Piano concerto

A piano concerto is a concerto written for a piano accompanied by an orchestra or other large ensemble.

Keyboard concerti were common in the time of Johann Sebastian Bach. Occasionally, Bach's harpsichord concerti are played on piano.

History

In the 17th and 18th centuries, typical concertos for keyboard were organ concertos and harpsichord concertos, such as those written by George Friedrich Handel and Johann Sebastian Bach.

Classical and romantic

As the piano developed and became accepted, composers naturally started writing concerti for it. This happened in the late 18th century, during the Classical music era. Wolfgang Amadeus Mozart was the most important composer in the early development of the form. Mozart's body of masterly piano concerti put his stamp firmly on the genre well into the Romantic era.

Mozart wrote many piano concertos for himself to perform (his 27 piano concertos also include concerti for two and three pianos). With the rise of the piano virtuoso, many composer-pianists did likewise, notably Ludwig van Beethoven, Frédéric Chopin, and Robert Schumann—and also lesser-known musicians like Johann Nepomuk Hummel, Joseph Wölfl, Carl Maria von Weber, John Field, Ferdinand Ries, and F. X. Mozart.

Piano Concerto No. 25 (Mozart)

The Piano Concerto No. 25 in C major, K. 503, was completed by Wolfgang Amadeus Mozart on December 4, 1786, alongside the Prague Symphony, K. 504. Although two more concertos (K. 537 and K. 595) would later follow, this work is the last of the twelve great piano concertos written in Vienna between 1784 and 1786.

The K. 503 concerto has long been neglected in favor of Mozart's more "brilliant" concertos, such as K. 467. Though Mozart performed it on several occasions, it was not performed again in Vienna until after his death, and it only gained acceptance in the standard repertoire in the later part of the twentieth century. Mozart's pupil Johann Nepomuk Hummel valued it, as can be seen in the influence it had on Hummel's own Piano Concerto in C, Op. 36.

The music

Though the orchestra lacks clarinets, it does include trumpets and timpani. The concerto is one of Mozart's longest, with a duration of about 33 minutes.

It has the following three movements:

C major

The C major scale consists of the pitches C, D, E, F, G, A, and B. Its key signature has no flats and no sharps.

Its relative minor is A minor and its parallel minor is C minor.

C major is one of the most common key signatures used in western music. Most transposing instruments playing in their home key are notated in C major; for example, a clarinet in B♭ sounding a B-flat major scale is notated as playing a C major scale. The white keys of the piano correspond to the C major scale. Among brass instruments, the contra-bass tuba is in C. A pedal harp tuned to C major has all of its pedals in the middle position.

Simplicity

C major is often thought of as the simplest key, because there are no sharps and no flats, and beginning piano students' first pieces are usually simple ones in this key; the first scales and arpeggios that students learn are also usually C major. However, going against this common practice, the Polish-French composer Frédéric Chopin regarded this scale as the most difficult to play with complete evenness, and he tended to give it last to his students. He regarded B major as the easiest scale to play on the piano, because the position of the black and white notes best fit the natural positions of the fingers, and so he often had students start with this scale. There are no black keys in the C major scale, thus it doesn't fit the natural positions of the fingers well.

Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (German: [ˈvɔlfɡaŋ amaˈdeːʊs ˈmoːtsaʁt], English see fn.; 27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era. Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty.

At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.

Mitsuko Uchida

Dame Mitsuko Uchida (Japanese: [miꜜtsu͍̥ko u͍ꜜtɕida]), DBE (内田光子), born 20 December 1948, is a classical pianist, born in Japan and naturalised in Britain. She has appeared with most of the world's foremost orchestras, recorded a wide repertory with major labels, won numerous awards and honours (including Dame Commander of the Order of the British Empire in 2009), and serves as co-director of the Marlboro Music School and Festival. In recent years, she has also conducted major orchestras.

Career

Born in Atami, a seaside town close to Tokyo, Japan, Uchida moved to Vienna, Austria, with her diplomat parents when she was 12 years old, after her father was named the Japanese ambassador to Austria. She enrolled at the Vienna Academy of Music to study with Richard Hauser, and later Wilhelm Kempff and Stefan Askenase, and remained in Vienna to study when her father was transferred back to Japan after five years. She gave her first Viennese recital at the age of 14 at the Vienna Musikverein. She also studied with Maria Curcio, the last and favourite pupil of Artur Schnabel.