Jose Limon, Pete Coggeshall, Joe Chiechi, Mike Bettinardi, Michael Cardenas, Josh Kohlmeier, Paulo de Almada, Christian Sanchez, Richard Daniels, Jun Kim, Andy Byrne, Jon Balcome, Josephine Kahng, Tim Kadowaki, Adam Carter, Josh Dyer
Matte Painter | Marissa Krupen
Associate Producer | Danny Hirsch
Producer | Michael Steinmann
Head of Production | Kim Christensen
Executive Producer | Patrick Nugent
Editorial
Editorial Company | Whitehouse Post
Editor | Martin Leroy
Producer(s) | Joanna Manning, Annie Maldonado
Executive Producer | Joni Williamson
Music
Music Company | Stimmung
Ian Hultquist, composer
Rory Doggett, creative director
Ceinwyn Clark, EP
Kristina Iwankiw, producer
Sound design | Gus Koven at Stimmung
Final Mix | John Bolen at Formosa
https://wn.com/Nissan_Take_On_Pop_Ups
Client | Nissan North America, Inc.
Agency | TBWA\CHIAT\DAY
Chief Creative Officer | Stephen Butler
Creative Director(s) | Jason Locey, Liz Levy
Art Director (Angry Cloud) | Valeria Vanzulli
Copywriter (Angry Cloud) | Francesca Bonomi
Art Director (Pop Ups) | Brett Pfeiffer
Copywriter (Pop Ups) | John Searcy
Art Director (Camo) | Travis Swingler
Copywriter (Camo) | Steven Townsend
Associate Producer | Jack Cutler
Producer | Carrie Schaer
Live Action
Production Company | Imperial Woodpecker
Director | Mark Zibert
Producer | Matt Wersinger
Executive Producer | Charlie Cocuzza
Post Production
VFX Studio | a52
3D Scanning/LiDAR | SCANable
VFX Supervisor | Urs Furrer
CG Supervisor | Adam Newman
2D VFX Artist(s) | Hugh Seville, Richard Hirst, Chris Moore, Michael Vaglienty
Finishing | Dan Ellis, Kevin Stokes, Gabe Sanchez
3D Artists | Joe Paniagua, Jose Limon, Pete Coggeshall, Joe Chiechi, Mike Bettinardi, Michael Cardenas, Josh Kohlmeier, Paulo de Almada, Christian Sanchez, Richard Daniels, Jun Kim, Andy Byrne, Jon Balcome, Josephine Kahng, Tim Kadowaki, Adam Carter, Josh Dyer
Matte Painter | Marissa Krupen
Associate Producer | Danny Hirsch
Producer | Michael Steinmann
Head of Production | Kim Christensen
Executive Producer | Patrick Nugent
Editorial
Editorial Company | Whitehouse Post
Editor | Martin Leroy
Producer(s) | Joanna Manning, Annie Maldonado
Executive Producer | Joni Williamson
Music
Music Company | Stimmung
Ian Hultquist, composer
Rory Doggett, creative director
Ceinwyn Clark, EP
Kristina Iwankiw, producer
Sound design | Gus Koven at Stimmung
Final Mix | John Bolen at Formosa
- published: 25 Jun 2016
- views: 41
14.03.2011 - DANIEL ALIAGA
- Order: Reorder
- Duration: 46:40
- Updated: 30 Mar 2017
- views: 108
Chair for Information Architecture, ETH, and Associate Professor of Computer Science at Purdue University.
Computational Cities: Geometrical Modeling for Urban...
Chair for Information Architecture, ETH, and Associate Professor of Computer Science at Purdue University.
Computational Cities: Geometrical Modeling for Urban Design and Simulation.
This lecture addresses the growing desire to create geometrical models that design better, smarter, and more efficient cities. Cities are inherently very complex to model because they are simultaneously dense and large, spanning from a few to hundreds of square kilometers, and because their underlying structure is influenced by a very large number of hard-to quantify variables including land policies, economic behavior, transportation infrastructure, governmental plans, and population changes. In this talk, I will provide a brief overview of a new approach that blurs the boundary between behavioral modeling and geometrical modeling of urban spaces. Within computer graphics and visualization research focuses on producing complex and visually appealing 3D geometrical models from images and/or LIDAR, while urban behavioral modeling focuses on accurate urban dynamics and behaviorally-validated simulations using socio-economic data, for example. I will show how our concurrent behavioral and geometrical simulation significantly benefits the design, editing, and prediction of large-scale 3D city models. The result is the ability to generate, in a few minutes, 3D city models that resemble existing locations, to simulate urban behaviors not previously possible, to predict and visualize the outcome of urban policies and regulations, to design cities that best conform to meteorological aspects, and to consider the urban ecosystem during the design phase. I will present our latest collection of works representing the state of the art and will also inform the audience on the latest related thoughts and approaches in the field.
For more information about this lecture go to:
mas.caad.arch.ethz.ch/mas1011/
https://wn.com/14.03.2011_Daniel_Aliaga
Chair for Information Architecture, ETH, and Associate Professor of Computer Science at Purdue University.
Computational Cities: Geometrical Modeling for Urban Design and Simulation.
This lecture addresses the growing desire to create geometrical models that design better, smarter, and more efficient cities. Cities are inherently very complex to model because they are simultaneously dense and large, spanning from a few to hundreds of square kilometers, and because their underlying structure is influenced by a very large number of hard-to quantify variables including land policies, economic behavior, transportation infrastructure, governmental plans, and population changes. In this talk, I will provide a brief overview of a new approach that blurs the boundary between behavioral modeling and geometrical modeling of urban spaces. Within computer graphics and visualization research focuses on producing complex and visually appealing 3D geometrical models from images and/or LIDAR, while urban behavioral modeling focuses on accurate urban dynamics and behaviorally-validated simulations using socio-economic data, for example. I will show how our concurrent behavioral and geometrical simulation significantly benefits the design, editing, and prediction of large-scale 3D city models. The result is the ability to generate, in a few minutes, 3D city models that resemble existing locations, to simulate urban behaviors not previously possible, to predict and visualize the outcome of urban policies and regulations, to design cities that best conform to meteorological aspects, and to consider the urban ecosystem during the design phase. I will present our latest collection of works representing the state of the art and will also inform the audience on the latest related thoughts and approaches in the field.
For more information about this lecture go to:
mas.caad.arch.ethz.ch/mas1011/
- published: 28 Mar 2011
- views: 108
cmiVFX Autodesk Flame And Smoke Shading Techniques Promo
- Order: Reorder
- Duration: 4:30
- Updated: 04 Apr 2017
- views: 5893
cmiVFX Releases Autodesk Flame And Smoke Realtime Procedural Shading Techniques
High Definition Training Videos for the Visual Effects Industry
Princeton, NJ (...
cmiVFX Releases Autodesk Flame And Smoke Realtime Procedural Shading Techniques
High Definition Training Videos for the Visual Effects Industry
Princeton, NJ (July 15th, 2012) – cmiVFX has officially released the potential cure for all those people using CPU based rendering applications in their CG pipeline. This new training video is a hardcore in-depth look into lighting, shading and texturing in a VFX app that has recently added tons of incredible new tools in what was once the most illusive application in the world. Autodesk Flame has a long history of being the king of the hill as far as visual effects and post production is concerned for years now, but recently active programming from its development team has put this powerful application in the hands of many at an extremely affordable price. At the time of this press release, Autodesk has released its "Timeline" companion application to Flame, entitled "Smoke for the OSX operation system". While this application has a slightly different home construct interface, its interior parts are very much the same. The modules of BATCH and ACTION are now included in all three applications, Flame, Smoke and Smoke on OSX. With a 30 day demo, anyone can download Smoke and test out its capabilities without it costing them a single penny! This training video is not just for experts, but is also for migrators of other 3D Animation programs. We have made this video not only to train people, but to create an entirely new industry workflow. If you calculate in the price of some of its competitor applications, and the fact that while you are in Flame/Smoke creating shading, lighting, texturing, and post plugin grade effects in REAL TIME, then it is safe to assume that financially many companies could be spending time and money in the wrong place. While there is a silent war going on between CPU and GPU based rendering technology, we believe that you can harness the power of both simultaneously through our new "just give it to me and I'll finish it in Flame" attitude. We are now creating a new phrase in this industry called "CG Finishing", which is not to be confused with VFX and COLOR GRADING FINISHING. We are proposing that 3D Modelers UV their models, let animators animate those models, and give the textures to a Flame artist to finish. (Smoke OSX is catching up so quickly that we feel confident in telling people to watch this video if you are using Smoke For Mac). Well, what are you waiting for? Oh yea…. your probably still rendering. :|
Short Description - Real Time Procedural Shading, Texturing And Lighting FX
In this video, you will learn how to take pre-built scenes exported out of a regular 3d animation package and texture, light and develop final looks in real time without the need to render once! This is the future of VFX, and its available to you RIGHT NOW for at least 30 days FREE.
Vimeo Video Preview
https://vimeo.com/45716160
Here at cmiVFX we maintain a current training library for the latest versions of popular software titles. When it comes to high end CG and VFX training, there is only once choice... cmiVFX! Don’t forget about the cmiSubscription plan! Get one today. cmiVFX launched the most affordable subscription plan in Visual FX Training History for only $399 USD, and if you were a subscriber, this New Training Release would already be in your account. This video is also available a-la-cart in our brand new HTML5 player system.
|||||||||||||||||||||| Autodesk Flame And Smoke Realtime Procedural Shading Techniques ||||||||||||||||||||||
http://www.cmivfx.com/tutorials/view/484/Autodesk+Flame+and+Smoke+Real+Time+Procedural+Shading+Techniques
Chapter Descriptions
Introduction
Chris will talk to you about this new shift in paradigm throughout the Visual Effects And Computer Graphics Animation Industry. He will talk about some new competitor applications that will be introduced this year as well as some that are trying to break into the industry right now. Hang on to your hats, because many of you are going to have to reprogram the way you have been thinking for the last few years!
Geometry Basics
At this time, None of the Flame or Smoke apps are using traditional 3d modeling tools, however there list of primitives can be used extensively in just about every scene imaginable. When dealing with highly detailed geometry and parameterization, several topics must be discussed in order to better understand how you should have your models created and UV'd. While Flame and Smoke has some UV tools, you will want to complete the pre construction of complex scenes in your typical 3d application such as Maya, Houdini or Cinema 4D. (But you know us by now, we show you some tricks on how to use primitives to build up entire scenes!) If that wasn't enough, we will show you some of the Ice Cream Truck LIDAR model captured for the film Book Of Eli, starring Denzel Washington, completely textured so you can see how to handle large dat
https://wn.com/Cmivfx_Autodesk_Flame_And_Smoke_Shading_Techniques_Promo
cmiVFX Releases Autodesk Flame And Smoke Realtime Procedural Shading Techniques
High Definition Training Videos for the Visual Effects Industry
Princeton, NJ (July 15th, 2012) – cmiVFX has officially released the potential cure for all those people using CPU based rendering applications in their CG pipeline. This new training video is a hardcore in-depth look into lighting, shading and texturing in a VFX app that has recently added tons of incredible new tools in what was once the most illusive application in the world. Autodesk Flame has a long history of being the king of the hill as far as visual effects and post production is concerned for years now, but recently active programming from its development team has put this powerful application in the hands of many at an extremely affordable price. At the time of this press release, Autodesk has released its "Timeline" companion application to Flame, entitled "Smoke for the OSX operation system". While this application has a slightly different home construct interface, its interior parts are very much the same. The modules of BATCH and ACTION are now included in all three applications, Flame, Smoke and Smoke on OSX. With a 30 day demo, anyone can download Smoke and test out its capabilities without it costing them a single penny! This training video is not just for experts, but is also for migrators of other 3D Animation programs. We have made this video not only to train people, but to create an entirely new industry workflow. If you calculate in the price of some of its competitor applications, and the fact that while you are in Flame/Smoke creating shading, lighting, texturing, and post plugin grade effects in REAL TIME, then it is safe to assume that financially many companies could be spending time and money in the wrong place. While there is a silent war going on between CPU and GPU based rendering technology, we believe that you can harness the power of both simultaneously through our new "just give it to me and I'll finish it in Flame" attitude. We are now creating a new phrase in this industry called "CG Finishing", which is not to be confused with VFX and COLOR GRADING FINISHING. We are proposing that 3D Modelers UV their models, let animators animate those models, and give the textures to a Flame artist to finish. (Smoke OSX is catching up so quickly that we feel confident in telling people to watch this video if you are using Smoke For Mac). Well, what are you waiting for? Oh yea…. your probably still rendering. :|
Short Description - Real Time Procedural Shading, Texturing And Lighting FX
In this video, you will learn how to take pre-built scenes exported out of a regular 3d animation package and texture, light and develop final looks in real time without the need to render once! This is the future of VFX, and its available to you RIGHT NOW for at least 30 days FREE.
Vimeo Video Preview
https://vimeo.com/45716160
Here at cmiVFX we maintain a current training library for the latest versions of popular software titles. When it comes to high end CG and VFX training, there is only once choice... cmiVFX! Don’t forget about the cmiSubscription plan! Get one today. cmiVFX launched the most affordable subscription plan in Visual FX Training History for only $399 USD, and if you were a subscriber, this New Training Release would already be in your account. This video is also available a-la-cart in our brand new HTML5 player system.
|||||||||||||||||||||| Autodesk Flame And Smoke Realtime Procedural Shading Techniques ||||||||||||||||||||||
http://www.cmivfx.com/tutorials/view/484/Autodesk+Flame+and+Smoke+Real+Time+Procedural+Shading+Techniques
Chapter Descriptions
Introduction
Chris will talk to you about this new shift in paradigm throughout the Visual Effects And Computer Graphics Animation Industry. He will talk about some new competitor applications that will be introduced this year as well as some that are trying to break into the industry right now. Hang on to your hats, because many of you are going to have to reprogram the way you have been thinking for the last few years!
Geometry Basics
At this time, None of the Flame or Smoke apps are using traditional 3d modeling tools, however there list of primitives can be used extensively in just about every scene imaginable. When dealing with highly detailed geometry and parameterization, several topics must be discussed in order to better understand how you should have your models created and UV'd. While Flame and Smoke has some UV tools, you will want to complete the pre construction of complex scenes in your typical 3d application such as Maya, Houdini or Cinema 4D. (But you know us by now, we show you some tricks on how to use primitives to build up entire scenes!) If that wasn't enough, we will show you some of the Ice Cream Truck LIDAR model captured for the film Book Of Eli, starring Denzel Washington, completely textured so you can see how to handle large dat
- published: 13 Jul 2012
- views: 5893
'Chaser' Opening Video
- Order: Reorder
- Duration: 1:33
- Updated: 31 Mar 2017
- views: 0
Created for the Pittsburgh Penguins 2014-15 season, the piece centers around the concept of transformation, revealing players in a “digital mist” out of the da...
Created for the Pittsburgh Penguins 2014-15 season, the piece centers around the concept of transformation, revealing players in a “digital mist” out of the darkness. The graphical visual style references aerospace Heads Up Displays, futuristic interface design, and LiDAR scans, all of this to push the Penguins Brand Identity consisting of energy, drive, and cutting edge. We sought to get away from simply stringing together game highlights by making extensive use of rotoscoping, motion tracking, particles, 3D animation, and complex layer masks.
For the rotational player shots we used a 360° dolly track, and a variety of steadycam flybys. Additional stylized game action was simulated using player stand-ins and a custom built lazy-susan. In addition to rotoscoping nearly all of the highlight footage, just about every shot used in this video was also motion tracked to seamlessly weave in the animated graphical elements.
To help visually merge the game action, player footage, and 3D modeled city shots, everything was translated through many layers of particles whose movement, depth extrusion, and chroma values were driven by the footage with which they were overlaid. Extensive color grading, digital distortion, and other glitch-style effects were also weaved into the piece. These measures helped to transform the footage into the dynamic and futuristic environment we sought, while giving the whole piece a driving, high intensity feel that stayed within branding guidelines and delivered a new and impactful approach to what is typically a straightforward highlight based package.
This video was produced for penguins.nhl.com as well as for in-arena use during home games.
https://wn.com/'Chaser'_Opening_Video
Created for the Pittsburgh Penguins 2014-15 season, the piece centers around the concept of transformation, revealing players in a “digital mist” out of the darkness. The graphical visual style references aerospace Heads Up Displays, futuristic interface design, and LiDAR scans, all of this to push the Penguins Brand Identity consisting of energy, drive, and cutting edge. We sought to get away from simply stringing together game highlights by making extensive use of rotoscoping, motion tracking, particles, 3D animation, and complex layer masks.
For the rotational player shots we used a 360° dolly track, and a variety of steadycam flybys. Additional stylized game action was simulated using player stand-ins and a custom built lazy-susan. In addition to rotoscoping nearly all of the highlight footage, just about every shot used in this video was also motion tracked to seamlessly weave in the animated graphical elements.
To help visually merge the game action, player footage, and 3D modeled city shots, everything was translated through many layers of particles whose movement, depth extrusion, and chroma values were driven by the footage with which they were overlaid. Extensive color grading, digital distortion, and other glitch-style effects were also weaved into the piece. These measures helped to transform the footage into the dynamic and futuristic environment we sought, while giving the whole piece a driving, high intensity feel that stayed within branding guidelines and delivered a new and impactful approach to what is typically a straightforward highlight based package.
This video was produced for penguins.nhl.com as well as for in-arena use during home games.
- published: 07 Nov 2014
- views: 0
-
3D Revit Model of Interior Office from LiDAR Point Cloud
published: 03 Apr 2015 -
3D Survey Grade Design Data from Mobile Lidar
Here's a quick peek at 3D design data derived from mobile lidar at survey grade accuracies. We deliver hardscape (built infrastructure) and softscape (natural features) from the point cloud as design-ready 3D features.
published: 28 Apr 2014 -
Automatic 3D Modeling & Shading using LIDAR
This video demonstrates Aurora's automatic 3D reconstruction algorithm and its use in high resolution shading analysis.
published: 29 Nov 2015 -
-
Arduino-based LIDAR Scanner
Demonstration of a 3D scanner using an Arduino and a Garmin LIDAR-Lite 3. More info: http://www.qcontinuum.org/lidar
published: 12 Dec 2016 -
Home made 3D laser scanner
A short movie about my latest project for the Project of The Year Dassault Systems Academy contest. Vote on it if You like it :-)
published: 04 Aug 2016 -
Creating a Smart 3D City Model from Start to Finish
3D city models are no longer just nice-to-have side projects for rich and exotic cities. In this webinar, we will show how the use of 3D has moved beyond its earlier time-consuming and costly manual modeling routine into a practical, semi-automated modeling process. • Learn the entire smart 3D city creation process, and see Esri's new enterprise 3D city information model. • See how to rapidly model smart 3D city models from data attributes. • See the data requirements for creating a smart 3D city model. • Learn how to extract features from existing lidar and imagery if data does not exist. Start now and create your own virtual city with the free 30-day CityEngine trial: http://bit.ly/CityEngineTrial
published: 28 Mar 2014 -
Lidar Scanning A Vehicle
Ken James, a 3D Scan Technician for TNG Visual Effects takes us through the process of scanning a vehicle. TNG Visual Effects is a 3D scanning services bureau. Our services are highly mobile and we can come to any set. Give us a call! 877-879-2040 info@tngvfx.com www.tngvfx.com This video was filmed by indie city entertainment.
published: 25 Aug 2015 -
VirtuRange DIY LIDAR 3D Scanner creates first pointcloud
This is the first test of the VirtuRange DIY LIDAR 3D Scanner. A Laser Rangefinder is mounted on two stepper motors. The motors are controlled by an Arduino. A Python script reads the distance from the rangefinder and calculates the pointcloud from the position of the stepper motors. www.diy3Dscan.com, www.virtumake.com
published: 24 May 2013 -
Mobile Mapping Indoors and Outdoors with Zebedee
Zebedee is a handheld 3D mobile mapping system developed at CSIRO. The primary sensor is a 2D Hokuyo lidar scanner which measures the distances to surfaces in the environment (43200 samples per second). A simple spring mechanism is used to convert the natural motion of the operator into scanning sweeps that result in a 3D field of view. CSIRO's specialized software interprets the raw data to estimate the motion of the scanner and generate a 3D point cloud model of the environment. As seen in the video, the system is capable of large-scale mapping of a wide variety of environments ranging from built to natural scenes. Typically, the time it takes to map an environment is the time it takes to walk through it. For visualization purposes, the point clouds shown in this video contain only 9 p...
published: 08 Nov 2012 -
55/02 Keilder Shelter by Sixteen*Makers
The shelter 55/02 by Sixteen*Makers is set in the forest on the north shore of Keilder Water, Northumberland. A product of a collaboration, between architects Sixteen*(Makers) and steel fabricators Stahlbogen. It was completed in 2009, and in 2010 we documented the finished structure with a series of full colour 3D scans. These scans created a 3D model which we used to create this animation. The scan data was also used to test the actual built product against the idealised digital models which were used to create the building. As a result of the intimate relationship between the designers and makers, 55/02 was designed through making, and developed as a series of tactile tests and digital representations rather than a predetermined set of design drawings. In this instance therefore, the ...
published: 13 May 2011 -
HBO Westworld - Main Titles
Client: HBO Director: Patrick Clair Lead Animator / Compositor: Raoul Marks Design & Visual Research: Paul Kim, Jeff Han, Felix Soletic, Maxx Burman, Henry DeLeon, Dan Alexandru. Storyboard Artist: Lance Slaton Lighter: Shamus Johnson Animator / Compositor: Yongsub Song Head of CG: Kirk Shintari LiDAR and 3D Scanning: SCANable 3D Artists: Jose Limon Jessica Hurst, Dustin Mellum, Rie Ito, Joe Paniagua 3D Rigging: Josh Dyer Reference Photography: David Do Producer: Ben Foster Supervising Producer: Carol Salek Head of Production: Kim Christensen Managing Partner: Jennifer Sofio Hall Special Thanks to Jonathan Nolan, Lisa Joy, Bruce Dunn, Stephen Semel, Athena Wickham, Roberto Patino and HBO.
published: 03 Oct 2016 -
Nike 'The Future is Fast' Commercial
SCANable performed 3D scans and modeling of Sports Authority Field (Denver Broncos) and Ford Field (Detroit Lions) used for camera tracking and to create and place the computer-generated crowds. Creative Agency : Wieden + Kennedy, Portland Production Company : Stink Director : Yann Demange Creative Director : Ryan O'Rourke, Alberto Ponte Art Director : Brandon Viney Copywriter : Edward Harrison Executive Producer : Jeff Baron Agency Executive Producer : Matt Hunnicutt Sound Design : 750mph Visual Effects : A52 3D Scanning : SCANable Client Team Director : Alex Lopez Agency Producer : Chris Capretto Editor : Kirk Baxter Associate Producer : Julie Gursha Music : Pivot Account Team : Corey Woodson
published: 08 Dec 2015 -
Jaguar Land Rover Geneva Car Show
Agency: Imagination Creative Director: Cath Elliot Producer: Emma Williams Production Production Company: Mill+ Director: Aidan Gibbons Producer: Nick Canham Production Manager: Matt Bulaitis Production Coordinator: Ben Burdock Editorial Editor: Will Barnett VFX & Design Producer: Luis Martin Shoot Supervisor: Anthony Fieldsend Creative Director: Aidan Gibbons 2D Lead Artist: Anthony Fieldsend 3D Lead Artist: Anthony Northman 2D Artists: Diogo Pinheiro, Gianluca Di Marco 3D Artists: Davide Frusteri, Rebecca Ferguson Matte Painting: Can Y. Sanalan Motion Graphics: Ivo Sousa Colour Colourist: Matt Osborne
published: 25 Jul 2016 -
Harmony. Mastered From Chaos.
Droga5 x Hennessy V.S.O.P Privilège Creative Partner: Duncan Marshal Group Creative Director: Nick Klinkert Copywriter: Phil Hadad Art Director: Marybeth Ledesma Executive Broadcast Producer: Jesse Brihn Director: Ben Tricklebank DP: Justin Gurnari Post Production: Blacksmith Interactive Site: MasteredFromChaos.com UX Director: Daniel Perlin Executive Interactive Producer: Justin Durazzo Interactive Producer: Ian Graetzer Interactive Production Company: Active Theory 3D Scanning Company: SCANable Music and Sound Design: Plan8
published: 30 Jun 2016 -
Sony PlayStation: Greatness Awaits
See More: http://artaks.wordpress.com/ Follow me: https://twitter.com/djtolst Facebook: http://goo.gl/8I6V0 Advertising Agency: BBH, New York, USA Chief Creative Officer: John Patroulis Executive Creative Director: Ari Weiss Creative Director: Nate Able Copywriter: Rick Herrera Head of Integrated Production: Justin Booth-Clibborn Senior Producer: Jennifer Moore Bell Production Assistant: AJ Gutierrez Head of Account Management: Armando Turco Account Director: Melissa Hill Account Manager: Georgie Gooley Account Coordinator: Marshal Kerns Production Company: MJZ Director: Rupert Sanders Director of Photography: Greig Fraser President: David Zander Executive Producer: Kate Leahy Producer: Laurie Boccaccio Production Supervisor: Adriana Cebada Mora Production Designer: Dominic Watkins Costum...
published: 12 Jun 2013 -
Nissan Take On "Pop Ups"
Client | Nissan North America, Inc. Agency | TBWA\CHIAT\DAY Chief Creative Officer | Stephen Butler Creative Director(s) | Jason Locey, Liz Levy Art Director (Angry Cloud) | Valeria Vanzulli Copywriter (Angry Cloud) | Francesca Bonomi Art Director (Pop Ups) | Brett Pfeiffer Copywriter (Pop Ups) | John Searcy Art Director (Camo) | Travis Swingler Copywriter (Camo) | Steven Townsend Associate Producer | Jack Cutler Producer | Carrie Schaer Live Action Production Company | Imperial Woodpecker Director | Mark Zibert Producer | Matt Wersinger Executive Producer | Charlie Cocuzza Post Production VFX Studio | a52 3D Scanning/LiDAR | SCANable VFX Supervisor | Urs Furrer CG Supervisor | Adam Newman 2D VFX Artist(s) | Hugh Seville, Richard Hirst, Chris Moore, Michael Vaglienty Finishing | Dan Ellis,...
published: 25 Jun 2016 -
14.03.2011 - DANIEL ALIAGA
Chair for Information Architecture, ETH, and Associate Professor of Computer Science at Purdue University. Computational Cities: Geometrical Modeling for Urban Design and Simulation. This lecture addresses the growing desire to create geometrical models that design better, smarter, and more efficient cities. Cities are inherently very complex to model because they are simultaneously dense and large, spanning from a few to hundreds of square kilometers, and because their underlying structure is influenced by a very large number of hard-to quantify variables including land policies, economic behavior, transportation infrastructure, governmental plans, and population changes. In this talk, I will provide a brief overview of a new approach that blurs the boundary between behavioral modeling ...
published: 28 Mar 2011 -
cmiVFX Autodesk Flame And Smoke Shading Techniques Promo
cmiVFX Releases Autodesk Flame And Smoke Realtime Procedural Shading Techniques High Definition Training Videos for the Visual Effects Industry Princeton, NJ (July 15th, 2012) – cmiVFX has officially released the potential cure for all those people using CPU based rendering applications in their CG pipeline. This new training video is a hardcore in-depth look into lighting, shading and texturing in a VFX app that has recently added tons of incredible new tools in what was once the most illusive application in the world. Autodesk Flame has a long history of being the king of the hill as far as visual effects and post production is concerned for years now, but recently active programming from its development team has put this powerful application in the hands of many at an extremely afford...
published: 13 Jul 2012 -
'Chaser' Opening Video
Created for the Pittsburgh Penguins 2014-15 season, the piece centers around the concept of transformation, revealing players in a “digital mist” out of the darkness. The graphical visual style references aerospace Heads Up Displays, futuristic interface design, and LiDAR scans, all of this to push the Penguins Brand Identity consisting of energy, drive, and cutting edge. We sought to get away from simply stringing together game highlights by making extensive use of rotoscoping, motion tracking, particles, 3D animation, and complex layer masks. For the rotational player shots we used a 360° dolly track, and a variety of steadycam flybys. Additional stylized game action was simulated using player stand-ins and a custom built lazy-susan. In addition to rotoscoping nearly all of the highli...
published: 07 Nov 2014
3D Revit Model of Interior Office from LiDAR Point Cloud
- Order: Reorder
- Duration: 0:55
- Updated: 03 Apr 2015
- views: 655
- published: 03 Apr 2015
- views: 655
3D Survey Grade Design Data from Mobile Lidar
- Order: Reorder
- Duration: 1:00
- Updated: 28 Apr 2014
- views: 385
Here's a quick peek at 3D design data derived from mobile lidar at survey grade accuracies. We deliver hardscape (built infrastructure) and softscape (natural ...
Here's a quick peek at 3D design data derived from mobile lidar at survey grade accuracies. We deliver hardscape (built infrastructure) and softscape (natural features) from the point cloud as design-ready 3D features.
https://wn.com/3D_Survey_Grade_Design_Data_From_Mobile_Lidar
Here's a quick peek at 3D design data derived from mobile lidar at survey grade accuracies. We deliver hardscape (built infrastructure) and softscape (natural features) from the point cloud as design-ready 3D features.
- published: 28 Apr 2014
- views: 385
Automatic 3D Modeling & Shading using LIDAR
- Order: Reorder
- Duration: 5:46
- Updated: 29 Nov 2015
- views: 2129
This video demonstrates Aurora's automatic 3D reconstruction algorithm and its use in high resolution shading analysis.
This video demonstrates Aurora's automatic 3D reconstruction algorithm and its use in high resolution shading analysis.
https://wn.com/Automatic_3D_Modeling_Shading_Using_Lidar
This video demonstrates Aurora's automatic 3D reconstruction algorithm and its use in high resolution shading analysis.
- published: 29 Nov 2015
- views: 2129
3D LIDAR Scanning Construction Monitoring
- Order: Reorder
- Duration: 5:53
- Updated: 17 Apr 2014
- views: 1350
This short video shows how results from our LIDAR scanning services can be used to verify construction works completed on-site and compare as-built and works in...
This short video shows how results from our LIDAR scanning services can be used to verify construction works completed on-site and compare as-built and works in progress with BIM Models.
https://wn.com/3D_Lidar_Scanning_Construction_Monitoring
Arduino-based LIDAR Scanner
- Order: Reorder
- Duration: 1:36
- Updated: 12 Dec 2016
- views: 1936
Demonstration of a 3D scanner using an Arduino and a Garmin LIDAR-Lite 3. More info: http://www.qcontinuum.org/lidar
Demonstration of a 3D scanner using an Arduino and a Garmin LIDAR-Lite 3. More info: http://www.qcontinuum.org/lidar
https://wn.com/Arduino_Based_Lidar_Scanner
Demonstration of a 3D scanner using an Arduino and a Garmin LIDAR-Lite 3. More info: http://www.qcontinuum.org/lidar
- published: 12 Dec 2016
- views: 1936
Home made 3D laser scanner
- Order: Reorder
- Duration: 1:50
- Updated: 04 Aug 2016
- views: 1711
A short movie about my latest project for the Project of The Year Dassault Systems Academy contest. Vote on it if You like it :-)
A short movie about my latest project for the Project of The Year Dassault Systems Academy contest. Vote on it if You like it :-)
https://wn.com/Home_Made_3D_Laser_Scanner
A short movie about my latest project for the Project of The Year Dassault Systems Academy contest. Vote on it if You like it :-)
- published: 04 Aug 2016
- views: 1711
Creating a Smart 3D City Model from Start to Finish
- Order: Reorder
- Duration: 1:02:10
- Updated: 28 Mar 2014
- views: 57276
3D city models are no longer just nice-to-have side projects for rich and exotic cities. In this webinar, we will show how the use of 3D has moved beyond its ea...
3D city models are no longer just nice-to-have side projects for rich and exotic cities. In this webinar, we will show how the use of 3D has moved beyond its earlier time-consuming and costly manual modeling routine into a practical, semi-automated modeling process.
• Learn the entire smart 3D city creation process, and see Esri's new enterprise 3D city information model.
• See how to rapidly model smart 3D city models from data attributes.
• See the data requirements for creating a smart 3D city model.
• Learn how to extract features from existing lidar and imagery if data does not exist.
Start now and create your own virtual city with the free 30-day CityEngine trial: http://bit.ly/CityEngineTrial
https://wn.com/Creating_A_Smart_3D_City_Model_From_Start_To_Finish
3D city models are no longer just nice-to-have side projects for rich and exotic cities. In this webinar, we will show how the use of 3D has moved beyond its earlier time-consuming and costly manual modeling routine into a practical, semi-automated modeling process.
• Learn the entire smart 3D city creation process, and see Esri's new enterprise 3D city information model.
• See how to rapidly model smart 3D city models from data attributes.
• See the data requirements for creating a smart 3D city model.
• Learn how to extract features from existing lidar and imagery if data does not exist.
Start now and create your own virtual city with the free 30-day CityEngine trial: http://bit.ly/CityEngineTrial
- published: 28 Mar 2014
- views: 57276
Lidar Scanning A Vehicle
- Order: Reorder
- Duration: 1:54
- Updated: 25 Aug 2015
- views: 2132
Ken James, a 3D Scan Technician for TNG Visual Effects takes us through the process of scanning a vehicle.
TNG Visual Effects is a 3D scanning services bureau....
Ken James, a 3D Scan Technician for TNG Visual Effects takes us through the process of scanning a vehicle.
TNG Visual Effects is a 3D scanning services bureau. Our services are highly mobile and we can come to any set. Give us a call!
877-879-2040
info@tngvfx.com
www.tngvfx.com
This video was filmed by indie city entertainment.
https://wn.com/Lidar_Scanning_A_Vehicle
Ken James, a 3D Scan Technician for TNG Visual Effects takes us through the process of scanning a vehicle.
TNG Visual Effects is a 3D scanning services bureau. Our services are highly mobile and we can come to any set. Give us a call!
877-879-2040
info@tngvfx.com
www.tngvfx.com
This video was filmed by indie city entertainment.
- published: 25 Aug 2015
- views: 2132
VirtuRange DIY LIDAR 3D Scanner creates first pointcloud
- Order: Reorder
- Duration: 2:52
- Updated: 24 May 2013
- views: 20776
This is the first test of the VirtuRange DIY LIDAR 3D Scanner. A Laser Rangefinder is mounted on two stepper motors. The motors are controlled by an Arduino. A ...
This is the first test of the VirtuRange DIY LIDAR 3D Scanner. A Laser Rangefinder is mounted on two stepper motors. The motors are controlled by an Arduino. A Python script reads the distance from the rangefinder and calculates the pointcloud from the position of the stepper motors.
www.diy3Dscan.com, www.virtumake.com
https://wn.com/Virturange_Diy_Lidar_3D_Scanner_Creates_First_Pointcloud
This is the first test of the VirtuRange DIY LIDAR 3D Scanner. A Laser Rangefinder is mounted on two stepper motors. The motors are controlled by an Arduino. A Python script reads the distance from the rangefinder and calculates the pointcloud from the position of the stepper motors.
www.diy3Dscan.com, www.virtumake.com
- published: 24 May 2013
- views: 20776
Mobile Mapping Indoors and Outdoors with Zebedee
- Order: Reorder
- Duration: 2:51
- Updated: 08 Nov 2012
- views: 76117
Zebedee is a handheld 3D mobile mapping system developed at CSIRO. The primary sensor is a 2D Hokuyo lidar scanner which measures the distances to surfaces in t...
Zebedee is a handheld 3D mobile mapping system developed at CSIRO. The primary sensor is a 2D Hokuyo lidar scanner which measures the distances to surfaces in the environment (43200 samples per second). A simple spring mechanism is used to convert the natural motion of the operator into scanning sweeps that result in a 3D field of view. CSIRO's specialized software interprets the raw data to estimate the motion of the scanner and generate a 3D point cloud model of the environment. As seen in the video, the system is capable of large-scale mapping of a wide variety of environments ranging from built to natural scenes. Typically, the time it takes to map an environment is the time it takes to walk through it.
For visualization purposes, the point clouds shown in this video contain only 9 percent of the points from the full point cloud.
Publications describing the technology:
[1] https://db.tt/lUIKVWXD or http://dx.doi.org/10.1109/TRO.2012.2200990
M. Bosse, R. Zlot, and P. Flick, "Zebedee: Design of a Spring-Mounted 3-D Range Sensor with Application to Mobile Mapping", IEEE Transactions on Robotics, 28(5), October 2012.
[2] https://db.tt/V31Qepgj or http://dx.doi.org/10.1109/ICRA.2013.6630945
M. Bosse and R. Zlot, Place Recognition Using Keypoint Voting in Large 3D Lidar Datasets, IEEE International Conference on Robotics and Automation (ICRA), May 2013.
The datasets from the video are available at http://dx.doi.org/10.4225/08/5137014E577DC
LiDAR News magazine article: http://www.lidarnews.com/PDF/LiDARMagazine_VariousAuthors-CSIRO_Vol2No4.pdf
A New Scientist article (with video) describing a cave mapping trip:
http://www.newscientist.com/article/mg21628954.700-in-search-of-the-worlds-oldest-cave-etching.html
A previous video demonstrating Zebeede can be found at:
http://youtu.be/Uj9BKcnXOyo
Further information: http://wiki.csiro.au/display/ASL/Zebedee
Music: Blue Lights by Beat Under Control (http://creativecommons.org/licenses/by-nc-sa/1.0)
https://wn.com/Mobile_Mapping_Indoors_And_Outdoors_With_Zebedee
Zebedee is a handheld 3D mobile mapping system developed at CSIRO. The primary sensor is a 2D Hokuyo lidar scanner which measures the distances to surfaces in the environment (43200 samples per second). A simple spring mechanism is used to convert the natural motion of the operator into scanning sweeps that result in a 3D field of view. CSIRO's specialized software interprets the raw data to estimate the motion of the scanner and generate a 3D point cloud model of the environment. As seen in the video, the system is capable of large-scale mapping of a wide variety of environments ranging from built to natural scenes. Typically, the time it takes to map an environment is the time it takes to walk through it.
For visualization purposes, the point clouds shown in this video contain only 9 percent of the points from the full point cloud.
Publications describing the technology:
[1] https://db.tt/lUIKVWXD or http://dx.doi.org/10.1109/TRO.2012.2200990
M. Bosse, R. Zlot, and P. Flick, "Zebedee: Design of a Spring-Mounted 3-D Range Sensor with Application to Mobile Mapping", IEEE Transactions on Robotics, 28(5), October 2012.
[2] https://db.tt/V31Qepgj or http://dx.doi.org/10.1109/ICRA.2013.6630945
M. Bosse and R. Zlot, Place Recognition Using Keypoint Voting in Large 3D Lidar Datasets, IEEE International Conference on Robotics and Automation (ICRA), May 2013.
The datasets from the video are available at http://dx.doi.org/10.4225/08/5137014E577DC
LiDAR News magazine article: http://www.lidarnews.com/PDF/LiDARMagazine_VariousAuthors-CSIRO_Vol2No4.pdf
A New Scientist article (with video) describing a cave mapping trip:
http://www.newscientist.com/article/mg21628954.700-in-search-of-the-worlds-oldest-cave-etching.html
A previous video demonstrating Zebeede can be found at:
http://youtu.be/Uj9BKcnXOyo
Further information: http://wiki.csiro.au/display/ASL/Zebedee
Music: Blue Lights by Beat Under Control (http://creativecommons.org/licenses/by-nc-sa/1.0)
- published: 08 Nov 2012
- views: 76117
55/02 Keilder Shelter by Sixteen*Makers
- Order: Reorder
- Duration: 1:36
- Updated: 03 Apr 2017
- views: 2657
The shelter 55/02 by Sixteen*Makers is set in the forest on the north shore of Keilder Water, Northumberland. A product of a collaboration, between architects S...
The shelter 55/02 by Sixteen*Makers is set in the forest on the north shore of Keilder Water, Northumberland. A product of a collaboration, between architects Sixteen*(Makers) and steel fabricators Stahlbogen. It was completed in 2009, and in 2010 we documented the finished structure with a series of full colour 3D scans. These scans created a 3D model which we used to create this animation. The scan data was also used to test the actual built product against the idealised digital models which were used to create the building.
As a result of the intimate relationship between the designers and makers, 55/02 was designed through making, and developed as a series of tactile tests and digital representations rather than a predetermined set of design drawings. In this instance therefore, the scans represent the final set of 'as built' drawings. In May 2011, 55/02 won an RIBA award for design excellence.
We'd love to use scanning to document more works of contemporary architecture - especially when their remote location means few people get to see them. Get in touch if you've a project you think could be appropriate. studio@scanlabprojects.co.uk
https://wn.com/55_02_Keilder_Shelter_By_Sixteen_Makers
The shelter 55/02 by Sixteen*Makers is set in the forest on the north shore of Keilder Water, Northumberland. A product of a collaboration, between architects Sixteen*(Makers) and steel fabricators Stahlbogen. It was completed in 2009, and in 2010 we documented the finished structure with a series of full colour 3D scans. These scans created a 3D model which we used to create this animation. The scan data was also used to test the actual built product against the idealised digital models which were used to create the building.
As a result of the intimate relationship between the designers and makers, 55/02 was designed through making, and developed as a series of tactile tests and digital representations rather than a predetermined set of design drawings. In this instance therefore, the scans represent the final set of 'as built' drawings. In May 2011, 55/02 won an RIBA award for design excellence.
We'd love to use scanning to document more works of contemporary architecture - especially when their remote location means few people get to see them. Get in touch if you've a project you think could be appropriate. studio@scanlabprojects.co.uk
- published: 13 May 2011
- views: 2657
HBO Westworld - Main Titles
- Order: Reorder
- Duration: 1:43
- Updated: 04 Apr 2017
- views: 1686
Client: HBO
Director: Patrick Clair
Lead Animator / Compositor: Raoul Marks
Design & Visual Research: Paul Kim, Jeff Han, Felix Soletic, Maxx Burman, Henry DeL...
Client: HBO
Director: Patrick Clair
Lead Animator / Compositor: Raoul Marks
Design & Visual Research: Paul Kim, Jeff Han, Felix Soletic, Maxx Burman, Henry DeLeon, Dan Alexandru.
Storyboard Artist: Lance Slaton
Lighter: Shamus Johnson
Animator / Compositor: Yongsub Song
Head of CG: Kirk Shintari
LiDAR and 3D Scanning: SCANable
3D Artists: Jose Limon Jessica Hurst, Dustin Mellum, Rie Ito, Joe Paniagua
3D Rigging: Josh Dyer
Reference Photography: David Do
Producer: Ben Foster
Supervising Producer: Carol Salek
Head of Production: Kim Christensen
Managing Partner: Jennifer Sofio Hall
Special Thanks to Jonathan Nolan, Lisa Joy, Bruce Dunn, Stephen Semel, Athena Wickham, Roberto Patino and HBO.
https://wn.com/Hbo_Westworld_Main_Titles
Client: HBO
Director: Patrick Clair
Lead Animator / Compositor: Raoul Marks
Design & Visual Research: Paul Kim, Jeff Han, Felix Soletic, Maxx Burman, Henry DeLeon, Dan Alexandru.
Storyboard Artist: Lance Slaton
Lighter: Shamus Johnson
Animator / Compositor: Yongsub Song
Head of CG: Kirk Shintari
LiDAR and 3D Scanning: SCANable
3D Artists: Jose Limon Jessica Hurst, Dustin Mellum, Rie Ito, Joe Paniagua
3D Rigging: Josh Dyer
Reference Photography: David Do
Producer: Ben Foster
Supervising Producer: Carol Salek
Head of Production: Kim Christensen
Managing Partner: Jennifer Sofio Hall
Special Thanks to Jonathan Nolan, Lisa Joy, Bruce Dunn, Stephen Semel, Athena Wickham, Roberto Patino and HBO.
- published: 03 Oct 2016
- views: 1686
Nike 'The Future is Fast' Commercial
- Order: Reorder
- Duration: 1:19
- Updated: 05 Apr 2017
- views: 2335
SCANable performed 3D scans and modeling of Sports Authority Field (Denver Broncos) and Ford Field (Detroit Lions) used for camera tracking and to create and pl...
SCANable performed 3D scans and modeling of Sports Authority Field (Denver Broncos) and Ford Field (Detroit Lions) used for camera tracking and to create and place the computer-generated crowds.
Creative Agency : Wieden + Kennedy, Portland
Production Company : Stink
Director : Yann Demange
Creative Director : Ryan O'Rourke, Alberto Ponte
Art Director : Brandon Viney
Copywriter : Edward Harrison
Executive Producer : Jeff Baron
Agency Executive Producer : Matt Hunnicutt
Sound Design : 750mph
Visual Effects : A52
3D Scanning : SCANable
Client Team Director : Alex Lopez
Agency Producer : Chris Capretto
Editor : Kirk Baxter
Associate Producer : Julie Gursha
Music : Pivot
Account Team : Corey Woodson
https://wn.com/Nike_'The_Future_Is_Fast'_Commercial
SCANable performed 3D scans and modeling of Sports Authority Field (Denver Broncos) and Ford Field (Detroit Lions) used for camera tracking and to create and place the computer-generated crowds.
Creative Agency : Wieden + Kennedy, Portland
Production Company : Stink
Director : Yann Demange
Creative Director : Ryan O'Rourke, Alberto Ponte
Art Director : Brandon Viney
Copywriter : Edward Harrison
Executive Producer : Jeff Baron
Agency Executive Producer : Matt Hunnicutt
Sound Design : 750mph
Visual Effects : A52
3D Scanning : SCANable
Client Team Director : Alex Lopez
Agency Producer : Chris Capretto
Editor : Kirk Baxter
Associate Producer : Julie Gursha
Music : Pivot
Account Team : Corey Woodson
- published: 08 Dec 2015
- views: 2335
Jaguar Land Rover Geneva Car Show
- Order: Reorder
- Duration: 0:40
- Updated: 03 Apr 2017
- views: 226
Agency: Imagination
Creative Director: Cath Elliot
Producer: Emma Williams
Production
Production Company: Mill+
Director: Aidan Gibbons
Producer: Nick Canham
...
Agency: Imagination
Creative Director: Cath Elliot
Producer: Emma Williams
Production
Production Company: Mill+
Director: Aidan Gibbons
Producer: Nick Canham
Production Manager: Matt Bulaitis
Production Coordinator: Ben Burdock
Editorial
Editor: Will Barnett
VFX & Design
Producer: Luis Martin
Shoot Supervisor: Anthony Fieldsend
Creative Director: Aidan Gibbons
2D Lead Artist: Anthony Fieldsend
3D Lead Artist: Anthony Northman
2D Artists: Diogo Pinheiro, Gianluca Di Marco
3D Artists: Davide Frusteri, Rebecca Ferguson
Matte Painting: Can Y. Sanalan
Motion Graphics: Ivo Sousa
Colour
Colourist: Matt Osborne
https://wn.com/Jaguar_Land_Rover_Geneva_Car_Show
Agency: Imagination
Creative Director: Cath Elliot
Producer: Emma Williams
Production
Production Company: Mill+
Director: Aidan Gibbons
Producer: Nick Canham
Production Manager: Matt Bulaitis
Production Coordinator: Ben Burdock
Editorial
Editor: Will Barnett
VFX & Design
Producer: Luis Martin
Shoot Supervisor: Anthony Fieldsend
Creative Director: Aidan Gibbons
2D Lead Artist: Anthony Fieldsend
3D Lead Artist: Anthony Northman
2D Artists: Diogo Pinheiro, Gianluca Di Marco
3D Artists: Davide Frusteri, Rebecca Ferguson
Matte Painting: Can Y. Sanalan
Motion Graphics: Ivo Sousa
Colour
Colourist: Matt Osborne
- published: 25 Jul 2016
- views: 226
Harmony. Mastered From Chaos.
- Order: Reorder
- Duration: 1:00
- Updated: 05 Apr 2017
- views: 503
Droga5 x Hennessy V.S.O.P Privilège
Creative Partner: Duncan Marshal
Group Creative Director: Nick Klinkert
Copywriter: Phil Hadad
Art Director: Marybeth Ledesm...
Droga5 x Hennessy V.S.O.P Privilège
Creative Partner: Duncan Marshal
Group Creative Director: Nick Klinkert
Copywriter: Phil Hadad
Art Director: Marybeth Ledesma
Executive Broadcast Producer: Jesse Brihn
Director: Ben Tricklebank
DP: Justin Gurnari
Post Production: Blacksmith
Interactive Site: MasteredFromChaos.com
UX Director: Daniel Perlin
Executive Interactive Producer: Justin Durazzo
Interactive Producer: Ian Graetzer
Interactive Production Company: Active Theory
3D Scanning Company: SCANable
Music and Sound Design: Plan8
https://wn.com/Harmony._Mastered_From_Chaos.
Droga5 x Hennessy V.S.O.P Privilège
Creative Partner: Duncan Marshal
Group Creative Director: Nick Klinkert
Copywriter: Phil Hadad
Art Director: Marybeth Ledesma
Executive Broadcast Producer: Jesse Brihn
Director: Ben Tricklebank
DP: Justin Gurnari
Post Production: Blacksmith
Interactive Site: MasteredFromChaos.com
UX Director: Daniel Perlin
Executive Interactive Producer: Justin Durazzo
Interactive Producer: Ian Graetzer
Interactive Production Company: Active Theory
3D Scanning Company: SCANable
Music and Sound Design: Plan8
- published: 30 Jun 2016
- views: 503
Sony PlayStation: Greatness Awaits
- Order: Reorder
- Duration: 1:30
- Updated: 28 Mar 2017
- views: 1366
See More: http://artaks.wordpress.com/
Follow me: https://twitter.com/djtolst
Facebook: http://goo.gl/8I6V0
Advertising Agency: BBH, New York, USA
Chief Creati...
See More: http://artaks.wordpress.com/
Follow me: https://twitter.com/djtolst
Facebook: http://goo.gl/8I6V0
Advertising Agency: BBH, New York, USA
Chief Creative Officer: John Patroulis
Executive Creative Director: Ari Weiss
Creative Director: Nate Able
Copywriter: Rick Herrera
Head of Integrated Production: Justin Booth-Clibborn
Senior Producer: Jennifer Moore Bell
Production Assistant: AJ Gutierrez
Head of Account Management: Armando Turco
Account Director: Melissa Hill
Account Manager: Georgie Gooley
Account Coordinator: Marshal Kerns
Production Company: MJZ
Director: Rupert Sanders
Director of Photography: Greig Fraser
President: David Zander
Executive Producer: Kate Leahy
Producer: Laurie Boccaccio
Production Supervisor: Adriana Cebada Mora
Production Designer: Dominic Watkins
Costume Designer: Mayes Rubeo
Local Production Company: Kinema Films de Mexico
Local Production Co. Producer: Jose Ludlow
Editorial: Work Post NY
Executive Producer: Erica Thompson
Editor: Neil Smith
Assistant Editor: Healy Snow
VFX & Finishing: The Mill NY
Exec Producer: Jo Arghiris
Senior VFX Producer: Charlotte Arnold
VFX Supervisor: Iwan Zwarts
VFX Supervisor: Rob Petrie
Assistant Producer: Juan Handal
Colour Producer: Heath Raymond
Colourist: Fergus McCall
2D Lead Compositor: Iwan Zwarts
2D Compositing Artists: Kyle Cody, Dan DiFelice,
Additional: Danny Morris, John Mangia, Ilia Mokhtareizadeh, Greg Spencer, Dan Giraldo
2D Conforms and Cut-downs: Jade Kim
3D Lead Artists: Rob Petrie and Joji Tsuruga
3D Lead Lighter: Olivier Mitonneau
3D Animators: Jeff Lopez, Alex Allain, Tyler Hurd
3D Artists: Olivier Varteressian, Per Bergsten, Ivan Luque Cueller, Billy Dangyoon Jang, Boris Ustaev, Hassan Taimur, Ruben Vandebroek, Tim Kim
3D MASSIVE: Wyattt Savarese, Ed Hicks, Hassan Tuimir
3D FX: Nick Couret, Ian Baxter, Phil Mayer, Cedrick Grousse
Matte Painting: Can Y. Sanalan
Title Design: Mario Stipinovich, Tetsuro Mise, Eugene Kolb
LIDAR services provided by Scanable: Travis Reinke
Rotoscoping provided by: Trace VFX
Sound Designer: Brian Emrich at Trinitite
Music: Woodwork Music
Music Producer: Andrew Oswarek
Composer: Phil Kay
Mix: Sound Lounge
Mixer: Tom Jucarone
https://wn.com/Sony_Playstation_Greatness_Awaits
See More: http://artaks.wordpress.com/
Follow me: https://twitter.com/djtolst
Facebook: http://goo.gl/8I6V0
Advertising Agency: BBH, New York, USA
Chief Creative Officer: John Patroulis
Executive Creative Director: Ari Weiss
Creative Director: Nate Able
Copywriter: Rick Herrera
Head of Integrated Production: Justin Booth-Clibborn
Senior Producer: Jennifer Moore Bell
Production Assistant: AJ Gutierrez
Head of Account Management: Armando Turco
Account Director: Melissa Hill
Account Manager: Georgie Gooley
Account Coordinator: Marshal Kerns
Production Company: MJZ
Director: Rupert Sanders
Director of Photography: Greig Fraser
President: David Zander
Executive Producer: Kate Leahy
Producer: Laurie Boccaccio
Production Supervisor: Adriana Cebada Mora
Production Designer: Dominic Watkins
Costume Designer: Mayes Rubeo
Local Production Company: Kinema Films de Mexico
Local Production Co. Producer: Jose Ludlow
Editorial: Work Post NY
Executive Producer: Erica Thompson
Editor: Neil Smith
Assistant Editor: Healy Snow
VFX & Finishing: The Mill NY
Exec Producer: Jo Arghiris
Senior VFX Producer: Charlotte Arnold
VFX Supervisor: Iwan Zwarts
VFX Supervisor: Rob Petrie
Assistant Producer: Juan Handal
Colour Producer: Heath Raymond
Colourist: Fergus McCall
2D Lead Compositor: Iwan Zwarts
2D Compositing Artists: Kyle Cody, Dan DiFelice,
Additional: Danny Morris, John Mangia, Ilia Mokhtareizadeh, Greg Spencer, Dan Giraldo
2D Conforms and Cut-downs: Jade Kim
3D Lead Artists: Rob Petrie and Joji Tsuruga
3D Lead Lighter: Olivier Mitonneau
3D Animators: Jeff Lopez, Alex Allain, Tyler Hurd
3D Artists: Olivier Varteressian, Per Bergsten, Ivan Luque Cueller, Billy Dangyoon Jang, Boris Ustaev, Hassan Taimur, Ruben Vandebroek, Tim Kim
3D MASSIVE: Wyattt Savarese, Ed Hicks, Hassan Tuimir
3D FX: Nick Couret, Ian Baxter, Phil Mayer, Cedrick Grousse
Matte Painting: Can Y. Sanalan
Title Design: Mario Stipinovich, Tetsuro Mise, Eugene Kolb
LIDAR services provided by Scanable: Travis Reinke
Rotoscoping provided by: Trace VFX
Sound Designer: Brian Emrich at Trinitite
Music: Woodwork Music
Music Producer: Andrew Oswarek
Composer: Phil Kay
Mix: Sound Lounge
Mixer: Tom Jucarone
- published: 12 Jun 2013
- views: 1366
Nissan Take On "Pop Ups"
- Order: Reorder
- Duration: 0:30
- Updated: 03 Apr 2017
- views: 41
Client | Nissan North America, Inc.
Agency | TBWA\CHIAT\DAY
Chief Creative Officer | Stephen Butler
Creative Director(s) | Jason Locey, Liz Levy
Art Director (A...
Client | Nissan North America, Inc.
Agency | TBWA\CHIAT\DAY
Chief Creative Officer | Stephen Butler
Creative Director(s) | Jason Locey, Liz Levy
Art Director (Angry Cloud) | Valeria Vanzulli
Copywriter (Angry Cloud) | Francesca Bonomi
Art Director (Pop Ups) | Brett Pfeiffer
Copywriter (Pop Ups) | John Searcy
Art Director (Camo) | Travis Swingler
Copywriter (Camo) | Steven Townsend
Associate Producer | Jack Cutler
Producer | Carrie Schaer
Live Action
Production Company | Imperial Woodpecker
Director | Mark Zibert
Producer | Matt Wersinger
Executive Producer | Charlie Cocuzza
Post Production
VFX Studio | a52
3D Scanning/LiDAR | SCANable
VFX Supervisor | Urs Furrer
CG Supervisor | Adam Newman
2D VFX Artist(s) | Hugh Seville, Richard Hirst, Chris Moore, Michael Vaglienty
Finishing | Dan Ellis, Kevin Stokes, Gabe Sanchez
3D Artists | Joe Paniagua, Jose Limon, Pete Coggeshall, Joe Chiechi, Mike Bettinardi, Michael Cardenas, Josh Kohlmeier, Paulo de Almada, Christian Sanchez, Richard Daniels, Jun Kim, Andy Byrne, Jon Balcome, Josephine Kahng, Tim Kadowaki, Adam Carter, Josh Dyer
Matte Painter | Marissa Krupen
Associate Producer | Danny Hirsch
Producer | Michael Steinmann
Head of Production | Kim Christensen
Executive Producer | Patrick Nugent
Editorial
Editorial Company | Whitehouse Post
Editor | Martin Leroy
Producer(s) | Joanna Manning, Annie Maldonado
Executive Producer | Joni Williamson
Music
Music Company | Stimmung
Ian Hultquist, composer
Rory Doggett, creative director
Ceinwyn Clark, EP
Kristina Iwankiw, producer
Sound design | Gus Koven at Stimmung
Final Mix | John Bolen at Formosa
https://wn.com/Nissan_Take_On_Pop_Ups
Client | Nissan North America, Inc.
Agency | TBWA\CHIAT\DAY
Chief Creative Officer | Stephen Butler
Creative Director(s) | Jason Locey, Liz Levy
Art Director (Angry Cloud) | Valeria Vanzulli
Copywriter (Angry Cloud) | Francesca Bonomi
Art Director (Pop Ups) | Brett Pfeiffer
Copywriter (Pop Ups) | John Searcy
Art Director (Camo) | Travis Swingler
Copywriter (Camo) | Steven Townsend
Associate Producer | Jack Cutler
Producer | Carrie Schaer
Live Action
Production Company | Imperial Woodpecker
Director | Mark Zibert
Producer | Matt Wersinger
Executive Producer | Charlie Cocuzza
Post Production
VFX Studio | a52
3D Scanning/LiDAR | SCANable
VFX Supervisor | Urs Furrer
CG Supervisor | Adam Newman
2D VFX Artist(s) | Hugh Seville, Richard Hirst, Chris Moore, Michael Vaglienty
Finishing | Dan Ellis, Kevin Stokes, Gabe Sanchez
3D Artists | Joe Paniagua, Jose Limon, Pete Coggeshall, Joe Chiechi, Mike Bettinardi, Michael Cardenas, Josh Kohlmeier, Paulo de Almada, Christian Sanchez, Richard Daniels, Jun Kim, Andy Byrne, Jon Balcome, Josephine Kahng, Tim Kadowaki, Adam Carter, Josh Dyer
Matte Painter | Marissa Krupen
Associate Producer | Danny Hirsch
Producer | Michael Steinmann
Head of Production | Kim Christensen
Executive Producer | Patrick Nugent
Editorial
Editorial Company | Whitehouse Post
Editor | Martin Leroy
Producer(s) | Joanna Manning, Annie Maldonado
Executive Producer | Joni Williamson
Music
Music Company | Stimmung
Ian Hultquist, composer
Rory Doggett, creative director
Ceinwyn Clark, EP
Kristina Iwankiw, producer
Sound design | Gus Koven at Stimmung
Final Mix | John Bolen at Formosa
- published: 25 Jun 2016
- views: 41
14.03.2011 - DANIEL ALIAGA
- Order: Reorder
- Duration: 46:40
- Updated: 30 Mar 2017
- views: 108
Chair for Information Architecture, ETH, and Associate Professor of Computer Science at Purdue University.
Computational Cities: Geometrical Modeling for Urban...
Chair for Information Architecture, ETH, and Associate Professor of Computer Science at Purdue University.
Computational Cities: Geometrical Modeling for Urban Design and Simulation.
This lecture addresses the growing desire to create geometrical models that design better, smarter, and more efficient cities. Cities are inherently very complex to model because they are simultaneously dense and large, spanning from a few to hundreds of square kilometers, and because their underlying structure is influenced by a very large number of hard-to quantify variables including land policies, economic behavior, transportation infrastructure, governmental plans, and population changes. In this talk, I will provide a brief overview of a new approach that blurs the boundary between behavioral modeling and geometrical modeling of urban spaces. Within computer graphics and visualization research focuses on producing complex and visually appealing 3D geometrical models from images and/or LIDAR, while urban behavioral modeling focuses on accurate urban dynamics and behaviorally-validated simulations using socio-economic data, for example. I will show how our concurrent behavioral and geometrical simulation significantly benefits the design, editing, and prediction of large-scale 3D city models. The result is the ability to generate, in a few minutes, 3D city models that resemble existing locations, to simulate urban behaviors not previously possible, to predict and visualize the outcome of urban policies and regulations, to design cities that best conform to meteorological aspects, and to consider the urban ecosystem during the design phase. I will present our latest collection of works representing the state of the art and will also inform the audience on the latest related thoughts and approaches in the field.
For more information about this lecture go to:
mas.caad.arch.ethz.ch/mas1011/
https://wn.com/14.03.2011_Daniel_Aliaga
Chair for Information Architecture, ETH, and Associate Professor of Computer Science at Purdue University.
Computational Cities: Geometrical Modeling for Urban Design and Simulation.
This lecture addresses the growing desire to create geometrical models that design better, smarter, and more efficient cities. Cities are inherently very complex to model because they are simultaneously dense and large, spanning from a few to hundreds of square kilometers, and because their underlying structure is influenced by a very large number of hard-to quantify variables including land policies, economic behavior, transportation infrastructure, governmental plans, and population changes. In this talk, I will provide a brief overview of a new approach that blurs the boundary between behavioral modeling and geometrical modeling of urban spaces. Within computer graphics and visualization research focuses on producing complex and visually appealing 3D geometrical models from images and/or LIDAR, while urban behavioral modeling focuses on accurate urban dynamics and behaviorally-validated simulations using socio-economic data, for example. I will show how our concurrent behavioral and geometrical simulation significantly benefits the design, editing, and prediction of large-scale 3D city models. The result is the ability to generate, in a few minutes, 3D city models that resemble existing locations, to simulate urban behaviors not previously possible, to predict and visualize the outcome of urban policies and regulations, to design cities that best conform to meteorological aspects, and to consider the urban ecosystem during the design phase. I will present our latest collection of works representing the state of the art and will also inform the audience on the latest related thoughts and approaches in the field.
For more information about this lecture go to:
mas.caad.arch.ethz.ch/mas1011/
- published: 28 Mar 2011
- views: 108
cmiVFX Autodesk Flame And Smoke Shading Techniques Promo
- Order: Reorder
- Duration: 4:30
- Updated: 04 Apr 2017
- views: 5893
cmiVFX Releases Autodesk Flame And Smoke Realtime Procedural Shading Techniques
High Definition Training Videos for the Visual Effects Industry
Princeton, NJ (...
cmiVFX Releases Autodesk Flame And Smoke Realtime Procedural Shading Techniques
High Definition Training Videos for the Visual Effects Industry
Princeton, NJ (July 15th, 2012) – cmiVFX has officially released the potential cure for all those people using CPU based rendering applications in their CG pipeline. This new training video is a hardcore in-depth look into lighting, shading and texturing in a VFX app that has recently added tons of incredible new tools in what was once the most illusive application in the world. Autodesk Flame has a long history of being the king of the hill as far as visual effects and post production is concerned for years now, but recently active programming from its development team has put this powerful application in the hands of many at an extremely affordable price. At the time of this press release, Autodesk has released its "Timeline" companion application to Flame, entitled "Smoke for the OSX operation system". While this application has a slightly different home construct interface, its interior parts are very much the same. The modules of BATCH and ACTION are now included in all three applications, Flame, Smoke and Smoke on OSX. With a 30 day demo, anyone can download Smoke and test out its capabilities without it costing them a single penny! This training video is not just for experts, but is also for migrators of other 3D Animation programs. We have made this video not only to train people, but to create an entirely new industry workflow. If you calculate in the price of some of its competitor applications, and the fact that while you are in Flame/Smoke creating shading, lighting, texturing, and post plugin grade effects in REAL TIME, then it is safe to assume that financially many companies could be spending time and money in the wrong place. While there is a silent war going on between CPU and GPU based rendering technology, we believe that you can harness the power of both simultaneously through our new "just give it to me and I'll finish it in Flame" attitude. We are now creating a new phrase in this industry called "CG Finishing", which is not to be confused with VFX and COLOR GRADING FINISHING. We are proposing that 3D Modelers UV their models, let animators animate those models, and give the textures to a Flame artist to finish. (Smoke OSX is catching up so quickly that we feel confident in telling people to watch this video if you are using Smoke For Mac). Well, what are you waiting for? Oh yea…. your probably still rendering. :|
Short Description - Real Time Procedural Shading, Texturing And Lighting FX
In this video, you will learn how to take pre-built scenes exported out of a regular 3d animation package and texture, light and develop final looks in real time without the need to render once! This is the future of VFX, and its available to you RIGHT NOW for at least 30 days FREE.
Vimeo Video Preview
https://vimeo.com/45716160
Here at cmiVFX we maintain a current training library for the latest versions of popular software titles. When it comes to high end CG and VFX training, there is only once choice... cmiVFX! Don’t forget about the cmiSubscription plan! Get one today. cmiVFX launched the most affordable subscription plan in Visual FX Training History for only $399 USD, and if you were a subscriber, this New Training Release would already be in your account. This video is also available a-la-cart in our brand new HTML5 player system.
|||||||||||||||||||||| Autodesk Flame And Smoke Realtime Procedural Shading Techniques ||||||||||||||||||||||
http://www.cmivfx.com/tutorials/view/484/Autodesk+Flame+and+Smoke+Real+Time+Procedural+Shading+Techniques
Chapter Descriptions
Introduction
Chris will talk to you about this new shift in paradigm throughout the Visual Effects And Computer Graphics Animation Industry. He will talk about some new competitor applications that will be introduced this year as well as some that are trying to break into the industry right now. Hang on to your hats, because many of you are going to have to reprogram the way you have been thinking for the last few years!
Geometry Basics
At this time, None of the Flame or Smoke apps are using traditional 3d modeling tools, however there list of primitives can be used extensively in just about every scene imaginable. When dealing with highly detailed geometry and parameterization, several topics must be discussed in order to better understand how you should have your models created and UV'd. While Flame and Smoke has some UV tools, you will want to complete the pre construction of complex scenes in your typical 3d application such as Maya, Houdini or Cinema 4D. (But you know us by now, we show you some tricks on how to use primitives to build up entire scenes!) If that wasn't enough, we will show you some of the Ice Cream Truck LIDAR model captured for the film Book Of Eli, starring Denzel Washington, completely textured so you can see how to handle large dat
https://wn.com/Cmivfx_Autodesk_Flame_And_Smoke_Shading_Techniques_Promo
cmiVFX Releases Autodesk Flame And Smoke Realtime Procedural Shading Techniques
High Definition Training Videos for the Visual Effects Industry
Princeton, NJ (July 15th, 2012) – cmiVFX has officially released the potential cure for all those people using CPU based rendering applications in their CG pipeline. This new training video is a hardcore in-depth look into lighting, shading and texturing in a VFX app that has recently added tons of incredible new tools in what was once the most illusive application in the world. Autodesk Flame has a long history of being the king of the hill as far as visual effects and post production is concerned for years now, but recently active programming from its development team has put this powerful application in the hands of many at an extremely affordable price. At the time of this press release, Autodesk has released its "Timeline" companion application to Flame, entitled "Smoke for the OSX operation system". While this application has a slightly different home construct interface, its interior parts are very much the same. The modules of BATCH and ACTION are now included in all three applications, Flame, Smoke and Smoke on OSX. With a 30 day demo, anyone can download Smoke and test out its capabilities without it costing them a single penny! This training video is not just for experts, but is also for migrators of other 3D Animation programs. We have made this video not only to train people, but to create an entirely new industry workflow. If you calculate in the price of some of its competitor applications, and the fact that while you are in Flame/Smoke creating shading, lighting, texturing, and post plugin grade effects in REAL TIME, then it is safe to assume that financially many companies could be spending time and money in the wrong place. While there is a silent war going on between CPU and GPU based rendering technology, we believe that you can harness the power of both simultaneously through our new "just give it to me and I'll finish it in Flame" attitude. We are now creating a new phrase in this industry called "CG Finishing", which is not to be confused with VFX and COLOR GRADING FINISHING. We are proposing that 3D Modelers UV their models, let animators animate those models, and give the textures to a Flame artist to finish. (Smoke OSX is catching up so quickly that we feel confident in telling people to watch this video if you are using Smoke For Mac). Well, what are you waiting for? Oh yea…. your probably still rendering. :|
Short Description - Real Time Procedural Shading, Texturing And Lighting FX
In this video, you will learn how to take pre-built scenes exported out of a regular 3d animation package and texture, light and develop final looks in real time without the need to render once! This is the future of VFX, and its available to you RIGHT NOW for at least 30 days FREE.
Vimeo Video Preview
https://vimeo.com/45716160
Here at cmiVFX we maintain a current training library for the latest versions of popular software titles. When it comes to high end CG and VFX training, there is only once choice... cmiVFX! Don’t forget about the cmiSubscription plan! Get one today. cmiVFX launched the most affordable subscription plan in Visual FX Training History for only $399 USD, and if you were a subscriber, this New Training Release would already be in your account. This video is also available a-la-cart in our brand new HTML5 player system.
|||||||||||||||||||||| Autodesk Flame And Smoke Realtime Procedural Shading Techniques ||||||||||||||||||||||
http://www.cmivfx.com/tutorials/view/484/Autodesk+Flame+and+Smoke+Real+Time+Procedural+Shading+Techniques
Chapter Descriptions
Introduction
Chris will talk to you about this new shift in paradigm throughout the Visual Effects And Computer Graphics Animation Industry. He will talk about some new competitor applications that will be introduced this year as well as some that are trying to break into the industry right now. Hang on to your hats, because many of you are going to have to reprogram the way you have been thinking for the last few years!
Geometry Basics
At this time, None of the Flame or Smoke apps are using traditional 3d modeling tools, however there list of primitives can be used extensively in just about every scene imaginable. When dealing with highly detailed geometry and parameterization, several topics must be discussed in order to better understand how you should have your models created and UV'd. While Flame and Smoke has some UV tools, you will want to complete the pre construction of complex scenes in your typical 3d application such as Maya, Houdini or Cinema 4D. (But you know us by now, we show you some tricks on how to use primitives to build up entire scenes!) If that wasn't enough, we will show you some of the Ice Cream Truck LIDAR model captured for the film Book Of Eli, starring Denzel Washington, completely textured so you can see how to handle large dat
- published: 13 Jul 2012
- views: 5893
'Chaser' Opening Video
- Order: Reorder
- Duration: 1:33
- Updated: 31 Mar 2017
- views: 0
Created for the Pittsburgh Penguins 2014-15 season, the piece centers around the concept of transformation, revealing players in a “digital mist” out of the da...
Created for the Pittsburgh Penguins 2014-15 season, the piece centers around the concept of transformation, revealing players in a “digital mist” out of the darkness. The graphical visual style references aerospace Heads Up Displays, futuristic interface design, and LiDAR scans, all of this to push the Penguins Brand Identity consisting of energy, drive, and cutting edge. We sought to get away from simply stringing together game highlights by making extensive use of rotoscoping, motion tracking, particles, 3D animation, and complex layer masks.
For the rotational player shots we used a 360° dolly track, and a variety of steadycam flybys. Additional stylized game action was simulated using player stand-ins and a custom built lazy-susan. In addition to rotoscoping nearly all of the highlight footage, just about every shot used in this video was also motion tracked to seamlessly weave in the animated graphical elements.
To help visually merge the game action, player footage, and 3D modeled city shots, everything was translated through many layers of particles whose movement, depth extrusion, and chroma values were driven by the footage with which they were overlaid. Extensive color grading, digital distortion, and other glitch-style effects were also weaved into the piece. These measures helped to transform the footage into the dynamic and futuristic environment we sought, while giving the whole piece a driving, high intensity feel that stayed within branding guidelines and delivered a new and impactful approach to what is typically a straightforward highlight based package.
This video was produced for penguins.nhl.com as well as for in-arena use during home games.
https://wn.com/'Chaser'_Opening_Video
Created for the Pittsburgh Penguins 2014-15 season, the piece centers around the concept of transformation, revealing players in a “digital mist” out of the darkness. The graphical visual style references aerospace Heads Up Displays, futuristic interface design, and LiDAR scans, all of this to push the Penguins Brand Identity consisting of energy, drive, and cutting edge. We sought to get away from simply stringing together game highlights by making extensive use of rotoscoping, motion tracking, particles, 3D animation, and complex layer masks.
For the rotational player shots we used a 360° dolly track, and a variety of steadycam flybys. Additional stylized game action was simulated using player stand-ins and a custom built lazy-susan. In addition to rotoscoping nearly all of the highlight footage, just about every shot used in this video was also motion tracked to seamlessly weave in the animated graphical elements.
To help visually merge the game action, player footage, and 3D modeled city shots, everything was translated through many layers of particles whose movement, depth extrusion, and chroma values were driven by the footage with which they were overlaid. Extensive color grading, digital distortion, and other glitch-style effects were also weaved into the piece. These measures helped to transform the footage into the dynamic and futuristic environment we sought, while giving the whole piece a driving, high intensity feel that stayed within branding guidelines and delivered a new and impactful approach to what is typically a straightforward highlight based package.
This video was produced for penguins.nhl.com as well as for in-arena use during home games.
- published: 07 Nov 2014
- views: 0
-
3D in Review for April 2 - 8, 2016 "AI in a Suitcase"
In this episode with talk about NVIDIA announcement of the P100 and how it can be used to create AI machine in a small suitcase. As well as first 3D printer that promises the cake that you can eat too. Plus Mike gripes about the Oculus wall garden and how his DK2 is now a paper weight because it isn't good enough be in the Oculus gang anymore. Plus another great tip from Printer Whisperer. Opening Video: Opening video sequence from the GTC keynote - https://www.youtube.com/watch?v=Z9Og9xtAY3w 3D Updates: Mike - Remember Bevel? - https://www.kickstarter.com/projects/matterandform/bevel-3d-photography-for-any-smartphone-or-tablet/comments Comments in 3D: (Viewer feedback) (https://youtu.be/XiyqzigQDMU) Guest Crasher: TBD (possibly Uniz3d) 3D Technology: Mike - Is this too good to ...
published: 08 Apr 2016 -
GTMA Presents Innovative Project Delivery -- 3D Imaging and Design Build
In this September 6, 2012 webinar, Eric Andelin (Woolpert) and Keith McNease (SAM, Inc.) discuss two TxDOT projects that utilize LiDAR to safely capture survey data. The projects use aerial, fixed and mobile LiDAR.
published: 02 Mar 2014 -
NIST FOIA: MSNBC Investigates - Out of the Rubble (2001)
TV documentary covering topics like - 9/11 terrorist attacks - bold claims thrown at the public by Guy Tozzoli, Leslie Robertson and Prof. Abolhassan Astaneh-Asl, months before the first official investigation by FEMA has been even finished in May 2002 - WTC site damage assessment - WTC design & construction - clean-up operation at Ground Zero - 3D mapping of the rubble piles (LIDAR) and fires underneath them, - visit of Hugo Neu Schnitzer East's Claremont scrap yard and its General Manager Robert "Bob" Kelman in Jersey City - forensic engineering of steel wreckage - Ashleigh Banfield's WTC5/Concourse tour on Sep. 16, 2001, with members of Port Authority Police (PAPD) Narration: John Seigenthaler Produced by MSNBC (2001). Full Title: "MSNBC Investigates: Out of the Rubble - The Aftermath...
published: 20 Dec 2013
3D in Review for April 2 - 8, 2016 "AI in a Suitcase"
- Order: Reorder
- Duration: 1:24:32
- Updated: 08 Apr 2016
- views: 208
In this episode with talk about NVIDIA announcement of the P100 and how it can be used to create AI machine in a small suitcase. As well as first 3D printer th...
In this episode with talk about NVIDIA announcement of the P100 and how it can be used to create AI machine in a small suitcase. As well as first 3D printer that promises the cake that you can eat too. Plus Mike gripes about the Oculus wall garden and how his DK2 is now a paper weight because it isn't good enough be in the Oculus gang anymore. Plus another great tip from Printer Whisperer.
Opening Video: Opening video sequence from the GTC keynote - https://www.youtube.com/watch?v=Z9Og9xtAY3w
3D Updates:
Mike - Remember Bevel? - https://www.kickstarter.com/projects/matterandform/bevel-3d-photography-for-any-smartphone-or-tablet/comments
Comments in 3D: (Viewer feedback) (https://youtu.be/XiyqzigQDMU)
Guest Crasher: TBD (possibly Uniz3d)
3D Technology:
Mike - Is this too good to be true? Brad thinks it might be the real things except of course how you don’t damage the lcd panel.
http://uniz3d.com/
https://www.kickstarter.com/projects/644653534/slash-the-next-level-of-affordable-professional-3d
Chris - OSSIC X: The first 3D audio headphones calibrated to you
https://www.kickstarter.com/projects/248983394/ossic-x-the-first-3d-audio-headphones-calibrated-t
3D in Design, Architecture & Engineering:
Mike - REALITIES as “What is Reality?” - http://realities.io/ as
Chris - Quanergy Announces $250 Solid-State LIDAR for Cars, Robots, and More
http://spectrum.ieee.org/cars-that-think/transportation/sensors/quanergy-solid-state-lidar
3D in Medicine:
Mike - Ethics in 3D Printing for an animal’s welfare -
https://3dprint.com/126415/veterinary-3d-printing-ethics/
3D Scanner Darkly (3D scanning news):
Mike - See REALITIES above.
Chris - Fuel3D releases Studio 2.1 software update for portable 3D scanner Scanify
http://www.aniwaa.com/blog/fuel3d-releases-studio-2-1-software-update-for-portable-3d-scanner-scanify/
VR Corner, in a Round Room (Interactive 3D):
Mike - GTC introduces Deep Learning and iRay VR and this cool update to the prototype we covered before -
http://www.roadtovr.com/gtc-2016-highlight-nvidia-to-explore-prototype-design-of-next-gen-vr-ar-headsets/
Chris -OptiTrack @ GDC 2016 - Real Basketball in Virtual Reality
https://vimeo.com/161839765
Spelunking in the Tech Cave:
Mike - What is it with Oculus? First walling off all of its cool VR apps to themselves and then telling me my DK2 isn't good enough.
The Print Whisperer:
Chris - Material Selection in Mechanical Design. Different mechanical parts require different properties. Understanding material properties can help you choose the right materials for the job. Check out this book and start experimenting with different filaments. Some filaments are hard and brittle, others are soft but impact resistant.
Updates & Upcoming Shows & Events:
3D conferences, expos and events around the world
http://3dprintingforbeginners.com/fairs_events/
Road to VR calendar
http://www.roadtovr.com/virtual-reality-events-meetups-calendar/
Credits: Matter & Form, Uniz3D, OSSIC X, Kickstarter, Realities, Quanergy, 3DPrint.com, Fuel3D, GTC, NVIDIA, OPITRACK, HTC Vivie, Steam, Occipital, Oculus
https://wn.com/3D_In_Review_For_April_2_8,_2016_Ai_In_A_Suitcase
In this episode with talk about NVIDIA announcement of the P100 and how it can be used to create AI machine in a small suitcase. As well as first 3D printer that promises the cake that you can eat too. Plus Mike gripes about the Oculus wall garden and how his DK2 is now a paper weight because it isn't good enough be in the Oculus gang anymore. Plus another great tip from Printer Whisperer.
Opening Video: Opening video sequence from the GTC keynote - https://www.youtube.com/watch?v=Z9Og9xtAY3w
3D Updates:
Mike - Remember Bevel? - https://www.kickstarter.com/projects/matterandform/bevel-3d-photography-for-any-smartphone-or-tablet/comments
Comments in 3D: (Viewer feedback) (https://youtu.be/XiyqzigQDMU)
Guest Crasher: TBD (possibly Uniz3d)
3D Technology:
Mike - Is this too good to be true? Brad thinks it might be the real things except of course how you don’t damage the lcd panel.
http://uniz3d.com/
https://www.kickstarter.com/projects/644653534/slash-the-next-level-of-affordable-professional-3d
Chris - OSSIC X: The first 3D audio headphones calibrated to you
https://www.kickstarter.com/projects/248983394/ossic-x-the-first-3d-audio-headphones-calibrated-t
3D in Design, Architecture & Engineering:
Mike - REALITIES as “What is Reality?” - http://realities.io/ as
Chris - Quanergy Announces $250 Solid-State LIDAR for Cars, Robots, and More
http://spectrum.ieee.org/cars-that-think/transportation/sensors/quanergy-solid-state-lidar
3D in Medicine:
Mike - Ethics in 3D Printing for an animal’s welfare -
https://3dprint.com/126415/veterinary-3d-printing-ethics/
3D Scanner Darkly (3D scanning news):
Mike - See REALITIES above.
Chris - Fuel3D releases Studio 2.1 software update for portable 3D scanner Scanify
http://www.aniwaa.com/blog/fuel3d-releases-studio-2-1-software-update-for-portable-3d-scanner-scanify/
VR Corner, in a Round Room (Interactive 3D):
Mike - GTC introduces Deep Learning and iRay VR and this cool update to the prototype we covered before -
http://www.roadtovr.com/gtc-2016-highlight-nvidia-to-explore-prototype-design-of-next-gen-vr-ar-headsets/
Chris -OptiTrack @ GDC 2016 - Real Basketball in Virtual Reality
https://vimeo.com/161839765
Spelunking in the Tech Cave:
Mike - What is it with Oculus? First walling off all of its cool VR apps to themselves and then telling me my DK2 isn't good enough.
The Print Whisperer:
Chris - Material Selection in Mechanical Design. Different mechanical parts require different properties. Understanding material properties can help you choose the right materials for the job. Check out this book and start experimenting with different filaments. Some filaments are hard and brittle, others are soft but impact resistant.
Updates & Upcoming Shows & Events:
3D conferences, expos and events around the world
http://3dprintingforbeginners.com/fairs_events/
Road to VR calendar
http://www.roadtovr.com/virtual-reality-events-meetups-calendar/
Credits: Matter & Form, Uniz3D, OSSIC X, Kickstarter, Realities, Quanergy, 3DPrint.com, Fuel3D, GTC, NVIDIA, OPITRACK, HTC Vivie, Steam, Occipital, Oculus
- published: 08 Apr 2016
- views: 208
GTMA Presents Innovative Project Delivery -- 3D Imaging and Design Build
- Order: Reorder
- Duration: 53:39
- Updated: 02 Mar 2014
- views: 66
In this September 6, 2012 webinar, Eric Andelin (Woolpert) and Keith McNease (SAM, Inc.) discuss two TxDOT projects that utilize LiDAR to safely capture survey ...
In this September 6, 2012 webinar, Eric Andelin (Woolpert) and Keith McNease (SAM, Inc.) discuss two TxDOT projects that utilize LiDAR to safely capture survey data. The projects use aerial, fixed and mobile LiDAR.
https://wn.com/Gtma_Presents_Innovative_Project_Delivery_3D_Imaging_And_Design_Build
In this September 6, 2012 webinar, Eric Andelin (Woolpert) and Keith McNease (SAM, Inc.) discuss two TxDOT projects that utilize LiDAR to safely capture survey data. The projects use aerial, fixed and mobile LiDAR.
- published: 02 Mar 2014
- views: 66
NIST FOIA: MSNBC Investigates - Out of the Rubble (2001)
- Order: Reorder
- Duration: 44:42
- Updated: 20 Dec 2013
- views: 1736
TV documentary covering topics like
- 9/11 terrorist attacks
- bold claims thrown at the public by Guy Tozzoli, Leslie Robertson and Prof. Abolhassan Astaneh-As...
TV documentary covering topics like
- 9/11 terrorist attacks
- bold claims thrown at the public by Guy Tozzoli, Leslie Robertson and Prof. Abolhassan Astaneh-Asl, months before the first official investigation by FEMA has been even finished in May 2002
- WTC site damage assessment
- WTC design & construction
- clean-up operation at Ground Zero
- 3D mapping of the rubble piles (LIDAR) and fires underneath them,
- visit of Hugo Neu Schnitzer East's Claremont scrap yard and its General Manager Robert "Bob" Kelman in Jersey City
- forensic engineering of steel wreckage
- Ashleigh Banfield's WTC5/Concourse tour on Sep. 16, 2001, with members of Port Authority Police (PAPD)
Narration: John Seigenthaler
Produced by MSNBC (2001).
Full Title: "MSNBC Investigates: Out of the Rubble - The Aftermath of 9/11"
Source of FOIA file:
911datasets.org
NIST FOIA #09-42
Release 27
Subfolder: 42A0179 - G26D38
File: DVD Video Container
Total File Size: 3.78 GB
Original Duration: 55 min
Link: http://911datasets.org/index.php/SFolder:TVCYVABMMDBAWRTSZHQ7ZI74Z7YBSPNZ
Recorded commercial breaks have been cut out.
Original MPEG-2 video has been interlace deblocked, deinterlaced, and resized to 720p by keeping the original display aspect ratio. The low volume has been fixed and audio noise lowered.
Information from NIST Video Database List ("Copy of Video_List.mdb", spreadsheets "Tapes" and "Videos"):
Tape_ID: 95 (1st copy on VHS) or 275 (VHS digitized on mini-DV)
Video_ID: 55
Video_title: "MSNBC Investigates: Out of the Rubble"
Tape_Source: Silverstein
Format: VHS or mini-DV
Duration: 55 min
Subject: WTC - aftermath
Download NIST Video List through Torrent network (MS Access or Excel is needed to open mdb file):
http://911datasets.org/index.php/SFile:NTN4ZYL7JE77ZF734WFVI4M5FPOQEEXI
Given information in the NIST WTCI Database List ("tblDocumentMain.xlsx"):
InternalID: 692
numClassificationNumber: 85
txtAssignedID: 000085
CategoryID: 8 [8 = Silverstein]
CategoryAbbreviation: S [S = Silverstein]
DateEntered: 1/2/2003
Source_Internal_External: Silverstein
RecipientForward: FALSE
DocTitle: "MSNBC Investigates - WTC Rescues and Cleanup, 11/11/01, 55 min"
DocDate: 11/7/2002
DocID: Tape 15
DocAuthorOrgName: MSNBC
DocFinal: FALSE
txtDeliveryMethod: Fed Ex
txtDocType: 6 [6 = Media]
strFormatType: 3 [3 = Video]
strForwardedByOrg: Weidlinger
strAttachments: No
datDocDate: 11/11/2001
numCopies: 1
strRoom: B257
strCabinet: 69
strClassification: 2 [2 = Confidential]
Download NIST WTCI Database List and the legend documents through Torrent network (MS Excel needed to open xlsx files):
http://911datasets.org/index.php/SFile:GB54UFZD6F5BLTIUYFGOM7L6ERC6YQFU
https://wn.com/Nist_Foia_Msnbc_Investigates_Out_Of_The_Rubble_(2001)
TV documentary covering topics like
- 9/11 terrorist attacks
- bold claims thrown at the public by Guy Tozzoli, Leslie Robertson and Prof. Abolhassan Astaneh-Asl, months before the first official investigation by FEMA has been even finished in May 2002
- WTC site damage assessment
- WTC design & construction
- clean-up operation at Ground Zero
- 3D mapping of the rubble piles (LIDAR) and fires underneath them,
- visit of Hugo Neu Schnitzer East's Claremont scrap yard and its General Manager Robert "Bob" Kelman in Jersey City
- forensic engineering of steel wreckage
- Ashleigh Banfield's WTC5/Concourse tour on Sep. 16, 2001, with members of Port Authority Police (PAPD)
Narration: John Seigenthaler
Produced by MSNBC (2001).
Full Title: "MSNBC Investigates: Out of the Rubble - The Aftermath of 9/11"
Source of FOIA file:
911datasets.org
NIST FOIA #09-42
Release 27
Subfolder: 42A0179 - G26D38
File: DVD Video Container
Total File Size: 3.78 GB
Original Duration: 55 min
Link: http://911datasets.org/index.php/SFolder:TVCYVABMMDBAWRTSZHQ7ZI74Z7YBSPNZ
Recorded commercial breaks have been cut out.
Original MPEG-2 video has been interlace deblocked, deinterlaced, and resized to 720p by keeping the original display aspect ratio. The low volume has been fixed and audio noise lowered.
Information from NIST Video Database List ("Copy of Video_List.mdb", spreadsheets "Tapes" and "Videos"):
Tape_ID: 95 (1st copy on VHS) or 275 (VHS digitized on mini-DV)
Video_ID: 55
Video_title: "MSNBC Investigates: Out of the Rubble"
Tape_Source: Silverstein
Format: VHS or mini-DV
Duration: 55 min
Subject: WTC - aftermath
Download NIST Video List through Torrent network (MS Access or Excel is needed to open mdb file):
http://911datasets.org/index.php/SFile:NTN4ZYL7JE77ZF734WFVI4M5FPOQEEXI
Given information in the NIST WTCI Database List ("tblDocumentMain.xlsx"):
InternalID: 692
numClassificationNumber: 85
txtAssignedID: 000085
CategoryID: 8 [8 = Silverstein]
CategoryAbbreviation: S [S = Silverstein]
DateEntered: 1/2/2003
Source_Internal_External: Silverstein
RecipientForward: FALSE
DocTitle: "MSNBC Investigates - WTC Rescues and Cleanup, 11/11/01, 55 min"
DocDate: 11/7/2002
DocID: Tape 15
DocAuthorOrgName: MSNBC
DocFinal: FALSE
txtDeliveryMethod: Fed Ex
txtDocType: 6 [6 = Media]
strFormatType: 3 [3 = Video]
strForwardedByOrg: Weidlinger
strAttachments: No
datDocDate: 11/11/2001
numCopies: 1
strRoom: B257
strCabinet: 69
strClassification: 2 [2 = Confidential]
Download NIST WTCI Database List and the legend documents through Torrent network (MS Excel needed to open xlsx files):
http://911datasets.org/index.php/SFile:GB54UFZD6F5BLTIUYFGOM7L6ERC6YQFU
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NIST FOIA: MSNBC Investigates - Out of the Rubble (2001)
TV documentary covering topics like
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published: 20 Dec 2013
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NIST FOIA: MSNBC Investigates - Out of the Rubble (2001)
- Report rights infringement
- published: 20 Dec 2013
- views: 1736
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NIST FOIA: MSNBC Investigates - Out of the Rubble ...
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