- published: 11 Aug 2015
- views: 18342
Tropicália, also known as Tropicalismo, is a Brazilian artistic movement that arose in the late 1960s. It encompassed art forms such as theatre, poetry, and music. The movement was characterized by a combination of the popular and the avant-garde, as well as a fusion of traditional Brazilian culture with foreign influences.
Today, Tropicália is chiefly associated with the musical faction of the movement, which merged Brazilian and African rhythms with rock and roll. Musicians who were part of the movement include Caetano Veloso, Gilberto Gil, Os Mutantes, Gal Costa, Tom Zé, and the poet/lyricist Torquato Neto, all of whom participated in the 1968 album Tropicália: ou Panis et Circencis, which served as a musical manifesto.
A dominant principle of Tropicália was antropofagia, a type of cultural cannibalism that encouraged the conflation of disparate influences, out of which could be created something unique. The idea was originally put forth by poet Oswald de Andrade in his Manifesto Antropófago, published in 1928, and was developed further by the tropicalistas in the 1960s.
HIDDEN ERROR: Usage of "cónyuge" is not recognizedHIDDEN ERROR: Usage of "hijos" is not recognized
Caetano Emanuel Viana Telles Veloso (Portuguese pronunciation: [kaeˈtɐ̃nu emanuˈɛw viˈɐ̃nɐ ˈtɛlis veˈlozu]; born August 7, 1942), better known as Caetano Veloso, is a Brazilian composer, singer, guitarist, writer, and political activist. Veloso first became known for his participation in the Brazilian musical movement Tropicalismo, which encompassed theatre, poetry and music in the 1960s, at the beginning of the Brazilian military dictatorship. He has remained a constant creative influence and best-selling performing artist and composer ever since. Veloso has won nine Latin Grammy Awards and two Grammy Awards. On November 14, 2012, Veloso was honored as the Latin Recording Academy Person of the Year.
Veloso was one of seven children born into the family of José Telles Velloso (Seu Zeca), a government official, and Claudionor Viana Telles Veloso (Dona Canô), a housewife. He was born in the city of Santo Amaro da Purificação, in Bahia, a state in the northeastern area of Brazil, but moved to Salvador, the state capital, as a college student in the mid-1960s. Soon after the move, Veloso won a music contest and was signed to his first label. He became one of the founders of Tropicalismo with a group of several other musicians and artists—including his sister Maria Bethânia—in the same period. However the Brazilian government at the time viewed Veloso's music and political action as threatening, and he was arrested, along with fellow musician Gilberto Gil, in 1969. The two eventually were exiled from Brazil, and went to London, where they lived for two years. After he moved back to his home country, in 1972, Veloso once again began recording and performing, becoming popular outside of Brazil in the 1980s and 1990s.
Os Mutantes ("The Mutants") (Portuguese pronunciation: [uz muˈtɐ̃tʃis]) are an influential Brazilian psychedelic rock band that were linked with the Tropicália movement of the late 1960s.
Although the original line-up (Rita Lee, Arnaldo Baptista and Sérgio Dias; and later with Liminha and Dinho Leme) made the most notorious breakthrough for the group, it has gone through numerous personnel changes throughout its existence. After a hiatus from the late 1970s to the early 2000s, the band reunited in 2006, touring and recording new material.
Os Mutantes was formed in São Paulo, Brazil, in 1966 by two brothers: Arnaldo Baptista (bass, keyboards and vocals) and Sérgio Dias Baptista (guitar and vocals), and lead singer Rita Lee. They were originally named Six Sided Rockers. The Baptistas' father was a poet and mother a pianist, and the two had previously had a band called The Wooden Faces. Sérgio Dias' guitar, the Golden Guitar (Guitarra de Ouro), was created by Arnaldo and Sérgio's brother, Cláudio César Dias Baptista, who built many of their instruments and electronic effects. Their current name was settled upon immediately before a performance on a Brazilian television program.
Gilberto Passos Gil Moreira (born 26 June 1942), better known as Gilberto Gil (Brazilian Portuguese: [ʒiɫˈbɛʁtu ʒiɫ] or [ʒiu̯ˈbɛɾtʊ ʒiu̯]), is a Brazilian singer, guitarist, and songwriter, known for both his musical innovation and political commitment. From 2003 to 2008, he served as Brazil's Minister of Culture in the administration of President Luiz Inácio Lula da Silva. Gil's musical style incorporates an eclectic range of influences, including Rock music, Brazilian genres including samba, African music, and reggae.
Gil started to play music as a child and was still a teenager when he joined his first band. He began his career as a bossa nova musician, and then grew to write songs that reflected a focus on political awareness and social activism. He was a key figure in the Música popular brasileira and tropicália movements of the 1960s, alongside artists such as longtime collaborator Caetano Veloso. The Brazilian military regime that took power in 1964 saw both Gil and Veloso as a threat, and the two were held for nine months in 1969 before they were told to leave the country. Gil moved to London, but returned to Bahia in 1972 and continued his musical career, as well as working as a politician and environmental advocate.
Gal Costa (born Maria da Graça Costa Penna Burgos on September 26, 1945, in Salvador, Bahia) is a Brazilian singer of popular music.
Gal Costa was born on September 26, 1945, in the city of Salvador, the state capital of the state of Bahia, Brazil. Her mother, Mariah Costa Penna (deceased 1993) spent hours listening to classical music during her pregnancy in hopes that Gal would be interested in music. Gal's father, Arnaldo Burgos (deceased 1960), died when Gal was 15 years old and the two would never meet.
At the age of 10, Gal befriended sisters, Sandra and Andréia Gadelha, the future spouses of singer-songwriters Gilberto Gil and Caetano Veloso, respectively. At 14, she first listened to João Gilberto's "Chega de Saudade" on the radio and became interested in Bossa Nova. She then went on to work as a clerk on Salvador's main record store to get closer to music. At 18, she was introduced to Caetano Veloso by Andréa Gadelha, engaging with him in a deep friendship that still lasts.
Sobre o álbum: Tropicalia - A Brazilian Revolution in Sound é uma coletânea que reúne músicas que marcaram o movimento do Tropicalismo (ou Tropicália), no álbum são reunidas músicas de artistas como Gilberto Gil, Mutantes, Gal Costa, Caetano Veloso, Tom zé, entre outros. Há também o segundo volume dessa coletânea, que é Brazil 70 - New Directions In Brazilian Music In The 1970's. Faixas do álbum: 01 Gilberto Gil - Bat Macumba 00:00 02 Os Mutantes - A Minha Menina 02:37 03 Gal Costa - Tuareg 07:19 04 Gilberto Gil & Os Mutantes - Domingo No Parque 10:46 05 Caetano Veloso - Alfômega 14:29 06 Gal Costa - Sebastiana 20:21 07 Gilberto Gil - Procissão 23:03 08 Caetano Veloso - Irene 25:57 09 Os Mutantes - Ave, Genghis Khan 29:45 10 Jorge Ben - Take It Easy, My Brother Charlie 33:30 1...
1. 00:00 "Miserere Nobis" 2. 03:38 "Coração Materno" 3. 07:55 "Panis et Circenses" 4. 11:30 "Lindonéia" 5. 13:45 "Parque Industrial" 6. 17:00 "Geléia Geral" 7. 20:48 "Baby" 8. 24:26 "Três Caravelas 9. 27:34 "Enquanto Seu Lobo Não Vem" 10. 30:03 "Mamãe, Coragem" 11. 32:28 "Bat Macumba" 12. 35:03 "Hino ao Senhor do Bonfim"
Music video by Caetano Veloso performing Tropicalia. (C) 2012 Universal Music Ltda
Sobre a cabeça os aviões Sob os meus pés os caminhões Aponta contra os chapadões Meu nariz Eu organizo o movimento Eu oriento o carnaval Eu inauguro o monumento no planalto central Do país Viva a bossa-sa-sa Viva a palhoça-ça-ça-ça-ça Viva a bossa-sa-sa Viva a palhoça-ça-ça-ça-ça O monumento é de papel crepom e prata Os olhos verdes da mulata A cabeleira esconde atrás da verde mata O luar do sertão O monumento não tem porta A entrada de uma rua antiga, estreita e torta E no joelho uma criança sorridente, feia e morta Estende a mão Viva a mata-ta-ta Viva a mulata-ta-ta-ta-ta Viva a mata-ta-ta Viva a mulata-ta-ta-ta-ta No pátio interno há uma piscina Com água azul de Amaralina Coqueiro, brisa e fala nordestina e faróis Na mão direita tem uma roseira Autent...
Ouça todas as tracks do Rap Box no Spotify: http://bit.ly/PlaylistRapBox ENTREVISTA: https://youtu.be/XiuNULSedD8 MAKING OF: https://youtu.be/VT5qIz5tt7c **TROPICÁLIA [Prod. Mazili & Rodrigues] RAP BOX Video clipes, músicas, entrevistas e entretenimento. Valorização e fomento à cultura hip-hop. LOJA: http://www.rapbox.com.br Nossas redes: http://www.facebook.com/rapboxoficial http://www.instagram.com/rapboxoficial http://www.instagram.com/leocasa1 http://www.facebook.com/leocasa1oficial http://www.instagram.com/lmarcioconrado Realização e produção: CASA1 /2016 ®Todos direitos reservados https://www.casa1.com.br Direção e apresentação: Léo Cunha - @leocasa1 Imagens: Márcio Conrado Edição e Pós-produção: Victor Ambrosio Contato Profissional: rapbox@casa1.com.br Gravação, Mixagem...
Clássico de 1968. Faixas/Tracks: 1 - Tropicália 0:00 2 - Clarice 3:41 3 - No Dia em que Vim-me Embora 9:12 4 - Alegria, Alegria 11:42 5 - Onde Andarás 14:38 6 - Anunciação 16:39 7 - Superbacana 18:44 8 - Paisagem Útil 20:13 9 - Clara 22:50 10 - Soy Loco Por Tí, América 24:39 11 - Ave Maria 28:28 12 - Eles 30:48
© Naked Music Recordings 2007, Blue Six ''Aquarian Angel'' Style: Lounge, Deep House, Downtempo http://www.naked-music.com/
Beck performing "Tropicalia" - a bonus track from his 1998 album "Mutations". Lyrics - When they beat upon a broken guitar And on the streets, they reek of tropical charms The embassies lie in hideous shards Where tourists snore and decay When they dance in a reptile blaze You wear a mask, an equatorial haze Into the past, a colonial maze Where there's no more confetti to throw You wouldn't know what to say to yourself Love is a poverty you couldn't sell Misery waits in vague hotels to be evicted You're out of luck, you're singing funeral songs To the studs, they're anabolic and bronze They seem to strut in their millenial fogs Until they fall down and deflate You wouldn't know what to say to yourself Love is a poverty you couldn't sell Misery ...
Brazilian music would probably not have developed as it did over the past decades years if not for Caetano Veloso and Gilberto Gil, two of the country's most important musicians. Now at age 72, they are still far from retiring and are setting off on their first tour together since 1994. Veloso and Gil performed Nine Out of Ten together for the BBC. Subscribe to BBC News HERE http://bit.ly/1rbfUog Check out our website: http://www.bbc.com/news Facebook: http://www.facebook.com/bbcworldnews Twitter: http://www.twitter.com/bbcworld Instagram: http://instagram.com/bbcnews
Fashion Film (Paradise, not for me) Directed by Iñaki San Juan. Model - Kristel Van De Kamp. Photography - Marc Palencia. Camera operator - Javier Millán. Digital assistant - Igor Dinuzzi. Editing & Motion graphics - Icelandmotion.com. Make up & Hair - Cristina Guedella. Styling - María Molina. Styling assistant - Jimena Ruiz. Music - How love, Your.
Brazilian singer Cibelle does an exquisite version of Tom Waits music Green Grass. I directed the video with Adams Carvalho. check out: gustavoguimaraes.tv
Fixed gear freestyle from Hilo Hawaii Riders: David Jay and Eszter Emma Filmed by Eszter Emma Bikes: Unknown V2 and Volume Vandal Track: "Tropicalia" by Beck Mahalo for watching!
José González + Mia Doi Todd performs "Um Girassol Da Cor Do Seu Cabelo" at the June 20th 2011 Red Hot + Rio 2 Loft party. Part of the Red Hot Loft series that started with performances by the National, Yeasayer and the Dirty Projectors for the album Dark Was The Night.
This is our Showreel featuring Tropicalia band performing a background dinner set music at a corporate event. The repertoire it is also suitable for hotel lounge, jazz club, cocktail and wedding reception, festival or a special occasion.
Mr Bongo will be releasing Marcelo Machado's Tropicalia in cinema's across UK and Ireland in May of this year. Tropicalia features rare footage of Brazilian music legends Caetano Veloso, Gilberto Gil, Os Mutantes, Gal Costa and Tom Zé as it explores a revolution animated by music and art. The theatrical release will be followed by DVD and BluRay in the Autumn along with the accompanying soundtrack and CD and vinyl. "It's hard to find the right word...to describe it. It's indescribable. It's like trying to describe molecules. Why doesn't my arm dissolve itself, or disappear? Who ties it all together? I'm a walking miracle. We are. How can these molecules and atoms stick here together? Why don't they dissolve and fly off? What's the glue that holds them together? What glue connected all tho...
petites planètes | volume 1 TOM ZÉ SÃO PAULO, DECEMBER 2010 A FILM BY VINCENT MOON images, sounds & edit by vincent moon mix by quincas moreira texts by vincent moon & lucas santtana produced by vincent moon & tom zé film (15 min) & soundpiece (10 min) http://petitesplanetes.cc/volume/tom-ze thanks to yale evelev & paulo pinto www.tomze.com.br/ watch the integral 'muezzin' performance here: http://vimeo.com/vincentmoon/tomzelong
Canción compuesta por: Macho Muchacho Grabada y producida por: Alesis Doppler y Nicolas Altgelt en reclabstudios Producción de video: Polaroid Bros LAB SESSIONS dirigido por: Daniel Begué Ponce y Jorge Luis Miranda Guayaquil Ecuador 2012
Oh, when they beat upon a broken guitar
And all the streets, they reek of tropical charms
The embassies lie in hideous shards
Where tourists snore and decay
When they dance in a reptile blaze
You wear a mask, an equatorial haze
Into the past, a colonial maze
Where there's no more confetti to throw
You wouldn't know what to say to yourself
Love is a poverty you couldn't sell
Misery waits in vague hotels
To be evicted
You're out of luck, you're singing funeral songs
To the studs, they're anabolic and bronze
They seem to strut in their millennial fogs
'Til they fall down and deflate
You wouldn't know what to say to yourself
Love is a poverty you couldn't sell
Misery waits in vague hotels
To be evicted
Oh, and now, you've had your fun
Under an air-conditioned sun
It's burned into your eyes
Leaves you plain and left behind
I'll see them rise and fall
Into the jaws of a pestilent love
You wouldn't know what to say to yourself
Love is a poverty you couldn't sell
Misery waits in vague hotels