- published: 29 Apr 2011
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Benozzo Gozzoli (c. 1421 – 1497) was an Italian Renaissance painter from Florence. He is best known for a series of murals in the Palazzo Medici-Riccardi depicting festive, vibrant processions with fine attention to detail and a pronounced International Gothic influence.
He was born Benozzo di Lese in the village of Sant'Ilario a Colombano around 1421, and moved with his family, including the painters Francesco, Gerolamo, and Alesso di Benozzo, to Florence in 1427. According to Giorgio Vasari, in the early part of his career he was a pupil and assistant of Fra Angelico: some of the works in the convent of San Marco of Florence were executed by Gozzoli from Angelico's design. In 1444-1447 he collaborated with Lorenzo Ghiberti and his studio on the Paradise Doors of the Battistero di San Giovanni.
On May 23, 1447 Gozzoli was in Rome with Fra Angelico, called by Pope Eugene IV to carry out the fresco decoration of a chapel in the Vatican Palace. Later the two worked until June 1448 in the Cappella Niccolina for Nicholas V. From 1449 is a banner with Madonna and Child in the church of Santa Maria sopra Minerva, perhaps designed by Angelico. In Rome he executed also, in Santa Maria in Aracoeli, a fresco of St Anthony and Two Angels. Benozzo's last collaboration with Angelico is the vault of the Duomo di Orvieto in Umbria.
The Palazzo Medici, also called the Palazzo Medici Riccardi after the later family that acquired and expanded it, is a Renaissance palace located in Florence, Italy. It is the seat of the Metropolitan City of Florence.
The palace was designed by Michelozzo di Bartolomeo for Cosimo de' Medici, head of the Medici banking family, and was built between 1444 and 1484. It was well known for its stone masonry includes rustication and ashlar. The tripartite elevation used here expresses the Renaissance spirit of rationality, order, and classicism on human scale. This tripartite division is emphasized by horizontal stringcourses that divide the building into stories of decreasing height. The transition from the rusticated masonry of the ground floor to the more delicately refined stonework of the third floor makes the building seem lighter and taller as the eye moves upward to the massive cornice that caps and clearly defines the building's outline.
Michelozzo di Bartolomeo was influenced in his building of this palace by both classical Roman and Brunelleschian principles. During the Renaissance revival of classical culture, ancient Roman elements were often replicated in architecture, both built and imagined in paintings. In the Palazzo Medici Riccardi, the rusticated masonry and the cornice had precedents in Roman practice, yet in totality it looks distinctly Florentine, unlike any known Roman building.
The House of Medici (/ˈmɛdᵻtʃi/ MED-i-chee; Italian pronunciation: [ˈmɛːditʃi]) was an Italian banking family, political dynasty and later royal house that first began to gather prominence under Cosimo de' Medici in the Republic of Florence during the late 14th century. The family originated in the Mugello region of the Tuscan countryside, gradually rising until they were able to fund the Medici Bank. The bank was the largest in Europe during the 15th century, seeing the Medici gain political power in Florence — though officially they remained citizens rather than monarchs.
The Medici produced four Popes of the Catholic Church—Pope Leo X (1513–1521), Pope Clement VII (1523–1534), Pope Pius IV (1559–1565), and Pope Leo XI (1605); two regent queens of France—Catherine de' Medici (1547–1559) and Marie de' Medici (1600–1610); and, in 1531, the family became hereditary Dukes of Florence. In 1569, the duchy was elevated to a grand duchy after territorial expansion. They ruled the Grand Duchy of Tuscany from its inception until 1737, with the death of Gian Gastone de' Medici. The grand duchy witnessed degrees of economic growth under the earlier grand dukes, but by the time of Cosimo III de' Medici, Tuscany was fiscally bankrupt.
Hong Kong (香港; "Fragrant Harbour"), officially Hong Kong Special Administrative Region of the People's Republic of China, is an autonomous territory on the southern coast of China at the Pearl River Estuary and the South China Sea. Hong Kong is known for its skyline and deep natural harbour. It has a land area of 1104 km2 and shares its northern border with Guangdong Province of Mainland China. With around 7.2 million inhabitants of various nationalities, Hong Kong is one of the world's most densely populated metropolises.
After the First Opium War (1839–42), Hong Kong became a British colony with the perpetual cession of Hong Kong Island, followed by Kowloon Peninsula in 1860 and a 99-year lease of the New Territories from 1898. Hong Kong remained under British control for about a century until the Second World War, when Japan occupied the colony from December 1941 to August 1945. After the Surrender of Japan, the British resumed control. In the 1980s, negotiations between the United Kingdom and the China resulted in the 1984 Sino-British Joint Declaration, which provided for the transfer of sovereignty of Hong Kong on 30 June 1997. The territory became a special administrative region of China with a high degree of autonomy on 1 July 1997 under the principle of one country, two systems. Disputes over the perceived misapplication of this principle have contributed to popular protests, including the 2014 Umbrella Revolution.
San Lorenzo is the Italian and Spanish name for Saint Lawrence, the 3rd-century Christian martyr, and may refer to:
Il palazzo Medici-Riccardi fu commissionato al Michelozzo nel 1444 dal patriarca dei Medici, Cosimo il Vecchio, e nacque in un luogo strategico all'incrocio fra la Via Larga (l'attuale via Cavour) e via de' Gori, vicinissimo alle chiese protette dalla famiglia (San Lorenzo e San Marco) ed al Duomo. Tutta la zona viene per questo chiamata "Quartiere mediceo". Dopo vari passaggi di proprietà all'interno dei componenti della famiglia dei Medici, a metà del Seicento il Palazzo passò al granduca Ferdinando II il quale, ormai residente nello sfarzoso Palazzo Pitti, decise di venderlo, nel 1659, ad una ricca famiglia di banchieri amici, i Riccardi. La famiglia dei Riccardi visse nel palazzo per circa due secoli. Nel 1810 fu venduto ai Lorena che l'adibirono a uffici amministrativi. Con l'unificaz...
Antonio Paolucci presenta a Montefalco la mostra dedicata alla pala della Madonna della Cintola di Benozzo Gozzoli ospitata presso la Chiesa di San Francesco nella cui abside si trovano le Storie di San Francesco dipinte dallo stesso Gozzoli
il ciclpo degli affreschi sulla vita di Sant'agostino
Il ciclo di affreschi più prezioso di Palazzo Medici Riccardi
La Cappella dei Magi a Palazzo Medici Riccardi - per secoli abitazione della famiglia Medici a Firenze - è un capolavoro della pittura del XV secolo dovuto al pennello di Benozzo Gozzoli. Fu infatti a lui che i Medici commissionarono l'opera nel 1459. Benozzo Gozzoli rappresentò così un immaginario viaggio dei Re Magi nel tratta tra Gerusalemme (la città fortificata bianca in alto) e Betlemme: quest'ultima non rappresentata fisicamente ma collocata nell'abside dove si trova un Madonna con Bambino di Filippo Lippi (copia) contornata da angeli dipinti da Benozzo Gozzoli nello stile del suo maestro, il Beato Angelico. In realtà, però, lo splendido corteo dei magi venne anche utilizzato da Benozzo per rappresentare Casa Medici in tutto il suo splendore. Infatti, nel corteo si riconoscono i rit...
Gerardo de Simone - curatore della mostra Benozzo Gozzoli a San Gemignano - racconta l'attività artistica sviluppata dal maestro fiorentino negli anni della sua permanenza a San Gimignano. Il grande ciclo dedicato a Sant'Agostino, gli affreschi dedicati a San Sebastiano protettore dalla peste, le grandi pale d'altare ma anche le opere di "arti applicate" realizzate insieme alla sua bottega. In particolare, l'attenzione di accentra sulla tavola "Madonna col Bambino e angeli tra i santi Giovanni Battista, Maria Maddalena, Agostino e Marta" la quale, in occasione della mostra, è stata ricomposta per la prima volta nella sua interezza grazie ai frammenti di predella oggi divisi tra i musei di Brera, Avignone e Madrid. Leggi anche su www.salutepiu.info l'articolo dedicato alla mostra http://www...
Benozzo Gozzoli (c. 1421 -- 1497) was an Italian Renaissance painter from Florence. He is best known for a series of murals in the Palazzo Medici-Riccardi depicting festive, vibrant processions with fine attention to detail and a pronounced International Gothic influence. He was born Benozzo di Lese in the village of Sant'Ilario a Colombano around 1421, and moved with his family, including the painters Francesco, Gerolamo, and Alesso di Benozzo, to Florence in 1427. According to Giorgio Vasari, in the early part of his career he was a pupil and assistant of Fra Angelico: some of the works in the convent of San Marco of Florence were executed by Gozzoli from Angelico's design. In 1444 -1447 he collaborated with Lorenzo Ghiberti and his studio on the Paradise Doors of the Battistero di San G...
Inaugura oggi, presso la Pinacoteca di San Gimignano, la mostra "Benozzo Gozzoli a San Gimignano". La mostra sarà visitabile fino al primo novembre prossimo.
Technical details: Fresco and secco (tempera and oil) painting. Measurements: east wall: 405 x 516 cm, upper section; 135 x 516 cm, painted dado; south wall: 405 x 406 cm, upper section (with some interruptions on account of the leaded window, the upper oculus and the old entrance door); 154 x 168 cm, painted dado; part of south wall, portion with current entrance door: 405 x 162 cm, upper section; 154 x 162 cm, painted dado; part of west wall, portion moved forward: 405 x 168 cm, upper section; 154 x 168 cm, painted dado; remainder of west wall: 405 x 354 cm, upper section; 154 x 354 cm, painted dado; small wall sections at the sides of the scarsella, each: 405 x 101 cm, upper section; 244 x 101 cm area of entrance door to the sacristies (greatest width); side walls of the scarsella respe...
http://www.artehistoria.com/ciudades/videos/468.htm En la via Larga de Florencia se levanta, majestuoso, el Palazzo Médici, construido a mediados del siglo XV por Michelozzo por encargo de Cosme el Viejo. Una de sus piezas capitales es la Capilla, pintada al fresco por Benozzo Gozzoli. El eje de la estancia es la Adoración del Niño, cuadro pintado por Filippo Lippi, hacia el que se dirige el amplio cortejo de los Reyes Magos para adorarle. Más información en http://www.artehistoria.com/ciudades/videos/468.htm Suscríbete a nuestro canal : ▶ http://bit.ly/10rPVgk Síguenos en: ▶ https://www.facebook.com/artehistoria ▶ http://pinterest.com/artehistoria/ ▶ https://twitter.com/ArteHistoriaCom ▶ http://www.youtube.com/artehistoriacom/ ArteHistoria : la web del Arte y la Cultura en españo...
Conteur bonhomme et minutieux, BeGo chante la vie sous toutes ses formes.
In De Collectie Twee van Museum Boijmans Van Beuningen heeft de collectie prenten en tekeningen een belangrijke plaats gekregen. Meestal is deze kwetsbare collectie vrijwel niet toegankelijk voor het publiek. Senior conservator prenten en tekeningen Albert Elen toont een klein zaaltje aan het begin van De Collectie Twee. Het betreft Italiaanse schilderijen, prenten en tekeningen uit de 15de eeuw. Elen staat stil bij de wereldberoemde prent ‘Gevecht van naakte mannen’ van Antonio del Pollaiolo, die als hoogtepunt van de Renaissance wordt gezien. Hoewel de schrijver Vasari in de 16de eeuw beweerde dat Pollaiolo meerdere prenten heeft gemaakt, wordt aangenomen dat dit de enige is van zijn hand. Verder toont Elen bijzonder werk van Fra Angelico en Benozzo Gozzoli.
Il progetto #Caprai4love si inserisce all'interno dell'aspetto SOCIALE avente come struttura la realizzazione di una serie di azioni e di pratiche volte al raggiungimento di valori " IMMATERIALI". Il progetto #Caprai4love del 2013 è stato incentrato sul connubio culturale dove al centro c'era la figura di Benozzo Gozzoli , pittore molto importante per la cittadinanza di Montefalco ma soprattutto legame imprescindibile con il filone "enologico". Il progetto mira a ragionare con il "cuore", quel cuore aziendale che parla di valori immateriali e come dice Marco Caprai "_ ritroviamo nella tavola del Beato Angelico la punta più alta dei valori spirituali che "l'azienda Arnaldo Caprai e Cruciani "_ dovranno sempre più "abbracciare" vista la continua evoluzione a tali dinamiche nel mondo dei con...
Atlas of World Architecture 512 pages size : 240 x 330mm • hard cover • color English ISBN: 978-988-19740-9-9 Order form: http://www.beisistudio.com/Site/DMBnews_files/order-DMBooks.pdf This book features the following projects:- 20th St. Offices 16 41 Cooper Square 24 44 Social Housing Tauste (Zaragoza) 310 77/32, Gurgaon 192 322 A Street Office and Manufacturing Facility 26 650 apartments, Ljubljana 464 2010 Shanghai EXPO – Shanghai Corporate Pavilion 114 7800 Cesme Residences & Hotel 226 Aatrial House 334 Abertis Headquarters 292 Abu Dhabi Investment Authority 208 Adelaide Central Bus Station 490 Advice–House 238 Agora Theatre 446 Akasaka Phoenix 170 ALSACIA 74 A.M. Celaya 64 Andel’s Hotel lodz 342 Anglesea House 498 Antas Educative Centre 316 Archeological Museum of Álava 296 Ari...
Quelques salles du Palazzo Medici sont ouvertes au public comme la chapelle où l'on peut admirer "Le cortège des mages" de Benozzo Gozzoli ou encore la salle des miroirs peinte par Luca Giordano. L'intérieur de l'église San Lorenzo décoré par de grands artistes de la renaissance tranche singulièrement avec sa façade restée à l'état brut. Non loin de là se tient le Mercato Centrale, une belle vitrine pour les produits et spécialités alimentaires de l'Italie, impeccablement mis en valeur dans de bien jolies boutiques.
The house is located in the historical center, just along the ancient Via Francigena, the way leading from France to Rome since the Middle Ages. Nearby this ancient junction in 1283 was born the hospital for travelers, called "Donna Nobile" from which it takes its name. The property has an enviable position being 80m from the main road and 200m from the main attractions of the town the Convent of St. Agostino with frescoes by Benozzo Gozzoli, the church of San Jacopo founded by the Knights Templar, Piazza della Cisterna, and Piazza del Duomo with the Town Hall, the "Pharmacy of Santa Fina" Museum, the Art Gallery, the Museum of Torture and many others.
The Renaissance begins in Italy and is an invention of the Florentines. This seminar is an examination of the art, architecture, sculpture, literature, and history of the republic of Florence during its period of greatest importance to world history. From the mid-14th to the late 15th century, Florence was the center of a cultural movement that has become the definition of the modern world. We will begin by examining the first glimmerings in the frescoes of Giotto, the literary works of Petrarch and Boccaccio, the sculptural work of Donatello and Ghiberti, and the architecture and engineering of Brunelleschi. We will study the dynamics of the network of thinkers at the court of Lorenzo de’Medici, including Poliziano, Marsilio Ficino, Pico della Mirandola, and Botticelli. As artistic ex...
Palazzo Medici Riccardi is one of the most important museums in Florence: in its small chapel, it hosts the famous fresco La cavalcata dei magi (The Journey of the Magi) by Benozzo Gozzoli (1421–1497). The Point At system’s goal is to stimulate the visitors to interact with a digital version of the fresco and, at the same time, make them interact in the same way they will in the chapel, reinforcing their real experience with the fresco.
Si sa che il calendario cristiano, in Oriente ed in Occidente, da epoca antichissima, dedica il giorno 6 gennaio, dodicesimo dopo il Natale, alla festa dell'EPIFANIA. Questa parola, di origine greca, significa "manifestazione". Si riferisce all'episodio narrato dal Vangelo secondo Matteo (2,12) della visita di "alcuni Magi" a Gesù appena nato; a loro, sebbene pagani, egli si manifesta come Messia d'Israele, e, sia pure indirettamente, come Figlio di Dio. A Firenze, per tutto il XV° secolo, fu la Confraternita o "Compagnia" dei Magi (detta anche "La stella", con riferimento all'astro guida di cui parla il Vangelo), ad organizzare ogni tre anni (dal 1447 ogni cinque) un solenne corteo con fastoso apparato, che intendeva, appunto, rievocare l'arrivo dei tre saggi stranieri nella piccola Betle...
La série des Agrigente constitue l'acmé de l'œuvre de Nicolas de Staël : éblouissante, flamboyante, audacieuse, elle incendie le regard du spectateur.