- published: 20 Oct 2012
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Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and over three hundred cantatas of which around two hundred survive. His music is revered for its technical command, artistic beauty, and intellectual depth.
Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.
Bach was born in Eisenach, in the duchy of Saxe-Eisenach, into a great musical family. His father, Johann Ambrosius Bach, was the director of the town musicians, and all of his uncles were professional musicians. His father probably taught him to play the violin and harpsichord, and his brother, Johann Christoph Bach, taught him the clavichord and exposed him to much contemporary music. Apparently at his own initiative, Bach attended St. Michael's School in Lüneburg for two years. After graduating, he held several musical posts across Germany: he served as Kapellmeister (director of music) to Leopold, Prince of Anhalt-Köthen, and as Thomaskantor in Leipzig, a position of music director at the main Lutheran churches and educator at the Thomasschule. He received the title of "Royal Court Composer" from Augustus III in 1736. Bach's health and vision declined in 1749, and he died on 28 July 1750.
There are over 1000 known compositions by Johann Sebastian Bach. Nearly all of them are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.
The earliest lists of Bach's compositions are given by his biographers, starting from his obituary which gives a list of instrumental works printed during the composer's lifetime (from Clavier-Übung I to The Art of Fugue), followed by a list which groups other types of compositions he wrote. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same setup: its ninth chapter first lists printed works (adding four-part chorales that were published in the second half of the 18th century), followed by a rough overview of the unpublished ones. In the first half of the 19th century more works were published, so the next biographies (Schauer and Hilgenfeldt in 1850) had more elaborate appendices listing printed works, referring to these works by publisher, and the number or page number given to the works in these publications. So, for example, the Prelude and Fugue in E-flat major can be indicated as "C. F. Peters Vol. III No. 1", or any of the variants ("Griepenkerl and Roitzsch Vol. 3 p. 2", "Peters Book 242 p. 2", "P. S. V., Cah. 3 (242), No. 1", etc.)
Elizabeth Sombart is a French pianist, born in Strasbourg.
Sombart began studying the piano at the age of seven. She entered the Strasbourg Conservatory and her first public performance was at the age of 11. After having gained first prize at the National Piano and Chamber Music Awards she left France to study in Buenos Aires with Bruno Leonardo Gelber; subsequently she studied with Peter Feuchtwanger in London, then Hilde Langer-Rühl in Vienna.
In the following 10 years, Sombart worked with Sergiu Celibidache at the University of Mayence. In 1998 she founded Fondation Résonnance, subsequently established in several countries, which offers free classical music education. From 2011, she taught at Conservatoire Rachmaninoff. In 2015, she played with the Royal Philharmonic Orchestra in London, UK.
In 2006, Elizabeth Sombart was awarded the rank of Chevalier de l'Ordre National du Mérite for Lifetime Achievement, and in 2008 was made a Chevalier de l'Ordre des Arts et des Lettres.
A surname or family name is a name added to a given name. In many cases, a surname is a family name and many dictionaries define "surname" as a synonym of "family name". In the western hemisphere, it is commonly synonymous with last name because it is usually placed at the end of a person's given name.
In most Spanish-speaking and Portuguese-speaking countries, two or more last names (or surnames) may be used. In China, Hungary, Japan, Korea, Madagascar, Taiwan, Vietnam, and parts of India, the family name is placed before a person's given name.
The style of having both a family name (surname) and a given name (forename) is far from universal. In many countries, it is common for ordinary people to have only one name or mononym.
The concept of a "surname" is a relatively recent historical development, evolving from a medieval naming practice called a "byname". Based on an individual's occupation or area of residence, a byname would be used in situations where more than one person had the same name.
The six Cello Suites, BWV 1007 to 1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed and recognizable solo compositions ever written for cello. Bach most likely composed them during the period 1717–23, when he served as a Kapellmeister in Köthen. The title of the Anna Magdalena Bach manuscript was Suites á Violoncello Solo senza Basso (Suites for cello solo without bass).
These suites for unaccompanied cello are remarkable in that they achieve the effect of implied three- to four-voice contrapuntal and polyphonic music in a single musical line. As usual in a Baroque musical suite, each movement is based around a baroque dance type; the cello suites are structured in six movements each: prelude, allemande, courante, sarabande, two minuets or two bourrées or two gavottes, and a final gigue. The Bach cello suites are considered to be among the most profound of all classical music works.Wilfrid Mellers described them in 1980 as "Monophonic music wherein a man has created a dance of God."
1. BWV 525 — Organ Sonata No.1 in E-flat major - The Chapel of New College Oxford 2. BWV 526 — Organ Sonata No.2 in C minor - Cathedral at Ratzeburg Germany 3. BWV 527 — Organ Sonata No.3 in D minor - The Chapel of Knox Grammar School Sydney Australia 4. BWV 528 — Organ Sonata No.4 in E minor - DTTO 5. BWV 529 — Organ Sonata No.5 in C major - DTTO 6. BWV 530 — Organ Sonata No.6 in G major - Cathedral at Ratzeburg Germany Picture in video: OXFORD
From the protestant church Trogen in Switzerland Choir and Orchestra of the J. S. Bach Foundation Rudolf Lutz - conductor Soloists Alex Potter - alto Julius Pfeifer - tenor Dominik Wörner - bass Johann Sebastian Bach - Cantata BWV 66 "Erfreut euch, ihr Herzen" (Rejoice, all ye spirits) 0:55 I. Chorus (and alto, tenor): Erfreut euch, ihr Herzen 10:01 II. Recitative (bass): Es bricht das Grab und damit unsre Not 10:33 III. Aria (bass): Lasset dem Höchsten ein Danklied erschallen 17:08 IV. Duet recitative (alto, tenor): Bei Jesu Leben freudig sein 21:20 V. Aria (alto, tenor): Ich furchte zwar/nicht des Grabes Finsternisse 28:20 VI. Chorale: Alleluja! alleluja! alleluja! Link to the DVD booklet: https://www.bach-streaming.ch/downloadable/download/sample/sample_id/68/ Subscribe to our chann...
J.S. Bach Cello Suites No.1-6 BWV 1007-1012, Ralph Kirshbaum 1. Cello Suite No.1 in G major BWV 1007 0:00-18:07 Prelude Allemande Courante Sarabande Minuet Gigue 2. Cello Suite No.2 in D minor BWV 1008 18:07-38:02 Prelude Allemande Courante Sarabande Minuet Gigue 3. Cello Suite No.3 in C major BWV 1009 38:02-1:00:39 Prelude Allemande Courante Sarabande Bourree Gigue 4. Cello Suite No.4 in E flat major BWV 1010 1:00:39-1:24:47 Prelude Allemande Courante Sarabande Bourree Gigue 5. Cello Suite No.5 in C minor BWV 1011 1:24:47-1:51:02 Prelude Allemande Courante Sarabande Gavotte Gigue 6. Cello Suite No.6 in D major BWV 1012 1:51:02 Prelude Allemande Courante Sarabande Gavotte Gigue Painting: Jean Raoux, Orpheus and Eurydice, Oil on Canvas, 1709
Johann Sebastian Bach Concerto for Flute, Violin, Harpsichord, Strings and Continuo in A minor BWV 1044: 1. Allegro 0:15 2. Adagio, ma non tanto e dolce 8:11 3. Alla breve 13:03 I Barocchisti Duilio Galfetti [violin] Stefano Bet [flute] Francesco Cera [harpsichord] Diego Fasolis [conductor]
Toccata in F-Sharp Minor, BWV 910 - 0:03 Toccata in C Minor, BWV 911 - 11:46 Toccata in D Major, BWV 912 - 23:03 Toccata in D Minor, BWV 913 - 37:07 Toccata in E Minor, BWV 914 - 54:04 Toccata in G Minor, BWV 915 - 1:02:40 Toccata in G Major, BWV 916 - 1:11:26
Choralvorspiel - Ich ruf zu dir, Herr Jesu Christ f-moll BWV 639 Aus dem „Orgelbüchlein" (BWV 599-644) Chorale prelude - I call to thee, Lord Jesus Christ F minor BWV 639 from the "Little Organ Book" (BWV 599-644) composed by J.S. Bach (1685-1750) performed by Wolfgang Zerer, organ Bach - BWV 599-644 - Little Organ Book http://www.youtube.com/view_play_list?p=4532C343606BE0C8 Bach - BWV 645-650 - Schübler Chorales http://www.youtube.com/view_play_list?p=6B588CECF816A9B6 Bach - BWV 651-668 - Leipzig Chorales http://www.youtube.com/view_play_list?p=2C2EB2EC7B65F072 Bach - BWV 669-689 - Clavier-Übung 3.Teil http://www.youtube.com/view_play_list?p=271234B965C91002 Bach - BWV 690-713 - Kirnberger Chorales http://www.youtube.com/view_play_list?p=0236250D17FBBE...
Passacaglia & thema fugatum c-moll / C minor BWV 582 composed by J.S. Bach (1685-1750) performed by Andrea Marcon, organ click here for complete playlist: http://www.youtube.com/view_play_list?p=81F6CFF5713616B9
Francesco Tristano playing 'J.S. Bach: Partita No. 1 in B flat major BWV 825 - Allemande' for La Blogothèque's Take Away Shows. Filmed at Théâtre de l'Atelier, Paris. Images : Colin Solal Cardo Edit : Julie Salon Sound & Mix : Julien Sanchez Produced by Chryde http://blogotheque.net/2011/09/19/francesco-tristano/
Elizabeth Sombart - Bach - Prélude en do majeur BWV 846 du Clavecin bien tempéré I Elizabeth Sombart fondatrice et présidente de la Fondation Résonnance, Morges (Suisse). Site : http://www.resonnance.org "Au-delà du talent même, ce qui m'a frappé chez Elizabeth Sombart, c'est une extraordinaire écoute des sons qui lui permet d'exprimer avec ses doigts l'essence même de la musique. Elle a l'art de faire vivre les oeuvres mortes" (Sergiù Celibidache) "Tout naît de l'écoute du son qui puise ses racines dans le silence du Principe. C'est pourquoi chaque interprète doit avant tout avoir fait voeu de silence, car les sons s'y inscrivent et non le contraire" (Elizabeth Sombart) Née à Strasbourg, Elizabeth Sombart commence l’étude du piano à 7 ans. Elle entre au Conservatoire de sa vill...
Réalisation Guillaume L'hôte http://www.guillaumelhote.com Assistant Réalisateur Eric Durst Chef Opérateur Guillaume L'hôte 2ème caméra Eric Durst Machiniste / chef électro Camille Mauplot Montage Guillaume L'hôte Extrait du CD Johann Sebastian Bach Cello Suites interprétation Ophélie Gaillard Info : prod@littletribeca.com ©Guillaume L'hôte lhotevideo@gmail.com
·Roadtrip in Spain with the Longboard Girls Crew· In this third episode, we return from Mallorca and visit Carlota's parents in their family house in Denia. They invite us to paella right in front of the beach. We spend the night in Calpe and continue our journey to the country's interior. Castillian landscapes, lands of castles and medieval towns are waiting for us. [7 female riders, 1 van, 15 days, 4.300km, 416 GB of raw material... culminating in one video, divided into four chapters. The film documents the adventure of the trip, portraying the girls, their lifestyle and their passion for longboard.] · En este tercer episodio regresamos de Mallorca y visitamos a los padres de Carlota en Denia, los cuales nos invitan a una paella frente al mar. Pasamos la noche en Calpe y al día sig...
bwv 578
The famous Preludium from "The Well-Tempered Clavier" BWV 846 that also was used for "Ave Maria". TABs and sheet music are available at http://shop.per-olovkindgren.com
It's here! Our musical director, Rudolf Lutz, is answering your questions in a video session. They are your questions that you've sent on the occasion of reaching 200'000 Facebook fans. Unser musikalischer Leiter, Rudolf Lutz, beantwortet Ihre Fragen in einem ausführlichen Videointerview. Es sind jene Fragen, die Sie uns anlässlich von 200'000 Facebook-Fans gestellt haben. ¡Aquí está! Nuestro director musical, Rudolf Lutz, contesta a sus preguntas en este vídeo. Se trata de las preguntas que ustedes nos enviaron con ocasión de nuestros 200000 amigos en Facebook. Subscribe to our channel: https://goo.gl/8R4k9P *** The J.S. Bach Foundation has embarked on a remarkable undertaking: over a period of some 25 years, the Foundation will perform the complete vocal works by Johann Sebastian Ba...
Celebrated by his Chopin awarded recordings and cited by critics as one of those talents that only come along every few decades - has now turned to Bach. The now 31-year-old winner of the 2005 International Chopin Piano Competition, has been immersed in Bach since his childhood and has cultivated a strikingly natural eloquence in his mature interpretations of the composer’s keyboard works. This is the perfect album to show his versatility and fine knowledge of the works of the composer. For more information about the artist please see: http://www.deutschegrammophon.com/art... ___ Find Deutsche Grammophon Online Homepage: http://deutschegrammophon.com Facebook: http://fb.com/deutschegrammophon Twitter: http://twitter.com/dgclassics Instagram: http://instagram.com/dgclassics Newslet...
Johann Sebastian Bach: Das Wohltemperierte Clavier András Schiff: piano As a young pianist, András Schiff earned wide esteem for his 1980s recordings of the major keyboard works of J.S. Bach; in recent years, as part of his long-term relationship with ECM, he has gone back to Bach as a sage veteran, earning more acclaim for his New Series recordings of the Goldberg Variations (2001) and the Six Partitas (2007). The New York Times said, “Mr. Schiff is, in Bach, a phenomenon. He doesn’t so much perform it as emit, breathe it.” In August 2011, Schiff turned his focus to the 48 preludes and fugues of The Well-Tempered Clavier, making studio recordings of both books in the Auditorium Radiosvizzera Italiana, Lugano. An iconic inspiration for composers from Mozart and Beethoven to Chopin and Br...
Das legendäre Bach-Porträt von Elias Gottlob Haußmann ist aus den USA nach Leipzig zurückgekehrt. Dort trifft Sarah den Dirigenten Sir John Eliot Gardiner, der eine ganz besondere Beziehung zu dem Bild und zu Bach hat. Mehr: http://www.dw.com/sarahsmusic
Preview: https://lnk.to/blechacz_bach Celebrated by his Chopin awarded recordings and cited by critics as one of those talents that only come along every few decades - has now turned to Bach. The now 31-year-old winner of the 2005 International Chopin Piano Competition, has been immersed in Bach since his childhood and has cultivated a strikingly natural eloquence in his mature interpretations of the composer’s keyboard works. This is the perfect album to show his versatility and fine knowledge of the works of the composer. For more information about the artist please see: http://www.deutschegrammophon.com/artist/blechacz/ ___ Find Deutsche Grammophon Online Homepage: http://deutschegrammophon.com Facebook: http://fb.com/deutschegrammophon Twitter: http://twitter.com/dgclassic...
More: https://www.youtube.com/playlist?list=PLhIP1CNbYhVObXv7ByHmE5oETjj6RXyAN
Gardiner, author of the new book, Bach: Music in the Castle of Heaven, has a unique perspective on Bach (http://goo.gl/J7gH2K). He is both a historian and a world-renowned conductor who has throughout his career made hundreds of recordings on the prestigious Deutsche Grammophon label. Bach, the orphan rebel, had a suspicion of authority that ran deep throughout his life, and made him an often domineering and unpleasant person to deal with. Gardiner doesn't see any contradiction here. "The very fact that this music is so profound and so uplifting and the man is clearly not a saint makes it all the more interesting," he says. Transcript -- I think there's been a slightly deplorable tendency amongst Bach's biographers to paint Bach the human being in a very complimentary light. To imply tha...
Glenn Gould talks about J S Bach At 31:50 an unknown Bach´s choral is played.
https://BC.lnk.to/BachandSons2ID Die Faszination gab es bereits früh: Als Kind erlebte Sebastian Knauer bedeutende Aufführungen der „Matthäus“-Passion und des „Weihnachtsoratoriums“ im Hamburger Michel. Und schon damals spielte er Bach gerne selbst am Klavier. Doch unter die kindliche Begeisterung mischte sich eine gehörige Portion Respekt vor den Werken des Thomaskantors. „Ich habe gleich gemerkt: Das ist eine riesige Herausforderung – nicht nur pianistisch, sondern auch für den Kopf“, erinnert er sich. Bewusst ließ Sebastian Knauer sich Zeit, beschäftigte sich intensiv mit Bachs musikalischem Kosmos – bevor er sich damit einem Publikum präsentierte. „Als Pianist wollte ich eine gewisse Routine auf der Bühne haben, zu einer inneren Ruhe finden“, erklärt er. „Bei Bach ist das besonders wi...
Musician Simone Dinnerstein talks to Alan Rusbridger about her route from the Juilliard school to Carnegie Hall, her interpretation of Bach's music in her first album, Goldberg Variations, and new release A Strange Beauty. More on classical music at http://www.guardian.co.uk/music
Vertraut geleitet an den fremden Ort, ließ ich manches zurück, und bewegte mich fort.
Ein Stück von dort war ein unbekanntes Ziel, das ich so nicht verfolgte, wie in
einem Spiel waren die Regeln verschwommen, es gab nichts zu bekommen, es gab nichts
zu gewinnen, ich ließ mich einfach spinnen, die Zeit verrinnen und sah mir nur zu,
wie mir Fühler wuchsen, deren Grund warst du. Offen und heimlich, aufrecht und
peinlich war der Zufall geplant, entstand so ein Land, das wir oft verließen, öfter
aufeinander stießen, es bei Ahnungen beließen, die uns neues verhießen, deine
Gedanken, die konnten nicht klärn, wer gewinnt. Unser Traum fand die Worte nicht,
die er verdient, doch fand die Neugier ihren eigenen Lohn, und bahnte sich Wege im
Flüsterton.
Wie alles begann, kommt mir dann und wann in den Sinn,
über tausend Mauern führte doch mein Gang zu dir hin.
Was alles geschah, glänzt wieder wie Gold,
Fortsetzung folgt.
Wir liefen los nebeneinander einen schier endlosen Weg, im Wald der Stille die
Hoffnung gesät und gespäht, worin sich der andre verrät, wohin der Pfad geht, wie
die Prüfung gerät. Kühne Gefühle, tanzten nun auf der Bühne, im Keller der
Zweisamkeit wurde es heller, so hell, dass das Augenlicht schreckte, versteckte
Signale, die ich dir zum Leuchtfeuer erweckte. Verwebte Erwartung gesteigert,
erweitert die Sinne, war uns an der Stelle der Schwelle der Zutritt verweigert, der
Anfang vom Ende das Ende vom Ende und mit ihm die Wende.
Wie alles begann, kommt mir dann und wann in den Sinn,
über tausend Mauern führte doch mein Gang zu dir hin.
Was alles geschah, glänzt wieder wie Gold,
Fortsetzung folgt
Die Sinne, die wurden uns neu geboren, verborgene Dinge verborgen geborgen. Der
Morgen danach war ein Morgen davor, ein Endpunkt wurde zum glänzenden Tor. Die
Eindrücke füllten uns unsere Seelen, verhüllte Gefühle warn nun anzusehen, freizügig
zu stehlen aus unendlichem Schatz - unsre Heimat nahm Platz.