Stage Performances & Shows | Comedy, Dance, Musicals & Theatre

Hello, Dolly! is a great example of The Production Company's ethos of prioritising performing talent over bells and whistles.

Bill Callahan's swooning fans (and some new converts) gently rock night away at Howler.

His readings of Scarlatti sonatas and Schubert movements make for a high-quality experience.

Hello, Dolly! is a great example of The Production Company's ethos of prioritising performing talent over bells and whistles.

Shrine is Winton's third stab at drama is closer to a pretty decent short story than a novel.

What's on in the Canberra arts scene this week

Sydney Dance Company's double bill features some terrific dancing across both works.

With a little help from Airbnb, Phillip Adams' BalletLab is bucking the trend.

The title of Limitless Dance Company's second season, SE7EN, is a reference to the 'sinful entities inside all of us'.

Hello, Dolly! is a great example of The Production Company's ethos of prioritising performing talent over bells and whistles.

Time to debate the lyrics to 'Ironic' again.

This Spring Awakening fails on every level as tragedy. Humour might be the one way to save it, a surrender to travesty with a knowing smirk.

Economic exigency has dictated shorter and less adventurous OA Melbourne seasons recently, but this co-production with Covent Garden was refreshing.

Shining performances and some interesting artistic choices make this a splendid double bill from Opera Australia. ★★★★½