Diss

Coordinates: 52°22′52″N 1°06′28″E / 52.3812°N 1.1079°E / 52.3812; 1.1079

Diss is a market town and electoral ward in Norfolk, England close to the border with the neighbouring East Anglian county of Suffolk, with a population of 7,572. (2011)

The town lies in the valley of the River Waveney, around a mere (lake) that covers 6 acres (2.4 ha). The mere is up to 18 feet (5.5 m) deep, although there is another 51 feet (16 m) of mud. The town takes its name from dic an Anglo-Saxon word meaning either ditch or embankment.

Diss has a number of historic buildings, including the early 14th century parish church. It is home to a museum. Diss railway station lies on the Great Eastern Main Line route from London to Norwich.

History

At the time of Edward the Confessor, Diss was part of the Hartismere hundred (a hundred was an administrative subdivision) of Suffolk, and it was recorded as such in the Domesday book. It is recorded as being in the king's possession as demesne (direct ownership) of the Crown, there being at that time a church and a glebe of 24 acres. This was considered to be worth £15 per annum, which had doubled by the time of William the Conqueror, it being then estimated at £30 with the benefit of the whole hundred and half, belonging to it. It was then found to be a league long, around 3 miles (5 km) and half this distance broad, and paid 4d. in Danegeld. From this it appears that it was still relatively small, but it grew shortly afterwards when it subsumed Watlingsete Manor, a neighbouring area, which was as large as Diss, and seemingly fuller of inhabitants, according to the geld or tax that it paid. This was afterwards called Walcote, and includes part of Heywode, as appears from its joining to Burston, into which town this manor extended.

Music video

A music video or song video is a short film integrating a song and imagery, produced for promotional or artistic purposes. Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings. There are also cases where songs are used in tie in marketing campaigns that allow them to become more than just a song. Tie ins and merchandising could be used in toys are marketing campaigns for food and other products. Although the origins of music videos date back to musical short films that first appeared in the 1920s, they came into prominence in the 1980s when MTV based their format around the medium. Prior to the 1980s, these works were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip" or "film clip". Since the creation and increased popularity of YouTube, mainstream artists now promote new music videos by releasing trailers of short promos on the site for their upcoming song and music video. Consequentially, YouTube has been converted into a social media platform for celebrities and artists to market themselves to their fans and audiences.

Diss track

A diss track or diss song is a song primarily intended to disrespect a person or group. While musical parodies and attacks have always existed, the trend became increasingly common in the hip hop genre fueled by the hip hop rivalry phenomenon.

History

One of the earliest examples of a diss track was "You Keep Her" (1962) by Joe Tex. He wrote the song after his wife left him for famous soul singer James Brown, then broke up again and wrote Tex a letter he could have her back. Tex refused and ridiculed this offer in his song.

Another example of a diss track occurred in Jamaica. After Lee "Scratch" Perry left producer Coxsone Dodd he released a track called "Run for Cover" (1967) poking a joke at him. Perry in particular has a long history of releasing diss tracks directed at former musical collaborators. The musical single "People Funny Boy" (1968) attacked his former boss Joe Gibbs by adding sounds of a crying baby into the mix. In response Gibbs himself released a track called "People Grudgeful" (1968). Perry's "Evil Tongues" (1978) was aimed at The Congos and “Judgement Inna Babylon” (1984) and "Satan Kicked the Bucket" (1988) at Chris Blackwell. Perry also attacked Michael Jackson (with whom he never worked together) on the track "Freaky Michael" (2010).