OPUS AVANTRA comprises three parts: OPUS (opera - work) AVAN
(avanguardia - vanguard) and TRA (tradition - tradition). Their style
blends elements of progressive, classical, opera, jazz and just plain
general weirdness, using keyboards, bass, drums, violins, cellos,
clarinet, flutes and other instruments. They were highly influential in
the progressive avant-garde scene of the time.
"Introspezione"
also referred to as "Donella Del Monaco" has all kinds of classical
influences including contempory classic. Beautiful operatic voice which I
like very much. The second album ("Lord Cromwell") is more difficult,
almost avant garde but contempory and old classical music inspired too.
It takes time to fully appreciate this album but it's worth to give it
that time. "Strata" has beautiful vocal passages, some difficult piano
pieces but very interesting too! The fourth album "Lyrics" is somewhat
overshadowed being less difficult, less intense, with more minimal of
ideas, but still coming forth from the first aproach. Still they are one
of the all time best Italian bands. If you're up to it, start with
"Introspezzione".
- Alfredo Tisotto / Steinway and Fender piano, Hammond, synthesizer and Pipe organ
- Luciano Travella / flute
- Renato Zanella / Fender guitar
- Enrico Professione / violin
- Pieregidio Spiller / violin
- Riccardo Perraro / cello
- Paulo Siani / percussion, drums
- Gina Bianco, Susan Worshap, Cindy Brasher, Carl Adams / vocals
- American Chorus Setaf
1. Flowers on Pride (5:29)
2. Avarice (5:26)
3. Lust (3:53)
4. My Vice (1:59)
5. Ira (7:52)
6. Gluttony (3:05)
7. Envy (5:44)
8. Sloth (4:32)
9. Allemanda (3:03)
Yandex
"Importante"
Importante:
Vale lembrar que este blog não pretende de qualquer forma prejudicar bandas, artistas ou gravadoras, pelo contrário o objetivo é sempre divulgar e compartilhar diversão, cultura e educação.
Então se de alguma forma você se sentir prejudicado pelo blog, solicito que envie um email para (progrockcontramao@hotmail) que prontamente deleto o material escrito ou link. O mesmo vale para pedidos e sugestões.
Todos os álbuns aqui postados foram adquiridos de forma legal em vinil ou cd, em lojas especializadas, sebos ou com amigos e sugiro que após ouvir algo que goste procure comprar o original.
Divirtam-se e aproveitem o espaço que é nosso.
Obrigada
Márcia Tunes
---------------------------------------------------------
Important:
Remember that this blog is not intended in any way injure bands, artists and record labels, rather the goal is to always disclose and share fun, culture and education.
So if somehow you feel harmed by blog, please send an email to (progrockcontramao @ hotmail) that promptly delete the written material or link. The same goes for requests and suggestions.
All albums posted here were purchased legally on vinyl or CD, in specialty stores, book stores or with friends and I suggest that after you hear something you like try to buy the original.
Have fun and enjoy the space that is ours.
Thanks
Marcia Tunes
![](http://web.archive.org./web/20170529194444im_/https://resources.blogblog.com/img/icon18_wrench_allbkg.png)
Para os Krautmaniacos
Visite meu novo blog totalmente dedicado ao Krautrock, divirta-se! Curta, comente, compartilhe!
Visit my new blog devoted entirely to Krautrock, enjoy, comment, share!
![](http://web.archive.org./web/20170529194444im_/https://resources.blogblog.com/img/icon18_wrench_allbkg.png)
quarta-feira, 1 de março de 2017
domingo, 12 de fevereiro de 2017
Astralis - Fantasia de Invierno (2013) Neo-Prog • Chile
Patricio Vera - Guitar, Vocals
Jaime Labarca - Drums
Mauricio Arcis - Bass
Carlos González - Keyboards
With:
Luis Alvarez - Guitar
Francisco Conejera - Keyboards
1. La Canción es Libre (4.17)
2. La Marcha de los que Vienen (4.10)
3. Algo Tiene que Cambiar (4.44)
4. Tristezas del Juego (8.07)
5. Después de la Lluvia (4.47)
6. Invocación (4.43)
7. Fantasía de Invierno (14.21)
Yandex
segunda-feira, 30 de janeiro de 2017
Supersister - To The Highest Bidder (1971) Canterbury Scene • Netherlands
- Robert Jan Stips / lead vocals, keyboards
- Sacha van Geest / flutes, vocals
- Ron van Eck / bass, fuzz bass
- Marco Vrolijk / drums, percussion
1. A Girl Named You (10:08)
2. No Tree Will Grow (On Too High a Mountain) (7:40)
3. Energy (Out of Future) (14:55)
4. Higher (2:56)
Yandex
- Sacha van Geest / flutes, vocals
- Ron van Eck / bass, fuzz bass
- Marco Vrolijk / drums, percussion
1. A Girl Named You (10:08)
2. No Tree Will Grow (On Too High a Mountain) (7:40)
3. Energy (Out of Future) (14:55)
4. Higher (2:56)
Yandex
Supersister - Present from Nancy (1970) Canterbury Scene • Netherlands
SUPERSISTER had a sound very much in the Canterbury scene, and if I had
to compare them to another band it would with no doubt be CARAVAN. They
blend their own Dutch ideals and a touch humor into a unique mixture of
progressive rock. Plenty of flute or sax or both can be heard weaving in
and out of the varied organ and piano. Influences from FRANK ZAPPA
& THE MOTHERS OF INVENTION, some WIGWAM (lots of organ) and from THE
SOFT MACHINE (especially from the time when THE SOFT MACHINE was a
trio) can be heard.
"Present From Nancy" (1971) is a incredible debut-album featuring greats tracks, lots of flute and distorbed organ and a vocalist who sounds quite a bit like Richard SINCLAIR. "Present from Nancy" and "To the Highest Ridder" are generally the recommended starting places and work your way forward. One of the absolutely best groups from the Dutch progressive rock scene.
Site da banda
- Robert Jan Stips / lead vocals, keyboards,vibes
- Sacha van Geest / flutes, vocals
- Ron van Eck / bass, fuzz bass
- Marco Vrolijk / drums, percussion, vocals
With:
- Gerhard Smid / guitar, vocals (6)
Present from Nancy:
1. Introduction (2:57)
2. Present from Nancy (5:14)
Memories are New (Boomchick):
3. Memories are new (3:47)
4. 11/8 (3:16)
5. Dreaming Wheelwhile (2:52)
6. Corporation Combo Boys (1:21)
Metamorphosis:
7. Mexico (4:21)
8. Metamorphosis (3:27)
9. Eight Miles High (0:22)
10. Dona Nobis Pacem (8:35)
Yandex
"Present From Nancy" (1971) is a incredible debut-album featuring greats tracks, lots of flute and distorbed organ and a vocalist who sounds quite a bit like Richard SINCLAIR. "Present from Nancy" and "To the Highest Ridder" are generally the recommended starting places and work your way forward. One of the absolutely best groups from the Dutch progressive rock scene.
Site da banda
- Robert Jan Stips / lead vocals, keyboards,vibes
- Sacha van Geest / flutes, vocals
- Ron van Eck / bass, fuzz bass
- Marco Vrolijk / drums, percussion, vocals
With:
- Gerhard Smid / guitar, vocals (6)
Present from Nancy:
1. Introduction (2:57)
2. Present from Nancy (5:14)
Memories are New (Boomchick):
3. Memories are new (3:47)
4. 11/8 (3:16)
5. Dreaming Wheelwhile (2:52)
6. Corporation Combo Boys (1:21)
Metamorphosis:
7. Mexico (4:21)
8. Metamorphosis (3:27)
9. Eight Miles High (0:22)
10. Dona Nobis Pacem (8:35)
Yandex
domingo, 29 de janeiro de 2017
Patric Moraz - The Story of I (1976) Reup
Hoje recebi um pedido especial, era este disco, ai parei e pensei: Porque não pensei nisso antes!!! Este álbum é espetacular, lembro que comprei logo que saiu e fiquei apaixonada, ele morou na pick-up esquerda por um tempão, pra você Didier, abraço! Obrigada pela lembrança
Observação o disco é tão bom que publiquei no discos fundamentais também é o primeiro álbum solo da carreira de Patrick, alias um dos seus melhores trabalhos, adoro este disco, acho que foi uma sacada de mestre a introdução de elementos afro-brasileiros no álbum, o disco tem um clima bastante interessante e foi na época uma novidade sonora pra mim, mesmo acostumada a muitos discos de progressivo ousados e com elementos bastante diferentes, apaixonei neste álbum e ele passou um longo periodo em uma de minhas pick-ups (tinha duas na época, adorava mixar minhas gravações em fitas cassetes, o que fazia de mim a dj da hora entre os amigos, hehehe!!). Disco recomendadissimo!´Retirado da publicação original aqui no blog.
- Patrick Moraz / keyboards, vocals, marimbaphone, additional assorted percussions
- John McBurnie / lead vocals
- Vivienne McAuliffe / vocals and additional lead vocals
- Ray Gomez / electric lead and rhythm guitars
- Jeff Berlin / electric basses
- Alphonse Mouzon / drums (1-7)
- Andy Newmark / drums (8-14)
The Percussionists of Rio De Janeiro
- Jean-Luc Bourgeois / gongs and tam-tams
- Auguste de Anthony / acoustic guitar and additional electric guitars
- Jean Ristori / cello and acoustic string bass
- Phillippe Staehli / tympanis and assorted percussions
- Rene Moraz / tap dance, castagnets
- The children of Morat, Switzerland
- Veronique Mueller / French and additional vocals
1. Impact (3:31)
2. Warmer Hands (3:31)
3. The Storm (0:52)
4. Cachaca (4:07)
5. Intermezzo (2:49)
6. Indoors (3:44)
7. Best Years of Our Lives (3:59)
8. Descent (1:43)
9. Incantation (Procession) (1:51)
10. Dancing Now (4:38)
11. Impressions (The Dream) (2:49)
12. Like a Child Is Disguise (4:05)
13. Rise and Fall (5:34)
14. Symphony in the Space (2:56)
Yandex
Observação o disco é tão bom que publiquei no discos fundamentais também é o primeiro álbum solo da carreira de Patrick, alias um dos seus melhores trabalhos, adoro este disco, acho que foi uma sacada de mestre a introdução de elementos afro-brasileiros no álbum, o disco tem um clima bastante interessante e foi na época uma novidade sonora pra mim, mesmo acostumada a muitos discos de progressivo ousados e com elementos bastante diferentes, apaixonei neste álbum e ele passou um longo periodo em uma de minhas pick-ups (tinha duas na época, adorava mixar minhas gravações em fitas cassetes, o que fazia de mim a dj da hora entre os amigos, hehehe!!). Disco recomendadissimo!´Retirado da publicação original aqui no blog.
- Patrick Moraz / keyboards, vocals, marimbaphone, additional assorted percussions
- John McBurnie / lead vocals
- Vivienne McAuliffe / vocals and additional lead vocals
- Ray Gomez / electric lead and rhythm guitars
- Jeff Berlin / electric basses
- Alphonse Mouzon / drums (1-7)
- Andy Newmark / drums (8-14)
The Percussionists of Rio De Janeiro
- Jean-Luc Bourgeois / gongs and tam-tams
- Auguste de Anthony / acoustic guitar and additional electric guitars
- Jean Ristori / cello and acoustic string bass
- Phillippe Staehli / tympanis and assorted percussions
- Rene Moraz / tap dance, castagnets
- The children of Morat, Switzerland
- Veronique Mueller / French and additional vocals
1. Impact (3:31)
2. Warmer Hands (3:31)
3. The Storm (0:52)
4. Cachaca (4:07)
5. Intermezzo (2:49)
6. Indoors (3:44)
7. Best Years of Our Lives (3:59)
8. Descent (1:43)
9. Incantation (Procession) (1:51)
10. Dancing Now (4:38)
11. Impressions (The Dream) (2:49)
12. Like a Child Is Disguise (4:05)
13. Rise and Fall (5:34)
14. Symphony in the Space (2:56)
Yandex
quinta-feira, 19 de janeiro de 2017
Beyond Sound - Diamond Harbour
Looking for Beyond Sound LP Diamond Harbour from 1982 including Louis Cennamo (ex-Renaissance).
If anyone can help...
Beyond Sound ?– Diamond Harbour
Label: The World Renewal Spiritual Trust ?– none
Format: Vinyl, LP
Country: UK
Released: 1982
Genre: Rock, Pop, Folk, World, & Country
Style: Folk, Psychedelic Rock
Tracklist
A1 Flying Bird
A2 Ancient Rhyme
A3 Call Of The Ocean
A4 Diamond Harbour
B1 Voice Of Om
B2 Unknown Warriors
B3 Far Above The Ground
B4 Omens Of Change
B5 Journey To The Source
sexta-feira, 30 de dezembro de 2016
Origens - Origens (2016) Brasil
Adoro quando alguém me manda um link e me surpreendo com o que ouço.
Música atemporal é assim, pode ter sido feita há 30 anos ou 30 minutos, tanto faz, é boa! Este disco é bom e deve ser ouvido várias vezes, sempre surge algo novo, algo que passou batido da vez anterior. Saboreie como um bom vinho deve ser saboreado.
Discaço, nem vou falar muito pra não criar expectativas ou influenciar a audição, confira!
https://origens-album.bandcamp.com/album/origens
https://www.youtube.com/watch?v=GzAiHr5qtfA
ORIGENS – 2016
Release por Fernando Coelho.
Na origem da Terra, em sua atmosfera, havia muita água, gases e relâmpagos. Quando esses três elementos se juntaram, deram surgimento a diversas substâncias que começaram a fazer do planeta um ambiente propício para a vida.
Celebrando 25 anos de estrada, o baixista Alessandro Aru reuniu vários amigos, integrantes de diversas bandas do cenário musical do rock alagoano, que influenciaram diretamente sua formação musical e que, em algum momento participaram de sua história, para gravar o álbum Origens.
Rogério Cavalcante (Primeiro comparsa de música), Fred Hollanda (Água Mineral, Mopho e Canela Seca), Hélio Pisca (Água Mineral e Mopho), João Paulo (Água Mineral e Mopho), Leonardo Luiz (Mopho, Cores Astrais e Messias Elétrico), Michell Campos (Cores Astrais), Daniel Gontijo (Barba de Gato), Ney Guedes (Cachorro Urubu), Phillipe Hollanda (Cachorro Urubu), Eduardo Bahia (Santo Samba), Pedro Salvador (Canela Seca e Messias Elétrico), Thiago Alef (Canela Seca), Fernando Coelho (Messias Elétrico), Lillian Lessa (Messias Elétrico), Renan Di Carvalho (Lado B), Daniel Queiroz (Jams Sessions), Dácio Messias (Estúdio Concha Acústica).
A trajetória musical deste filho natural de Maceió contribui até hoje com os capítulos mais importantes do gênero em sua terra natal. Alessandro integrou a formação original da banda Mopho – é dele o baixo vigoroso e de timbre aveludado nas gravações originais de A Geladeira, Uma Leitura Mineral Incrível, Mosca sobre a Cabeça e Eu Quero Tudo, quatro clássicos do rock nacional presente na demo-tape de estréia da banda, em 1997 – que conquistou corações e mentes por todo o Brasil.
Com seu estilo único, inspirado em ícones do instrumento no rock and roll – como John Paul Jones (Led Zeppelin), John Entwistle (The Who) e Jack Bruce (Cream) –, o baixista apresenta musicalidade sempre de alta octanagem, que pode ser conferida nas músicas de bandas como Cores Astrais, Santo Samba, Cachorro Urubu e Messias Elétrico – essa última da qual é membro fundador e possui dois discos lançados pela gravadora Baratos Afins.
A relação com o instrumento é visceral a ponto de diversas músicas de sua autoria terem sido compostas originalmente no baixo elétrico.
No caso de Origens, o projeto foi formatado a partir de canções compostas pelo baixista e que enveredaram para uma obra conceitual, uma única música, uma espécie de suíte subdivida em seis partes.
Para a produção do trabalho, buscou-se registrar o lado mais orgânico dos músicos por meio de “jams sessions” das quais foram retiradas parte do material gravado.
A idéia de Origens pode ser também traduzida como um encontro para celebrar a amizade e o resgate do que existe de mais autêntico quando se fala em música: amigos expressando suas verdades através de sons.
Sinceros agradecimentos aos amigos que participaram desse projeto, os quais contribuíram de forma brilhante com seus arranjos personalíssimos:
Agradeço especialmente por ter pais justos, dedicados e amorosos e irmãos de fé, por ter encontrado uma companheira para todos os momentos que gerou minha maior obra, minha linda filha. Por ter nascido com saúde e poder desfrutar dos sons.
O DISCO
*Origens - Parte I (4’24”) - BRG721601375
Alessandro Aru - Baixo
Hélio Pisca – Bateria, Sintetizadores e Piano
João Paulo – Violão, Guitarra e Voz
Mariana Guedes Quintiliano – Voz
“Filha,
Filha quero saber
Sempre
O que tens para dizer
Filha,
Ei preste atenção
Sempre
No seu coração
Na sua intuição
Nas suas origens”
*Origens - Parte II (13’57”) - BRG721601376
Alessandro Aru – Baixo
João Paulo – Guitarra e Voz
Pedro Salvador – Órgão, Mellotron, Moog e voz
Thiago Alef – Bateria
“Eu já não sei, por onde andei
Mas eu bem sei que andei, fiz o certo
Muitos caminhos ao longo, encontrei
Irmãos de alma alguns grãos, no universo
Hoje vivo no século errado
A minha fé ficou no passado
Com os amigos daqui, e de lá
Sei meu irmão ainda vamos cantar
Espere estamos indo, encontrar
Meu amigo estamos indo, pro mesmo lugar
Os bons, não silenciaram...”
*Origens - Parte III (11’09”) - BRG721601377
Alessandro Aru – Baixo
Lillian Lessa – Voz
Ney Guedes – Órgão e piano
Pedro Salvador – Guitarra, Moog, Mellotron e Voz
Rogério – Cavalcante - Bongô
Thiago Alef – Bateria
“O meu passado é o meu presente
Não quero a prata, também não quero
O ouro
O que eu quero, é o que é puro
O que é certo é o que é justo
Tudo bem, tudo bem!
O meu futuro é o meu presente
Não quero a prata, também não quero
O ouro
O que eu quero é o que é puro
O que é certo é o que é justo
Tudo bem, tudo bem!
Meu senhor me diga
O que vi em sonho, vai acontecer?
Consciência vai recomeçar
Tudo de novo
Meu bem não é o fim do jogo
Alguém partiu, e ninguém viu
O sol saiu, mas você viu
Esse é o ar, respiro
Esse é o ar, que respiro
Esse é o ar, esse é o ar”
*Origens - Parte IV (8’25”) - BRG721601378
Alessandro Aru – Baixo e Voz
Daniel Gontijo – Guitarra Slide
Eduardo Bahia - Guitarra
Fernando Coelho – Bateria
Fred Hollanda – Gaita
Leonardo Luiz – Piano
Phillipe Hollanda – Voz
Renan Carvalho – Voz
“Areia incomoda nos olhos
Então não semeias discórdia
Ao lado dum rodamoinho
Nunca nadei para fora
Eu deixei rodar
Nunca me juntei com os porcos
Lama não é para mim
Eu deixei rodar
Areia incomoda nos olhos
Então não semeias discórdia
Carniça, tirei o alimento
Sim, foi o alimento
Sombra, vai clarear
Nunca me juntei com os porcos
Lama não é para mim
Sombra vai clarear”
*Origens - Parte V (5’39”) - BRG721601379
Alessandro Aru – Baixo
Michell Campos – Bateria
Pedro Salvador – Guitarra e voz
“Eu já não sei
Que nome escolher
Padim? Febre do Rato?
Mas tanto faz
Que nome escolher
Padim? Febre do Rato?
Aos inseparáveis
Ordem e caos
Porque hoje é mais um dia
Porque é apenas mais um dia
De carnaval...”
*Origens - Parte VI (5’31”) - BRG721601380
Daniel Queiros – Viola de 10
João Paulo – Voz e Violão
“Eu só peço a Deus
Que me faça dormir
Antes de você
Eu só quero ver
Você caminhar e seguir
Sempre andar, feliz
Não tem mais adeus
Consegui enxergar
Sua luz”
Todas as composições por Alessandro Aru
Gravado no estúdio Concha Acústica, estúdio Mopho e estúdio Pedradas, entre dezembro de 2015 e outubro de 2016, Maceió, Alagoas, Brasil.
Mixado por Dácio Messias, Alessandro Aru e João Paulo
Masterizado por Dácio Messias
Arte gráfica por Jonathan Melo
Contato: 82 99950-7740
arubass@gmailcom
https://www.facebook.com/Origens-%C3%81lbum-419260604939970/
Produzido por Alessandro Aru.
Música atemporal é assim, pode ter sido feita há 30 anos ou 30 minutos, tanto faz, é boa! Este disco é bom e deve ser ouvido várias vezes, sempre surge algo novo, algo que passou batido da vez anterior. Saboreie como um bom vinho deve ser saboreado.
Discaço, nem vou falar muito pra não criar expectativas ou influenciar a audição, confira!
https://origens-album.bandcamp.com/album/origens
https://www.youtube.com/watch?v=GzAiHr5qtfA
ORIGENS – 2016
Release por Fernando Coelho.
Na origem da Terra, em sua atmosfera, havia muita água, gases e relâmpagos. Quando esses três elementos se juntaram, deram surgimento a diversas substâncias que começaram a fazer do planeta um ambiente propício para a vida.
Celebrando 25 anos de estrada, o baixista Alessandro Aru reuniu vários amigos, integrantes de diversas bandas do cenário musical do rock alagoano, que influenciaram diretamente sua formação musical e que, em algum momento participaram de sua história, para gravar o álbum Origens.
Rogério Cavalcante (Primeiro comparsa de música), Fred Hollanda (Água Mineral, Mopho e Canela Seca), Hélio Pisca (Água Mineral e Mopho), João Paulo (Água Mineral e Mopho), Leonardo Luiz (Mopho, Cores Astrais e Messias Elétrico), Michell Campos (Cores Astrais), Daniel Gontijo (Barba de Gato), Ney Guedes (Cachorro Urubu), Phillipe Hollanda (Cachorro Urubu), Eduardo Bahia (Santo Samba), Pedro Salvador (Canela Seca e Messias Elétrico), Thiago Alef (Canela Seca), Fernando Coelho (Messias Elétrico), Lillian Lessa (Messias Elétrico), Renan Di Carvalho (Lado B), Daniel Queiroz (Jams Sessions), Dácio Messias (Estúdio Concha Acústica).
A trajetória musical deste filho natural de Maceió contribui até hoje com os capítulos mais importantes do gênero em sua terra natal. Alessandro integrou a formação original da banda Mopho – é dele o baixo vigoroso e de timbre aveludado nas gravações originais de A Geladeira, Uma Leitura Mineral Incrível, Mosca sobre a Cabeça e Eu Quero Tudo, quatro clássicos do rock nacional presente na demo-tape de estréia da banda, em 1997 – que conquistou corações e mentes por todo o Brasil.
Com seu estilo único, inspirado em ícones do instrumento no rock and roll – como John Paul Jones (Led Zeppelin), John Entwistle (The Who) e Jack Bruce (Cream) –, o baixista apresenta musicalidade sempre de alta octanagem, que pode ser conferida nas músicas de bandas como Cores Astrais, Santo Samba, Cachorro Urubu e Messias Elétrico – essa última da qual é membro fundador e possui dois discos lançados pela gravadora Baratos Afins.
A relação com o instrumento é visceral a ponto de diversas músicas de sua autoria terem sido compostas originalmente no baixo elétrico.
No caso de Origens, o projeto foi formatado a partir de canções compostas pelo baixista e que enveredaram para uma obra conceitual, uma única música, uma espécie de suíte subdivida em seis partes.
Para a produção do trabalho, buscou-se registrar o lado mais orgânico dos músicos por meio de “jams sessions” das quais foram retiradas parte do material gravado.
A idéia de Origens pode ser também traduzida como um encontro para celebrar a amizade e o resgate do que existe de mais autêntico quando se fala em música: amigos expressando suas verdades através de sons.
Sinceros agradecimentos aos amigos que participaram desse projeto, os quais contribuíram de forma brilhante com seus arranjos personalíssimos:
Agradeço especialmente por ter pais justos, dedicados e amorosos e irmãos de fé, por ter encontrado uma companheira para todos os momentos que gerou minha maior obra, minha linda filha. Por ter nascido com saúde e poder desfrutar dos sons.
O DISCO
*Origens - Parte I (4’24”) - BRG721601375
Alessandro Aru - Baixo
Hélio Pisca – Bateria, Sintetizadores e Piano
João Paulo – Violão, Guitarra e Voz
Mariana Guedes Quintiliano – Voz
“Filha,
Filha quero saber
Sempre
O que tens para dizer
Filha,
Ei preste atenção
Sempre
No seu coração
Na sua intuição
Nas suas origens”
*Origens - Parte II (13’57”) - BRG721601376
Alessandro Aru – Baixo
João Paulo – Guitarra e Voz
Pedro Salvador – Órgão, Mellotron, Moog e voz
Thiago Alef – Bateria
“Eu já não sei, por onde andei
Mas eu bem sei que andei, fiz o certo
Muitos caminhos ao longo, encontrei
Irmãos de alma alguns grãos, no universo
Hoje vivo no século errado
A minha fé ficou no passado
Com os amigos daqui, e de lá
Sei meu irmão ainda vamos cantar
Espere estamos indo, encontrar
Meu amigo estamos indo, pro mesmo lugar
Os bons, não silenciaram...”
*Origens - Parte III (11’09”) - BRG721601377
Alessandro Aru – Baixo
Lillian Lessa – Voz
Ney Guedes – Órgão e piano
Pedro Salvador – Guitarra, Moog, Mellotron e Voz
Rogério – Cavalcante - Bongô
Thiago Alef – Bateria
“O meu passado é o meu presente
Não quero a prata, também não quero
O ouro
O que eu quero, é o que é puro
O que é certo é o que é justo
Tudo bem, tudo bem!
O meu futuro é o meu presente
Não quero a prata, também não quero
O ouro
O que eu quero é o que é puro
O que é certo é o que é justo
Tudo bem, tudo bem!
Meu senhor me diga
O que vi em sonho, vai acontecer?
Consciência vai recomeçar
Tudo de novo
Meu bem não é o fim do jogo
Alguém partiu, e ninguém viu
O sol saiu, mas você viu
Esse é o ar, respiro
Esse é o ar, que respiro
Esse é o ar, esse é o ar”
*Origens - Parte IV (8’25”) - BRG721601378
Alessandro Aru – Baixo e Voz
Daniel Gontijo – Guitarra Slide
Eduardo Bahia - Guitarra
Fernando Coelho – Bateria
Fred Hollanda – Gaita
Leonardo Luiz – Piano
Phillipe Hollanda – Voz
Renan Carvalho – Voz
“Areia incomoda nos olhos
Então não semeias discórdia
Ao lado dum rodamoinho
Nunca nadei para fora
Eu deixei rodar
Nunca me juntei com os porcos
Lama não é para mim
Eu deixei rodar
Areia incomoda nos olhos
Então não semeias discórdia
Carniça, tirei o alimento
Sim, foi o alimento
Sombra, vai clarear
Nunca me juntei com os porcos
Lama não é para mim
Sombra vai clarear”
*Origens - Parte V (5’39”) - BRG721601379
Alessandro Aru – Baixo
Michell Campos – Bateria
Pedro Salvador – Guitarra e voz
“Eu já não sei
Que nome escolher
Padim? Febre do Rato?
Mas tanto faz
Que nome escolher
Padim? Febre do Rato?
Aos inseparáveis
Ordem e caos
Porque hoje é mais um dia
Porque é apenas mais um dia
De carnaval...”
*Origens - Parte VI (5’31”) - BRG721601380
Daniel Queiros – Viola de 10
João Paulo – Voz e Violão
“Eu só peço a Deus
Que me faça dormir
Antes de você
Eu só quero ver
Você caminhar e seguir
Sempre andar, feliz
Não tem mais adeus
Consegui enxergar
Sua luz”
Todas as composições por Alessandro Aru
Gravado no estúdio Concha Acústica, estúdio Mopho e estúdio Pedradas, entre dezembro de 2015 e outubro de 2016, Maceió, Alagoas, Brasil.
Mixado por Dácio Messias, Alessandro Aru e João Paulo
Masterizado por Dácio Messias
Arte gráfica por Jonathan Melo
Contato: 82 99950-7740
arubass@gmailcom
https://www.facebook.com/Origens-%C3%81lbum-419260604939970/
Produzido por Alessandro Aru.
sábado, 10 de dezembro de 2016
quinta-feira, 27 de outubro de 2016
quarta-feira, 26 de outubro de 2016
Philip Catherine - End of August (1982) with Nicolas Fiszman, Charlie Mariano & Trilok Gurtu
- Philip Catherine - guitars
- Charlie Mariano - soprano & bamboo flute
- Trilok Gurtu - percussion, cymbals & tabla
- Nicolas Fiszman - guitar & electric bass
Special guest in 'Goodbye' & 'Presque'
Toots Thielemans: harmonica
1. Petit Nicolas (Philip Catherine)
2. Grand Nicolas (Philip Catherine)
3. Janet (Philip Catherine) 9:28
4. September Start (Philip Catherine)
5. Goodbye (Gordon Jenkins) 5:07
6. Birth of August (Philip Catherine)
7. End of August (Philip Catherine)
8. Presque (Toots Thielemans & Philip Catherine)
Infos: https://www.discogs.com/Philip-Catherine-End-Of-August/release/3499986
Yandex
- Charlie Mariano - soprano & bamboo flute
- Trilok Gurtu - percussion, cymbals & tabla
- Nicolas Fiszman - guitar & electric bass
Special guest in 'Goodbye' & 'Presque'
Toots Thielemans: harmonica
1. Petit Nicolas (Philip Catherine)
2. Grand Nicolas (Philip Catherine)
3. Janet (Philip Catherine) 9:28
4. September Start (Philip Catherine)
5. Goodbye (Gordon Jenkins) 5:07
6. Birth of August (Philip Catherine)
7. End of August (Philip Catherine)
8. Presque (Toots Thielemans & Philip Catherine)
Infos: https://www.discogs.com/Philip-Catherine-End-Of-August/release/3499986
Yandex
quinta-feira, 19 de maio de 2016
Philip Catherine - Babel (1980)
- Philip Catherine - guitars, guitar synthesiser, vocoder
- Jean Claude Petit - Keyboards and synthesisers
- Andre Ceccarelli - drums and percussions
- Jannick Top - electric bass
String Quartet:
- Pierre-Yves Defayes (violin)
- Roger Berthier (violin)
- Pierre Llinares (viola)
- Hervé Derrien (cello)
with:
The Voices of Isabelle and Janet Catherine
Recorded at Davout Studio Paris 1980
1. Babel
2. Janet
3. Riverbob
4. Spirale
5. Philip a Paris
6. Magic Ring
7. Dinner Jacket
Yandex
- Jean Claude Petit - Keyboards and synthesisers
- Andre Ceccarelli - drums and percussions
- Jannick Top - electric bass
String Quartet:
- Pierre-Yves Defayes (violin)
- Roger Berthier (violin)
- Pierre Llinares (viola)
- Hervé Derrien (cello)
with:
The Voices of Isabelle and Janet Catherine
Recorded at Davout Studio Paris 1980
1. Babel
2. Janet
3. Riverbob
4. Spirale
5. Philip a Paris
6. Magic Ring
7. Dinner Jacket
Yandex
Philip Catherine - Septembre man (1974)
Philip Catherine - guitars
Palle Mikkelborg - trumpet
Jasper Van't Hoff - piano and organ
Charlie Mariano - saxes and flutes
John Lee - bass
Gerry Brown - drums
Nairam
Nineteen Seventy Fourths
T.P.C.
September Man
When it is
Monday 13
Yandex
Palle Mikkelborg - trumpet
Jasper Van't Hoff - piano and organ
Charlie Mariano - saxes and flutes
John Lee - bass
Gerry Brown - drums
Nairam
Nineteen Seventy Fourths
T.P.C.
September Man
When it is
Monday 13
Yandex
Philip Catherine - Guitars (1975)
Philip Catherine - guitars, banjo, piano
Charlie Mariano - saxophone
Jasper Van't Hof - piano
John Lee - bass
Gerry Brown - drums
Rob Franken - strings
Recorded at Morgan Studios Brussels August / September 1975
This album is dedicated to Miles Davis.
We'll find a way
Five thousand policemen
Sneezing bull
Rene
Thomas
Moss and weeds
Homecomings
Charlotte
Noburl
Isabelle
Yandex
Charlie Mariano - saxophone
Jasper Van't Hof - piano
John Lee - bass
Gerry Brown - drums
Rob Franken - strings
Recorded at Morgan Studios Brussels August / September 1975
This album is dedicated to Miles Davis.
We'll find a way
Five thousand policemen
Sneezing bull
Rene
Thomas
Moss and weeds
Homecomings
Charlotte
Noburl
Isabelle
Yandex
sábado, 14 de maio de 2016
Jon Lord - Beyond the Notes (2004) Video
![https://jonlord.files.wordpress.com/2010/09/mg_7215.jpg](http://web.archive.org./web/20170529194444im_/https://jonlord.files.wordpress.com/2010/09/mg_7215.jpg)
Imperdivel!!!
Style: Prog RelatedCountry: United Kingdom
Format:
Video XviD, 1035 kbps, 720x416, 25 fps
Audio ATSC/A-52 Dolby AC-3 Codec, 448 kbps, 48000 Hz, 5 Channels
Track Listings:
01. Sunrise/Picture Within
02. Sarabande
03. I’ll Send You A Postcard
04. Cologne Again
05. Pavane
06. Gigue
07. A Smile When I Shook His Hand / Here Comes The Sun
08. One From The Meadow
09. Unsquare Dance
10. November Calls
11. The Telemann Experiment
12. The Sun Will Shine Again
13. De Profundis
14. Bournee
Line-up:
Jon Lord / piano, organ
Mario Argandona / percussion, guitar, vocals
Urs Fuchs / bass
Paul Shigihara / guitars
Matthias Kraus / keyboards
Bert Smaak / drums
Susanne Heitmann / flute, clarinet
Sabine Van Baaren / vocals, percussion
Emilia Amper / keyed fiddle
Miller Anderson / vocals
Sam Brown / vocals
Frida / vocals
Yandex
sexta-feira, 13 de maio de 2016
Camel - Live in Concert at the Hippodrome (1977) Video
![https://i.ytimg.com/vi/2RZ-lQDrFPQ/hqdefault.jpg](http://web.archive.org./web/20170529194444im_/https://i.ytimg.com/vi/2RZ-lQDrFPQ/hqdefault.jpg)
Style: Symphonic Prog
Country: United Kingdom
Format: Video/AVI Video: Xvid 720x480 29.97fps [Stream 00]
Audio: MPEG Audio Layer 3 48000Hz stereo 256kbps [Stream 01]
Size: 1,08 Gb
Tracklist:
1. First Light
2. Metrognome
3. Unevensong
4. Rhayader
5. Rhayader Goes To Town
6. Skylines
7. Highways Of The Sun
8. Lunar Sea
9. Rain Dances
10. Never Let Go
11. One Of These Days I'll Get An Early Night
Time: 0.58:59
Line-up:
- Andrew Latimer / guitars, flute and vocals
- Andy Ward / drums and percussion
- Richard Sinclair / bass and vocals
- Peter Bardens / organ and synthesizer
- Mell Colins / saxophone and flute
Releases information
It includes the entire 1977 performance at the Hippodrome (BBC
Sight and Sound)
https://yadi.sk/i/sE93dF5srhQY6
quarta-feira, 20 de abril de 2016
Tony Scott & Jan Akkerman - Prism (1977)
Jan Akkerman Guitar (Electric)
Bruno Castellucci Drums
Wim Essed Bass
Cees Schrama Piano
Tony Scott Clarinet, Primary Artist, Vocals
Under The Bo Tree 12:07 (22.03 M)
Yandex
Bruno Castellucci Drums
Wim Essed Bass
Cees Schrama Piano
Tony Scott Clarinet, Primary Artist, Vocals
Under The Bo Tree 12:07 (22.03 M)
Yandex
terça-feira, 5 de abril de 2016
The Psychedelic Ensemble - The Art Of Madness (2009) Neo-Prog/United States
With over 30 years experience in the music industry, the
multi-instrumentalist known as THE PSYCHEDELIC ENSEMBLE has garnered
numerous awards including more than 20 ASCAP awards and many others.
Having worked as a performer, composer, and arranger with many
preeminent musicians worldwide, the artist has recently released five
solo albums under the moniker of THE PSYCHEDELIC ENSEMBLE.
In 2009, Musea Records released the debut album, "The Art of Madness". Nominated Best Debut Album at ProgAwards, the album reached top rankings on polls and charts worldwide. 2010 saw the release of "The Myth of Dying". Nominated Best Foreign Record and Best Production at ProgAwards, the album also reached top rankings on charts and polls around the globe coming in at No. 29 on the 2010 Global Progressive Rock Poll Top 100. In 2011 "The Dream of the Magic Jongleur" was released. A progressive rock album that combines symphonic prog and fusion styles. "The Dream of the Magic Jongleur" fuses a complex collection of songs with a beautiful collection of original artworks produced for the album. Nominated for Best Keyboard Performance (Album) and Best Keyboard Solo (The Riddle) by "The Proggies" awards, the album reached many critics' 2011 Top 10 lists including No. 1 (Alex Torres, Dutch Progressive Rock Page), No. 2 (Jon Neudorf, Sea of Tranquility), No. 3 (Gert Hulshof, Dutch Progressive Rock Page), Top 10 Progressive News Germany, Editors' Choice (Wild Thing magazine, Greece), No. 9 (ProgLog Afterglow), the Top 100 Global Progressive Rock Poll, and additional polls worldwide. In 2013 the fourth release appeared from THE PSYCHEDELIC ENSEMBLE, "The Tale of the Golden King". A 72-minute concept, THE PSYCHEDELIC ENSEMBLE is joined on selected tracks by orchestra and vocalist Ann Caren. The album was included on over 20 Top and Best of 2013 polls and charts.
In 2015 comes the new release, "The Sunstone". The spellbinding 62-minute concept includes the return of vocalist Ann Caren and guest appearances from Michael Wilk of Steppenwolf and others.
The music of THE PSYCHEDELIC ENSEMBLE combines progressive rock, symphonic rock, fusion, and classical styles. All five albums present complex concepts in gapless fashion. Each album is a musical journey through inventive terrains. The drama of each album unfolds in complex performances and compositions. While creating the effect of a large ensemble, the music is, in fact, performed entirely by the solo artist, "TPE". http://www.progarchives.com/artist.asp?id=5153
1. Prologue - Ecstasy (5:40)
2. Panic (3:08)
3. Fantasy (4:26)
4. Dream (2:26)
5. Delusion (4:18)
6. Moon Mad (9:07)
7. Despair (7:23)
8. Apparition (4:01)
9. Breakdown (5:24)
10. Sedation (3:32)
11. Revelation - Epilogue (7:03)
Yandex
In 2009, Musea Records released the debut album, "The Art of Madness". Nominated Best Debut Album at ProgAwards, the album reached top rankings on polls and charts worldwide. 2010 saw the release of "The Myth of Dying". Nominated Best Foreign Record and Best Production at ProgAwards, the album also reached top rankings on charts and polls around the globe coming in at No. 29 on the 2010 Global Progressive Rock Poll Top 100. In 2011 "The Dream of the Magic Jongleur" was released. A progressive rock album that combines symphonic prog and fusion styles. "The Dream of the Magic Jongleur" fuses a complex collection of songs with a beautiful collection of original artworks produced for the album. Nominated for Best Keyboard Performance (Album) and Best Keyboard Solo (The Riddle) by "The Proggies" awards, the album reached many critics' 2011 Top 10 lists including No. 1 (Alex Torres, Dutch Progressive Rock Page), No. 2 (Jon Neudorf, Sea of Tranquility), No. 3 (Gert Hulshof, Dutch Progressive Rock Page), Top 10 Progressive News Germany, Editors' Choice (Wild Thing magazine, Greece), No. 9 (ProgLog Afterglow), the Top 100 Global Progressive Rock Poll, and additional polls worldwide. In 2013 the fourth release appeared from THE PSYCHEDELIC ENSEMBLE, "The Tale of the Golden King". A 72-minute concept, THE PSYCHEDELIC ENSEMBLE is joined on selected tracks by orchestra and vocalist Ann Caren. The album was included on over 20 Top and Best of 2013 polls and charts.
In 2015 comes the new release, "The Sunstone". The spellbinding 62-minute concept includes the return of vocalist Ann Caren and guest appearances from Michael Wilk of Steppenwolf and others.
The music of THE PSYCHEDELIC ENSEMBLE combines progressive rock, symphonic rock, fusion, and classical styles. All five albums present complex concepts in gapless fashion. Each album is a musical journey through inventive terrains. The drama of each album unfolds in complex performances and compositions. While creating the effect of a large ensemble, the music is, in fact, performed entirely by the solo artist, "TPE". http://www.progarchives.com/artist.asp?id=5153
1. Prologue - Ecstasy (5:40)
2. Panic (3:08)
3. Fantasy (4:26)
4. Dream (2:26)
5. Delusion (4:18)
6. Moon Mad (9:07)
7. Despair (7:23)
8. Apparition (4:01)
9. Breakdown (5:24)
10. Sedation (3:32)
11. Revelation - Epilogue (7:03)
Yandex
domingo, 3 de abril de 2016
Pôle - Kotrill (1975) France
Osiris 3:29 (6.39 M)
Villin-gen 20:59 (38.43 M)
Yandex Pôle - Inside The Dream (1975) France (REUP) New link
sexta-feira, 1 de abril de 2016
Alberto Rigoni - Something Different (2008) Heavy Prog/Italy
- Alberto Rigoni / bass
Guest Musicians
- Lorenzo Nizzolini / keyboards (tracks 1,3,6,7,10)
- Enrico Buttol / drums (tracks 3,5) , e-drums (tracks 4,5) , vocal drums (track 9)
- Marco Torchia / e-drums (track 1)
- Tommy Ermolli / guitar (tracks 1,3,7)
- Daniele Gottardo / guitar (track 9)
- Irene Ermolli / vocals (track 5)
- Daniele Kenny Conti / vocals (track 7)
1. The Factory (5:39)
2. Trying to Forget (2:37)
3. Glory of Life (4:08)
4. SMS (4:14)
5. BASSex (3:05)
6. One Moment Before (1:28)
7. Roller Coaster (4:27)
8. Desert Break (2:34)
9. Jammin' on Vocal Drums (2:55)
10. Sweet Tears (4:14)
Yandex
Guest Musicians
- Lorenzo Nizzolini / keyboards (tracks 1,3,6,7,10)
- Enrico Buttol / drums (tracks 3,5) , e-drums (tracks 4,5) , vocal drums (track 9)
- Marco Torchia / e-drums (track 1)
- Tommy Ermolli / guitar (tracks 1,3,7)
- Daniele Gottardo / guitar (track 9)
- Irene Ermolli / vocals (track 5)
- Daniele Kenny Conti / vocals (track 7)
1. The Factory (5:39)
2. Trying to Forget (2:37)
3. Glory of Life (4:08)
4. SMS (4:14)
5. BASSex (3:05)
6. One Moment Before (1:28)
7. Roller Coaster (4:27)
8. Desert Break (2:34)
9. Jammin' on Vocal Drums (2:55)
10. Sweet Tears (4:14)
Yandex
sábado, 12 de março de 2016
In memoriam of Keith Emerson
![Keith Emerson on stage in ELP’s 1970s heyday.](http://web.archive.org./web/20170529194444im_/https://i.guim.co.uk/img/media/9a30701e6a3789ab1dbafe40f8851cf48dd12dad/0_129_3248_1949/master/3248.jpg?w=300&q=55&auto=format&usm=12&fit=max&s=dbdef0f0974866d6e6706e4da8797018)
![](http://web.archive.org./web/20170529194444im_/https://i.ytimg.com/vi/fR537EiIFzk/maxresdefault.jpg)
quinta-feira, 28 de janeiro de 2016
Rumplestiltskin (UK-Progressive Rock) 1971.Black Magician
- Peter Lee Stirling (Peter Charles Green) - vocals
- Alan Pariser (Alan Parker) - lead & rhythm guitar
- Alan Hawkshaw (William Alan Hawkshaw) - piano, organ
- Herbie Flowers (Brian Keith Flowers ) - bass
- Clem Cattini (Clemente Anselmo Cattini) - drums
+
- Shel Talmy - producer
- Alan Pariser (Alan Parker) - lead & rhythm guitar
- Alan Hawkshaw (William Alan Hawkshaw) - piano, organ
- Herbie Flowers (Brian Keith Flowers ) - bass
- Clem Cattini (Clemente Anselmo Cattini) - drums
+
- Shel Talmy - producer
All songs written by Alan Hawkshaw, Alan Parker, Peter Charles Green except where noted.
01. Lord Of The Heaven And The Earth - 3:49
02. Can't You Feel It (Alan Parker, Peter Charles Green) - 3:02
03. Evil Woman (Herbie Flowers, Peter Charles Green) - 3:27
04. I Am The Last Man - 6:05
05. Loneliness Is What My Life's All About - 3:58
06. Through My Looking Glass - 3:30
07. Black Magician's Daughter (Herbie Flowers, Peter Charles Green) - 2:49
08. I'm So Afraid I'll Leave Unsaid - 2:22
09. I Am Alone - 3:13
10. I've Had Enough Of The Army - 6:40
Bonus:
11. Wimoweh (single A-side, 1971) (traditional, arr.by Rumplestiltskin) - 2:33
01. Lord Of The Heaven And The Earth - 3:49
02. Can't You Feel It (Alan Parker, Peter Charles Green) - 3:02
03. Evil Woman (Herbie Flowers, Peter Charles Green) - 3:27
04. I Am The Last Man - 6:05
05. Loneliness Is What My Life's All About - 3:58
06. Through My Looking Glass - 3:30
07. Black Magician's Daughter (Herbie Flowers, Peter Charles Green) - 2:49
08. I'm So Afraid I'll Leave Unsaid - 2:22
09. I Am Alone - 3:13
10. I've Had Enough Of The Army - 6:40
Bonus:
11. Wimoweh (single A-side, 1971) (traditional, arr.by Rumplestiltskin) - 2:33
segunda-feira, 11 de janeiro de 2016
sexta-feira, 1 de janeiro de 2016
The Facedancers (USA-Psychedelic-FolkRock-Progressive Rock) 1972.The Facedancers
- Dale Armour - flute, guitar, keyboards, vocals
- Scats Bloom - harmonica, percussion, vocals
- Kelley Moko - guitar, vocals
- Barry Armour - bass, guitar
- Michael Loy - drums, percussion
+
- Teo Macero - producer
01. Little Waterfall - 7:21
02. Dreamer's Lullabye - 5:44
03. Nightmare - 3:08
04. Jewels - 3:56
05. Let The Music Set You Free - 5:22
06. Children - 8:23
07. Beta - 6:07
Yandex
Gregory Allan Fitzpatrick & Samla Mammas Manna (USA/Sweden-SymphonicProg) 1976.Snorungarnas Symfoni
- Gregory
Allan Fitzpatrick - arranger, conductor
- Coste Apetréa - guitar, balalaika
- Lars Hollmer - keyboards
- Hans Bruniusson - drums, percussion
- Kalle Eriksson - trumpet
- Ärtan Wallander - saxophone
All tracks written by Gregory Allan Fitzpatrick.
01. Första Satsen - 11:46
02. Andra Satsen - 5:39
03. Tredje Satsen - 7:46
04. Fjärde Satsen - 8:48
Yandex
- Coste Apetréa - guitar, balalaika
- Lars Hollmer - keyboards
- Hans Bruniusson - drums, percussion
- Kalle Eriksson - trumpet
- Ärtan Wallander - saxophone
All tracks written by Gregory Allan Fitzpatrick.
01. Första Satsen - 11:46
02. Andra Satsen - 5:39
03. Tredje Satsen - 7:46
04. Fjärde Satsen - 8:48
Yandex
quinta-feira, 31 de dezembro de 2015
sábado, 26 de dezembro de 2015
Ritual - The Hemulic Voluntary Band (2007) Symphonic Prog, Prog Folk (Sweden)
![](http://web.archive.org./web/20170529194444im_/http://music60-70.ucoz.ru/000000000000013/cover_Ritual2007.jpg)
- Patrik Lundström - lead and backing vocals, electric and acoustic guitars
- Jon Gamble - clavinet, harmonium, Grand piano, Rhodes, backing vocals
- Fredrik Lindqvist - bass, Irish bouzouki, Hammer dulcimer, recorders, whistles, backing vocals
- Johan Nordgren - percussion, nyckelharpa (keyed fiddle), backing vocals
+
- Lovisa Hallstedt - violin (06)
- Ritual, Hans Fredriksson - producers
- Jon Gamble - clavinet, harmonium, Grand piano, Rhodes, backing vocals
- Fredrik Lindqvist - bass, Irish bouzouki, Hammer dulcimer, recorders, whistles, backing vocals
- Johan Nordgren - percussion, nyckelharpa (keyed fiddle), backing vocals
+
- Lovisa Hallstedt - violin (06)
- Ritual, Hans Fredriksson - producers
01. The Hemulic Voluntary Band - 4:52
02. In The Wild - 5:62
03. Late In November - 4:55
04. The Groke - 6:04
05. Waiting By The Bridge - 4:35
06. A Dangerous Journey - 26:29
02. In The Wild - 5:62
03. Late In November - 4:55
04. The Groke - 6:04
05. Waiting By The Bridge - 4:35
06. A Dangerous Journey - 26:29
Dragon - Universal Radio (1974) Symphonic Prog New Zealand
![](http://web.archive.org./web/20170529194444im_/http://music60-70.ucoz.ru/ACoverNew1/cover_Dragon74.jpg)
- Marc Hunter - lead vocals, percussion
- Ray Goodwin - lead guitar, vocals
- Ivan Thompson - organ, piano, Moog synthesizer
- Todd Hunter - bass, flute (09), vocals
- Neil Storey - drums
+
- Graeme Collins - piano (08)
- Herb Mann - lead guitar (09)
- Rick Shadwell - producer
01. Universal Radio (Ray Goodwin, Marc Hunter, Todd Hunter) - 8:33
02. Going Slow (Todd Hunter, Marc Hunter, Ray Goodwin, Robert Taylor) - 6:14
03. Patina (Ray Goodwin, Marc Hunter, Todd Hunter) - 11:45
04. Weetbix (Ray Goodwin, Marc Hunter, Todd Hunter) - 2:55
05. Graves (Ray Goodwin, Marc Hunter, Todd Hunter) - 6:56
06. Avalanche (Ray Goodwin, Marc Hunter, Todd Hunter, Ivan Thompson) - 11:08
Bonus:
07. Black Magic Woman (unreleased live) (Peter Green) - 6:37
08. X-Ray Creature (single A-side of Marc Hunter,1973) (Graeme Collins, Baysting) - 3:05
09. Dinghy Days (single B-side of Marc Hunter,1973) (Todd Hunter) - 3:30
02. Going Slow (Todd Hunter, Marc Hunter, Ray Goodwin, Robert Taylor) - 6:14
03. Patina (Ray Goodwin, Marc Hunter, Todd Hunter) - 11:45
04. Weetbix (Ray Goodwin, Marc Hunter, Todd Hunter) - 2:55
05. Graves (Ray Goodwin, Marc Hunter, Todd Hunter) - 6:56
06. Avalanche (Ray Goodwin, Marc Hunter, Todd Hunter, Ivan Thompson) - 11:08
Bonus:
07. Black Magic Woman (unreleased live) (Peter Green) - 6:37
08. X-Ray Creature (single A-side of Marc Hunter,1973) (Graeme Collins, Baysting) - 3:05
09. Dinghy Days (single B-side of Marc Hunter,1973) (Todd Hunter) - 3:30
Earth And Fire - Atlantis (1973) Symphonic Prog (Netherlands)
![](http://web.archive.org./web/20170529194444im_/http://music60-70.ucoz.ru/000000000000045/cover_Earth_and_Fire73.jpg)
- Jerney Kaagman - female lead vocals
- Chris Koerts - lead guitar, acoustic guitar, vocals, arranger
- Gerard Koerts - organ, mellotron, piano, synthesizer, virginal, flute, vocals, arranger
- Hans Ziech - bass guitar
- Ton van der Kleij - drums, percussion
+
- Jaap Eggermont - arranger, producer
01. Atlantis (Chris Koerts, Gerard Koerts/Hans Ziech, Chris Koerts, Gerard Koerts) - 16:20 including:
a). Prelude
b). Prologue (Don't Know)
c). Rise And Fall (Under A Cloudy Sky)
d). Theme Of Atlantis
e). The Threat (Suddenly)
f). Destructions (Rumbling From Inside The Earth)
g). Epilogue (Don't Know)
02. Maybe Tomorrow, Maybe Tonight (Gerard Koerts/Hans Ziech, Chris Koerts, Gerard Koerts) - 3:10
03. Interlude (Gerard Koerts, Chris Koerts) - 2:00
04. Fanfare (Ton van der Kleij/Hans Ziech, Chris Koerts, Gerard Koerts) - 6:03
05. Theme From Atlantis (Chris Koerts, Gerard Koerts) - 1:49
06. Love, Please Close The Door (Chris Koerts/Hans Ziech, Chris Koerts, Gerard Koerts) - 4:10
Yandex
segunda-feira, 7 de dezembro de 2015
The Glass Orchestra - Same / Human (2 álbuns)
Faz um tempinho um rapaz me pediu uns discos, entre eles um do grupo The Glass Orchestra, atendendo ao pedido aqui estão dois álbuns do grupo. Enjoy!
The Glass Orchestra, founded in 1977, is the only ensemble in the world whose musicians create and perform contemporary compositions entirely with glass instruments. Drawing on a wide range of musical influences and performance techniques, the musicians explore the unique sonic properties of glass, creating an ethereal, percussive soundscape with a vast array of glass instruments, both "found" and custom made. The skill of the members of the Orchestra in designing and making glass instruments has earned them a place in the New Grove Dictionary of Musical Instruments.
The Glass Orchestra has appeared in major cities across Canada and has toured the United States from New York to Honolulu, and Europe from London to Berlin. In 1989, the ensemble completed an important seven-week tour of Asia, which took them to Taiwan, Macau, Kuala Lumpur, Bangkok, Singapore, Japan and the Shenzeng and Zuhai International Arts Festivals in China.
Because of the extremes of its dynamic and frequency ranges, glass music has always proved a challenge to record. The Glass Orchestra has released four commercial recordings, the most recent titled "HUMAN". Through the use of the most sophisticated equipment, listeners are provided with a faithful reproduction of the delicacy and transparency of the timbre of glass musical instruments. Distribution, on CD or cassette, is through the Canadian Music Centre.
To contact us send email to :erca@total.net (Eric Cadesky)
ERIC CADESKY (Artistic Director and curator of the Glass Orchestra FAQ) is the inventor of many of the handmade glass instruments played by the ensemble. Dedicated to extending the boundaries of traditional glass music, he is also a composer and percussionist with experience in African, Latin, Jazz and New Music ensemble performance. In addition Eric enjoys composing music for ballet and modern dance, feature films, theatre, video and television. His compositions have been performed around the world.
The performance experience of guitarist BILL PARSONS encompasses jazz, improvised, concert, popular, and world music. As a composer and arranger, he has worked within a wide range of musical settings from jazz and concert music to interdisciplinary works with filmmakers, photographers, theatre directors, and choreographers. Bill Parsons also writes poetry, lyrics, and has just finished co-writing a screenplay. Bill performs internationally with the Evergreen Club, John Wyre's Heartbeat Orchestra, Pirate Jennyand Sunda Duo, on Indonesian kacapi (20 string zither) with suling (bamboo flute)
PAUL HODGE is the Technical Director of the Music Gallery, Toronto, the Centre for Contemporary Music in Canada. Active in all aspects of music and sound production his numerous recordings have been broadcast on City-TV, CBC, BBC Great Britain and NHK Japan and released on LP, cassette and CD. Non-curricular interests include astronomy, parenting and surfing (in alphabetical order).
RICHARD SACKS received his Masters in music at the State University of New York at Stony Brook, where he studied with Raymond Desroches, Arthur Weisberg and Charles Rosen. He was a member of the Bennington College faculty from 1977-79 and maintained a freelance career in New York until moving to Toronto in 1981. Richard continues to perform with the Glass Orchestra, Arraymusic, The Evergreen Club, New Music Concerts and the Esprit Orchestra, as well as writing for dance and multi-media. He appears on many recordings with these and other groups.
Yandex
The Glass Orchestra, founded in 1977, is the only ensemble in the world whose musicians create and perform contemporary compositions entirely with glass instruments. Drawing on a wide range of musical influences and performance techniques, the musicians explore the unique sonic properties of glass, creating an ethereal, percussive soundscape with a vast array of glass instruments, both "found" and custom made. The skill of the members of the Orchestra in designing and making glass instruments has earned them a place in the New Grove Dictionary of Musical Instruments.
The Glass Orchestra has appeared in major cities across Canada and has toured the United States from New York to Honolulu, and Europe from London to Berlin. In 1989, the ensemble completed an important seven-week tour of Asia, which took them to Taiwan, Macau, Kuala Lumpur, Bangkok, Singapore, Japan and the Shenzeng and Zuhai International Arts Festivals in China.
Because of the extremes of its dynamic and frequency ranges, glass music has always proved a challenge to record. The Glass Orchestra has released four commercial recordings, the most recent titled "HUMAN". Through the use of the most sophisticated equipment, listeners are provided with a faithful reproduction of the delicacy and transparency of the timbre of glass musical instruments. Distribution, on CD or cassette, is through the Canadian Music Centre.
To contact us send email to :erca@total.net (Eric Cadesky)
ERIC CADESKY (Artistic Director and curator of the Glass Orchestra FAQ) is the inventor of many of the handmade glass instruments played by the ensemble. Dedicated to extending the boundaries of traditional glass music, he is also a composer and percussionist with experience in African, Latin, Jazz and New Music ensemble performance. In addition Eric enjoys composing music for ballet and modern dance, feature films, theatre, video and television. His compositions have been performed around the world.
The performance experience of guitarist BILL PARSONS encompasses jazz, improvised, concert, popular, and world music. As a composer and arranger, he has worked within a wide range of musical settings from jazz and concert music to interdisciplinary works with filmmakers, photographers, theatre directors, and choreographers. Bill Parsons also writes poetry, lyrics, and has just finished co-writing a screenplay. Bill performs internationally with the Evergreen Club, John Wyre's Heartbeat Orchestra, Pirate Jennyand Sunda Duo, on Indonesian kacapi (20 string zither) with suling (bamboo flute)
PAUL HODGE is the Technical Director of the Music Gallery, Toronto, the Centre for Contemporary Music in Canada. Active in all aspects of music and sound production his numerous recordings have been broadcast on City-TV, CBC, BBC Great Britain and NHK Japan and released on LP, cassette and CD. Non-curricular interests include astronomy, parenting and surfing (in alphabetical order).
RICHARD SACKS received his Masters in music at the State University of New York at Stony Brook, where he studied with Raymond Desroches, Arthur Weisberg and Charles Rosen. He was a member of the Bennington College faculty from 1977-79 and maintained a freelance career in New York until moving to Toronto in 1981. Richard continues to perform with the Glass Orchestra, Arraymusic, The Evergreen Club, New Music Concerts and the Esprit Orchestra, as well as writing for dance and multi-media. He appears on many recordings with these and other groups.
Yandex
quinta-feira, 3 de dezembro de 2015
Aaron Space - Aaron Space 1972 (Hard Blues Rock) Canada
![](http://web.archive.org./web/20170529194444im_/http://music60-70.ucoz.ru/Covers8/cover_Aaron_Space.jpg)
- Jake Thomas - lead guitar, vocals
- Dave Moulaison - rhythm guitar, lead vocals (01-03,05,06,08-10)
- Gene Falbo - bass, lead vocals (07)
- Bob DiSalle - drums, percussion, lead vocals (04,05)
+
- Lisa Garber - backing vocals (01)
- John Stewart - producer
- Dave Moulaison - rhythm guitar, lead vocals (01-03,05,06,08-10)
- Gene Falbo - bass, lead vocals (07)
- Bob DiSalle - drums, percussion, lead vocals (04,05)
+
- Lisa Garber - backing vocals (01)
- John Stewart - producer
01. Keep On Moving (Jake Thomas) - 3:16
02. Silly Ceilings (Jake Thomas) - 5:02
03. When She Smiles (Jake Thomas) - 3:02
04. Man In Yellow Car (Dave Moulaison/Jake Thomas) - 4:22
05. Marsha (Bob DiSalle) - 1:59
06. North Country Rock & Roll (Jake Thomas) - 3:41
07. It Might Be You (Dave Moulaison/Gene Falbo/Bob DiSalle/Jake Thomas) - 3:06
08. The Loser (Dave Moulaison/Gene Falbo/Bob DiSalle/Jake Thomas) - 2:44
09. Fair Child (Dave Moulaison/Gene Falbo/Bob DiSalle/Jake Thomas) - 3:24
10. Rainbow Ride (Dave Moulaison/Gene Falbo/Bob DiSalle/Jake Thomas) - 5:05
Yandex
02. Silly Ceilings (Jake Thomas) - 5:02
03. When She Smiles (Jake Thomas) - 3:02
04. Man In Yellow Car (Dave Moulaison/Jake Thomas) - 4:22
05. Marsha (Bob DiSalle) - 1:59
06. North Country Rock & Roll (Jake Thomas) - 3:41
07. It Might Be You (Dave Moulaison/Gene Falbo/Bob DiSalle/Jake Thomas) - 3:06
08. The Loser (Dave Moulaison/Gene Falbo/Bob DiSalle/Jake Thomas) - 2:44
09. Fair Child (Dave Moulaison/Gene Falbo/Bob DiSalle/Jake Thomas) - 3:24
10. Rainbow Ride (Dave Moulaison/Gene Falbo/Bob DiSalle/Jake Thomas) - 5:05
Yandex
quinta-feira, 26 de novembro de 2015
quarta-feira, 25 de novembro de 2015
Dominique Blanc-Francard - Ailleurs (1972) Progressive Rock, Space Rock
A1 Voyage 4:41
A2 Mirabelle 3:20
A3 Il Est Fou 2:39
A4 Ah! Que C'est Bon 2:01
A5 Jeudi Je T'Aime 4:08
B1 Ailleurs 1:00
B2 Icare 3:03
B3 Ballade Extra-Terrestre 6:41
B4 Arrête De Rêver 2:30
B5 Laissez Ce Reveil 4:10
Infos
Link Yandex
terça-feira, 17 de novembro de 2015
Prentice & Tuttle - Every Loving Day (1972) Folk-Rock (USA)
- Steve Prentice - 1st guitar, backing vocals
- Stephen Tuttle - vocals, 2nd guitar, piano
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- David Cain - bass
- John Gerbron - drums
All songs written and arranged by Steve Prentice and Stephen Tuttle.
01. The River Song - 3:12
02. Old Man Taylor - 3:05
03. This Downhill Walk - 2:26
04. Jacob's Tree - 2:31
05. It's Getting Mighty Cold - 3:09
06. Deep Blue Affection - 3:05
07. Like A Midnight Crier - 3:22
08. Just How You Feel - 2:49
09. The Devil Be Your Lord - 2:38
10. It Isn't Going To Rain This Day - 2:51
11. Ring Them Bells - 3:14
12. Every Loving Day - 3:42
Yandex
- Stephen Tuttle - vocals, 2nd guitar, piano
+
- David Cain - bass
- John Gerbron - drums
All songs written and arranged by Steve Prentice and Stephen Tuttle.
01. The River Song - 3:12
02. Old Man Taylor - 3:05
03. This Downhill Walk - 2:26
04. Jacob's Tree - 2:31
05. It's Getting Mighty Cold - 3:09
06. Deep Blue Affection - 3:05
07. Like A Midnight Crier - 3:22
08. Just How You Feel - 2:49
09. The Devil Be Your Lord - 2:38
10. It Isn't Going To Rain This Day - 2:51
11. Ring Them Bells - 3:14
12. Every Loving Day - 3:42
Yandex
sexta-feira, 13 de novembro de 2015
Trol - Same (1977) Belgium (Progressive Folk, Celtic Folk Music)
Johan Waegeman (vocals, harmonica, accordion)
Mark Dickens (guitar, vocals)
Mark Vanden Bremt (bass, vocals)
Jan Cool (cittern, guitar, mandolin, vocals, flute)
Geert Waegeman (synthesizers)
Yandex
Mark Dickens (guitar, vocals)
Mark Vanden Bremt (bass, vocals)
Jan Cool (cittern, guitar, mandolin, vocals, flute)
Geert Waegeman (synthesizers)
Yandex
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