Next year, the refurbishment of the Sydney Theatre Company wharf in Walsh Bay will force resident companies – STC, Australian Theatre for Young People and Bangarra Dance Theatre – elsewhere for up to two years.
Sarah Ruhl's witty play about dealing with mess is the latest coup at Newtown's long-running New Theatre.
A new play bridges the gulf between Mumbai and Sydney to reflect on the world we all live in.
Sarah Ruhl's witty play about dealing with mess is the latest coup at Newtown's long-running New Theatre.
400 words to come Sunday AM
Jonathan Biggins' whirlwind of a play stirs up plenty of thought.
This Nutcracker moves fluidly through time, as an elderly Clara remembers her youth as a young ballerina in Russia, the heartbreak of love lost on a battlefield, and her eventual, bewildered arrival in Australia.
Sound is visualised through the dancers' movements, which range from lingering embraces to tapping and daggy dancing.
Sydney Dance Company continues to amaze with its with its passion and power.
The path to Broadway stardom is well-trodden.
An all-star new production of Alex Harding's gay musical reaffirms its place in the canon of Australian queer theatre.
Hello, Dolly! is a great example of The Production Company's ethos of prioritising performing talent over bells and whistles.
This is a concert of unflagging interest and intellect from two distinctive younger voices and an enduring work from a venerated master.
Economic exigency has dictated shorter and less adventurous OA Melbourne seasons recently, but this co-production with Covent Garden was refreshing.
Shining performances and some interesting artistic choices make this a splendid double bill from Opera Australia. ★★★★½
Kathy Griffin's latest stunt has backfired spectacularly, drawing ire from progressives and conservatives alike.
US President Donald Trump wasn't there to roast in person at the White House correspondents' dinner, but that didn't stop the evening's entertainer, Hasan Minhaj.
What could be more provocative than prancing around naked on stage? Talking back to critics.
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