Adagio in G minor

The Adagio in G minor for violin, strings, and organ continuo is a neo-Baroque composition popularly attributed to the 18th-century Venetian master Tomaso Albinoni, but actually composed by 20th-century musicologist and Albinoni biographer Remo Giazotto, purportedly based on the discovery of a manuscript fragment by Albinoni.

Provenance

The composition is often referred to as "Albinoni's Adagio" or "Adagio in G minor by Albinoni, arranged by Giazotto", but the attribution is incorrect. The ascription to Albinoni rests upon Giazotto's purported discovery of a tiny manuscript fragment (consisting of a few opening measures of the melody line and basso continuo portion) from a slow second movement of an otherwise unknown Albinoni trio sonata.

According to Giazotto, he obtained the document shortly after the end of World War II from the Saxon State Library in Dresden which had preserved most of its collection, though its buildings were destroyed in the bombing raids of February and March 1945 by the British and American Air Forces. Giazotto concluded that the manuscript fragment was a portion of a church sonata (sonata da chiesa, one of two standard forms of the trio sonata) in G minor composed by Albinoni, possibly as part of his Op. 4 set, around 1708.

G minor

G minor is a minor scale based on G, consisting of the pitches G, A, B♭, C, D, E♭, and F. For the harmonic minor scale, the F is raised to F♯. Its relative major is B-flat major, and its parallel major is G major.

Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. G minor is one of two flat key signatures that require a sharp for the leading-tone (the other is D minor).

Mozart's use of G minor

G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy, and many of his minor key works are in G minor, such as the Piano Quartet No. 1 and the String Quintet in G minor. Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies (No. 25, and the famous No. 40). In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B-flat alto. Another convention of G minor symphonies observed in Mozart's No. 25 was the choice of E-flat major for the slow movement, with other examples including Haydn's No. 39 and Johann Baptist Wanhal's G minor symphony from before 1771 (Bryan Gm1).

Tomaso Albinoni

Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, such as the concertos.

Biography

Born in Venice, Republic of Venice, to Antonio Albinoni, a wealthy paper merchant in Venice, he studied violin and singing. Relatively little is known about his life, especially considering his contemporary stature as a composer, and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian, Cardinal Pietro Ottoboni (grand-nephew of Pope Alexander VIII); Ottoboni was an important patron in Rome of other composers, such as Arcangelo Corelli. His first opera, Zenobia, regina de Palmireni, was produced in Venice in 1694. Albinoni was possibly employed in 1700 as a violinist to Charles IV, Duke of Mantua, to whom he dedicated his Opus 2 collection of instrumental pieces. In 1701 he wrote his hugely popular suites Opus 3, and dedicated that collection to Cosimo III de' Medici, Grand Duke of Tuscany.

André Rieu

André Léon Marie Nicolas Rieu (born 1 October 1949) is a Dutch violinist and conductor best known for creating the waltz-playing Johann Strauss Orchestra. Together they have turned classical and waltz music into a worldwide concert touring act, as successful as some of the biggest global pop and rock music acts. For his work, Rieu has been awarded such honours as the Order of the Netherlands Lion by the Netherlands, the Knight of the Ordre des Arts et des Lettres by France, and the Honorary Medal by his native Province of Limburg.

Rieu began studying violin at the age of five. He created the Maastricht Salon Orchestra in 1978, and went on to create the Johann Strauss Orchestra in 1988.

Early life

The name Rieu is of French Huguenot origin. Rieu's father, of the same name, was conductor of the Maastricht Symphony Orchestra. Showing early promise, André began studying violin at the age of five. From a very young age, he developed a fascination with orchestra. He studied violin at the Conservatoire Royal in Liège and at the Conservatorium Maastricht, (1968–1973), studying under Jo Juda and Herman Krebbers. From 1974 to 1977, he attended the Music Academy in Brussels, studying with André Gertler, finally receiving his degree "Premier Prix" from the Royal Conservatory of Brussels.

Adagio

Adagio [aˈdaːdʒo] (from Italian adagio 'slowly', coming from the expression ad agio, 'at ease') may refer to:

Music

Human motion