Kinky, brilliant homage with no weak link
Jen Silverman's The Moors is a scintillating engagement with the Brontë sisters that flits between gothic spoof, fen-sucked fabulism and queer bodice-ripper.
Jen Silverman's The Moors is a scintillating engagement with the Brontë sisters that flits between gothic spoof, fen-sucked fabulism and queer bodice-ripper.
MTC's Macbeth feels more like an action movie with supernatural themes than one of theatre's great tragedies
New Theatre picks up a gem in Sarah Ruhl's Pulitzer-shortlisted comedy. All that's needed is a little more polish.
This play about an Indigenous experiment has modern resonance.
Julie Andrews on the sexism in My Fair Lady, Donald Trump and cuts she finds 'mind-boggling'.
Sarah Ruhl's witty play about dealing with mess is the latest coup at Newtown's long-running New Theatre.
This Nutcracker moves fluidly through time, as an elderly Clara remembers her youth as a young ballerina in Russia, the heartbreak of love lost on a battlefield, and her eventual, bewildered arrival in Australia.
Sound is visualised through the dancers' movements, which range from lingering embraces to tapping and daggy dancing.
Sydney Dance Company continues to amaze with its with its passion and power.
Julie Andrews on the sexism in My Fair Lady, Donald Trump and cuts she finds 'mind-boggling'.
The path to Broadway stardom is well-trodden.
An all-star new production of Alex Harding's gay musical reaffirms its place in the canon of Australian queer theatre.
This is a concert of unflagging interest and intellect from two distinctive younger voices and an enduring work from a venerated master.
Economic exigency has dictated shorter and less adventurous OA Melbourne seasons recently, but this co-production with Covent Garden was refreshing.
Shining performances and some interesting artistic choices make this a splendid double bill from Opera Australia. ★★★★½
Kathy Griffin's latest stunt has backfired spectacularly, drawing ire from progressives and conservatives alike.
US President Donald Trump wasn't there to roast in person at the White House correspondents' dinner, but that didn't stop the evening's entertainer, Hasan Minhaj.
What could be more provocative than prancing around naked on stage? Talking back to critics.
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