- published: 03 Mar 2016
- views: 479389
Film editing is part of the creative post-production process of filmmaking. The term film editing is derived from the traditional process of working with film, but increasingly involves the use of digital technology.
The film editor works with the raw footage, selecting shots and combining them into sequences to create a finished motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is often referred to as the "invisible art" because when it is well-practiced, the viewer can become so engaged that he or she is not even aware of the editor's work. On its most fundamental level, film editing is the art, technique, and practice of assembling shots into a coherent sequence. The job of an editor isn’t simply to mechanically put pieces of a film together, cut off film slates, or edit dialogue scenes. A film editor must creatively work with the layers of images, story, dialogue, music, pacing, as well as the actors' performances to effectively "re-imagine" and even rewrite the film to craft a cohesive whole. Editors usually play a dynamic role in the making of a film. Sometimes, auteurist film directors edit their own films, for example Akira Kurosawa and the Coen Brothers.
A film festival is an organized, extended presentation of films in one or more cinemas or screening venues, usually in a single city or region. Increasingly, film festivals show some films outdoors. Films may be of recent date and, depending upon the festival's focus, can include international and domestic releases. Some festivals focus on a specific film-maker or genre (e.g., film noir) or subject matter (e.g., horror film festivals). A number of film festivals specialise in short films of a defined maximum length. Film festivals are typically annual events. Some film historians do not consider Film Festivals as official releases of film, like Jerry Beck. The best known film festivals are the Venice Film Festival, the Cannes Film Festival, the Toronto Film Festival, Sundance Film Festival, and the Berlin International Film Festival, the latter being the largest film festival worldwide, based on attendance. The Venice Film Festival is the oldest major festival. The Melbourne International Film Festival is the largest film festival in the Southern Hemisphere and one of the oldest in the world. A 2013 study found 3,000 active films festivals worldwide—active defined as having held an event in the previous 24 months.
A film, also called a movie, motion picture or photoplay, is a series of still images which, when shown on a screen, creates the illusion of moving images due to the phi phenomenon. This optical illusion causes the audience to perceive continuous motion between separate objects viewed rapidly in succession. A film is created by photographing actual scenes with a motion picture camera; by photographing drawings or miniature models using traditional animation techniques; by means of CGI and computer animation; or by a combination of some or all of these techniques and other visual effects. The word "cinema", short for cinematography, is often used to refer to the industry of films and filmmaking or to the art of filmmaking itself. The contemporary definition of cinema is the art of simulating experiences to communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations.
The process of filmmaking is both an art and an industry.
A short film is any film not long enough to be considered a feature film. Although no consensus exists as to where that boundary is drawn, the Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of 40 minutes or less, including all credits". The term featurette originally applied to a film longer than a short subject, but shorter than a standard feature film.
The increasingly rare term short subject means approximately the same thing. An industry term, it carries more of an assumption that the film is shown as part of a presentation along with a feature film. Short is an abbreviation for either term. Short films are often screened at local, national, or international film festivals and made by independent filmmakers for non profit, either with a low budget or no budget at all. They are usually funded by film grants, non profit organizations, sponsor, or personal funds. Short films are generally used by filmmakers to gain experience and/or prove their talent in order to gain funding for future films from private investors, entertainment companies, or film studios.
This is a list of existing major film festivals, sorted by continent.
Director/Editor Joey Scoma is here to talk to you about something simple: cuts and transitions. Except... there are so many different kinds!! In this video essay, Joey lists and defines the different cuts and transitions available to you as an editor, with examples from classic and modern films. It's up to you to decide when and why you'd use them! What movie is that clip from?! Just turn on Closed Captioning! Written and edited by Joey Scoma Assistant edited by Sean Przano Joey can answer your editing questions directly here in our forum! http://j.mp/CutsTransitions101 Want to know more about secrets cuts and the art of editing? Check out these cool videos that we love: The Film Theorists - Birdman Secret Edits You Probably Missed: https://www.youtube.com/watch?v=FthEJGR61c8 The Cut...
Martin Scorsese, Quentin Tarantino & George Lucas say the editor writes the last draft of the script. So why not bring in the editor sooner, while you are still writing the script? "Editor's Thinking" is a cognitive skill set you can use to improve your screenplay before filming. In the first chapter we discuss the concept of Onscreen Drafting, the process of making the script work visually and emotionally, taking advantage of the editor's expertise of movement and flow. "The Science of Editing" by @ThisGuyEdits and Dr. Karen Pearlman, based on her book "Cutting Rhythms - Intuitive Film Editing": http://amzn.to/2cqkz5J Karen holds a Doctorate of Creative Arts and is currently a lecturer in Screen Production at Macquarie University. She is a former President of the Australian Screen Ed...
Tips for video editors using any editing software. BLOG POST: http://dslrguide.tv/tips-for-editing-films/ 10% off Wipster with code 'DSLRGUIDE': http://wipster.io/ (I earn a commission from purchases ^^) Host and Creator - Simon Cade Sound by Jamie McK WEBSITE: http://dslrguide.tv TWITTER: http://www.twitter.com/dslrguidance INSTAGRAM: http://instagram.com/cadevisuals ALL EQUIPMENT: http://dslrguide.tv/mygear CONTACT: dslrguidance@gmail.com
For the past ten years, I’ve been editing professionally. Yet one question always stumps me: “How do you know when to cut?” And I can only answer that it’s very instinctual. On some level, I’m just thinking and feeling my way through the edit. So today, I’d like to describe that process: how does an editor think and feel? A very special thanks to David Poland for the use of DP/30 clips. And a very special thanks to Aso for the use of his music. For educational purposes only. You can donate to support the channel at Patreon: http://www.patreon.com/everyframeapainting And you can follow us through Taylor’s Instagram: https://instagram.com/taylor.ramos/ Taylor’s Twitter: https://twitter.com/glassesattached Tony’s Twitter: https://twitter.com/tonyszhou Tony’s Facebook: https://www.facebook....
A portion of a 1964 interview with Alfred Hitchcock from the CBC TV series "Telescope". Here, Hitchcock discusses three theories of film editing with examples, notably from his 1960 horror-thriller, PSYCHO.
Intercut! Montage! The illusion of continuity! All hallmarks of the edit - the point in a film’s production where a film comes together and becomes greater than the sum of its shots. SUBSCRIBE: http://goo.gl/9AGRm Kuleshov said that film is born in the edit. And you gotta take him seriously, because he used the magic of editing to convince an audience that a blank-faced man was hungry/sad/lustful. Later, montage showed audiences how to get in shape and learn to dance in under 2 minutes! (Of screen time). And that's the magic of film editing - understanding that comes from what isn't shown. In less than 7 minutes (and plenty of cuts), we’ll show you just how important editing is to the creation of film: from the first stop trick to today. What did you think - did you learn something ...
Support this Channel on Patreon: https://www.patreon.com/Channel_Criswell Follow me on Twitter: https://twitter.com/lewis_criswell Follow me on Instagram: https://instagram.com/lewiscriswell/ Business Enquiries: lewismichaelbond@gmail.com FURTHER READING AND RESEARCH: M. Ondaatje (2004) The Conversations: Walter Murch and the Art of Editing Film W. Murch (2001) In The Blink of an Eye C.J. Bowen, R. Thompson (2009) Grammar of The Cut S. Eisenstein (1969) Film Sense Press the CC Button to see a list of the films shown. SONG LIST: 0:00 - 2:34 Deafheaven - Irresistible 2:39 - 5:05 Ico Soundtrack - Castle In The Mist 5:06 - 6:45 Michael Galasso - Baroque 6:50 - 8:46 Kendrick Lamar - Hiiipower 8:54 - 11:40 DOOM & RZA - Books of War 11:58 - 14:06 Bjork - All Is Full of Love 14:43 - 15:30 Akir...
Skilled editing is as effective in the creation of a good film as a writer, director, or performer. Though often overlooked, editing brings shots together to make a whole greater than the sum of its parts. These ten movies are a fantastic illustration of just how important editing can be. Subscribe: http://goo.gl/9AGRm THE LIST City of God Director: Fernando Meirelles, Kátia Lund Editor: Daniel Rezende Bonnie and Clyde Director: Arthur Penn Editor: Dede Allen North By Northwest: Director: Alfred Hitchcock Editor: George Tomasini The Godfather Director: Francis Ford Coppola Editor: William Reynolds, Peter Zinner Battleship Potemkin Director: S.M. Eisenstein Editor: Sergei M. Eisenstein, Grigori Aleksandrov Psycho Director: Alfred Hitchcock Editor: George Tomasini Un Chien Andalou Di...
HIT THE LINK! → http://www.julianmelanson.com/create-incredible-videos ← Get 90% OFF my upcoming 6 hour filmmaking course on EVERYTHING I've learned about pre-production, production, post-production. BECOME AN INCREDIBLE VIDEO CREATOR! The Psychology of Film Editing | Creative Post Production Techniques Post production is where all the pieces of your film come together. Understanding the psychology of your audience will help you create a film with purpose. In this episode, I go over some key editing principles and ideas behind understanding when to cut, the effect that film editing has on the mind, and how to successfully connect with your audience. If you enjoyed this video, then subscribe for your free weekly business and life advice! Model: Caryssa Ramirez http://tinyurl.com/l6...
Film editing is one of the subtlest of cinema crafts; if you notice it, it's probably not working. Oscar winning editors William Goldenberg, Joel Cox and Gary Roach explain good editing, bad editing, and how the film editor controls the audience's mind. http://bit.ly/VarietySubscribe
Four years after his passing, we still haven't quite caught up to Satoshi Kon, one of the great visionaries of modern film. In just four features and one TV series, he developed a unique style of editing that distorted and warped space and time. Join me in honoring the greatest Japanese animator not named Miyazaki. For educational purposes only. You can donate to support the channel at Patreon: http://www.patreon.com/everyframeapainting And follow me here: Twitter: https://twitter.com/tonyszhou Facebook: https://www.facebook.com/everyframeapainting For further reading/viewing, I highly recommend: Andrew Osmond's book "Satoshi Kon: The Illusionist" (my major source) http://amzn.com/1933330740 Kristin Thompson's essay on match cuts & graphic matches http://bit.ly/1x960Em And this tumb...
In January 2014 Kathryn Schulz published an article in Vulture called "The Five Best Punctuation Marks in Literature." Link: http://www.vulture.com/2014/01/best-punctuation-marks-literature-nabokov-eliot-dickens-levi.html It got me thinking about what the five best "punctuation marks" in film might look like. I wanted to assemble a video essay with a rapidfire list of nominees of great moments of editing-as-punctuation in film. But as I started putting it together, the project grew into a twofold piece: an analysis of and response to Schulz's article as well as an attempt to spur new insights about editing by examining it through the metaphor of punctuation. So, here it is: 20 minutes long, clips from 100 films (101 if you count that Woody Allen quotes Duck Soup in Hannah and her Siste...
http://evanerichards.com/2013/3042 A brief look at some of Vsevolod Pudovkin's theories on editing as well as some examples from more recent movies. If you're interested in reading some of Pudovkin's writings, his book "Film technique and Film acting: The Cinema Writings of V.I. Pudovkin" is available for free in PDF, Kindle, or EPUB format at the link below. http://archive.org/details/filmtechniqueact00pudo
An analysis of the feature film Whiplash, that won an Oscar for best film editing. First video essay done for the Master of Visual & Digital Media at IE School of Communication / IE Business School in Madrid. Thanks for all the likes and comments, never expected! Follow me on Twitter @RobigoTV. Mentioned in: NoFilmSchool: http://nofilmschool.com/2015/04/breaking-down-oscar-winning-editing-whiplash PressPlay IndieWire: http://blogs.indiewire.com/pressplay/watch-the-editing-in-damian-chazelles-whiplash-a-closer-look-20150406?fb_action_ids=10153315976378706&fb;_action_types=og.shares Cinefilos: http://www.cinefilos.it/cinema-news/2015b/whiplash-un-video-ci-raccontail-montaggio-del-film-207758 The Film Stage: http://thefilmstage.com/news/watch-25-minute-video-essay-dissects-the-rhythm-of-edi...
Director : Ricardo de Montreuil Producers: Ricardo de Montreuil & Eliz Eskeranli Writers: Ricardo de Montreuil & Antonio Perez Cinematographer: Andres Sanchez Music by: Angelo Milli Special Effects Supervisor: Aaron Burns 3D Modeling and Animation: Juan Somarriba and Francisco Concha Visual Effects and Compositing: Ricardo de Montreuil Editing: Ricardo de Montreuil Color Correction: Santiago Padilla Sound Design and Mixing: Martin Seltzer Budget: $5k Format: RED 1920x1080 Special thanks: Filmosonido, CO3 and Converse Summary: Chris Black possesses a power that could lead to the destruction of the current regime, and they will stop at nothing to destroy him. The chase is on as Chris runs for his life in this sci-fi thriller set in an alternate and futuristic Los Angeles. facebook.com/TH...
The Greasy Hands Preachers feature documentary coming soon https://www.facebook.com/TheGHP Long Live The Kings is a film and photographic project shot exclusively on film http://long-live-the-kings.blogspot.fr/ Short documentary shot on super 16mm relating the hopes and desires of those who go for a motorcycle road trip. A film by Clement Beauvais and Arthur de Kersauson Directed by Clement Beauvais Produced by Arthur de Kersauson Written by Clement Beauvais and Arthur de Kersauson Dop Zack Spiger Editing Clement Beauvais A Moonwalk films Production With the support of Edwin. Picture and Blog: Hysteric Studio Photographer Donald van der Putten Making off Thomas Chedeville Motorcycles by Blitz Motorcycles facebook.com/Blitz.Motorcycles
Handcrafted with love by BYU design students and faculty, for the 5th Typophile Film Festival. A visual typographic feast about the five senses, and how they contribute to and enhance our creativity. Everything in the film is real—no CG effects! Shot with a RED One, a Canon EOS 5D Mark II, a Canon EOS 40D, and a Nikon D80. Stop motion created with Dragon Stop Motion. Creative Director & Faculty Mentor: Brent Barson Writing & Storyboarding: Brent Barson, Jessica Blackham, Analisa Estrada, Meg Gallagher, John Jensen, Regan Fred Johnson, Colin “The Pin” Pinegar Construction, Paint & Glue: Brent Barson, Wynn Burton, Analisa Estrada, Meg Gallagher, Olivia Juarez Knudsen, Casey Lewis, Reeding Roberts, Deven Stephens, Brian Christensen (Brain Sculpture) Animators: Brent Barson, Wynn Burton,...
A man returns to the Midwestern farm of his childhood on a desperate mission to unearth the horrifying truth of what landed there in the summer of 1960. View trailer: https://vimeo.com/55338337 imdb.com/title/tt2831474 | www.thelandingfilm.com/ | facebook.com/thelandingQPIXFILM See our VFX featurette: https://vimeo.com/113455347 WINNER - Best Short Film - 46th Sitges International Fantastic Film Festival (2015 Academy Awards® Qualifying Win) WINNER - Best Foreign Film - 18th LA Shorts Fest (2015 Academy Awards® Qualifying Win) WINNER - Best International Short - 38th Cleveland International Film Festival WINNER - Youth Jury Award, Best Short - Rhode Island International Film Festival, 2014 WINNER - Best Short, Screamfest® Horror Film Festival, 2014 WINNER - Jury Award, Narrativ...
www.carlosetmarcus.com Zack came to us with the idea of telling a story through dance : A love story that is tangled in addiction. We see the consequences of a lover who is struggling with her partners disease and the person he once was, only to succumb to his demons and dive head first into his addiction. The choreography was created and rehearsed over a period of several days with Tamara, who is known also as the French singer Shy'm rather than a dancer. It was shot in an abandoned warehouse in Paris, formerly used for creating glassware and silverware. All natural lighting, thanks to the clouds and dirty windows :) :: Directed by Charles Baldassarra :: Choregraphed by Zack Benitez :: With Tamara Marthe and Zack Benitez :: Camera/Lenses/Gear : Red Dragon / Leica Summicron / DJI Ron...
Someone's watching... ------------------------------------------------- "Webcam" is based on actual events and was shot entirely on a computer's webcam. The filmmakers hope that it will make people think more about the technology that we use every day and the effects it can have on all of us. ::: created & directed by ::: stefan haverkamp jan jaworski branden kramer tom kropp ::: screenplay by ::: branden kramer ::: cast ::: julia - jasmine anne osborne mother - jamie leigh allen boyfriend - thom miller hacker - kent koren ::: editing ::: lorraine paul ::: sound design ::: joe philips ::: title design ::: mcdonald predelus ::: color ::: salvatore malfitano ::: executive producer ::: dee allen
Director/Editor Joey Scoma is here to talk to you about something simple: cuts and transitions. Except... there are so many different kinds!! In this video essay, Joey lists and defines the different cuts and transitions available to you as an editor, with examples from classic and modern films. It's up to you to decide when and why you'd use them! What movie is that clip from?! Just turn on Closed Captioning! Written and edited by Joey Scoma Assistant edited by Sean Przano Joey can answer your editing questions directly here in our forum! http://j.mp/CutsTransitions101 Want to know more about secrets cuts and the art of editing? Check out these cool videos that we love: The Film Theorists - Birdman Secret Edits You Probably Missed: https://www.youtube.com/watch?v=FthEJGR61c8 The Cut...
Martin Scorsese, Quentin Tarantino & George Lucas say the editor writes the last draft of the script. So why not bring in the editor sooner, while you are still writing the script? "Editor's Thinking" is a cognitive skill set you can use to improve your screenplay before filming. In the first chapter we discuss the concept of Onscreen Drafting, the process of making the script work visually and emotionally, taking advantage of the editor's expertise of movement and flow. "The Science of Editing" by @ThisGuyEdits and Dr. Karen Pearlman, based on her book "Cutting Rhythms - Intuitive Film Editing": http://amzn.to/2cqkz5J Karen holds a Doctorate of Creative Arts and is currently a lecturer in Screen Production at Macquarie University. She is a former President of the Australian Screen Ed...
Tips for video editors using any editing software. BLOG POST: http://dslrguide.tv/tips-for-editing-films/ 10% off Wipster with code 'DSLRGUIDE': http://wipster.io/ (I earn a commission from purchases ^^) Host and Creator - Simon Cade Sound by Jamie McK WEBSITE: http://dslrguide.tv TWITTER: http://www.twitter.com/dslrguidance INSTAGRAM: http://instagram.com/cadevisuals ALL EQUIPMENT: http://dslrguide.tv/mygear CONTACT: dslrguidance@gmail.com
For the past ten years, I’ve been editing professionally. Yet one question always stumps me: “How do you know when to cut?” And I can only answer that it’s very instinctual. On some level, I’m just thinking and feeling my way through the edit. So today, I’d like to describe that process: how does an editor think and feel? A very special thanks to David Poland for the use of DP/30 clips. And a very special thanks to Aso for the use of his music. For educational purposes only. You can donate to support the channel at Patreon: http://www.patreon.com/everyframeapainting And you can follow us through Taylor’s Instagram: https://instagram.com/taylor.ramos/ Taylor’s Twitter: https://twitter.com/glassesattached Tony’s Twitter: https://twitter.com/tonyszhou Tony’s Facebook: https://www.facebook....
A portion of a 1964 interview with Alfred Hitchcock from the CBC TV series "Telescope". Here, Hitchcock discusses three theories of film editing with examples, notably from his 1960 horror-thriller, PSYCHO.
Intercut! Montage! The illusion of continuity! All hallmarks of the edit - the point in a film’s production where a film comes together and becomes greater than the sum of its shots. SUBSCRIBE: http://goo.gl/9AGRm Kuleshov said that film is born in the edit. And you gotta take him seriously, because he used the magic of editing to convince an audience that a blank-faced man was hungry/sad/lustful. Later, montage showed audiences how to get in shape and learn to dance in under 2 minutes! (Of screen time). And that's the magic of film editing - understanding that comes from what isn't shown. In less than 7 minutes (and plenty of cuts), we’ll show you just how important editing is to the creation of film: from the first stop trick to today. What did you think - did you learn something ...
Support this Channel on Patreon: https://www.patreon.com/Channel_Criswell Follow me on Twitter: https://twitter.com/lewis_criswell Follow me on Instagram: https://instagram.com/lewiscriswell/ Business Enquiries: lewismichaelbond@gmail.com FURTHER READING AND RESEARCH: M. Ondaatje (2004) The Conversations: Walter Murch and the Art of Editing Film W. Murch (2001) In The Blink of an Eye C.J. Bowen, R. Thompson (2009) Grammar of The Cut S. Eisenstein (1969) Film Sense Press the CC Button to see a list of the films shown. SONG LIST: 0:00 - 2:34 Deafheaven - Irresistible 2:39 - 5:05 Ico Soundtrack - Castle In The Mist 5:06 - 6:45 Michael Galasso - Baroque 6:50 - 8:46 Kendrick Lamar - Hiiipower 8:54 - 11:40 DOOM & RZA - Books of War 11:58 - 14:06 Bjork - All Is Full of Love 14:43 - 15:30 Akir...
Skilled editing is as effective in the creation of a good film as a writer, director, or performer. Though often overlooked, editing brings shots together to make a whole greater than the sum of its parts. These ten movies are a fantastic illustration of just how important editing can be. Subscribe: http://goo.gl/9AGRm THE LIST City of God Director: Fernando Meirelles, Kátia Lund Editor: Daniel Rezende Bonnie and Clyde Director: Arthur Penn Editor: Dede Allen North By Northwest: Director: Alfred Hitchcock Editor: George Tomasini The Godfather Director: Francis Ford Coppola Editor: William Reynolds, Peter Zinner Battleship Potemkin Director: S.M. Eisenstein Editor: Sergei M. Eisenstein, Grigori Aleksandrov Psycho Director: Alfred Hitchcock Editor: George Tomasini Un Chien Andalou Di...
HIT THE LINK! → http://www.julianmelanson.com/create-incredible-videos ← Get 90% OFF my upcoming 6 hour filmmaking course on EVERYTHING I've learned about pre-production, production, post-production. BECOME AN INCREDIBLE VIDEO CREATOR! The Psychology of Film Editing | Creative Post Production Techniques Post production is where all the pieces of your film come together. Understanding the psychology of your audience will help you create a film with purpose. In this episode, I go over some key editing principles and ideas behind understanding when to cut, the effect that film editing has on the mind, and how to successfully connect with your audience. If you enjoyed this video, then subscribe for your free weekly business and life advice! Model: Caryssa Ramirez http://tinyurl.com/l6...
Film editing is one of the subtlest of cinema crafts; if you notice it, it's probably not working. Oscar winning editors William Goldenberg, Joel Cox and Gary Roach explain good editing, bad editing, and how the film editor controls the audience's mind. http://bit.ly/VarietySubscribe
Four years after his passing, we still haven't quite caught up to Satoshi Kon, one of the great visionaries of modern film. In just four features and one TV series, he developed a unique style of editing that distorted and warped space and time. Join me in honoring the greatest Japanese animator not named Miyazaki. For educational purposes only. You can donate to support the channel at Patreon: http://www.patreon.com/everyframeapainting And follow me here: Twitter: https://twitter.com/tonyszhou Facebook: https://www.facebook.com/everyframeapainting For further reading/viewing, I highly recommend: Andrew Osmond's book "Satoshi Kon: The Illusionist" (my major source) http://amzn.com/1933330740 Kristin Thompson's essay on match cuts & graphic matches http://bit.ly/1x960Em And this tumb...
In January 2014 Kathryn Schulz published an article in Vulture called "The Five Best Punctuation Marks in Literature." Link: http://www.vulture.com/2014/01/best-punctuation-marks-literature-nabokov-eliot-dickens-levi.html It got me thinking about what the five best "punctuation marks" in film might look like. I wanted to assemble a video essay with a rapidfire list of nominees of great moments of editing-as-punctuation in film. But as I started putting it together, the project grew into a twofold piece: an analysis of and response to Schulz's article as well as an attempt to spur new insights about editing by examining it through the metaphor of punctuation. So, here it is: 20 minutes long, clips from 100 films (101 if you count that Woody Allen quotes Duck Soup in Hannah and her Siste...
http://evanerichards.com/2013/3042 A brief look at some of Vsevolod Pudovkin's theories on editing as well as some examples from more recent movies. If you're interested in reading some of Pudovkin's writings, his book "Film technique and Film acting: The Cinema Writings of V.I. Pudovkin" is available for free in PDF, Kindle, or EPUB format at the link below. http://archive.org/details/filmtechniqueact00pudo
An analysis of the feature film Whiplash, that won an Oscar for best film editing. First video essay done for the Master of Visual & Digital Media at IE School of Communication / IE Business School in Madrid. Thanks for all the likes and comments, never expected! Follow me on Twitter @RobigoTV. Mentioned in: NoFilmSchool: http://nofilmschool.com/2015/04/breaking-down-oscar-winning-editing-whiplash PressPlay IndieWire: http://blogs.indiewire.com/pressplay/watch-the-editing-in-damian-chazelles-whiplash-a-closer-look-20150406?fb_action_ids=10153315976378706&fb;_action_types=og.shares Cinefilos: http://www.cinefilos.it/cinema-news/2015b/whiplash-un-video-ci-raccontail-montaggio-del-film-207758 The Film Stage: http://thefilmstage.com/news/watch-25-minute-video-essay-dissects-the-rhythm-of-edi...
Director : Ricardo de Montreuil Producers: Ricardo de Montreuil & Eliz Eskeranli Writers: Ricardo de Montreuil & Antonio Perez Cinematographer: Andres Sanchez Music by: Angelo Milli Special Effects Supervisor: Aaron Burns 3D Modeling and Animation: Juan Somarriba and Francisco Concha Visual Effects and Compositing: Ricardo de Montreuil Editing: Ricardo de Montreuil Color Correction: Santiago Padilla Sound Design and Mixing: Martin Seltzer Budget: $5k Format: RED 1920x1080 Special thanks: Filmosonido, CO3 and Converse Summary: Chris Black possesses a power that could lead to the destruction of the current regime, and they will stop at nothing to destroy him. The chase is on as Chris runs for his life in this sci-fi thriller set in an alternate and futuristic Los Angeles. facebook.com/TH...
The Greasy Hands Preachers feature documentary coming soon https://www.facebook.com/TheGHP Long Live The Kings is a film and photographic project shot exclusively on film http://long-live-the-kings.blogspot.fr/ Short documentary shot on super 16mm relating the hopes and desires of those who go for a motorcycle road trip. A film by Clement Beauvais and Arthur de Kersauson Directed by Clement Beauvais Produced by Arthur de Kersauson Written by Clement Beauvais and Arthur de Kersauson Dop Zack Spiger Editing Clement Beauvais A Moonwalk films Production With the support of Edwin. Picture and Blog: Hysteric Studio Photographer Donald van der Putten Making off Thomas Chedeville Motorcycles by Blitz Motorcycles facebook.com/Blitz.Motorcycles
Handcrafted with love by BYU design students and faculty, for the 5th Typophile Film Festival. A visual typographic feast about the five senses, and how they contribute to and enhance our creativity. Everything in the film is real—no CG effects! Shot with a RED One, a Canon EOS 5D Mark II, a Canon EOS 40D, and a Nikon D80. Stop motion created with Dragon Stop Motion. Creative Director & Faculty Mentor: Brent Barson Writing & Storyboarding: Brent Barson, Jessica Blackham, Analisa Estrada, Meg Gallagher, John Jensen, Regan Fred Johnson, Colin “The Pin” Pinegar Construction, Paint & Glue: Brent Barson, Wynn Burton, Analisa Estrada, Meg Gallagher, Olivia Juarez Knudsen, Casey Lewis, Reeding Roberts, Deven Stephens, Brian Christensen (Brain Sculpture) Animators: Brent Barson, Wynn Burton,...
A man returns to the Midwestern farm of his childhood on a desperate mission to unearth the horrifying truth of what landed there in the summer of 1960. View trailer: https://vimeo.com/55338337 imdb.com/title/tt2831474 | www.thelandingfilm.com/ | facebook.com/thelandingQPIXFILM See our VFX featurette: https://vimeo.com/113455347 WINNER - Best Short Film - 46th Sitges International Fantastic Film Festival (2015 Academy Awards® Qualifying Win) WINNER - Best Foreign Film - 18th LA Shorts Fest (2015 Academy Awards® Qualifying Win) WINNER - Best International Short - 38th Cleveland International Film Festival WINNER - Youth Jury Award, Best Short - Rhode Island International Film Festival, 2014 WINNER - Best Short, Screamfest® Horror Film Festival, 2014 WINNER - Jury Award, Narrativ...
www.carlosetmarcus.com Zack came to us with the idea of telling a story through dance : A love story that is tangled in addiction. We see the consequences of a lover who is struggling with her partners disease and the person he once was, only to succumb to his demons and dive head first into his addiction. The choreography was created and rehearsed over a period of several days with Tamara, who is known also as the French singer Shy'm rather than a dancer. It was shot in an abandoned warehouse in Paris, formerly used for creating glassware and silverware. All natural lighting, thanks to the clouds and dirty windows :) :: Directed by Charles Baldassarra :: Choregraphed by Zack Benitez :: With Tamara Marthe and Zack Benitez :: Camera/Lenses/Gear : Red Dragon / Leica Summicron / DJI Ron...
Someone's watching... ------------------------------------------------- "Webcam" is based on actual events and was shot entirely on a computer's webcam. The filmmakers hope that it will make people think more about the technology that we use every day and the effects it can have on all of us. ::: created & directed by ::: stefan haverkamp jan jaworski branden kramer tom kropp ::: screenplay by ::: branden kramer ::: cast ::: julia - jasmine anne osborne mother - jamie leigh allen boyfriend - thom miller hacker - kent koren ::: editing ::: lorraine paul ::: sound design ::: joe philips ::: title design ::: mcdonald predelus ::: color ::: salvatore malfitano ::: executive producer ::: dee allen
Filmed/Edited By: PDaley Productions
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Hosted By Mostro - Velorio Dia Los Muertos 2 Años En Classic Era Kix 11/19/16 - El Grave vs Tkilla - LA - Filmed & Edited BY Ryan Haynes https://m.facebook.com/Velorio-Liga-De-Batallas-817252954983943/