Imperative mood

The imperative is a grammatical mood that forms commands or requests, including the giving of prohibition or permission, or any other kind of advice or exhortation.

An example of a verb in the imperative mood is be in the English sentence "Please be quiet". Imperatives of this type imply a second-person subject (you); some languages also have first- and third-person imperatives, with the meaning of "let's (do something)" or "let him/her/them (do something)" (these forms may alternatively be called cohortative and jussive).

Imperative mood can be denoted by the glossing abbreviation IMP. It is one of the irrealis moods.

Formation

Imperative mood is often expressed using special conjugated verb forms. Like other finite verb forms, imperatives often inflect for person and number. Second-person imperatives (used for ordering or requesting performance directly from the person being addressed) are most common, but some languages also have imperative forms for the first and third persons (alternatively called cohortative and jussive respectively).

Music video

A music video or song video is a short film integrating a song and imagery, produced for promotional or artistic purposes. Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings. There are also cases where songs are used in tie in marketing campaigns that allow them to become more than just a song. Tie ins and merchandising could be used in toys are marketing campaigns for food and other products. Although the origins of music videos date back to musical short films that first appeared in the 1920s, they came into prominence in the 1980s when MTV based their format around the medium. Prior to the 1980s, these works were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip" or "film clip". Since the creation and increased popularity of YouTube, mainstream artists now promote new music videos by releasing trailers of short promos on the site for their upcoming song and music video. Consequentially, YouTube has been converted into a social media platform for celebrities and artists to market themselves to their fans and audiences.

The Beatles

The Beatles were an English rock band, formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, they became widely regarded as the foremost and most influential act of the rock era. Rooted in skiffle, beat, and 1950s rock and roll, the Beatles later experimented with several genres, ranging from pop ballads and Indian music to psychedelia and hard rock, often incorporating classical elements in innovative ways. In the early 1960s, their enormous popularity first emerged as "Beatlemania", but as the group's music grew in sophistication, led by primary songwriters Lennon and McCartney, they came to be perceived as an embodiment of the ideals shared by the counterculture of the 1960s.

The Beatles built their reputation playing clubs in Liverpool and Hamburg over a three-year period from 1960, with Stuart Sutcliffe initially serving as bass player. The core of Lennon, McCartney and Harrison went through a succession of drummers, most notably Pete Best, before asking Starr to join them. Manager Brian Epstein moulded them into a professional act and producer George Martin enhanced their musical potential. They gained popularity in the United Kingdom after their first hit, "Love Me Do", in late 1962. They acquired the nickname "the Fab Four" as Beatlemania grew in Britain over the following year, and by early 1964 they had become international stars, leading the "British Invasion" of the United States pop market. From 1965 onwards, the Beatles produced what many consider their finest material, including the innovative and widely influential albums Rubber Soul (1965), Revolver (1966), Sgt. Pepper's Lonely Hearts Club Band (1967), The Beatles (commonly known as the White Album, 1968) and Abbey Road (1969).

Let Me

"Let Me" is a song written by Marc Beeson and Danny Orton, and recorded by American country music singer Pat Green. It was released in June 2008 as the lead-off single from his album What I'm For, which was released on January 27, 2009. The song peaked at #12 on the Billboard Hot Country Songs chart, becoming his second highest-charting single, behind 2003's "Wave on Wave", which peaked at #3.

Content

"Let Me" is a mid-tempo ballad in which the narrator promises to offer emotional support to the one that he loves.

Describing the song in a cut-by-cut synopsis of the album on Sony BMG Nashville's website, Green said that he liked the melody of the chorus (which contains multiple repetitions of the same note). He also said that the song drew his attention because it was a love song that did not explicitly use the word "love".

Reception

The song received a "thumbs down" review from the country music site Engine 145. Reviewer Brady Vercher criticized the song for being overproduced and trying to "garner radio success than pushing both [Green's and the producer's] boundaries to create something worthwhile." He also thought that vocally, Green got "lost" in the song and was unable to add any personality to the delivery.Washington Post critic Chris Richards said that Green's vocal delivery did not "sit right" in the "slow-burn" of the song, and Joey Guerra of the Houston Chronicle called it "stock country loverboy stuff."

Keith Ape

Dongheon Lee, better known by his stage name Keith Ape, is a South Korean trap artist.

His hit single 잊지마 (It G Ma) was released on January 1, 2015. and was picked by Billboard K-Town as #5 on the K-pop 2015 top list of songs.

Musical style and reception

He has been called the "Korean OG Maco", and noted for an exciting concert performance at 2015's SXSW rap showcase, among other performances which included J. Cole, Big Sean, Future, Migos, Rae Sremmurd, and more. His concert at SOB's in 2015 was listed as one of The New York Times top 40 picks, "unrestrained mayhem", and "a clear inheritor of Southern rap rowdiness".

References