No. 2 was an American indie rock band that originated in Portland, Oregon in 1996 and consisting of Neil Gust (guitar and vocals), Gilly Ann Hanner (bass, backing vocals; later to be replaced by Jim Talstra) and Paul Pulvirenti (drums).
No. 2 was formed by frontman Neil Gust after the breakup of Heatmiser. The band's name is a reference to the fact that this was Neil Gust's second band with Virgin Records:
The band quickly picked up where Heatmiser left off, with songs on their debut album No Memory that echoed the sound and feel of Mic City Sons. No Memory quickly earned the band praise for its melodic hooks and finely crafted songs. No. 2 began small, with Neil Gust asking a few friends to help record some material for a new album.
The band's first release, a 7" vinyl called "Allistair Chestnut", was released in mid-1999. The A-side, titled "Allistair Chestnut", is a song about falling for someone who is more interested in 'playing the field' than a relationship. The band's first full album, No Memory, was released within months of the "Allistair Chestnut" 7". A full tour followed, mostly opening for former bandmate Sam Coomes's band Quasi. A second album, What Does Good Luck Bring? followed in 2002.
No. 2: Original Motion Picture Soundtrack is the soundtrack to the New Zealand film No. 2. It was released alongside the film in 2006 by EMI
The soundtrack has been compiled by Don McGlashan and features the soulful and urban sounds of Tha Feelstyle, Che Fu, and Trinity Roots.
The lead single from the soundtrack, "Bathe In the River", was written by Don McGlashan and performed by an all-star cast including the vocal talents of Hollie Smith.
Don McGlashan won the 2006 APRA Silver Scroll for "Bathe in the River".
Online creation, also referred to as OLC, online coding, online building, and online editing, is a software feature of MUDs that allows users to edit a virtual world from within the game itself. In the absence of online creation, content is created in a text editor or level editor, and the program generally requires a restart in order to implement the changes.
An aspect of online creation that separates it from "mere game play" is that online creation systems can generally be used to create new content — new objects, new locations, new creatures — rather than simply creating instances of predefined items in the game world. Some have observed that certain forms of online creation — notably those associated with creating new commands — can threaten the stability of the server.
The first publicly available MUD that featured in-game creation of the game world was Skrenta's 1988 Monster.
The University of Chicago (U of C, Chicago, or UChicago) is a private research university in Chicago. The university, established in 1890, consists of The College, various graduate programs, interdisciplinary committees organized into four academic research divisions and seven professional schools. Beyond the arts and sciences, Chicago is also well known for its professional schools, which include the Pritzker School of Medicine, the University of Chicago Booth School of Business, the Law School, the School of Social Service Administration, the Harris School of Public Policy Studies, the Graham School of Continuing Liberal and Professional Studies and the Divinity School. The university currently enrolls approximately 5,000 students in the College and around 15,000 students overall.
University of Chicago scholars have played a major role in the development of various academic disciplines, including: the Chicago school of economics, the Chicago school of sociology, the law and economics movement in legal analysis, the Chicago school of literary criticism, the Chicago school of religion, and the behavioralism school of political science. Chicago's physics department helped develop the world's first man-made, self-sustaining nuclear reaction beneath the university's Stagg Field. Chicago's research pursuits have been aided by unique affiliations with world-renowned institutions like the nearby Fermilab and Argonne National Laboratory, as well as the Marine Biological Laboratory. The university is also home to the University of Chicago Press, the largest university press in the United States. With an estimated completion date of 2020, the Barack Obama Presidential Center will be housed at the University of Chicago and include both the Obama presidential library and offices of the Obama Foundation.
511 Building may refer to:
A home directory is a file system directory on a multi-user operating system containing files for a given user of the system. The specifics of the home directory (such as its name and location) is defined by the operating system involved; for example, Windows systems between 2000 and 2003 keep home directories in a folder called Documents and Settings.
A user's home directory is intended to contain that user's files; including text documents, music, pictures or videos, etc. It may also include their configuration files of preferred settings for any software they have used there and might have tailored to their liking: web browser bookmarks, favorite desktop wallpaper and themes, passwords to any external services accessed via a given software, etc. The user can install executable software in this directory, but it will only be available to users with permission to this directory. The home directory can be organized further with the use of sub-directories.
The content of a user's home directory is protected by file system permissions, and by default is accessible to all authenticated users and administrators. Any other user that has been granted administrator privileges has authority to access any protected location on the filesystem including other users home directories.
Home is the second album by alternative rock band Deep Blue Something. It was originally released by RainMaker Records in 1994 and re-released on Interscope in 1995.
All songs written by Todd Pipes, except where noted.
B-Sides:
Honte à toi qui la première m'a appris la trahison,
Et d'horreur et de colère m'a fait perdre la raison,
Et d'horreur et de colère m'a fait perdre la raison.
Honte à toi femme à l'oeil sombre, dont les funestes amours,
Ont enseveli dans l'ombre mon printemps et mes beaux jours,
Ont enseveli dans l'ombre mon printemps et mes beaux jours.
C'est ta voix, c'est ton sourire, c'est ton regard corrupteur,
Qui m'ont appris à maudire jusqu'au semblant du bonheur,
Qui m'ont appris à maudire jusqu'au semblant du bonheur.
C'est ta jeunesse, c'est tes charmes qui m'ont fait desespérer,
Et si je doute des larmes c'est que je t'ai vu pleurer,
Et si je doute des larmes c'est que je t'ai vu pleurer.
Honte à toi, j'étais encore, aussi simple qu'un enfant,
Comme une fleur à l'aurore mon coeur s'ouvrait en t'aimant,
Comme une fleur à l'aurore mon coeur s'ouvrait en t'aimant.
Certes ce coeur sans défense, pu sans peine être abusé,
Mais lui laisser l'innocence etait encore plus aisé,
Mais lui laisser l'innocence etait encore plus aisé.
Honte à toi, qui fut la mer de mes premieres douleurs,
Et tu fis de ma paupiere jaillir la source des pleurs,
Et tu fis de ma paupiere jaillir la source des pleurs.
Elle coule sois en sûr et rien ne la tarira,
Elle sort d'une blessure qui jamais ne guerira,
Elle sort d'une blessure qui jamais ne guerira.
Mais dans cette source amere, du moins je me laverais,
Et j'y laisserai j'espere ton souvenir aborré,
Et j'y laisserai j'espere ton souvenir aborré,
Et j'y laisserai j'espere ton souvenir aborré.