![Jane Devery and Pip Wallis, co-curators of Every Brilliant Eye: Australian Art of the 1990s.](/web/20170602035510im_/http://www.theage.com.au/content/dam/images/g/w/i/5/g/q/image.related.landscape.460x307.gwi792.png/1496368928627.jpg)
Every Brilliant Eye: Australian Art of the 1990s a trippy exercise in nostalgia
DIY-style projects from the 1990s that seemed ephemeral then are becoming blue-chip art.
Debbie Cuthbertson is the Arts Editor of The Age. A multimedia journalist with extensive experience in print, online and broadcast media, she managed the ABC's national arts coverage online from 2009-11 and has held many roles with Fairfax Media.
DIY-style projects from the 1990s that seemed ephemeral then are becoming blue-chip art.
Winter masterpieces exhibition draws more than 150,000 visitors to the National Gallery of Victoria in five weeks.
Sophia Brous wants you to hallucinate. Legally, of course, via the medium of performance.
Melbourne International Jazz Festival: Kage dance theatre
"As a playwright I make a pretty decent novelist," says Tim Winton. "I don't have any illusions about that."
Former wife of famed Australian artist Brett Whiteley expressed her shock at an appeal court decision.
Sjraar van Heugten has spent decades working with the paintings of Vincent Van Gogh, yet the Dutch artist's works still astonish him with their emotional power.
Aladdin composer Alan Menken reveals the secrets behind writing a Disney song
Though full of her trademark nanna-isms, self-deprecation and wit, there's a real edge to Hannah Gadsby's swansong. ★★★★★
The acclaimed Scottish play is grittier than the film versions and audiences are warned not to wear their best clothing, due to flying faeces.
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