- published: 17 Nov 2015
- views: 2109
Charles Auguste de Bériot (20 February 1802 – 8 April 1870) was a Belgian violinist and composer.
Born in Leuven, where there is now a street named in his honor, he moved to France in 1810, where he studied violin with Jean-François Tiby, a pupil of Giovanni Battista Viotti. He was later encouraged by Viotti himself and briefly worked with Baillot but did not embrace all their teachings and was also influenced by Paganini. He served as chamber violinist to King Charles X of France and to King William I of the Netherlands and toured with great success to London, Paris and the great music centres of Europe. In addition to playing the violin, he was a virtuosic pianist who toured through much of China despite the emperor's objections.
Bériot lived together with the opera singer Maria Malibran and had a child (Charles-Wilfrid de Bériot, a piano professor who taught Maurice Ravel, Ricardo Viñes, Enrique Granados and others) with her in 1833. They were married in 1836 when Malibran obtained an annulment of her previous marriage. Felix Mendelssohn wrote an aria accompanied by a solo violin especially for the couple. However, Malibran died the same year from injuries sustained in a fall from a horse.
Nicolas Le Riche (born 29 January 1972, Sartrouville, Yvelines) is a French ballet dancer. He entered the Paris Opera Ballet school at age ten and joined the corps de ballet six years later; his first ròle was in Gsovsky's Grand Pas Classique. He was promoted to sujet in 1990 and premier danseur in 1991. Balletmaster Rudolf Nureyev cast him as Mercutio and subsequently Romeo in his version of Romeo and Juliet; he then performed in Nijinska's Le Train Bleu, in Robbins' In the Night, Neumeier's Vaslaw, Lander's Etudes, Nureyev's La Bayadère, Mats Ek's version of Giselle, and Petit's Le Jeune Homme et la Mort and Les Forains.
Le Riche was promoted to the Paris Opera Ballet's highest rank, that of étoile (literally, star), after his debut in the róle of Albrecht in the traditional version of Giselle. He performed A Suite of Dances as guest artist at New York City Ballet's Jerome Robbins celebration in June 2008. As choreographer he has made ballets since 2001, including Caligula to Vivaldi's The Four Seasons in 2005.
Number Two, No. 2, or similar may refer to:
The Paris Opera (French: Opéra de Paris)(French ) is the primary opera company of France. It was founded in 1669 by Louis XIV as the Académie d'Opéra, and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the Académie Royale de Musique, but continued to be known more simply as the Opéra. Classical ballet as we know it today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the Opéra National de Paris, it mainly produces operas at its modern 2700-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1970-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille.
The company's annual budget is in the order of 200 million euros, of which 100 million come from the French state and 70 million from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, which includes the orchestra of 170, a chorus of 110 and the corps de ballet of 150.
The Paris Opera Ballet (French: Ballet de l'Opéra de Paris) is the oldest national ballet company in the world, and many European and international ballet companies can trace their origins to it. It has always been an integral part of the Paris Opera, which was founded in 1669 as the Académie d'Opéra (Academy of Opera), although theatrical dance did not become an important component of the Paris Opera until 1673, after it was renamed the Académie Royale de Musique (Royal Academy of Music) and placed under the leadership of Jean-Baptiste Lully. The Paris Opera has had many different official names during its long history but since 1994 has been called the Opéra National de Paris (Paris National Opera). The company presents ballet primarily at the Palais Garnier.
The Paris Opera Ballet had its origins in the earlier dance institutions, traditions and practices of the court of Louis XIV. Of particular importance were the series of comédies-ballets created by Molière with, among others, the choreographers and composers Pierre Beauchamps and Jean-Baptiste Lully. The first was Les Fâcheux in 1661 and the most important, Le Bourgeois gentilhomme in 1670. Many of these were also performed by Molière's company at the public Théâtre du Palais-Royal in Paris, which was later to become the first permanent home of the opera company and the opera ballet.
Ballet du Capitole GISELLE - Du 20 au 31 décembre au Théâtre du Capitole http://www.theatreducapitole.fr/1/saison-2015-2016/ballet-du-capitole-541/giselle-1857.html Le chef-d’œuvre du ballet romantique chorégraphié et mis en scène par Kader Belarbi. ------------------------------------------------------------------------------------------------------------ Adolphe Adam / musique Kader Belarbi / chorégraphie et mise en scène Thierry Bosquet / décors Olivier Bériot / costumes Marc Deloche / architecte bijoutier Sylvain Chevallot / lumières Nouvelle production Ballet du Capitole Orchestre national du Capitole Philippe Béran / direction musicale
World renowned director Luc Besson, Editor in Chief of Yahoo Style Joe Zee and Valerian Costume Designer Olivier Bériot personally called some of the Talenthouse Selected Artists to give them the news they had been selected!
Live recording from the Palais Garnier, Opéra national de Paris Story by Nicolas Le Riche and Guillaume Gallienne Music by Antonio Vivaldi (The Four Seasons) and Louis Dandrel (electro-acoustic creation) Stéphane Bullion - Caligula, Emperor of Rome Clairemarie Osta - The moon, Caligula's vision Nicolas Paul - Mnester, Pantomime Aurélien Houette - Charea, Senator Mathias Heymann - Incitatus, Caligula's horse Eleonora Abbagnato - Caesonia, Caligula's wife The Paris Opera Corps de Ballet Brigitte Lefèvre - director of dance Orchestra of Paris Opera (Orchestre de l'Opéra national de Paris) Philippe Jordan - musical director Frédéric Laroque - conductor and violin solo Nicolas Le Riche - choreography Guillaume Gallienne - dramaturgy Daniel Jeanneteau - scenography Raymonde Couvreu - video Ol...
Chorégraphie : Nicolas Le Riche Avec : Clairemarie Osta & Nicolas Le Riche Musique : Matthieu Chedid Lumières : Jean-Michel Désiré Costumes : Olivier Bériot Vidéo : Sara Kejler Au Théâtre des Champs-Elysées les 11, 12 et 13 mars 2016 A l’Octogone de Pully (Suisse) le 24 mars 2016 Au Théâtre en Dracénie le 25 mars (à Draguignan) Au Corum de Montpellier le 5 avril 2016
MANTOVANI, B.: Siddharta [Ballet] (Paris Opera Ballet, 2010) (NTSC) Bruno Mantovani SIDDHARTA Ballet en 14 tableaux Angelin Preljocaj, choreographer Siddharta -- Nicolas Le Riche, danseur etoile L'Eveil -- Aurélie Dupont, danseuse etoile Le compagnon de Siddharta -- Stéphane Bullion, premier danseur Le Roi -- Wilfried Romoli, danseur etoile invité Sujata -- Muriel Zusperreguy, première danseuse Yasodhara -- Alice Renavand, sujet Paris National Opera Ballet and Orchestra Susanna Mälkki, conductor Claude Lévêque, set designer Eric Reinhardt, dramaturgy Olivier Bériot, costume designer Dominique Bruguière, lighting designer World premiere recording from the Opéra Bastille, Paris, 2010. http://www.naxos.com/catalogue/item.asp?item_code=101557 BUY / DOWNLOAD / STREAM: NaxosDirect US...
Fandango de DON JUAN, Ballet d'action composé par Christoph Willibald von Gluck (1761) Conception et chorégraphie : Marie-Geneviève Massé Direction musicale : Patrick Cohen Akenine Décors de l'Opéra de Versailles Lumière : Carlos Perez Costumes : Olivier Bériot Assistante Chorégraphie : Marie Blaise Avec 24 instrumentistes de l'ensemble les Folies Françoises Et les danseurs de la Compagnie l'Eventail : Don Juan: Olivier Collin Dona Ana: Bérengère Bodénan le Commandeur: Marc Barret et Bruno Benne, Sarah Berreby, David Berring,Anne-Sophie Berring, Irène Ginger, Marc Leclercq, Sabine Novel, Natalie van Parys captation faite en novembre 2006 à l'Opéra Royal de Versailles filmé par Jacques Massé www.compagnie-eventail.org
Charles Auguste de Bério (1802 -- 1870). Duo No. 2, Op. 57. 1. Moderato con spirito Was performed on Gala Concert (2008) on unvarnished violins especially made by violin maker Marcus Wyrsch for this project. Innovation Duo - Anna & Jakub Dzialak Savytsky European audiences first heard of the Innovation Duo in 2004 when they performed P. de Sarasate's works at the Porto-Carras Festival (Greece). Since then, they have performed hundreds of concerts and their courageous repertoire strategy has already been confirmed by the extensiveness of their tours, the enthusiastic reviews, as well as a library of scores written especially for this extraordinary duo. The violin duo is a distinct, elitist chamber genre, meant for a discriminating and exacting audience. With their unique skills and phe...
GISELLE Du 20 au 31 décembre 2015 au Théâtre du Capitole http://www.theatreducapitole.fr/1/saison-2015-2016/ballet-du-capitole-541/giselle-1857.html Le chef-d’œuvre du ballet romantique chorégraphié et mis en scène par Kader Belarbi. ------------------------------------------------------------------------------------------------------------ Adolphe Adam / musique Kader Belarbi / chorégraphie et mise en scène Thierry Bosquet / décors Olivier Bériot / costumes Marc Deloche / architecte bijoutier Sylvain Chevallot / lumières Nouvelle production Ballet du Capitole Orchestre national du Capitole Philippe Béran / direction musicale
Charles Auguste de Bério (1802 -- 1870). Duo No. 2, Op. 57. 2.Andante Was performed on Gala Concert (2008) on unvarnished violins especially made by violin maker Marcus Wyrsch for this project. Innovation Duo - Anna & Jakub Dzialak Savytsky European audiences first heard of the Innovation Duo in 2004 when they performed P. de Sarasate's works at the Porto-Carras Festival (Greece). Since then, they have performed hundreds of concerts and their courageous repertoire strategy has already been confirmed by the extensiveness of their tours, the enthusiastic reviews, as well as a library of scores written especially for this extraordinary duo. The violin duo is a distinct, elitist chamber genre, meant for a discriminating and exacting audience. With their unique skills and phenomenal energ...
Ballet du Capitole GISELLE - Du 20 au 31 décembre au Théâtre du Capitole http://www.theatreducapitole.fr/1/saison-2015-2016/ballet-du-capitole-541/giselle-1857.html Le chef-d’œuvre du ballet romantique chorégraphié et mis en scène par Kader Belarbi. ------------------------------------------------------------------------------------------------------------ Adolphe Adam / musique Kader Belarbi / chorégraphie et mise en scène Thierry Bosquet / décors Olivier Bériot / costumes Marc Deloche / architecte bijoutier Sylvain Chevallot / lumières Nouvelle production Ballet du Capitole Orchestre national du Capitole Philippe Béran / direction musicale
World renowned director Luc Besson, Editor in Chief of Yahoo Style Joe Zee and Valerian Costume Designer Olivier Bériot personally called some of the Talenthouse Selected Artists to give them the news they had been selected!
Live recording from the Palais Garnier, Opéra national de Paris Story by Nicolas Le Riche and Guillaume Gallienne Music by Antonio Vivaldi (The Four Seasons) and Louis Dandrel (electro-acoustic creation) Stéphane Bullion - Caligula, Emperor of Rome Clairemarie Osta - The moon, Caligula's vision Nicolas Paul - Mnester, Pantomime Aurélien Houette - Charea, Senator Mathias Heymann - Incitatus, Caligula's horse Eleonora Abbagnato - Caesonia, Caligula's wife The Paris Opera Corps de Ballet Brigitte Lefèvre - director of dance Orchestra of Paris Opera (Orchestre de l'Opéra national de Paris) Philippe Jordan - musical director Frédéric Laroque - conductor and violin solo Nicolas Le Riche - choreography Guillaume Gallienne - dramaturgy Daniel Jeanneteau - scenography Raymonde Couvreu - video Ol...
Chorégraphie : Nicolas Le Riche Avec : Clairemarie Osta & Nicolas Le Riche Musique : Matthieu Chedid Lumières : Jean-Michel Désiré Costumes : Olivier Bériot Vidéo : Sara Kejler Au Théâtre des Champs-Elysées les 11, 12 et 13 mars 2016 A l’Octogone de Pully (Suisse) le 24 mars 2016 Au Théâtre en Dracénie le 25 mars (à Draguignan) Au Corum de Montpellier le 5 avril 2016
MANTOVANI, B.: Siddharta [Ballet] (Paris Opera Ballet, 2010) (NTSC) Bruno Mantovani SIDDHARTA Ballet en 14 tableaux Angelin Preljocaj, choreographer Siddharta -- Nicolas Le Riche, danseur etoile L'Eveil -- Aurélie Dupont, danseuse etoile Le compagnon de Siddharta -- Stéphane Bullion, premier danseur Le Roi -- Wilfried Romoli, danseur etoile invité Sujata -- Muriel Zusperreguy, première danseuse Yasodhara -- Alice Renavand, sujet Paris National Opera Ballet and Orchestra Susanna Mälkki, conductor Claude Lévêque, set designer Eric Reinhardt, dramaturgy Olivier Bériot, costume designer Dominique Bruguière, lighting designer World premiere recording from the Opéra Bastille, Paris, 2010. http://www.naxos.com/catalogue/item.asp?item_code=101557 BUY / DOWNLOAD / STREAM: NaxosDirect US...
Fandango de DON JUAN, Ballet d'action composé par Christoph Willibald von Gluck (1761) Conception et chorégraphie : Marie-Geneviève Massé Direction musicale : Patrick Cohen Akenine Décors de l'Opéra de Versailles Lumière : Carlos Perez Costumes : Olivier Bériot Assistante Chorégraphie : Marie Blaise Avec 24 instrumentistes de l'ensemble les Folies Françoises Et les danseurs de la Compagnie l'Eventail : Don Juan: Olivier Collin Dona Ana: Bérengère Bodénan le Commandeur: Marc Barret et Bruno Benne, Sarah Berreby, David Berring,Anne-Sophie Berring, Irène Ginger, Marc Leclercq, Sabine Novel, Natalie van Parys captation faite en novembre 2006 à l'Opéra Royal de Versailles filmé par Jacques Massé www.compagnie-eventail.org
Charles Auguste de Bério (1802 -- 1870). Duo No. 2, Op. 57. 1. Moderato con spirito Was performed on Gala Concert (2008) on unvarnished violins especially made by violin maker Marcus Wyrsch for this project. Innovation Duo - Anna & Jakub Dzialak Savytsky European audiences first heard of the Innovation Duo in 2004 when they performed P. de Sarasate's works at the Porto-Carras Festival (Greece). Since then, they have performed hundreds of concerts and their courageous repertoire strategy has already been confirmed by the extensiveness of their tours, the enthusiastic reviews, as well as a library of scores written especially for this extraordinary duo. The violin duo is a distinct, elitist chamber genre, meant for a discriminating and exacting audience. With their unique skills and phe...
GISELLE Du 20 au 31 décembre 2015 au Théâtre du Capitole http://www.theatreducapitole.fr/1/saison-2015-2016/ballet-du-capitole-541/giselle-1857.html Le chef-d’œuvre du ballet romantique chorégraphié et mis en scène par Kader Belarbi. ------------------------------------------------------------------------------------------------------------ Adolphe Adam / musique Kader Belarbi / chorégraphie et mise en scène Thierry Bosquet / décors Olivier Bériot / costumes Marc Deloche / architecte bijoutier Sylvain Chevallot / lumières Nouvelle production Ballet du Capitole Orchestre national du Capitole Philippe Béran / direction musicale
Charles Auguste de Bério (1802 -- 1870). Duo No. 2, Op. 57. 2.Andante Was performed on Gala Concert (2008) on unvarnished violins especially made by violin maker Marcus Wyrsch for this project. Innovation Duo - Anna & Jakub Dzialak Savytsky European audiences first heard of the Innovation Duo in 2004 when they performed P. de Sarasate's works at the Porto-Carras Festival (Greece). Since then, they have performed hundreds of concerts and their courageous repertoire strategy has already been confirmed by the extensiveness of their tours, the enthusiastic reviews, as well as a library of scores written especially for this extraordinary duo. The violin duo is a distinct, elitist chamber genre, meant for a discriminating and exacting audience. With their unique skills and phenomenal energ...
Live recording from the Palais Garnier, Opéra national de Paris Story by Nicolas Le Riche and Guillaume Gallienne Music by Antonio Vivaldi (The Four Seasons) and Louis Dandrel (electro-acoustic creation) Stéphane Bullion - Caligula, Emperor of Rome Clairemarie Osta - The moon, Caligula's vision Nicolas Paul - Mnester, Pantomime Aurélien Houette - Charea, Senator Mathias Heymann - Incitatus, Caligula's horse Eleonora Abbagnato - Caesonia, Caligula's wife The Paris Opera Corps de Ballet Brigitte Lefèvre - director of dance Orchestra of Paris Opera (Orchestre de l'Opéra national de Paris) Philippe Jordan - musical director Frédéric Laroque - conductor and violin solo Nicolas Le Riche - choreography Guillaume Gallienne - dramaturgy Daniel Jeanneteau - scenography Raymonde Couvreu - video Ol...
Conception et chorégraphie: Marie-Geneviève Massé Ballet en 4 tableaux : France, Angleterre, Allemagne, Italie 4ème tableau : L'Italie et le carnaval Chaque concerto de Vivaldi est le tableau chatoyant d'un Guardi ou d'un Tiepolo : ils sont à Venise. Le marquis et sa femme savourent la vie au présent ! La marquise, qui a perdu son mari dans le labyrinthe des ruelles et des ponts, est transformée en princesse de conte de fée par de malicieux Polichinelles. Aussitôt, le marquis déguisé en chevalier devient la proie d'Arlequines séduisantes et capricieuses. A travers cette ville " où qui que ce soit ne va autrement qu'en masque ", on ne sait plus qui est qui, ou bien l'on fait semblant... Musique: Campra, Destouches, Lully, Purcell, Rosenmüller, Vivaldi création 2000 coproduite par le Fest...
Luciano Berio (1925-2003) Folk songs (1964) for mezzosoprano, flute (piccolo) clarinet, viola, harp, percussion 1. Black is the colour 0.00-3.20 2. I wonder as I wander 3.23-5.20 3. Loosin yelav 5.22-8.16 4. Rossignolet du bois 8.19-9.56 5. A la femminisca 9.58-11.31 6. La donna ideale 11.33-12.53 7. Ballo 12.55-14.27 8. Motettu de tristura 14.31-17.13 9. Malorous qu'o uno fenno 17.19-18.16 10. Lo fïolaire 18.19-21.12 11. Azerbaijan love song 21.12-23.40 Stella Doufexis, mezzosoprano opus21musikplus Ensamble Conductor: Konstantia Gourzi
Luciano Berio (1925-2003): Rendering, su frammenti di Franz Schubert per la Decima Sinfonia (1989). I. Allegro II. Andante III. Allegro Orchestre de Paris diretta da Christoph Eschenbach. Cover image: The house of Franz Schubert. **** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.
CSOJ du 1er novembre 2013 Toutes les informations sur les invités, thèmes et live: http://bit.ly/1hAmwZ5 Présentation des invités de CSOJ - 1er novembre 2013 CSOJ http://youtu.be/CJ9bgCdhyPY Bretagne-écologie, laquelle est la victime de l'autre ? CSOJ http://youtu.be/E-8tPXlgycA La crise économique est là, la crise environnementale attendra ? CSOJ http://youtu.be/8BGPGHpLOoQ Réchauffement climatique, y-a-t-il débat ? CSOJ http://youtu.be/ScMtSTOULfY Quelques vérités cruelles sur l'histoire de France... CSOJ http://youtu.be/tWHRNeJoeJY CSOJ en live Breton - GOT WELL SOON http://youtu.be/-9i6XMKm_n8 Et suivez @CSOJ et réagissez en direct avec le hashtag #CSOJ https://twitter.com/CSOJ
Persona est un drame lyrique en deux actes écrit par Adrien Djouadou inspiré par l’œuvre de Carl Jung. Le présent document (de travail) est tiré de la répétition générale de la création d'une version plus courte que l’œuvre originale. Le contexte est la classe d'art lyrique du conservatoire d'Avignon. Les chanteurs-comédiens sont donc des élèves issus de différents cycles (entre 1er cycle et Cycle de perfectionnement). Les participants : Clara Penalva (Anaëlle) Caroline Gérard (Alter) Julie Roset (Lydia) Adrien Djouadou (Anaël) Michel Barruol (Direction) Sophie Labandibar (Piano) Fabien Colin (Mise en scène) Jean Luc Amiel (Prise de vue et de son) Amar Djouadou (Prise de vue) Valérie Marestin (Organisation) Le conservatoire d'Avignon En espérant que l’œuvre vous plaise !
Orchestra del Conservatorio A.Boito di Parma
Master Recital by Mahakit Lerdcheewanan March 10, 2014, College of Music Mahidol University
DOPPIO ENSEMBLE Evandra Gonçalves, violin Ana Queirós, piano Programme: - Messiaen, Theme and Variations - Piazzolla, Histoire du Tango - Lopes-Graça, Sonatina for violin and piano nº1 - Prokofiev, Sonata op.94bis November 7th 2012 @ ISEG, Lisbon Concerts Antena 2 www.doppioensemble.com doppioensemble@gmail.com