Ableton Live

Ableton Live is a software music sequencer and digital audio workstation for OS X and Windows. The latest major release of Live, Version 9, was released on March 5, 2013. In contrast to many other software sequencers, Live is designed to be an instrument for live performances as well as a tool for composing, recording, arranging, mixing and mastering. It is also used by DJs, as it offers a suite of controls for beatmatching, crossfading, and other effects used by turntablists, and was one of the first music applications to automatically beatmatch songs.

History

Ableton Live is written in C++, with the first version released in 2001 as commercial software. Contrary to popular belief, Live itself was not prototyped in Max/MSP, although most of the audio devices were.

Features

Much of Live's interface comes from being designed for use in live performance as well as for production. As such the interface is more compact than most sequencers and clearly designed for use on a single screen. There are few pop up messages or dialogs. Portions of the interface are hidden and shown based on arrows which may be clicked to show or hide a certain segment (e.g. to hide the instrument/effect list or to show or hide the help box).

Live

Live may refer to:

Military

Film, television, and media

Films

TV

Information and communication technologies

Record producer

A record producer (or music producer) has a very broad role in overseeing and managing the recording (i.e. "production") of a band or performer's music. A producer has many roles that may include, but are not limited to, gathering ideas for the project, selecting songs and/or session musicians, proposing changes to the song arrangements, coaching the artist and musicians in the studio, controlling the recording sessions, and supervising the entire process through audio mixing (recorded music) and, in some cases, to the audio mastering stage. Producers also often take on a wider entrepreneurial role, with responsibility for the budget, schedules, contracts, and negotiations.

In the 2010s, the recording industry has two kinds of producers with different roles: executive producer and music producer. Executive producers oversee project finances while music producers oversee the creation of music.

A music producer can, in some cases, be compared to a film director, with noted practitioner Phil Ek describing his role as "the person who creatively guides or directs the process of making a record, like a director would a movie. The audio engineering [person] would be more the cameraman of the movie." Indeed, in Bollywood music, the designation actually is music director. The music producer's job is to create, shape, and mold a piece of music. The scope of responsibility may be one or two songs or an artist's entire album – in which case the producer will typically develop an overall vision for the album and how the various songs may interrelate.

Live Performance

Live Performance is a live album by Jake Thackray. Recorded at the Queen Elizabeth Hall in London in 1970, it was released on LP by EMI in 1971 and reissued in 1976. An expanded version was released on CD in 2006.

Thackray was uncomfortable performing in large venues, and his left-wing politics meant he could not understand why people would pay money to see him perform. He almost backed out of this concert, feeling he had no right to entertain such a large crowd, but producer Norman Newell managed to persuade him to go on.

LP track listing

All songs written and composed by Jake Thackray. 

CD track listing

All songs written and composed by Jake Thackray, except where noted. 

References

External links

Agent Cody Banks 2: Destination London

Agent Cody Banks 2: Destination London is an action comedy film and the sequel to the 2003 film Agent Cody Banks, and was released in the United States on March 12, 2004. Frankie Muniz was the only major returning star, with Hannah Spearritt playing the love interest and Anthony Anderson as the sidekick. The film takes place in London with Cody trying to recover a stolen software activating the government's mind control project.

The film grossed US$28,818,995 worldwide.

Plot

Agent Cody Banks (Frankie Muniz) attends summer camp, actually a secret facility for training CIA teenage agents. When a group of CIA soldiers attempt to abduct head counselor Victor Diaz (Keith Allen), Cody helps him escape, mistaking the CIA operation for a training exercise. The director informs Cody that Diaz stole disks containing plans for a secret mind-control device, and sends Cody to recapture him.

In the United Kingdom, Cody poses as a summer orchestra student at the Kenworth estate to spy on owner Lord Duncan Kenworth, suspected of working with Diaz, supported by his handler, Derek (Anthony Anderson) and Kumar, Derek's right-hand man, who are disguised as a chef hired by Lady Kenworth and a taxi driver respectively. Whilst keeping his mission a secret from his fellow students, Cody sneaks around the estate and confirms that Diaz and Duncan are working together and that they have a working prototype of the mind control device, evidenced when Duncan makes a dog serve drinks and play the piano.