name | Nathaniel Shilkret |
---|---|
background | non_performing_personnel |
alias | Nat Shilkret |
born | December 25, 1889 |
died | February 18, 1982Franklin Square, NY, U.S. |
origin | New York City, U.S. |
instrument | Clarinet, piano |
occupation | Composer, musician, conductor, A&R; |
website | }} |
Shilkret was a child prodigy, touring the country with the New York Boys' Orchestra from the ages of seven to thirteen as their clarinet soloist. From his late teens to mid-twenties he was a clarinetist in the best New York music organizations, including the New York Philharmonic Society (under Vassily Safanov and Gustav Mahler), the New York Symphony Orchestra, the Metropolitan Opera House Orchestra, the Russian Symphony Orchestra, Victor Herbert's Orchestra, Arnold Volpe's Orchestra, Sousa's Grand Concert Band, Arthur Pryor's Band, and Edwin Franko Goldman's Band. He was also a rehearsal pianist for Walter Damrosch, playing for stars that included dancer Isadora Duncan.
He joined the Foreign Department of the Victor Talking Machine Company (later to become RCA Victor) around 1915, and soon was made manager of the department.
In 1926 he became "director of light music." He made many thousands of recordings, possibly more than anyone in recording history. His son Arthur estimated the sales of these records was of the order of 50 million copies. He was the conductor of choice for many of Victor's innovative recordings. He conducted the first record made by the "electric method," the first commercial Victor LP (in 1931!) and was the first conductor to successfully dub an electrically recorded orchestra background over the recordings of Enrico Caruso, Victor's star artist, who died before the vastly superior electrical recording method was developed. He conducted the orchestra for the premier recording of George Gershwin's symphonic poem An American in Paris, in 1929. This recording was one of five recordings conducted by Nathaniel Shilkret that eventually earned Grammy Awards.
Between his conducting for records and for radio, virtually every musical star of the day performed under the baton of Nathaniel Shilkret. His orchestra members included Jimmy Dorsey, Tommy Dorsey, Benny Goodman, Lionel Hampton, Glenn Miller, Artie Shaw, Mike Mosiello and Del Staigers. George Gershwin, Jascha Heifetz, Mischa Elman and Andrés Segovia all played under his direction. Opera stars Rose Bampton, Lucrezia Bori, Feodor Chaliapin, Jon Crain, Richard Crooks, Miguel Fleta, Emilio de Gogorza, Amelita Galli-Curci, Mary Garden, Beniamino Gigli, Helen Jepson, Maria Jeritza, Giovanni Martinelli, Nino Martini, John McCormack, James Melton, Grace Moore, Jan Peerce, Lily Pons, Rosa Ponselle, Elisabeth Rethberg, Gladys Rice, Tito Schipa, Gladys Swarthout, John Charles Thomas, and Lawrence Tibbett were all conducted by Nathaniel Shilkret. The lists of popular singers and foreign artists that played under his direction are just as impressive.
In 1939, he conducted a group of soloists (including tenor Jan Peerce) and the Victor Symphony Orchestra for RCA Victor's multi-disc tribute to Victor Herbert, which were recorded following a special NBC radio broadcast, and he recorded a number of other albums in 1939 and 1940. Due to a serious abdominal operation for cancer removal, he did not conduct for most of 1941.
He worked at RKO-Pathe, making short films from 1946 through the mid-1950s. He was the pit orchestra conductor for the Broadway show Paris '90 in 1952. He lived in his son's home in Franklin Square, NY, from the mid-1950s until his death in 1982.
Category:1889 births Category:1982 deaths Category:American composers Category:Musicians from New York Category:Jewish composers and songwriters Category:Victor Records artists
de:Nathaniel Shilkret fr:Nathaniel Shilkret it:Nathaniel Shilkret he:נתניאל שילקרט ja:ナサニエル・シルクレット sv:Nat ShilkretThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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