The artists of the Tudor court are the painters and limners engaged by the monarchs of England's Tudor dynasty and their courtiers between 1485 and 1603, from the reign of Henry VII to the death of Elizabeth I.

Typically managing a group of assistants and apprentices in a workshop or studio, many of these artists produced works across several disciplines, including portrait miniatures, large-scale panel portraits on wood, illuminated manuscripts, heraldric emblems, and elaborate decorative schemes for masques, tournaments, and other events.

The Tudor period was one of unusual isolation from European trends for England. At the start the Wars of the Roses had greatly disrupted artistic activity, which apart from architecture had reached a very low ebb by 1485. The Yorkist dynasty overthrown by the Tudors had been very close to their Burgundian allies, and English diplomats had their portraits painted by the finest Early Netherlandish painters - Edward Grimshaw by Petrus Christus and Sir John Donne by Hans Memling (both National Gallery, London). However these were both painted abroad. In the Tudor period foreign artists were recruited and often welcomed lavishly by the English court, as they were in other artistically marginal parts of Europe like Spain or Naples. The Netherlandish painters remained predominant, though French influence was also important on both Lucas Horenbout and Nicholas Hilliard, respectively the founder and the greatest exponent of the distinctively English tradition of the portrait miniature.

Anne Boleyn ( /ˈbʊlɪn/, /bəˈlɪn/ or /bʊˈlɪn/); c.1501 – 19 May 1536) was Queen of England from 1533 to 1536 as the second wife of Henry VIII of England and Marquess of Pembroke in her own right. Henry's marriage to Anne, and her subsequent execution, made her a key figure in the political and religious upheaval that was the start of the English Reformation. Anne was the daughter of Thomas Boleyn, 1st Earl of Wiltshire, and his wife, Lady Elizabeth Howard, and was educated in the Netherlands and France, largely as a maid of honour to Claude of France. She returned to England in early 1522, in order to marry her Irish cousin James Butler, 9th Earl of Ormond; however, the marriage plans ended in failure and she secured a post at court as maid of honour to Henry VIII's queen consort, Catherine of Aragon.

Early in 1523 there was a secret betrothal between Anne and Henry Percy, son of the 5th Earl of Northumberland. However, in January of 1524 Cardinal Thomas Wolsey broke the betrothal, Anne was sent back home to Hever Castle, and Percy was married to Lady Mary Talbot, to whom he had been betrothed since adolescence. In February/March 1526 Henry VIII began his pursuit of Anne. She resisted his attempts to seduce her, refusing to become his mistress as her sister Mary had. It soon became the one absorbing object of Henry's desires to annul his marriage to Queen Catherine so he would be free to marry Anne. When it became clear that Pope Clement VII would not annul the marriage, the breaking of the power of the Catholic Church in England began. In 1532, Henry granted her the Marquesate of Pembroke.

Hans Holbein the Younger (c. 1497 – between 7 October and 29 November 1543) was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century. He also produced religious art, satire, and Reformation propaganda, and made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father, Hans Holbein the Elder, an accomplished painter of the Late Gothic school.

Born in Augsburg, Holbein worked mainly in Basel as a young artist. At first he painted murals and religious works and designed for stained glass windows and printed books. He also painted the occasional portrait, making his international mark with portraits of the humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein worked for reformist clients while continuing to serve traditional religious patrons. His Late Gothic style was enriched by artistic trends in Italy, France, and the Netherlands, as well as by Renaissance Humanism. The result was a combined aesthetic uniquely his own.