- published: 03 Feb 2013
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Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song of the western Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope St. Gregory the Great with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of Roman chant and Gallican chant.
Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related chants. The scale patterns are organized against a background pattern formed of conjunct and disjunct tetrachords, producing a larger pitch system called the gamut. The chants can be sung by using six-note patterns called hexachords. Gregorian melodies are traditionally written using neumes, an early form of musical notation from which the modern four-line and five-line staff developed. Multi-voice elaborations of Gregorian chant, known as organum, were an early stage in the development of Western polyphony.
Gregorian might refer to:
A Requiem or Requiem Mass, also known as Mass for the dead (Latin: Missa pro defunctis) or Mass of the dead (Latin: Missa defunctorum), is a Mass in the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, using a particular form of the Roman Missal. It is frequently, but not necessarily, celebrated in the context of a funeral.
Musical settings of the propers of the Requiem Mass are also called Requiems, and the term has subsequently been applied to other musical compositions associated with death and mourning, even when they lack religious or liturgical relevance.
The term is also used for similar ceremonies outside the Roman Catholic Church, especially in the Anglo-Catholic tradition of Anglicanism and in certain Lutheran churches. A comparable service, with a wholly different ritual form and texts, exists in the Eastern Orthodox and Eastern Catholic Churches, as well as in the Methodist Church.
The Mass and its settings draw their name from the introit of the liturgy, which begins with the words "Requiem aeternam dona eis, Domine" – "Grant them eternal rest, O Lord". ("Requiem" is the accusative singular form of the Latin noun requies, "rest, repose".) The Roman Missal as revised in 1970 employs this phrase as the first entrance antiphon among the formulas for Masses for the dead, and it remains in use to this day.
01 - Introit - 00:00:00 - 00:06:27 02 - Kyrie Eleison - 00:06:28 - 00:12:59 03 - Asperges me, Domine - 00:13:00 - 00:19:40 04 - Credo IV - 00:19:41 - 00:27:26 05 - Pange lingua gloriosi - 00:27:27 - 00:33:57 06 - Gradual and Alleluia - 00:33:58 - 00:40:38 07 - Credo III - 00:40:39 - 00:47:21 08 - Jesu dulcis memoria - 00:47:22 - 00:54:23 09 - Adoro te devote - 00:54:34 - 01:01:01 **Copyright Disclaimer Under Section 107 of the Copyright Act of 1976, allowance is made for purposes such as criticism, comment, news reporting, teaching, scholarship, and research under the term "fair use", which is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, and personal use also tips the balance in favor of fair use. This video and its soundtrack, was u...
Gregorian Chants at 432Hz | Very Soothing Healing Music with Orchestral Arrangement For Awesome Meditations, Mantras, Chants and More, please subscribe to our channel here : http://www.youtube.com/subscription_center?add_user=TheMeditativeMind Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song of the western Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redaction. Although popular legend credits Pope St. Gregory the Great with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally ...
Gregorianische Gesange aus Assisi, Gregorian Chants from Assisi - Laudes Antiquae Medieval Lauds, In Cena Domini de Missa Solemni Vespertina - Coro della Cappella Papale di San Francesco d 'Assisi, Padre Maestro Alfonso Del Ferraro. (1967) In cena domini : de missa solemni vespertina = Plainsong melodies for the commemoration of the Lord's Supper on Maundy Thursday. De missa 1.Nos autem gloriari oportet 2. Christus factus est pro nobis obediens. De lotione pedum: 3.Mandatum novum do vobis 4. Postquam surrexit Dominus 5. Dominus Jesus, postquam cenavit 6. Domine, tu mihi lavas pedes? 7. Si ego Dominus et Magister vester 8. In hoc cognoscent omnes 9. Maneant in vobis fides, spes, caritas 10. Ubi caritas et amor, Deus ibi est De missa: 11. Dextera Domini fecit virtutem 12. Sa...
Gregorian chant is the central tradition of Western plainchant, a form of monophonic liturgical music within Western Christianity that accompanied the celebration of Mass and other ritual services.
3 HOURS Healing Gregorian Chant 432Hz | Bendictus | Powerfull music for healing body mind and spirit Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song of the western Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope St. Gregory the Great with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mod...
Peaceful chanting for you deepest meditations. As some say a this will make you mind clean and clear. A massive word up to Sara Yeomans for the monastery, David DeHetre for the sunset, and Johann Dréo for the hands, all of which I have combined in the underlying pic CC 2.0 http://creativecommons.org/licenses/by/2.0/
Century 3 1. Universi qui te expectant 2. Requiem aeternam, introit in mode 6 (Liber Usualis 1807a) 3. Kyrie eleison 4. Requiem aeternam, gradual in mode 2 5. Absolve, Domine, animas omnium, tractus in mode 8 (Liber Usualis No 1809) 6. Dies irae, dies illa, sequence in Mode 1 7. Domine Jesu Christe, offertory 8. Sanctus 9. Agnus Dei 10. Lux aeterna, communion, mode 8 11. Libera me, Domine, de Morte Eterna, responsory 12. In paradisum, antiphon 13. Omnipotens eterne (Agnus Dei) 14. Corpus quod nunc / Psallite domino, troped communion 15. Cives celestis patrie, hymn 16. Regem regum dominum (Invitatoire) 17. Iacobe servorum spes, répons 18. Ascendens Ihesus in montem (Offertoire) 19. In timore Dei 20. Testamentum eternum 21. Dedit Dominus confessionem sancto suo 22. Natus est rex 23. In nat...
Sign of the Cross: In nomine Patris, et Filii, et Spiritus Sancti. Amen Nicene Creed Credo in unum Deum, Patrem omnipotentem, factorem caeli et terrae, visibilium omnium et invisibilium, Et in unum Dominum Iesum Christum, Filium Dei unigenitum, et ex Patre natum, ante omnia saecula, Deum de Deo, lumen de Lumine, Deum verum de Deo vero, genitum, non factum, consubstantialem Patri: per quem omnia facta sunt. Qui propter nos homines et propter nostram salutem descendit de caelis. All bow during the following two lines: Et incarnatus est de Spiritu Sancto ex Maria Virgine, et homo factus est. Crucifixus etiam pro nobis sub Pontio Pilato; passus et sepultus est, et resurrexit tertia die, secundem Scripturas, et ascendit in caelum, sedet ad dexteram Patris. Et iterum venturu...
CD #3 Gregorian Choir of the Abbey of Grimbergen, Belgium Geroen van Boesschoten, conductor 01. Cantos extraídos da Liturgia dos Mortos 02. Subvenite 03. In paradisium - Psmal 04. Ego sum resurrectio et vita 05. Credo quod Redemptor meus 06. Libera me, Domine 07. Regem, cui omnia vivunt 08. Peccatem me quotidie 09. Requiem - Kyrie, 10. Gradualle: Requiem aeternam 11. Si ambulem 12. Alleluia: Requiem aeternam 13. De profundis 14. Dies irae 15. Domine Jesu Chrsite 16. Sancuts 17. Agnus Dei 18. Lux aeterna 19. Antequam nascerer 20. Clementissime Domine Advento 21. Rorate Coeli 22. Ave Maria 23. O Virgo Virginum 24. Sancta et Immaculata Páscoa 25. Isti sunt agni novelli Pentecostes 26. Veni Creator Spiritus
Digitized from the LP shown above, issued in 1973 on the Everest label, catalogue number 3346. Cantus Gregorianus vel cantus choralis sive cantus ecclesiasticus antiquus modus psallendi Ecclesiae Latinae est. Ortus sub tertio vel quarto saeculo et in saeculo septimo ad maturitatem evolutus Romae pontificis fautorisque musicae sacrae Gregorii Magni nomen assumpsit. Varii cantus fixi pro omnibus missae partibus et etiam pro omnibus diebus liturgici anni sunt. Unam tantum vocem et octo modos habet (duobus tantum utimur in musica moderna). Термин «григорианское пение» происходит от имени Григория I Великого (папа Римский в 590—604 годах), которому средневековая традиция приписывала авторство большинства песнопений римской литургии. Реально роль Григория ограничивалась, по-видимому, лишь сост...