Orchestral suites (Bach)

The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that "Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written";Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a "Monsieur Schouster," presumably for a fee, so all three may attest to the form's popularity.

Piano Suite No. 2 (Enescu)

The Suite No. 2 for piano, Op. 10, is the second composed by George Enescu between 1901 and 1903, being written in 1903 in Paris. It was published in 1904, and is dedicated to Louis Diémer.

The Toccata was written starting in 1901 and completed by three other movements for presentation at a competition in 1903, in which it won first prize. The judges included, notably, Claude Debussy and Vincent d'Indy. It is a composition that shows a French-style neoclassicism, the musician himself recognizing the influence of Debussy, but Enescu's Romanian folklore is not absent, rather, unobtrusive.

Divided into four parts, a performance requires about twenty minutes.

External links

Number Two

Number Two, No. 2, or similar may refer to:

Film

Television

Music

B minor

B minor is a minor scale consisting of the pitches B, C♯, D, E, F♯, G, and A. Its key signature consists of two sharps. The harmonic minor raises the note A to A♯. Changes needed for the melodic and harmonic versions of the scale are written with accidentals as necessary.

Its relative major is D major, and its parallel major is B major.

Christian Friedrich Daniel Schubart (1739–1791) regarded B minor as a key expressing a quiet acceptance of fate and very gentle complaint, something commentators find to be in line with Bach's use of the key in his St John Passion. By the end of the Baroque era, however, conventional academic views of B minor had shifted: Composer-theorist Francesco Galeazzi (1758–1819) opined that B minor was not suitable for music in good taste. Beethoven labelled a B minor melodic idea in one of his sketchbooks as a "black key". Brahms, Dvořák, Schubert, Liszt, Chopin, Borodin, and Tchaikovsky all wrote significant works in B minor.

Notable compositions in B minor

Orchestral Suite No. 2 (Tchaikovsky)

Pyotr Ilyich Tchaikovsky composed his Orchestral Suite No. 2 in C major, Op. 53, in 1883. It was premiered on February 16, 1884 at a Russian Musical Society concert in Moscow, conducted by Max Erdmannsdörfer. The piece was well enough received to be repeated a week later. It is dedicated to his brother Anatoly's wife, Praskovya Vladimirovna Tchaikovskaya.

Structure

The suite is written in five movements.