PDT

PDT may refer to:

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Assistant director

The role of an Assistant Director on a film includes tracking daily progress against the filming production schedule, arranging logistics, preparing daily call sheets, checking cast and crew, and maintaining order on the set. They also have to take care of the health and safety of the crew. The role of an Assistant to the Director is often confused with Assistant Director but the responsibilities are entirely different. The Assistant to the Director manages all of the Director's in development, pre-production, while on set, through post-production and is often involved in both personal management as well as creative aspects of the production process. Historically, Assistant to Director was a stepping stone to directing work; Alfred Hitchcock was an AD, as was James McTeigue. This transition into film directing is no longer common in feature films. It is more common now for an Assistant to the Director to transition to a production management or producer role than to directing. In America, an Assistant to the Director is not a unionized role, but Assistant Directors of every level require membership to the Director's Guild of America. The DGA strictly monitors and regulates employment frequency and duration, salary, and promotions of Directors and are usually completely different from the requirements of filmmaking and should not be confused.

All rights reserved

"All rights reserved" is a phrase that originated in copyright law as a formal requirement for copyright notice. It indicates that the copyright holder reserves, or holds for their own use, all the rights provided by copyright law under one specific copyright treaty.

Origins

The phrase appears to have originated as a result of the Buenos Aires Convention of 1910. Article 3 of the Convention granted copyright in all signatory countries to a work registered in any signatory country, as long as a statement "that indicates the reservation of the property right" (emphasis added) appeared in the work. The phrase "all rights reserved" was not specified in the text, but met this requirement.

Other international copyright treaties did not require this formality. For example, the Universal Copyright Convention (UCC), adopted in 1952, adopted the © symbol as an indicator of protection. (The symbol had been introduced in the US by a 1954 amendment to the Copyright Act of 1909.) The Berne Convention rejected formalities altogether in Article 4 of the 1908 revision, so authors seeking to protect their works in countries that had signed on to the Berne Convention were also not required to use the "all rights reserved" formulation. However, because not all Buenos Aires signatories were members of Berne or the UCC, and in particular the United States did not join UCC until 1955, a publisher in a Buenos Aires signatory seeking to protect a work in the greatest number of countries between 1910 and 1952 would have used both the phrase "all rights reserved" and the copyright symbol.

Post-production

Post-production, or postproduction, is part of the process of filmmaking, video production and photography. It occurs in the making of motion pictures, television programs, radio programs, advertising, audio recordings, photography, and digital art. It is a term for all stages of production occurring after shooting or recording individual program segments.

Traditional (analogue) post-production has been eroded away by video editing software that operates on a non-linear editing system (NLE).

Processes

Post-production is many different processes grouped under one name. These typically include:

Line producer

A line producer is a type of film producer that functions as the key manager during the daily operations of a feature film, television film or an episode of a TV program. A line producer works on one film at a time. They are responsible for human resources and handling any problems that come up during production.

Responsibilities

According to Producers Guild of America (PGA) guidelines, the Line Producer is the individual who reports directly to the individual(s) receiving "Produced By" credit on the theatrical motion picture and is the single individual who has the primary responsibility for the logistics of the production, from pre-production through completion of production; all Department Heads report to the Line Producer.<ref name=".

The line producer functions like a Chief Operations Officer in running the production shooting company. During pre-production responsibilities include supervising the assembly of the shooting company, the recruitment of key personnel and services, and the production organization for how the script is going to be shot and transformed into a movie. Start dates for everyone and everything are planned, budgeted for and implemented in the lead up to picture. It is managed on a rigorous schedule. Facilitating casting, location scouting, set building and decorating, offices and stages, wardrobe, props, stunts, physical and visual effects, camera, lighting, rigging, transportation, cast, crew and union relations, travel, cast and crew accommodation, contracting of legal permissions and agreements, safety and risk management, the prep and shooting schedule - in short the joint planning, negotiations, implementing and accounting for production - are all part of the oversight equation.