John Mayer

John Clayton Mayer (/ˈmeɪ.ər/; born October 16, 1977) is an American singer-songwriter and producer. He was born in Bridgeport, Connecticut, and raised in nearby Fairfield. He attended Berklee College of Music in Boston, Massachusetts, but disenrolled and moved to Atlanta, Georgia, in 1997 with Clay Cook. Together, they formed a short-lived, two-man band called Lo-Fi Masters. After their split, Mayer continued to play local clubs—refining his skills and gaining a following. After his appearance at the 2001 South by Southwest Festival, he was signed to Aware Records, and then Columbia Records, which released his first EP, Inside Wants Out. His following two full-length albums—Room for Squares (2001) and Heavier Things (2003)—did well commercially, achieving multi-platinum status. In 2003, he won the Grammy Award for Best Male Pop Vocal Performance for the single "Your Body Is a Wonderland".

Though Mayer started his career mainly performing acoustic rock, he began moving towards the blues genre that had originally influenced him as a musician. By 2005, he was collaborating with blues artists such as B. B. King, Buddy Guy, and Eric Clapton. Forming the John Mayer Trio, he released a live album in 2005 called Try!, and his third studio album Continuum in 2006. Both albums received wide critical acclaim, and Continuum earned Mayer a 2007 Grammy Award for Best Pop Vocal Album. He also won Best Male Pop Vocal Performance for "Waiting on the World to Change". That album was followed by Battle Studies in 2009, a return to pop, with a number-one grossing tour.

Inside Wants Out

Inside Wants Out is the debut extended play (EP) and very first overall release by American blues rock musician John Mayer. Released by Mayer Music on September 24, 1999, the album was later re-released by Columbia Records on August 2, 2002 with the omission of "Neon 12:47 AM". The songs "Back to You", "No Such Thing", "My Stupid Mouth", and "Neon" were later re-recorded for Mayer's 2001 full-length debut album Room for Squares.

Production and history

Mayer enrolled in the Berklee College of Music in Boston, Massachusetts, at the age of nineteen. After two semesters, he chose to cut his studies short, and at the urging of his college friend and Atlanta native, Clay Cook, the two moved to Atlanta, Georgia. Quickly making a name for their two-man band, LoFi Masters, they began their career in earnest there, frequenting the local coffee house and club circuit in venues like Eddie’s Attic. Cook has said, however, that they began to experience musical differences due to Mayer’s desire to take the duo in more of a pop direction. The two parted ways, and Mayer embarked on a solo career.

No Such Thing

No Such Thing may refer to:

See also

John

John is a common English name and surname:

John may also refer to:

People with the given name

Religious figures

Album

Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 ¹⁄₃ rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.

An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.