Modern art

Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the style and philosophy of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art.

Modern art begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the beginning of the 20th century Henri Matisse and several other young artists including the pre-cubists Georges Braque, André Derain, Raoul Dufy, Jean Metzinger and Maurice de Vlaminck revolutionized the Paris art world with "wild", multi-colored, expressive landscapes and figure paintings that the critics called Fauvism. Henri Matisse's two versions of The Dance signified a key point in his career and in the development of modern painting. It reflected Matisse's incipient fascination with primitive art: the intense warm color of the figures against the cool blue-green background and the rhythmical succession of the dancing nudes convey the feelings of emotional liberation and hedonism.

Art

Art is a diverse range of human activities in creating visual, auditory or performing artifacts – artworks, expressing the author's imaginative or technical skill, intended to be appreciated for their beauty or emotional power. In their most general form these activities include the production of works of art, the criticism of art, the study of the history of art, and the aesthetic dissemination of art.

The oldest form of art are visual arts, which include creation of images or objects in fields including painting, sculpture, printmaking, photography, and other visual media. Architecture is often included as one of the visual arts; however, like the decorative arts, it involves the creation of objects where the practical considerations of use are essential—in a way that they usually are not in a painting, for example. Music, theatre, film, dance, and other performing arts, as well as literature and other media such as interactive media, are included in a broader definition of art or the arts. Until the 17th century, art referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts.

The Creators

The Creators is a non-fiction work of cultural history by Daniel Boorstin published in 1992 and is the second volume in what has become known as the Knowledge Trilogy. It was preceded by The Discoverers and succeeded by The Seekers.

Contents

The Creators, subtitled A History of Heroes of the Imagination, is the story of mankind's creativity. It highlights great works of art, music and literature but it is more than a recitation or list. It is a book of ideas and the people behind those ideas. It encompasses architecture, music, literature, painting, sculpture, the performing arts, theater, religious expression and philosophy. It can be viewed as a companion to The Discoverers which chronicled the history of invention, exploration and technology. The Creators traces the creative process from pre-history Egypt to modern times and like The Discoverers, follows both a topical and chronological structure. Boorstin writes in "A Personal Note to the Reader", "After The Discoverers... "I was more than ever convinced that the pursuit of knowledge is only one path to human fulfillment. This companion book, also a view from the literate West, is a saga of Heroes of the Imagination. While The Discoverers told of the conquest of illusions - the illusion of knowledge - this will be a story of vision (and illusions) newly created..." If The Discoverers is the story of the inventive human mind then The Creators is the story of the searching soul. The work is in twelve major parts that have been grouped into four books.

Creative Commons

Creative Commons (CC) is a non-profit organization devoted to expanding the range of creative works available for others to build upon legally and to share. The organization has released several copyright-licenses known as Creative Commons licenses free of charge to the public. These licenses allow creators to communicate which rights they reserve, and which rights they waive for the benefit of recipients or other creators. An easy-to-understand one-page explanation of rights, with associated visual symbols, explains the specifics of each Creative Commons license. Creative Commons licenses do not replace copyright, but are based upon it. They replace individual negotiations for specific rights between copyright owner (licensor) and licensee, which are necessary under an "all rights reserved" copyright management, with a "some rights reserved" management employing standardized licenses for re-use cases where no commercial compensation is sought by the copyright owner. The result is an agile, low-overhead and low-cost copyright-management regime, profiting both copyright owners and licensees. Wikipedia uses one of these licenses.

Kevin MacLeod

Kevin MacLeod or Kevin McLeod may refer to:

See also