Dawn patrol may refer to:
The Dawn Patrol is a 1930 American Pre-Code World War I film starring Richard Barthelmess and Douglas Fairbanks, Jr. It was directed by Howard Hawks, a former World War I flight instructor, who even flew in the film as a German pilot in an uncredited role.The Dawn Patrol won the Academy Award for Best Story for John Monk Saunders. It was subsequently remade in 1938, with the same title, while the original was then renamed Flight Commander and released later as part of the Warner Bros. film catalog.
During World War I, the pilots of an RFC squadron deal with the stress of combat primarily through nightly bouts of heavy drinking. The two aces of the squadron's "A Flight", Courtney (Richard Barthelmess) and Scott (Douglas Fairbanks Jr), have come to hate the commanding officer, Brand (Neil Hamilton), blaming him for sending new recruits directly into combat in inferior aircraft.
Unknown to them, Brand has been arguing continually with higher command to allow practice time for the new pilots, but command is desperate to maintain air superiority and orders them into combat as soon as they arrive. Brand is so disliked by the two he cannot even easily join the men for the nightly partying, drinking alone and clearly breaking under the strain. The tension grows worse when an elite German squadron led by "von Richter" takes up position just across the front lines from them.
Tarantula is the fourth studio album by British rock band Ride, released in March 1996 shortly after the band split. The album was deleted from Creation Records' catalogue only one week after its release.
All songs written and composed by Andy Bell except where noted. All lead vocals performed by Andy Bell except where noted.
"Link". Official Ride website. Retrieved 9 December 2005.
Dawn is the time that marks the beginning of the twilight before sunrise.
Dawn may also refer to:
The Dawn (German: Morgenröte – Gedanken über die moralischen Vorurteile; historical orthography: Morgenröthe – Gedanken über die moralischen Vorurtheile) is a 1881 book by the German philosopher Friedrich Nietzsche (also translated as "The Dawn of Day" and Daybreak: Thoughts on the Prejudices of Morality).
Nietzsche de-emphasizes the role of hedonism as a motivator and accentuates the role of a "feeling of power." His relativism, both moral and cultural, and his critique of Christianity also reaches greater maturity. In Daybreak Nietzsche devoted a lengthy passage to his criticism of Christian biblical exegesis, including its arbitrary interpretation of objects and images in the Old Testament as prefigurements of Christ's crucifixion.
The polemical, antagonistic and informal style of this aphoristic book—when compared to Nietzsche's later treatments of morality—seems most of all to invite a particular experience. In this text Nietzsche was either not effective at, or not concerned with, persuading his readers to accept any specific point of view. Yet the discerning reader can note here the prefigurations of many of the ideas more fully developed in his later books. For example, the materialism espoused in this book might seem reducible to a naive scientific objectivism which reduces all phenomena to their natural, mechanical causes. Yet that is very straightforwardly not Nietzsche's strongest perspective, perhaps traditionally most well-expressed in The Gay Science.
The Dawn: A Journal for Australian Women was an early feminist journal published monthly in Sydney, Australia between 1888 and 1905. It was first published 15 May 1888 by Louisa Lawson using the pen name of Dora Falconer. The subtitle was later changed to A Journal for the Household. It became the official publication of the Australian Federation of Women Voters.
Louisa Lawson left her husband in 1883 and relocated her family to Sydney. There she supported her children through various jobs, including working as a seamstress and running a boarding house. During this period she was introduced to women's suffrage. In 1887 she purchased the Republican, a journal dedicated to Australian independence and, the following year, in 1888, she founded the Dawn.
From the outset the Dawn was intended as a mouthpiece for women. In the first edition, Louisa Lawson, writing under the name of Dora Falconer, wrote:
Nevertheless, the Dawn soon hit opposition: the Dawn was produced by an all-women team of editors and printers, and this fact angered trade unionists in the New South Wales Typographical Association, in part because women were paid substantially less than men. In fighting the Dawn, the association argued that the discrepancies in pay were such that men would be unable to compete, as women would be "… able to work for half the wages a man would require to keep himself and family in comfort and respectability", as well as arguing that the work was too dangerous for women to engage in. The association attempted to boycott the publication, and at one stage a member visited their offices to "harangue the staff" – only to be removed after having had a bucket of water thrown on them by Lawson. Lawson won the battle through patience and "stern resistance" – eventually the boycott lost momentum, and the Dawn continued as it had before.
Fight In The Skies, also known as Dawn Patrol, is a board wargame written by Mike Carr which models World War I style air combat. Carr began working on the game after watching the movie The Blue Max.
It is the only game to be on the event schedule every year of the Gen Con convention since Gen Con I. The game attracted a devoted following and it became an early Gen Con tradition to play the game on Saturday morning.
Carr produced the first three editions of the game himself and distributed them among fellow members of the International Federation of Wargamers. Guidon Games published the fourth edition in 1972 and TSR, Inc. published subsequent editions, starting with the 5th edition in 1975. When TSR produced the 7th edition in 1982, they renamed the game Dawn Patrol. This edition had a print run of 20,000 copies, the largest in the history of the game.
Players use a grid and cardboard counters to represent the locations of their planes. Since air combat is three dimensional, each player uses a log to keep track of the altitude of his plane. At the end of each turn, a player may fire on any enemy planes within his sights. A six-sided die is rolled to determine if a hit is made, and if necessary a second die is rolled to determine the amount of damage.
Well the night, it ends so slowly
As the last small fires go out
One by one on the hillsides
With the people hanging out
We were wrapped in just a blanket
Must've been a pretty sight
As we followed up the mountain
To sleep under the light
I was shivering and shaking
In my shoes
When The Dawn Patrol it took me
And shook away my blues
Well you know that funny feeling
You get sometimes, now and then
When you feel like you can't make it
And you want to start again
When I get that funny feeling
It's with you I wanna be
In the hours before daylight