Gal Gadot in a scene from Wonder Woman.

Little wonder Wonder Woman’s wow factor awry

REVIEW: DC Comics’ much anticipated Wonder Woman just about scrapes together a pass mark and Gal Gadot is part of the problem.

One of the year’s best films

One of the year’s best films
REVIEW: Annette Bening makes the most of a fascinating role and lifts an already superb supporting cast in 20th Century Women.

Not enough laughs in two hours

Not enough laughs in two hours
REVIEW: Despite the buff bodies of the boys and babes — and the best efforts of Dwayne Johnson — Baywatch is another dud TV comedy remake.

Visually Neruda a transfixing triumph

Visually Neruda a transfixing triumph
REVIEW: The director of the much-lauded dramatic biopic on Jackie Kennedy turns his focus to Chilean poet and politician Pablo Neruda.

Time for Pirates to walk the plank

Time for Pirates to walk the plank
REVIEW: Johnny Depp staggers and stumbles into the fifth Pirates Of the Caribbean film, but really, you’ve seen it all before.

Brad Pitt a drawcard and drawback

Brad Pitt a drawcard and drawback
REVIEW: Brad Pitt is the big selling point as a gruff general in the Netflix satire War Machine, but some of his acting choices will leave you scratching your head

Knockabout Arthur slow on the uptake

Knockabout Arthur slow on the uptake
REVIEW: King Arthur: Legend of the Sword is enjoyable, and even exciting at times, but all up it’s a big mess, writes Leigh Paatsch.

Kick-ass Keanu another guilty pleasure

Kick-ass Keanu another guilty pleasure
REVIEW: The perfectly cast Keanu Reeves is back for more mayhem and audacious thrills as the black-suited, blank-faced assassin in John Wick: Chapter 2.

Dire duo in comedy trainwreck

Dire duo in comedy trainwreck
REVIEW: Amy Schumer’s sterling stand-up comedy doesn’t translate to her second feature film, Snatched. And Goldie Hawn should have stayed in retirement.

Legal drama lacks impact of Spotlight

Legal drama lacks impact of Spotlight
REVIEW: Aussie film Don’t Tell shares a worthy story of a real life sex abuse case, but lacks the intensity of its Oscar-winning counterpart.

A history lesson you didn’t ask for

A history lesson you didn’t ask for
REVIEW: Based on an escalating political crisis faced by the British Empire, Viceroy’s House spends more time teaching than it does entertaining.

Ridley’s prequel a deep-space chiller

Ridley’s prequel a deep-space chiller
REVIEW: Ridley Scott’s Alien: Covenant deftly blends the big questions raised by Prometheus with the chestbursting scares of his original film.

Ledger doco’s a missed opportunity

Ledger doco’s a missed opportunity
REVIEW: I Am Heath Ledger is an affectionate celebration of a great talent, but it drops the ball when it comes to his mysterious and tragic demise.

Warts and all of an amazing artist

Warts and all of an amazing artist
REVIEW: Whiteley is an exemplary documentary that chronicles the extraordinary life, times and art of the late Australian painter.

Surfing doco goes beyond the cliches

Surfing doco goes beyond the cliches
REVIEW: Veteran filmmaker Taylor Steele’s unorthodox yet alluring Proximity looks beyond the usual surfing documentary cliches.

Ledger doco a missed opportunity

Ledger doco a missed opportunity
IT COULD have set the record straight around the actor’s mysterious death — instead I Am Heath Ledger falls short of expectations, says LEIGH PAATSCH.

A great five-star film experience

A great five-star film experience
REVIEW: Get Out is very well made, very well thought out, and very, very entertaining. Get in the queue right away.

Fun-filled tribute to old-school stunts

Fun-filled tribute to old-school stunts
REVIEW: Kiwi comedy Pork Pie is no Hunt for the Wilderpeople, but there are plenty of thrills and laughs to be had.

Bland tear-jerker for dog lovers

Bland tear-jerker for dog lovers
REVIEW: Lovers of Marley and Me can get their fix of doggies in dire straits with A Dog’s Purpose, based on the book of the same name.