- published: 27 Jul 2011
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The Tree of Jesse is a depiction in art of the ancestors of Christ, shown in a tree which rises from Jesse of Bethlehem, the father of King David and is the original use of the family tree as a schematic representation of a genealogy. It originates in a passage in the biblical Book of Isaiah which describes metaphorically the descent of the Messiah, and is accepted by Christians as referring to Jesus. The various figures depicted in the lineage of Jesus are drawn from those names listed in the Gospel of Matthew and the Gospel of Luke.
The subject is often seen in Christian art, particularly in that of the Medieval period. The earliest example dates from the 11th century and in an illuminated manuscript. There are many examples in Medieval psalters, because of the relation to King David, son of Jesse, and writer of the Psalms. Other examples are in stained glass windows, stone carvings around the portals of medieval cathedrals and painting on walls and ceilings. The Tree of Jesse also appears in smaller art forms such as embroideries and ivories.
Floruit (/ˈflɔərjᵿ.ɪt/ or /ˈflɒrᵿ.ɪt/), abbreviated fl. (or occasionally, flor.), in Latin meaning "he/she flourished", denotes a date or period during which a person was known to have been alive or active. In English, the word may also be used as a noun indicating the time when someone "flourished".
Floruit is the 3rd person perfect of the Latin verb floreo "to bloom, flower", from the Latin noun flos, floris, "a flower".
Broadly, the term is employed in reference to the peak of activity for a person, movement, or such. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when he or she was alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as, "John Jones (fl. 1197–1229)".
The term is often used in art history when dating the career of an artist. In this context, it specifically denotes the period of the individual's artistic activity, not just the known existence of the artist, which might differ significantly.
Ensemble Organum is a group performing early music, co-founded in 1982 by Marcel Pérès and is based in France. Its members have changed, but have included at one time or another, Josep Cabré, Josep Benet, Gérard Lesne, Antoine Sicot, Malcolm Bothwell. They have often collaborated with Lycourgos Angelopoulos and are influenced by Orthodox music.
The group mainly focuses on the performance of music from the Middle Ages, including Beneventan, Old Roman, Gallican, Carolingian and Mozarabic chants. However, the repertoire includes renaissance polyphony as well as more recent works.
The ensemble was formerly based at Sénanque Abbey and Royaumont Abbey. Since 2001 it has shared facilities in the precinct of Moissac Abbey with the Centre itinérant de recherche sur les musiques anciennes (Centre for Itinerant Research of Medieval and Early Music). In addition to musical performance, the ensemble also works with musicologists and historians on musical research from this period.
Anton Bruckner (German: [ˈantɔn ˈbʀʊknɐ]; (1824-09-04)4 September 1824 – 11 October 1896(1896-10-11)) was an Austrian composer known for his symphonies, masses, and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies.
Unlike other musical radicals such as Richard Wagner and Hugo Wolf who fit the enfant terrible mould, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music.
His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick, and other supporters of Johannes Brahms who pointed to their large size and use of repetition, as well as to Bruckner's propensity for revising many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers including his friend Gustav Mahler, who described him as "half simpleton, half God".
Jesse /ˈdʒɛs.iː/,Isai or Yishai (Hebrew: יִשַׁי, Modern Yishay, Tiberian Yīšáy, meaning "God exists" or "God's gift"; Arabic: يَسَّى Yassa; Syriac: ܐܝܫܝ Eshai; Greek: Ἰεσσαί Iessai; Latin: Isai, Jesse) is the father of David, who became the king of the Israelites. His son David is sometimes called simply "Son of Jesse" (Ben Yishai).
Jesse was the son of Obed and the grandson of Ruth and of Boaz. He lived in Bethlehem, in Judah, and was of the Tribe of Judah, he was a farmer, breeder and owner of sheep. He was a prominent resident of the town of Bethlehem. Jesse is important in Judaism because he was the father of the most famous King of Israel. He is important in Christianity, in part because he is in the Old Testament and mentioned in the genealogy of Jesus. Later rabbinic traditions name him as one of four ancient Israelites who died without sin, the other three being Benjamin, Chileab and Amram.
Johann Sebastian Bach (1685~1750) Magnificat, Es-dur, BWV 243a (First Version, 1723) 13. Virga Jesse floruit Deborah York (soprano) Klaus Mertens (baritone) Amsterdam Baroque Orchestra & Choir Ton Koopman (conductor)
Johann Sebastian Bach (1685 - 1750): MAGNIFICAT (BWV 243a) Bach's Magnificat is a musical setting of the biblical canticle Magnificat. It is scored for five vocal parts (two sopranos, alto, tenor and bass), and a Baroque orchestra including trumpets and timpani. Bach composed his first version of the Magnificat in 1723 for the Christmas service in Leipzig (his first Christmas there). This work is in E flat major. According to an old Leipzig Christmas custom, the Magnificat text was interpolated with 4 "lauds" (hymns in Latin and German), and Bach sets the same 4 texts (and in the same order) as his predecessor as Thomaskantor in Leipzig (Johann Kuhnau) had done. The fourth laud "D" is the last verse of Paul Eber's hymn with same beginning "Virga Jesse floruit" (written 1570). It is a d...
Anton Bruckner (1824 - 1896), "Virga Jesse floruit", Motette für vierstimmigen gemischten Chor a cappella (WAB 52). Virga Jesse floruit, aus dem "Commune festorum Beatrae Mariae Virginis", hier bringt Bruckner in der Textpassage "Virgo Deum et hominem genuit" Effekte der unmittelbaren Entfaltung in Akkorden weiter Lage zu Gehör, die sich aus dem Unisono entwickeln. In großem Fortissimo wird die Tragweite und Größe des Ausgesagten zum Ausdruck gebracht, die nach einer Generalpause in einer leisen und völlig gegensätzlichen Musik endet. Bruckner selbst dirigierte die Uraufführung am 8. Dezember 1885, dem "Hochfest der ohne Erbsünde empfangenen Jungfrau und Gottesmutter Maria". Der Bachchor Gütersloh singt hier zum Weihnachtskonzert 2015.
From Ensemble Organum's 1993 release entitled 'Graduel d'Aliénor de Bretagne' (Plain-chant et polyphonies des XIIIe & XIVe siècles). Recording site: Grand Réfectoire de L'Abbaye de Fontevraud.
Große Weihnachtsrunde 2010 in Bunde Der Schulchor des Ubbo Emmius Gymnasiums (UEG) singt Virga Jesse Floruit von Anton Bruckner
Virga Jesse Floruit - Musik RG Salzburg Akademiestraße , Weihnachtskonzert 2010 - Christuskirche, Oberstufenchor - Unterstufenchor
Discantus - Brigitte Lesne, dir. : Campus Stellae: Saint-Martial de Limoges / Santiago de Compostela Laurence Brisset, Claire Jéquier, Lucie Jolivet, Emmanuelle Gal, Anne Guidet, Brigitte Le Baron, Brigitte Lesne, Caroline Magalhaes, Catherine Schroeder, Catherine Sergent
From the Graduel d'Aliénor de Bretagne, XII-XIII century. performed by the Ensemble Organum. Vocals – Anne Duperray, Gilberte Casabianca, Laurence Brisset, Malcolm Bothwell, Marie-France Leclercq, Nicole Casalonga, Pascale Poulard, Valérie Gabriel. Vocals, Directed By – Marcel Pérès. Recorded at Grand Réfectoire de l'Abbaye Royale de Fontevraud in November 1991.
Oh, oh, oh, oh, sometimes I get a good feeling, yeah
I get a feeling that I never, never, never, never had
before, no-no
I get a good feeling, yeah
Oh, oh, sometimes I get a Good Feeling, yeah
I get a feeling that I never, never, never, never had
before, no-no
I get a good feeling, yeah
Yes I can, doubt that I leave, but I'm a Run away with this plan
Pull me, grab me, crabs in the bucket can't have me
I'll be the President one day; January first
Hope you like that gossip
Like you the one drinkin’ what God sip
now come, now I gotta work with your tongue
How many rolling stones you want
yeah, I got a brand new Spirit
I speak and it's done
Woke up on the side of the bed, like I won
Talk to my chest, yeah it's on
G5 dealer, US to Taiwan
I wouldn't say that, I wanna playback
Mama knew I was a needle in a haystack
I was a naughty boy, just laid back
I gotta feelin this a rap ASAP
Oh, oh, sometimes I get a good feeling, yeah
I get a feeling that I never, never, never, never had
before, no-no
I get a good feeling, yeah
Oh, oh, sometimes I get a good feeling, yeah
I get a feeling that I never, never, never, never had
before, no-no
I get a good feeling-feeling-feeling-feeling-fe-fe-fe-feeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
The mountain top, walk on water
I got power, feel so royal
One second, Im'a strike oil
Diamond, Platinum, no more work you
Got adrenaline’, never giving in
Giving up's not an option, gotta get it in
Well, at least I got the heart of twenty men
No fear, go to sleep in the lion's den, then
That Flow, that Spark, that Crown
You lookin’ at the King of the jungle now
Stronger than ever, can't hold me down
A hundred mile feelin', coming from the pitcher's mound
Straight game face, it's game day
See me running through the crowd full of melee
No trick plays, I'm Bill gates
Takes a genius to understand me
Oh, oh, sometimes I get a revealing, yeah
I get a feeling that I never, never, never, never had
before, no-no
I get a good feeling, yeah
Oh, oh, sometimes I get a good feeling, yeah
I get a feeling that I never, never, never, never had
before, no-no
I get a re-v, v, v, v, v, v, v, v, v, v, v, v, v, v, v,
v, v, v, v, v…
Good feelin', good feelin'
I know you got the good feelin'
Let's get it, let's get it
Gotta love the life that we live in
Let's get it, let's get it
I know you got the good feelin'
Let's get it, let's get it
Gotta love the life that we live in
Oh, oh, sometimes I get a good feeling, yeah
I get a feeling that I never, never, never, never had
before, no-no
I get a good feeling, yeah
Oh, oh, sometimes I get a revealing, yeah
I get a feeling that I never, never, never, never had
before, no-no
I get a good feeling, yeah
Oh, oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh, oh
Oh, oh, oh, oh, sometimes I get a good feeling